Mulakaram Dalit mahilayo ko dena padta tha

Raju kariyawa
3 Nov 202114:31

Summary

TLDRThe script narrates a powerful story set in Travancore, Kerala, highlighting the deep-rooted caste system and its dehumanizing practices, particularly the 'breast tax' imposed on lower-caste women. It features a lower-caste woman's defiance against this oppressive law, her decision to go topless as a form of protest, and the societal backlash she faces. The narrative is interspersed with songs and dialogues that underscore the struggle for dignity and rights amidst a system that seeks to suppress and exploit the marginalized.

Takeaways

  • 😔 The story is set in a time when the caste system was deeply entrenched in Kerala, India, under the rule of the Travancore king.
  • 👗 There were strict dress codes that allowed one's caste to be identified at a glance, highlighting the rigid social hierarchy.
  • 🚫 Lower caste women were forced to go topless as a form of social control and humiliation, with severe consequences for defiance.
  • 💔 The narrative conveys a deep sense of injustice and the daily struggle for dignity faced by those at the bottom of the caste hierarchy.
  • 🗣️ The script includes a powerful call to action for the oppressed to raise their voices against the oppressive caste system and societal norms.
  • 🌟 It tells the story of a lower caste woman named Nangeli, who becomes a symbol of resistance against the dehumanizing 'breast tax'.
  • 🔥 Nangeli's act of defiance, choosing to go topless in protest, sparks a movement and leads to the eventual abolition of the breast tax.
  • 🤝 The script emphasizes the importance of solidarity and support in the fight against systemic discrimination and social injustice.
  • 📚 It serves as a historical reminder of the atrocities committed in the name of caste and religion, urging society to learn from the past.
  • 🌈 The narrative concludes with a message of hope, resilience, and the potential for societal change through collective resistance and advocacy.

Q & A

  • What is the historical context of the story mentioned in the script?

    -The story is set in the past when Travancore, a region in Kerala, was under the rule of its king. During this time, there were strict dress codes that allowed one's caste to be identified at first glance, indicating deep-rooted caste discrimination.

  • What was the 'Breast Tax' or 'Maula Karma' mentioned in the script?

    -The 'Breast Tax' or 'Maula Karma' was a demeaning tax imposed on lower caste women in Travancore, requiring them to pay a tax for covering their breasts, which was a form of social control and humiliation.

  • Why did the women from lower castes have to cover their breasts as per the rules of that time?

    -According to the societal norms of that era, lower caste women were required to cover their breasts as a mark of their low status, and failure to do so would result in them being subjected to the 'Breast Tax'.

  • What does the script imply about the treatment of the lower castes in society?

    -The script implies that the lower castes were treated with disdain and subjected to various forms of discrimination and humiliation, including the imposition of the 'Breast Tax'.

  • What is the significance of the character 'Nangeli' in the script?

    -Nangeli is a character that symbolizes resistance against the oppressive 'Breast Tax'. She is depicted as a lower caste woman who challenges the societal norms and the degrading tax imposed on women like her.

  • What does the script suggest about the role of the upper castes in perpetuating caste discrimination?

    -The script suggests that the upper castes played a significant role in enforcing caste discrimination through laws and societal norms, such as the 'Breast Tax', which were designed to maintain their dominance.

  • What is the message conveyed by the character's decision to not pay the 'Breast Tax'?

    -The character's decision to not pay the 'Breast Tax' is a bold act of defiance against the oppressive system. It conveys a message of resistance, self-respect, and the fight for equality and human rights.

  • How does the script reflect the struggle of the lower castes for their rights?

    -The script reflects the struggle of the lower castes through the narrative of characters who are fighting against the discriminatory practices and laws that deny them their basic rights and dignity.

  • What is the significance of the character's decision to challenge the 'Breast Tax' openly?

    -The character's decision to challenge the 'Breast Tax' openly signifies a public stand against the oppressive system, aiming to raise awareness and inspire others to join the fight against caste-based discrimination.

  • How does the script portray the impact of caste discrimination on the daily lives of the lower castes?

    -The script portrays the impact of caste discrimination on the daily lives of the lower castes by highlighting the humiliation, poverty, and lack of opportunities they face due to the societal norms and laws that marginalize them.

Outlines

00:00

😔 Struggle Against Caste Discrimination

The first paragraph sets the scene in Kerala during the reign of the Travancore king, highlighting the deep-rooted caste system where identifying a person's caste was possible at first glance. It discusses the oppressive laws that required lower-caste women to cover their upper bodies and the consequences of defying these norms, which included the humiliating 'breast tax' or 'mola karm.' The narrative is interspersed with a powerful song that reflects the anguish and defiance of the lower castes, questioning the silence of society and the need for change. The paragraph ends with a call to action, urging the audience to stand up against these discriminatory practices and to fight for the rights of the oppressed.

05:04

🔥 The Torch of Rebellion

The second paragraph continues the narrative by acknowledging the difficulties that come with challenging the established norms and the caste system. It introduces the metaphor of a torch being lit, symbolizing the beginning of a struggle. The paragraph includes a song that calls for raising voices against the injustices faced by lower castes, emphasizing the need for collective action. It describes the societal shame faced by those who must wear clothes as a sign of their lower status and the legal repercussions of defying these norms. The paragraph introduces characters named Jeero and Delhi, who are depicted as being defiant against the unjust laws, with Jeero asserting her right to not pay the 'breast tax' and vowing to fight against the system.

10:05

🌟 The Legacy of Nangeli

The third paragraph recounts the story of Nangeli, a woman from the lower caste who made a bold statement against the 'breast tax' by cutting off her own breasts, thereby refusing to pay the tax. Her act of defiance is described as a dagger to the heart of society, causing a stir and leading to a movement. The paragraph also reflects on the broader implications of caste and religion in Indian society, highlighting the historical and ongoing struggles against these discriminatory practices. It concludes with a tribute to Nangeli's courage and the impact of her actions, which led to the eventual abolition of the 'breast tax' and a call for continued resistance against caste-based discrimination.

Mindmap

Keywords

💡Caste System

The caste system is a social stratification system that has been historically prevalent in parts of South Asia, particularly India. It divides people into different social groups based on their ancestral occupation and social status. In the video's context, the caste system is highlighted as a source of discrimination and injustice, where lower castes are subjected to unfair treatment and humiliation, such as the 'Breast Tax' mentioned in the script.

💡Breast Tax

Breast Tax, also known as 'Maula Karma' in the script, refers to a historical tax imposed on lower caste women in certain regions of India, requiring them to pay a tax for covering their breasts. This tax is used in the video to symbolize the oppressive measures against lower caste women and the broader caste system's inequities.

💡Discrimination

Discrimination in the script refers to the unequal treatment of individuals or groups based on their social status or identity. The video emphasizes the systemic discrimination against lower castes, where they are marginalized and subjected to dehumanizing practices, such as the Breast Tax.

💡Protest

Protest, as depicted in the script, is a form of civil disobedience where individuals or groups express their opposition to injustices or perceived wrongs. In the video, protest is a central theme, with characters rallying against the oppressive caste system and the Breast Tax, seeking societal change.

💡Resistance

Resistance in the script symbolizes the act of standing up against oppressive forces. It is portrayed through the characters' determination to challenge and defy the caste system's rules, such as the protagonist's decision to not pay the Breast Tax and to fight for her rights.

💡Human Rights

Human Rights are the basic rights and freedoms to which all individuals are entitled. The script emphasizes the denial of these rights to lower caste individuals, particularly women, and the video's narrative revolves around the struggle for the recognition and enforcement of these rights.

💡Social Change

Social Change refers to shifts in societal structures, institutions, or relationships. The video advocates for social change by depicting the characters' efforts to challenge and dismantle the caste system, aiming for a more equitable society.

💡Voice of the Oppressed

The 'Voice of the Oppressed' in the script represents the expression of the marginalized and their struggle against injustice. It is exemplified by the lower caste women's refusal to pay the Breast Tax and their vocal protests against the caste system.

💡Caste-based Violence

Caste-based Violence is the physical, emotional, or psychological harm inflicted on individuals due to their caste identity. The script alludes to such violence as a tool of control and intimidation within the caste system, highlighting the need for resistance and change.

💡Empowerment

Empowerment in the script is about giving individuals or communities the authority and power to make decisions and take control of their own lives. The video's narrative showcases the empowerment of lower caste women as they fight against oppressive norms and assert their rights.

💡Solidarity

Solidarity in the script refers to the unity and mutual support among individuals or groups with a shared goal. It is depicted through the collective action of the oppressed against the caste system, showing that together they can challenge and potentially change the status quo.

Highlights

The story is set in a time when Travancore, a large part of Kerala, was under the rule of its king.

There were strict dress codes that allowed one's caste to be identified immediately upon seeing a person.

The roots of casteism were deeply entrenched, and lower caste women were forced to go topless as a form of social control.

Non-compliance with these norms led to severe punishment, including the 'breast tax' or 'mola karm'.

The narrative criticizes the societal gaze that objectifies and dehumanizes those considered 'impure' by caste.

The story emphasizes the resilience of the marginalized, who despite being oppressed, refuse to be silent.

The protagonist's decision to wear clothes despite the risk of punishment symbolizes a bold stance against caste-based discrimination.

The narrative highlights the hypocrisy of a society that allows the rich to flaunt their wealth while punishing the poor for covering their bodies.

The story calls for a collective resistance against the oppressive caste system and the laws that perpetuate it.

The protagonist's courage to challenge the 'breast tax' is portrayed as a significant act of defiance.

The narrative suggests that change is possible only through collective action and the raising of voices against injustice.

The story underscores the importance of education and awareness in the fight against caste-based discrimination.

The protagonist's struggle is not just personal but represents the broader fight for dignity and rights of the lower castes.

The narrative includes a call to action, urging the audience to support those who resist oppressive laws.

The story concludes with a powerful message about the need for societal transformation to end caste-based discrimination.

The narrative serves as a historical reminder of the atrocities committed in the name of caste and religion.

The story ends on a hopeful note, suggesting that change is possible when people stand up against injustice.

Transcripts

play00:00

झाल

play00:12

झाल

play00:16

कि

play00:17

यह कहानी उस समय की है जब केरल के बड़े

play00:22

भाग में त्रावणकोर के राजा का शासन था उस

play00:26

समय पहनावे के कायदे थे कि एक व्यक्ति को

play00:30

देखते ही उसकी जाति की पहचान की जा सकती

play00:33

थी जातिवाद की जड़ें बहुत गहरी थे और

play00:36

निचली जातियों की महिलाओं को स्तन ना

play00:40

ढूंढने का आदेश था उल्लंघन करने पर उन्हें

play00:43

मौला करम यानि ब्रेस्ट टैक्स देना पड़ता

play00:46

है

play00:48

कर दो

play00:53

[संगीत]

play00:56

कि हम क्लिक

play01:00

और सुनाओ

play01:02

कि अ

play01:03

[संगीत]

play01:08

कर दो

play01:10

कर दो

play01:15

कि अ

play01:19

[संगीत]

play01:27

कि अ

play01:35

हां बस अब और नहीं सहा जाता अरे कब तक

play01:39

हमने खून के घूंट पीते रहेंगे तो

play01:41

कि जिस गंदी नजर से लोग हमें देखते हैं ना

play01:44

ही आती है मुझे अ

play01:47

है ऐसा लगता है जैसे रोज आंखों से

play01:49

बलात्कार है हमारा अ

play01:52

जो मन करता हूं वैसे जरूर आंखें नोच लो

play01:56

है अरे क्यों कोई आवाज नहीं उठाता

play01:59

कि लागेली तुम्हें तो अच्छी तरह पता है कि

play02:02

हम गरीबों की आवाज हमेशा दबा दी जाती है

play02:05

अच्छा वह करेंगे हम देखते रहेंगे हां

play02:08

क्योंकि हमारे पास और कोई रास्ता भी नहीं

play02:11

है बस यह समझ लो कि निचली जाति के और

play02:14

आधुनिक हम कीमत चुका रहे हैं अरे नीची

play02:16

जाति का होंगे पास है क्या

play02:18

अजय को

play02:21

है अरे हम भी तो इंसान है हमें भी तो

play02:23

हमारे अधिकार से जीने का हक मिलना चाहिए

play02:25

ना

play02:26

है अरे जब ऊंची जाति की ओर से अपने सीने

play02:28

को कपड़े से देख सकें तो हम क्यों नहीं है

play02:32

कि हम औरत नहीं है क्या

play02:34

हम अगर अपने सीने को कपड़े धोकर हमें

play02:37

मुलाकात क्यों अदा करना पड़ता है

play02:39

हमारी और तो कुंचित स्तन के आकार के

play02:42

अनुसार कर क्यों देना पड़ता है तो भी तो

play02:44

अच्छी तरह पता है कि इस करके पीछे उनका

play02:47

क्या मकसद है मकसद सिर्फ एक ही है जातिवाद

play02:50

के ढांचे को बनाए रखना यह धर्म जात पात

play02:53

सिर्फ इंसान की व्याख्या कानून है

play02:57

आ जाती के मजदूरी गंदी निगाहों से बचने के

play03:00

लिए हम दूसरी औरतों की तरफ अपने आपको

play03:01

चारदीवारी में बंद करके नहीं रख सकते ना

play03:04

है अरे काम पर नहीं जाएंगे तो घर में

play03:06

चूल्हा कैसे जलेगा अ

play03:09

भी

play03:11

मुश्किल से दो वक्त का खाना नसीब होता है

play03:15

कि उस पर यह बार-बार मूल्यांकन को आधा कर

play03:18

पाना हम जैसे गरीबों के लिए कैसे मुमकिन

play03:19

होगा मिला था

play03:21

अजय को

play03:24

कि हम गरीबों के नसीब में सिर्फ दुख सहना

play03:26

लिखा है

play03:27

है इसलिए कहती हूं

play03:30

कि चुपचाप सहती जब जिंदगी जीने के सिर्फ

play03:33

दो ही तरीके होते हैं एक जो हो रहा है उसे

play03:37

होने तो चुपचाप सहते जाओ और दूसरा

play03:42

कि चोर है उसको बदलने की जिम्मेदारी उठाओ

play03:46

[संगीत]

play03:50

नवेली अगर तुम्हें निर्णय कर लिया है

play03:54

हैं तो कुछ सोच समझकर ही दिया होगा

play03:58

कि तुम चिंता मत करो

play04:00

कि मैं कल से ही दिन-रात मजदूरी करके मौला

play04:04

करम की रकम जोड़ने में लग जाऊंगा

play04:07

कि कर को बिना अदा किए सीने को कपड़े

play04:10

सिद्ध करने का निर्णय लिया है मैंने

play04:12

क्या हां हम लें ऐसा करने से तो कानून का

play04:17

उल्लंघन होगा होने दो

play04:19

कि मुझे फर्क नहीं पड़ता

play04:21

अरे किसी ना किसी को तो आवाज उठानी पड़ेगी

play04:24

ना हां मगर मंगलू मैं अपने आपके लिए नहीं

play04:28

बल्कि धर्म जाति के नाम पर बांटने वाले

play04:30

समाज के खिलाफ आवाज़ उठाना चाहती हूं

play04:33

कि इस दमनकारी कानून के खिलाफ आवाज़ उठाना

play04:36

चाहते हैं

play04:39

है बस इसमें तुम मेरा साथ दे दो

play04:44

कि तुम साथ हो तो मैं सारी दुनिया से लड़

play04:46

सकती हूं

play04:48

श्री

play04:50

नांगली मैं तुम्हारी हिम्मत की दाद देता

play04:52

हूं

play04:54

है और यह वादा करता हूं

play04:57

है कि मैं हर पल

play04:59

कि हर कदम तुम्हारी सात जन्मों का

play05:03

तुम्हारा साथ दूंगा मैं

play05:06

टॉर्च

play05:08

शुरू कर दी है

play05:12

हां मैं जानती हूं मेरे इस फैसले से

play05:14

तुम्हें भी काफी मुश्किलों का सामना करना

play05:16

पड़ेगा

play05:17

कि जिस रास्ते पर हम चले जा रहे हैं

play05:21

यह बहुत मुश्किल है

play05:24

भी

play05:26

मुश्किल है

play05:30

भी नामुमकिन नहीं है

play05:31

[संगीत]

play05:34

कि नंगी फोटो

play05:36

कि तुम आवाज उठाओ

play05:38

आवाज उठेगी तो मचेगा शुक्र

play05:43

और उम्मीदों की होगी बहु और

play05:45

आज

play05:47

दिनांक को

play05:57

कि

play05:58

निचली जाति हंसते हुए ऊंची जाति के वोटों

play06:00

की तरह कपड़े पहनने में शर्म आई है तुम

play06:02

जैसे बेशर्मों के सामने बेशर्म उठा लाती

play06:06

है लड़के अपनी औकात में रह इससे पहले कि

play06:09

मैं तुम दोनों को तुम लोगों की मौत याद

play06:10

दिला दूं जाने दो हमें ऐसे कैसे जाने थे

play06:14

कानून का उल्लंघन किया है तू गए छुट्टियों

play06:17

में से इकतरफा कानून पर चाहे दाम में

play06:19

विटामिन पैकेट में कैद हो जाने दो ना

play06:29

[संगीत]

play06:37

का विरोध राठौर स्वस्थ सुझाव

play06:42

थोड़ा

play06:45

वह

play06:47

फिल्मों में अ

play06:51

[प्रशंसा]

play06:51

[संगीत]

play06:59

कर दो

play07:01

कर दो

play07:03

है कि

play07:04

कि ऐसा सबक सिखाऊंगा कि जिंदगी भर किसी और

play07:07

की तरफ नजर उठाकर नहीं देखेंगे कि

play07:12

[संगीत]

play07:25

मैं तेरा नाम जीरो अंदर है मुझे और यह औरत

play07:30

है मेरी नाम दिल्ली

play07:33

हां जी क्या तुझे पता है

play07:37

मैं तेरी औरत में कानून का उल्लंघन किया

play07:39

है पता है तो तुझे यह भी पता होगा कि

play07:43

उल्लंघन करने की वजह से अब तुझे मौला करम

play07:46

देना होगा

play07:47

पता है जैसे तुझे सब पता है ठीक वैसे ही

play07:52

मुझे भी पता है कि तुम ला कर्म नहीं भर

play07:55

पाएगा तो

play07:56

[संगीत]

play07:58

है इसीलिए तेरी आदत से कहना इस बार की

play08:01

गलती के लिए माफी मांगे और आगे से दोबारा

play08:05

कभी कानून का उल्लंघन करने की गति ना करें

play08:08

गलती नहीं अधिकार है मेरा तो उसकी कीमत

play08:11

चुकानी पड़ेगी तुम्हें बोला कर्म दे पाएगी

play08:15

हां बोल दे पाएगी तो के साथ मिल जाएगी या

play08:19

हां पर्वत यार सांप

play08:23

ने अपनी तीक्ष्ण तो ठीक है फिर

play08:26

कि अब सीधे एक महीने के बाद आऊंगा बुलाकर

play08:30

अमले ने तैयार रखना चलो रे जी

play08:34

कर दो

play08:37

[संगीत]

play08:43

न्यू

play08:45

लुट

play08:49

हुआ है

play08:51

कर दो

play08:55

हुआ है

play08:56

कि अ

play09:04

MP3

play09:09

[संगीत]

play09:15

MP3

play09:19

मैं

play09:21

नारी हूं

play09:23

[संगीत]

play09:25

कर दो

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यह तुम हो

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कि आज एक महीना पूरा हो गया है मुला कर्म

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लेने आए हैं

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कि आप यहीं रखिए मैं अभी आती हूं रुको

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इससे पहले

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तुम्हारे स्तन का परीक्षण होगा उसके आकार

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और वजन के हिसाब से मुला कर्मचारी किया

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जाएगा

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कर दो

play09:59

[संगीत]

play10:03

कर दो

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[संगीत]

play10:08

कि अ

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कि अ

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[संगीत]

play10:17

अजय को

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कर दो

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है अब सबक मिलेगा इसे यह कौन है घ्र

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[संगीत]

play10:31

कि यह लीजिए आप अगर चाहिए खाना आप शनि

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और तब तक नही रहेगा तो कल किस चीज का

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लेंगे चीजें

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कि

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play10:44

[संगीत]

play10:45

हनुमान

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हनुमान जी

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कर दो

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में

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व्यस्त हैं

play11:03

कर दो

play11:06

को

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[संगीत]

play11:10

खून से लतपथ नांगली की हिम्मत ने शायद कुछ

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मिनटों में दम तोड़ दिया है

play11:18

है लेकिन मरते-मरते उसने दुख ले समाज के

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सीने में ऐसा खंजर घोंप दिया था

play11:26

मैं इसकी चुभन

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में काफी दर्स लाइक थिस पेज

play11:33

कि तुम कौन हो

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[संगीत]

play11:46

आज दिनांक को

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कि कर को बिना आ जाती है सीने को कपड़े

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सिखाने का निर्णय लिया है अहमियत

play11:57

श्री नांगली मैं तुम्हारी अनुमानित दामाद

play12:01

और यह वादा करता था कर लगा कि मैं हर माह

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राजपूत हर हर कदम है धागा अपनी तरफ

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तुम्हारी सुधार जरूर हुआ था

play12:11

मैं तुम्हारा सामान खाना है

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हुआ है

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कर दो

play12:22

कर दो

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भी मुश्किल है वहीं शहर नाम बदनाम किया है

play12:29

कर दो

play12:33

श्री नंगली सुखद तुम आवाज में वाटर आवाज़

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उठाई और

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तो मचे अश्लील

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उम्मीदों की होली होली

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और सुनाओ

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कर दो

play12:50

कि किसी मर्द की स्थिति होने का यह सबसे

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पहला उदाहरण था नांगली ने उठाई हुई आवाज

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लोगों के कानों में आंदोलन के रूप में

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गूंज उठे और आखिरकार त्रावणकोर के राजा को

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महत्वपूर्ण मुल्क क्रम यानि ब्रेस्ट टैक्स

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का दमनकारी कानून हमेशा के लिए व्रत करना

play13:15

पड़ा पर ऑप्शंस इतना सब होने के बावजूद

play13:20

आगे ली थी निशान लगा था इतिहास के पन्नों

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में कहीं खो गए इतिहास गवाह है हमारे समाज

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में आज तक धर्म और जात पात के नाम पर न

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जाने कितनी खून की नदियां बहाई है फ्रंट

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तो सिर्फ जाति तथा वर्ण सैप के खून का रंग

play13:40

भी लाल ही था क्या तभी किसी ने खून की

play13:45

जांच पूछिए शुक्र है कि आसमान में उड़ते

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परिंदों को अपनी जेब क्यों नहीं पता नहीं

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वरना रोज आसमान से खून की बरसात होती है

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हुआ था है

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[प्रशंसा]

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मैं

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तेरे से

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कि अ

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[संगीत]

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