BIKIN NGAKAK!!! Stand Up Comedy Lintas Generasi

KOMPASTV JATENG
1 Jun 202311:02

Summary

TLDRThe script from 'Stand Up Comedy Indonesia' showcases a lively comedy scene featuring both young and seasoned comedians. It humorously explores the dynamics between parents and children, highlighting the generational gap and the different perceptions of humor. Comedians like Fatih and Sujiwo Tejo bring laughter with their relatable anecdotes about family life and the pressures of school, including the stress of standardized testing and the peculiarities of parent-teacher interactions. The script also pokes fun at societal expectations and the印尼喜剧界的自我调侃, providing a lighthearted commentary on everyday life.

Takeaways

  • 🎤 The script is from a Stand Up Comedy show in Indonesia, highlighting the growth and talent of Indonesian comedians.
  • 👏 The audience is treated to performances by comedians of various ages and experience levels, from young talents to seasoned artists.
  • 😂 A humorous observation is made about parents not finding their children funny, yet children are often embarrassed by their parents' jokes.
  • 🤔 The script touches on the curiosity children have about their parents' conversations and the awkwardness of being caught eavesdropping.
  • 😴 There's a comedic take on parents' insistence on children napping during the day, despite the children's desire to play.
  • 👨‍👩‍👧‍👦 The comedian reflects on the different dynamics between children and their parents, and how it affects their interactions.
  • 🏫 A relatable anecdote is shared about the stress of school, including the pressure of standardized testing and parental expectations.
  • 🎷 The comedian jokes about playing the saxophone, suggesting it's not as romantic as one might think and warning against the dream of becoming a saxophonist.
  • 👴 A tribute is paid to a senior comedian, Mbah Sujiwo Tejo, who is respected for his contribution to the comedy scene.
  • 🤝 The script includes a light-hearted jab at the comedy group Warkop, suggesting they are an example of how a group can maintain harmony by not sharing their earnings.

Q & A

  • What is the main theme of the Stand Up Comedy Indonesia event mentioned in the script?

    -The main theme revolves around the evolution of stand-up comedy in Indonesia, showcasing talented comedians from young to senior artists, and the humor derived from everyday life experiences, particularly focusing on the dynamics between children and parents.

  • How does the comedian describe the relationship between children and their parents in the script?

    -The comedian humorously portrays the relationship as one where children often find their parents' behavior amusing but are also subjected to parental control and discipline, such as being told to go to bed early despite wanting to play.

  • What is the comedian's take on the idea of children being considered funny by their parents?

    -The comedian suggests that while parents might find their children amusing, children often do not find their parents funny. This is illustrated through the example of children being quiet when parents gather, as they are curious about what their parents discuss.

  • How does the script use humor to comment on the contrast between children's and parents' activities?

    -The script humorously contrasts the activities of children, who want to play, with those of parents, who prefer them to sleep early. It uses this contrast to highlight the generational gap and the different priorities between children who want to enjoy their time and parents who value rest and discipline.

  • What is the comedian's opinion on the stress levels between children and their parents?

    -The comedian humorously suggests that while children are stressed about school and exams, their parents are equally stressed, if not more, due to the pressure of managing their children's education and dealing with the consequences of their children's performance.

  • How does the comedian reflect on their own school experiences in the script?

    -The comedian recalls being bullied by students from different school levels and the stress of school life, including being scolded by teachers and principals, and the pressure of exams and parental expectations.

  • What is the significance of the saxophone in the comedian's performance?

    -The comedian mentions playing the saxophone as a way to bring a romantic element to the comedy show, suggesting that playing the saxophone is often associated with romance, even in the context of a stand-up comedy performance.

  • How does the comedian view the role of comedy groups in maintaining the well-being of their members?

    -The comedian admires the way comedy groups, like Warkop, take care of their members' well-being, highlighting the importance of camaraderie and support within the industry.

  • What is the comedian's comment on the contrast between his own appearance and that of another comedian, Abang Alif?

    -The comedian playfully points out that Abang Alif is even fatter than him, using humor to comment on physical appearances and the stereotypes often associated with comedians.

  • How does the comedian address the issue of fairness in the entertainment industry?

    -The comedian questions the fairness of the entertainment industry by comparing his own status to that of other celebrities, such as Raditya Dika, who despite controversies still lands advertising deals, suggesting a disparity in opportunities and recognition.

Outlines

00:00

😄 Introduction to Indonesian Stand Up Comedy

The script opens with a lively introduction to the world of Indonesian Stand Up Comedy, highlighting its growing trend and the emergence of talented comedians across various age groups. The host sets the stage for a diverse lineup of performances, from young talents to seasoned veterans who have evolved into comedians. The audience is encouraged to applaud the performers, including Fatih and Sujiwo Tejo, as the atmosphere is filled with the sound of clapping and music. The comedians touch on the theme of generational humor, discussing the disconnect between children and their parents, and how parents often fail to understand the humor in children's activities, while children are quick to find their parents amusing. The script also humorously points out the irony of parents scolding children for being 'uncultured' while they themselves might not appreciate the cultural aspects of their children's interests.

05:03

😅 Parent-Child Dynamics and School Life

This paragraph delves into the humorous dynamics between parents and children, particularly focusing on the parents' tendency to 'bully' their children by enforcing strict bedtimes and not allowing them to enjoy their leisure time. The comedian shares relatable anecdotes about how parents are quick to send their children to bed during the day, only to engage in their own activities once the children are asleep. The script also touches on the stress of school life, with a comedic take on the United Nations' (UN) statement about children being under pressure, contrasting with the parents' stress over their children's academic performance. The comedian humorously recounts their own school experiences, including being scolded by teachers and parents, and the absurdity of being asked for a 'follow back' by a teacher on social media. The segment ends with a transition to the next comedian, Mbah Sujiwo Tejo, with a playful nod to the importance of comedy in maintaining the well-being of its performers.

10:04

😆 Social Commentary and Personal Experiences

The final paragraph provides a blend of social commentary and personal anecdotes. The comedian addresses a politician's derogatory remarks about 'nasi kucing' (cat food), expressing mock outrage and highlighting the absurdity of such statements. The script includes a self-deprecating joke about the comedian's own appearance, comparing themselves to Raditya Dika, a well-known figure, and humorously questioning the fairness of the world. The comedian also reflects on the transient nature of living in rented accommodations, suggesting that while physically moving is easy, leaving behind the memories associated with those places is more challenging. The segment concludes with a light-hearted jab at the entertainment industry, questioning why some individuals become the face of advertisements while others, like the comedian, do not, despite their talent and efforts.

Mindmap

Keywords

💡Stand Up Comedy

Stand Up Comedy is a form of live entertainment where a performer, known as a comedian, tells jokes and humorous stories to an audience. In the context of the video, it is the main theme as it discusses the Indonesian comedy scene and the performers involved. The script mentions various comedians, indicating the popularity and evolution of stand-up comedy in Indonesia.

💡Performers

Performers in this context refer to the comedians who are part of the stand-up comedy scene. The script highlights a range of performers from young talents to seasoned artists, showcasing the diversity within the comedy community. The mention of Fatih and Sujiwo Tejo as performers indicates their significance in the Indonesian comedy landscape.

💡Evolution

Evolution in the script refers to the development and change in the stand-up comedy scene over time. It suggests that the art form has grown and transformed, with new talents emerging and established artists adapting to the changing tastes of the audience. The evolution is evident in the variety of comedians and their styles mentioned throughout the script.

💡Comedy Generations

Comedy Generations refers to the different age groups of comedians, from the youngest to the most experienced. The script alludes to this by mentioning performances by comedians of various ages, indicating a rich tapestry of humor that caters to a wide range of audiences. The mention of 'seniman senior' or senior artists suggests respect for the veterans in the field.

💡Parent-Child Dynamics

Parent-Child Dynamics is a recurring theme in the script, where the comedian discusses the humorous interactions between parents and children. It is used to highlight the generational differences in humor and the way parents and children perceive each other's behaviors. The script uses this theme to create relatable and comedic scenarios, such as parents not understanding children's desire to play rather than sleep.

💡UN (United Nations)

In the script, the mention of the UN is used humorously to comment on the stress levels of students during exams, suggesting that the United Nations might consider the stress of students as a global issue. This is a satirical take on the pressures faced by students and their parents, using the authority of the UN to exaggerate the situation for comedic effect.

💡Saxophone

The saxophone is a musical instrument that is mentioned in the script as a symbol of romance. The comedian humorously advises against dreaming of playing the saxophone, implying that it might not lead to the romantic outcomes one might expect. This is used to create a humorous contrast between the perceived and actual outcomes of playing the instrument.

💡Comedy and Respect

Comedy and Respect are intertwined in the script as the comedian discusses the honor of being attended by respected figures in the comedy scene. The mention of Indro Warkop, a well-known Indonesian comedian, and the idea that comedy groups should maintain the well-being of their members, suggests that comedy can be a source of pride and respect within the community.

💡Satire

Satire is a genre of comedy that uses humor, irony, exaggeration, or ridicule to expose and criticize people's stupidity or vices, particularly in the context of contemporary politics and other topical issues. The script includes satirical comments about politicians and societal issues, using humor to make a point and provoke thought.

💡Injustice

Injustice is a concept touched upon in the script where the comedian expresses frustration about perceived unfairness in the world, such as why some individuals become famous while others do not. The mention of Raditya Dika being a star in advertisements while the comedian questions the fairness of this, uses humor to comment on societal norms and expectations.

Highlights

Stand Up Comedy is becoming a trend in Indonesia with many talented comedians emerging.

The audience will witness performances from young comedians to senior artists who have evolved into comedians.

Comedians discuss the perception of humor between children and parents, highlighting the generational gap.

A joke about children being told to go to sleep during the day while parents enjoy their time.

Comedian expresses the irony of being told to sleep early by parents who then enjoy their freedom.

The comedian shares a personal anecdote about being scolded by school authorities for not being assertive enough.

A humorous take on the stress of students during the UN exams and the parents' reactions to their children's performance.

The comedian jokes about being called to the principal's office and the absurdity of being asked for a social media follow back.

A light-hearted jab at the comedian's own school days, expressing frustration over not being able to get a good report card.

The introduction of the next comedian, Mbah Sujiwo Tejo, with a round of applause and music.

A comedic reflection on playing the saxophone and the romantic connotations associated with it.

The comedian humorously denies being a chemical comedy Stand Up, emphasizing their unique style.

A tribute to the attendance of Indro Warkop, highlighting the unity and prosperity of the comedy group.

A joke about the comedian Panji, who is described as having a big spirit despite his small stature.

The comedian talks about the difficulty of cleaning up after moving out from rented accommodations.

A political joke about a politician insulting 'nasi kucing' (cat food) and the potential backlash from cat lovers.

A commentary on the perceived injustice in the world, using the example of a celebrity who becomes a successful advertiser despite not being a judge.

Transcripts

play00:06

Selamat datang kembali di Stand Up

play00:08

Comedy Indonesia

play00:09

[Tepuk tangan]

play00:11

[Musik]

play00:16

Stand Up Comedy sudah menjadi tren di

play00:18

Indonesia sudah mulai banyak

play00:20

komika-komika yang berbakat dan mudah

play00:22

bermunculan nah anda nanti akan

play00:25

menyaksikan performa komika Indonesia

play00:26

dari usia termuda hingga seniman senior

play00:30

yang berevolusi menjadi komik ya ini

play00:32

seniman atau seniman sih sebenarnya ini

play00:34

atau

play00:42

tadi Gaya Gue tuh begini atau begini ya

play00:44

ini bakal diikatnya

play00:46

hingga seniman

play00:48

senior yang berevolusi menjadi komika

play00:51

beri tepuk tangan yang meriah untuk

play00:52

Fatih

play00:54

dan Sujiwo Tejo

play00:57

[Tepuk tangan]

play01:00

[Musik]

play01:09

penonton

play01:13

orang tua amanah kecil itu

play01:17

emang gak pernah nyambung

play01:25

kalau mereka menganggap kita-kita lucu

play01:28

sebaliknya

play01:30

kita-kita

play01:32

nggak pernah tuh nggak orang tua kita

play01:35

lucu

play01:38

contohnya nih

play01:41

kalau orang-orang tua pada ngumpul

play01:44

kita-kita kan biasanya pada kepo tuh

play01:47

[Tepuk tangan]

play01:49

rasa biasalah Namanya juga anak kecil

play01:54

pengen tau juga dong orang tua kita lagi

play01:56

ngomongin apa

play02:00

tapi

play02:02

baru aja mendekat eh

play02:06

orang-orang tua langsung ngomong

play02:09

anak kecil

play02:16

kebayang gak sih Sakitnya digituin

play02:18

[Tepuk tangan]

play02:28

tapi coba

play02:30

kalau anak-anak kecil pada ngumpul

play02:33

terus orang tua datang mau ikut nimbrung

play02:38

nah mau gak digituin

play02:43

mau gak

play02:48

buntut-buntutnya paling kita dibilang

play02:50

anak kurang ajar

play02:52

[Tepuk tangan]

play03:00

tapi Mana ada orang tua yang mau

play03:02

dibilang orang tua kurang ajar

play03:06

iya nggak iya iyalah

play03:12

yang paling nyebelin lagi nih

play03:15

kalau kita baru pulang sekolah

play03:19

kita baru aja mau main eh orang tua kita

play03:24

langsung ngomong ayo anak-anak tidur

play03:27

siang

play03:31

Aduh nonton

play03:33

nggak sih banget rasanya

play03:39

baru aja mau main eh udah disuruh tidur

play03:43

siang

play03:45

belum lagi kalau malam

play03:48

baru aja jam berapa

play03:50

kita-kita yang masih kecil udah disuruh

play03:54

tidur duluan

play03:57

Ayo anak-anak cuci kaki terus bobo

play04:03

mereka tahu nggak sih nonton anak itu

play04:07

dunianya dunia main

play04:12

bukan dunia tidur

play04:14

[Tepuk tangan]

play04:18

lagian

play04:19

kalau kita kita udah pada tidur

play04:23

Bapak Ibu mau ngapain

play04:25

[Tepuk tangan]

play04:33

kayaknya orang tua kita

play04:36

bahagia banget kalau anaknya tidur terus

play04:45

aku Jadi curiga

play04:48

jangan-jangan orang tuaku menyangka

play04:51

anak yang berbakti adalah anak yang

play04:54

kebanyakan tidur

play04:59

dan kalau kita ngerti lu tidur orang tua

play05:02

kita langsung nyanyi

play05:04

Kalau tidak bobo digigit nyamuk

play05:10

tuh kan

play05:13

kebayang gak sih bagaimana sadisnya

play05:16

orang tua ngebully anaknya sendiri

play05:23

saya jumpa

play05:27

hidup anak kecil

play05:32

ini dia komik selanjutnya

play05:36

dia gendut lebih gendut daripada aku

play05:40

ini dia

play05:44

Abang Alif

play05:47

[Tepuk tangan]

play05:51

season 1 season 2 season 3

play05:57

[Musik]

play06:07

Alif gua kalau satu SMP

play06:11

sekolah gue itu nyampur SD SMP SMA

play06:14

gara-gara satu gedung Gue pernah dipalak

play06:17

sama anak SMA Gua nggak berani ngelawan

play06:21

lagi sama anak SD

play06:28

dan tetep Gua nggak berani ngelawan

play06:37

dan Kalau ngomongin soal sekolah

play06:39

sekarang lagi zaman UN

play06:42

kata UN bisa anak padahal orang tuanya

play06:46

lebih stress

play06:47

anaknya stress nyari bocoran

play06:51

orang tuanya

play06:59

gara-gara bocoran gue bolak-balik ruang

play07:02

Kepala Sekolah

play07:03

dimarahin Kagak gua malah dikasih

play07:07

jawaban

play07:09

dia baik Kagak gua

play07:14

[Tepuk tangan]

play07:17

sekarang

play07:23

sama guru gua gua dipanggil

play07:26

dimarahin kagak

play07:29

guru gue minta follback

play07:34

aduh

play07:37

dan kalau ngomong guru gua

play07:41

itu pendek

play07:43

makanya waktu SD gue paling kesel gua

play07:45

nggak bisa ngambil raport

play07:51

aduh anak durhaka

play07:55

gua nggak malu cuman guru gua nggak

play07:57

ngasih

play08:00

orang tuanya kemana

play08:06

selamat malam

play08:11

kita Panggil kan komik selanjutnya udah

play08:14

Mbah

play08:15

Sujiwo Tejo

play08:17

[Tepuk tangan]

play08:23

[Musik]

play08:28

[Tepuk tangan]

play08:31

[Musik]

play08:43

saya main saxophone karena main

play08:46

Sexophone pasti romantis kalau tidak

play08:48

punya jiwa romantis Jangan pernah

play08:50

bermimpi main saxophone

play08:53

saya tampil di sini bukan untuk jadi

play08:55

chemical komedi Stand Up Karena saya

play08:59

lebih dari itu

play09:01

saya juga bukan juri karena di atas

play09:04

mereka

play09:07

tapi Tepuk tangan untuk Stand Up Comedy

play09:09

karena sudah dihadiri oleh penirus

play09:13

berarti Stand Up Comedy sudah dianggap

play09:16

lebih tajam tajam

play09:25

saya juga merasa terhormat bahwa

play09:28

dihadiri oleh Indro Warkop ini adalah

play09:31

satu-satunya contoh Bagaimana kelompok

play09:33

komedi menjaga kesejahteraan anggotanya

play09:36

beliau paling Sejahtera di Indonesia

play09:38

karena honornya enggak dibagi lagi sudah

play09:42

[Tepuk tangan]

play09:45

ada Panji juga Panji ini berjiwa besar

play09:47

karena Setahu saya tidak ada mau pakai

play09:50

jas apapun selalu kelihatan kekecilan

play09:56

Oke saya mengenang ke kanan masih ada

play09:59

remaja supaya lawan saya dimengerti ini

play10:01

bukan lawakan

play10:03

sering pindah kos-kosan itu gampang

play10:06

membersihkan kos-kosan itu gampang yang

play10:08

paling susah membersihkan kenangannya

play10:16

pernah ada politisi di negeri kalian

play10:18

menghina nasi kucing gak datang ke KPK

play10:20

saya bilang bullshit di negeri yang juga

play10:22

sakit hati mau menghina nasi kucing

play10:24

karena takut menyinggung catwomans

play10:28

itu bisa bahaya sekali dan diberi datang

play10:31

ke sini Kenapa ini

play10:38

lihat Raditya Dika sudah begini Itu dia

play10:41

juri loh nggak ada apa-apanya dibanding

play10:43

aku

play10:45

Kenapa yang jadi bintang iklan dia

play10:48

di mana keadilan dunia ini

play10:51

[Tepuk tangan]

play10:53

[Musik]

play10:59

[Tepuk tangan]

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Etiquetas Relacionadas
Indonesian ComedyStand UpParenting HumorSchool JokesComedian ShowcaseCultural TrendsHumor EventSatiric RemarksFamily DynamicsComedy Performance
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