Stand Up Marshel: Ya Ampun, Hari Ini Gue Lucu Banget - SHOW 4 BESAR | SUCI IX

Summary

The transcript captures a lively and humorous conversation between Indonesian comedians Marcel Widya and Drop Out. They discuss their experiences performing at a comedy event, sharing their excitement and nervousness. They joke about their performances, the comedy industry, and their personal lives, including funny anecdotes and light-hearted banter. The dialogue is filled with laughter and a sense of camaraderie, reflecting the joy and challenges of being part of the comedy scene.

Takeaways

• 🎤 The speaker, Marcel Widya, is excited to perform at a comedy stage named 'Suci', indicating a sense of achievement and enjoyment.
• 🤝 He acknowledges the presence of other comedians and industry figures like Radit, the founder of Serat Indo, and Panji from Temon Bioskop, showcasing a sense of camaraderie.
• 😂 Marcel humorously discusses the pressure of performing, especially when sharing the stage with other talented comedians, highlighting the competitive yet friendly nature of the comedy scene.
• 📺 He makes a playful reference to the 'three of us' representing stand-up comedy on television, suggesting a form of collective identity and representation.
• 😅 Marcel shares a personal anecdote about being nervous and getting sick, which adds a relatable and humanizing touch to his performance.
• 🏆 He mentions an award and a 'free' industry, possibly referring to the challenges and perks of being in the entertainment business.
• 📱 A humorous story is told about playing Mobile Legends near a rice barn, adding a rural and接地气 element to the comedy.
• 🤣 Marcel engages in self-deprecating humor, talking about his material being 'used up' and needing new content, which is a common theme among comedians.
• 🏅 He reflects on the drastic changes in life, using the phrase 'drastically changing' to emphasize the unpredictability and the need to adapt.
• 🚖 A funny incident is shared where Marcel confuses 'Terminal' with 'Pitam', a local term for a type of vehicle, showing a mix-up that leads to laughter.

Q & A

Who is Marcel Widya and what is his profession?

Marcel Widya is an Indonesian comedian and actor known for his work in the entertainment industry, particularly in stand-up comedy.

What is the significance of the term 'Drop Out' in the context of Marcel Widya's introduction?

The term 'Drop Out' in Marcel Widya's introduction is likely a humorous or ironic way to describe his departure or break from a previous situation or routine, possibly referring to his career or personal life.

What does Marcel Widya express his excitement about in the script?

Marcel expresses his excitement about performing on stage at a venue called 'Suci' and the opportunity to perform with his fellow comedians Kiki and Ringgin.

Who are Kiki and Ringgin, and what is their relation to Marcel Widya?

Kiki and Ringgin are fellow comedians who are mentioned as being on the same stage with Marcel Widya, suggesting they are colleagues or collaborators in the comedy scene.

What is the 'Temon Bioskop' and how is it related to Marcel Widya?

Temon Bioskop is likely a venue or organization related to the comedy or entertainment industry. Marcel Widya mentions it, indicating a possible performance or event connection.

What is the meaning behind Marcel Widya's statement about being 'senior'?

Marcel Widya's statement about being 'senior' could be a self-deprecating joke about his experience or age in the comedy industry, suggesting he has been around for a while.

What does Marcel Widya imply when he says 'gila-gila udah sampai habis materi'?

When Marcel says 'gila-gila udah sampai habis materi', he implies that he has used up all his material or jokes, possibly indicating a moment of humor or self-reflection on his comedic content.

What is the 'Double meaning' joke that Marcel Widya refers to in the script?

The 'Double meaning' joke is a comedic technique where a phrase or situation can be interpreted in two different ways, often with one interpretation being humorous or risqué. Marcel Widya might be referencing this technique in his comedy.

Why does Marcel Widya mention 'Bikini Bottom' in the script?

The mention of 'Bikini Bottom' is likely a humorous reference to the fictional underwater city from the animated series 'SpongeBob SquarePants', used by Marcel Widya to create a playful or absurd context in his comedy.

What is the significance of Marcel Widya's story about taking a taxi to the airport?

The story about taking a taxi to the airport is a comedic anecdote where Marcel Widya humorously recounts a mix-up with the taxi driver, possibly to highlight the absurdity of everyday situations.

Outlines

00:00

🎤 Comedy Night at Suci's Stage

The speaker, Marcel, expresses his excitement about performing at a comedy stage named 'Suci'. He humorously refers to the stage as 'clean', implying the purity of comedy in Indonesia. He mentions his nervousness and the anticipation of performing with his fellow comedians, Kiki and Ringgin. Marcel also acknowledges the presence of senior comedians and industry figures like Bang Radit and Abdel, adding to the significance of the event. He playfully discusses the comedic chemistry among the performers and their shared experiences, including a humorous anecdote about a sick Uus and the unpredictable nature of comedy material. The paragraph ends with Marcel's reflections on the drastic changes in life due to comedy, hinting at personal growth and the evolution of his material.

05:02

🚖 Misadventures in Jakarta's Transportation

In the second paragraph, Marcel shares a personal anecdote about a mix-up with transportation in Jakarta. He humorously describes a taxi ride to the airport where he mistakenly ends up at a terminal instead of the actual airport. This leads to a comical misunderstanding with the taxi driver and a moment of self-reflection on his status as a comedian. Marcel also touches on the theme of being underestimated or overlooked, likening his experience to that of an unrecognized member of a group. He ends the paragraph with a light-hearted jab at the industry, suggesting that sometimes even the most established comedians can have moments of feeling 'misplaced' or 'out of place', which could be a metaphor for the unpredictable nature of their careers.

Keywords

💡Stand-up Comedy

Stand-up comedy is a form of comedy where a person performs in front of an audience, usually speaking directly to them, often including props, jokes, and humorous stories. In the script, the theme of stand-up comedy is central, as the speaker discusses their experiences and performances on stage, indicating the challenges and humor involved in this form of entertainment.

💡Comedian

A comedian is a person who seeks to entertain an audience, primarily by making them laugh. The script references the role of a comedian, highlighting the personal journey and experiences of the speaker, who identifies as one. It showcases the humor and wit that comedians often employ in their acts.

💡Panggung

In Indonesian, 'Panggung' translates to 'stage' in English. The script mentions 'Panggung Suci', which could imply a sacred or special stage, indicating the importance and reverence the speaker has for the platform where they perform their comedy acts.

💡Komik

Komik, meaning 'funny' or 'comical' in Indonesian, is a keyword that underscores the essence of the video's content, which is humor. The speaker uses this term to describe their performance and the reactions of the audience, emphasizing the goal of making people laugh.

💡Industri Komedi

Industri Komedi refers to the comedy industry. The script mentions this term to discuss the business and professional aspects of being a comedian, suggesting the competitive and creative environment within which comedians operate.

💡Seriawan

Seriawan is a term that could be used to describe someone who is always in a series or sequence of events, often humorously chaotic. In the context of the script, it might be used to describe the speaker's comedic persona or the串联 of humorous incidents in their life.

💡Teman-teman

Teman-teman translates to 'friends' in English. The script uses this term to address the audience and fellow comedians, creating a sense of camaraderie and shared experience, which is a common element in comedy shows where performers often interact with the crowd.

💡Materi

Materi in Indonesian means 'material', often referring to the content or subject matter of a performance. In the script, the speaker discusses their 'materi', which are the jokes and stories they use in their stand-up routine, indicating the preparation and thought that goes into creating a comedy act.

💡Ketawa

Ketawa means 'laugh' in Indonesian. The script mentions this to emphasize the reaction the speaker hopes to elicit from the audience, which is a fundamental goal of comedy. It also reflects the speaker's satisfaction when their material successfully makes people laugh.

💡Berdua

Berdua translates to 'together' or 'in pairs'. The script uses this term to describe a collaborative aspect of comedy, possibly referring to the speaker's experiences working with another comedian or the dynamic of performing in pairs, which is a common format in comedy shows.

💡Gila-Gila

Gila-Gila is an Indonesian onomatopoeic term that conveys a sense of extreme excitement or madness. In the script, it's used to express the speaker's enthusiasm for comedy and the lively, energetic atmosphere of their performances.

Highlights

Marcel Widya expresses excitement about performing on stage at Suci's comedy show.

Marcel mentions the importance of comedy in Indonesia and its impact on the industry.

He talks about his nervousness before performing, especially in front of comedy legends.

Marcel shares a funny anecdote about being confused at the airport, mistaking a taxi terminal for an airplane terminal.

He jokes about the drastic changes in life, comparing it to a stand-up comedy routine.

Marcel humorously discusses the evolution of technology and how it's changed over time.

He makes a self-deprecating joke about his own comedy material running out.

Marcel tells a story about being recognized and receiving a handsome award, humorously exaggerating the situation.

He pokes fun at the idea of being considered a representative of stand-up comedy on television.

Marcel shares a funny story about playing mobile games and being disturbed by a name that sounds like a pest.

He humorously reflects on the fear of not being funny and how it affects comedians.

Marcel makes a joke about the double meaning of a name, playing with language and humor.

He talks about the unpredictability of life and how it can change dramatically, using a comedic approach.

Marcel humorously describes a situation where he was mistaken for someone else at an event.

He shares a funny story about a mishap with a taxi driver, adding a comedic twist to the everyday experience.

Marcel ends his set with a joke about the challenges of closing a stand-up comedy show with current, relatable material.

Transcripts

Hai begitu langsung aja kita panggilkan

ini dia Marcel Widya Drop Out

Oh iya laut malam Hah Hei salam semuanya

ya yang di-zoom juga Selamat malam

teman-teman mohon bantuannya Yah tolong

ketawa hahaha Ririn ikan itu tolong ya

karena bisa dibilang Saya seneng banget

hari ini bisa bermain di panggung Suci

Wow Uh kok seneng banget sumpah Keren

kan aku niatnya Suci banget sumpah Suci

banget karena ya bedanya gua masuci

sangat kalau diizinkan Suci stenap

komedi Indonesia merupakan Suci juga

antena komedi industri wow wow parah

banget gue industri banget Say gacor dan

gue senang banget gitu tapi gimana hari

ini cukup atlet banget bener-bener panik

sumpah karena Iya gua akan senior-senior

gitu ya

dan ada Bang Radit founder dari serat

Indo Om Panji foundation juga kan sing

Abdel Hei nunggu loh Hahaha makasih

Beijing founder dari Temon bioskop Hah

nguing nguing Hari ini gua sedang banget

apalagi gue sekarang bisa satu panggung

sama teman-teman seperjuangan gua-gua

Kiki dan ringgin Banyak yang bilang kita

bertiga adalah perwakilan dari stenap

komedi di televisi uh gila gila gila

gila gentakdi kita lihat regin Lucu

banget Lucu banget ketika Uus sakit

lagi-lagi rezeki orang dimakan hahaha

ngejauh dengan insting yang disana

halo hahaha terus kalau bisa dibilang

kan ada orang ya kita bertiga tuh sama

tapi gue titipin ke nggak Samalah lebih

baik kita berdua ya gaya jauh rigen

kayaknya tapi kalau dipikir-pikir kita

agak sama hari ini kita memang sama-sama

juri tamu tapi gue kena flu enggak sih

Hah itu berarti orang Kompas nggak

percaya sama lu Hah kenapa sih gan

stelah bukan Ros tinggi takut instastory

aku takut enggak lucu hah Radit

ketawanya kenceng banget kita sabun

pikiran ya bang ehhh Ampun Tadi betah

banget hahaha udah gue tadi udah nyiapin

bom slide bongkarnya hari ini belum

pulang Lagi kenapa ki ini bukan

growthing takut Apa takut nggak lucu nah

kalau Hening baru gue bilang kalau

begini gue yang takut hahaha

hai hahaha Habibi Bogor Komplek boleh

lihat Uh dengan materi gua berhasil

boomset gua berhasil dianggap berhasil

cuman satu nope Hah banget Lima Besar

balik ke desa dia Hah Nobe kerjanya main

mobile legend di sebelah lumbung padi

hahaha diganggu nama hama wereng Wing

Hahaha Ya ampun lucu banget nih hari ini

Pak percuma industri make gua nih ah

gila-gila udah sampai habis materi gua

tidak Goblok lu Yogyakarta ya percaya

banget Memang Hidup itu memang bisa

berubah berubah drastis karena stenap

komedi paling

nyoba Kang julo Ibu kayak banget kan

Hehehe Rafa Rafa SH heboh ayam anget

atau lu tahu Ninjago Ninjago sekarang

satunya beda 300000mah gua minta guru

Hahaha kalau dulu ya ampun dulu

teknologi yang nanya dulu nih susah apa

nih dulu waktu buka ATM itu saldo Gua

lebih pendek daripada nomor PIN hahaha

lebih pendek dari nomor PIN Yuki lalu

tahun yuk contoh tahu aja lu susah di

sini dulu bilang ngilangin kaki doang

begini loh ah dapat duit Enak bener lu

ngomentarin stand-up opener Jakarta

mungkin gua

Hai mengecewakan Mas Panji tapi Mas

nanti kalau nggak di grup amatir itu hah

berlari lagi sebentar lagi nyari lagi

tapi tapi karena memang udah kaya banget

tapi ada kadang momen dimana Dewa miskin

Gue tuh suka memanggil-manggil untuk

memprediksi itu kan waktu itu gua ada

momen ketika gua berangkat gue pengen

kembali waktu jadi gue berangkat dari

rumah ke bandara itu naik taksi kalau

emang kayak banget salah satu anggota

dari yunikon gitu Hah naik-naik

[Tertawa]

duduk-duduk sa berkasnya bilang Terminal

berapa masuk Terminal hahaha aneh banget

hahaha aku bersaksi baru-baru

terima Anugerah ganteng ngomong doang

duit gue dengan percuma gua turun naik

Damri Hahaha nggak bisa sudah duduk

kenaikan hanya Mas turun di terminal

berapa teman-teman supir taksi yang tadi

hah akhirnya gue pengen ke bandara

sampai naik pesawat bukan naik pitam Wow

sorry sorry Bang Radit Bang Radit nggak

suka meudabel Mini memang Raditya ampuh

tapi itu yang berlaku di industri

melainkan hahaha bodo amat lah maksudnya

nggak suka ada belum ini karena nggak

mungkin juga Batam Tri gitu kan paling

Bikini Bottom Ya ampun double meaning

lagi banget kamu itu namanya apa Double

meaning colback hahaha daya alam mencoba

hari ini kacau dan biasanya Stand Up

median itu kalau menutup materinya

dengan materi yang paling pecah sekarang

lu tinggal pilih gua mau nutup dengan

materi yang mana dari yang Haji Terima

kasih lama kemudian halte iriantos Oke

anting-anting belum lagi kalau parcel

ganti nama belakang Iya jadi apa Marcel

sangat elu Woi Marvells Widianto

kompasnya huruf M di Seoul ngeri mana

komentarnya bukan curian mengomentari

tapi kita akan memanggil tempat peserta

untuk hahaha bilang aja sudah terbawa

relokasi Brazil