Bracia Lumiere byli drudzy, a Kazimierz Prószyński był pierwszy! - Agnieszka Tambor

Summary

This script tells the story of Kazimierz Prószyński, a Polish inventor and pioneer of cinema, who predated the Lumière brothers with his invention of the 'Leo Graf' camera in 1894. Despite not being recognized as the founder of cinema, Prószyński's innovations, including the first portable camera and sound films, were technologically advanced for his time. The script highlights his perseverance and passion, emphasizing that it's worth pursuing dreams and loving what you do, even if you're not the first to achieve them.

Takeaways

• 🎬 Kazimierz Prószyński is often overlooked as a significant figure in the history of cinema, despite his numerous contributions to its development.
• 📽️ Prószyński invented the 'Leo Graf' film camera in 1894, a year before the Lumière brothers' cinematograph, making him a pioneer in motion picture technology.
• 👑 He was dubbed the 'third Lumière brother' and 'Columbus of cinema', indicating his pioneering role and the breadth of his work in the field.
• 📚 The script emphasizes Prószyński's inventions, such as the portable 'Aero-Scope' camera and the first audio books for theatre, which were ahead of their time.
• 🔊 His work on the 'Kino-Fon' marked an important step towards the development of sound films, combining image and sound recording.
• 👨‍💻 Prószyński's inventions were not only innovative but also sought to improve upon existing technology, such as by increasing the frame rate to reduce flickering in films.
• 🌟 The script highlights the importance of perseverance and passion in invention and creativity, as exemplified by Prószyński's life and work.
• 🌍 It also mentions other Polish pioneers in cinema, such as Władysław Starewicz and Bolesław Matuszewski, who made significant strides in animation and documentary filmmaking.
• 🎥 The script suggests that cinema was not just a form of entertainment but also had value as a historical and educational tool, a perspective not commonly held at the time.
• 💡 Prószyński's dream was for everyone to have access to a camera, a vision that aligns with today's widespread use of smartphones and other devices for capturing life's moments.
• 🚀 The presentation concludes with an inspirational message that one should never give up on their dreams and passions, no matter the obstacles or competition.

Q & A

Who is Kazimierz Prószyński and why is he significant in the history of cinema?

Kazimierz Prószyński was a Polish inventor, film director, and producer who is considered the 'third brother of Lumière' and 'Columbus of cinema'. He is significant for inventing the portable camera, creating the first audio books for theatre, and contributing to the development of cinematography with his advanced camera technology, which recorded images at 50 frames per second, ahead of his time.

What was the name of the machine invented by Kazimierz Prószyński in 1894, and how was it different from the Lumière brothers' camera?

The machine invented by Kazimierz Prószyński in 1894 was called 'Leo Graf'. It was different from the Lumière brothers' camera because it recorded images at a faster rate of 50 frames per second, which resulted in less flickering and a more stable viewing experience compared to the 16-20 frames per second of the Lumière brothers' cinematography.

Why is Kazimierz Prószyński considered to have been ahead of his time?

Kazimierz Prószyński is considered to have been ahead of his time due to his invention of advanced camera technology, the creation of the first portable camera, and his work on sound films and other innovative devices. His inventions and ideas were groundbreaking and influenced the development of cinematography and film technology in the following decades.

What is the significance of the 'Aero Scope' invented by Kazimierz Prószyński?

The 'Aero Scope' was the world's first hand-held auto-powered camera, invented by Kazimierz Prószyński in 1908. It allowed for more mobility and flexibility in filming, which was a significant advancement in camera technology. It was used to record many scenes from the First World War and was even purchased and put into series production in England.

How did Kazimierz Prószyński's inventions contribute to the development of longer films?

Kazimierz Prószyński's inventions, such as the improved 'Bio Geographer' and the 'Operator', helped to stabilize and reduce flickering in film images, allowing viewers to watch films for longer periods. This technological advancement contributed to the possibility of creating longer films and improving the overall cinematic experience.

What other notable inventions did Kazimierz Prószyński create apart from the 'Leo Graf' and 'Aero Scope'?

Apart from the 'Leo Graf' and 'Aero Scope', Kazimierz Prószyński created several other inventions, including 'Stereo OS', a device for transmitting images at a distance, which was a precursor to stereo television; 'Auto Lektor', recorded books for the visually impaired; and 'Camera Eye', a small handheld camera that could be considered a forerunner to modern action cameras like the GoPro.

Why is Bolesław Matuszewski significant in the context of early cinema?

Bolesław Matuszewski is significant because he recognized the potential of cinema as a research and historical tool from the beginning, at a time when it was often dismissed as lowly entertainment. He founded the first film studio in Poland, recorded surgical operations for educational purposes, and contributed to the development of documentary film and film reportage.

What role did Władysław Starewich play in the history of animation?

Władysław Starewich was a pioneer in the field of animation. He created the first puppet films and was known for animating insects in a way that made them appear lifelike on film. His work brought fame and recognition to the art of animation in the early days of cinema.

What message does the speaker convey about the importance of perseverance and passion in one's work?

The speaker emphasizes the importance of never giving up, even if one is not the first or the most successful in their field. They highlight the value of dreaming, loving what you do, and dedicating your life to something that brings you joy and fulfillment, as exemplified by Kazimierz Prószyński's life and work.

How does the speaker encourage further exploration of Kazimierz Prószyński's contributions and Polish cinema?

The speaker encourages the audience to explore more about Kazimierz Prószyński and Polish cinema by visiting the Polish Film Festival website and checking out resources like the publication 'Poles known and unknown travellers, inventors, explorers, scientists, extraordinary people who changed the fate of the world', as well as watching films like 'Cinematography' directed by Tomek Baginski.

Outlines

00:00

🎬 The Unsung Hero of Cinema: Kazimierz Prószyński

The first paragraph introduces the topic of cinema's origins, challenging the common belief that the Lumière brothers were the sole creators. Instead, it highlights the significant contributions of Kazimierz Prószyński, a Polish inventor and pioneer in film technology. Born into a noble family, Prószyński was inventive from a young age and studied in Belgium, where he invented the 'Leo Graf' machine in 1894, a year before the Lumière brothers' cinematograph. Despite his early invention, the Lumière brothers are more widely recognized as the founders of cinema, possibly due to Prószyński's young age and the complexity of his invention at the time.

05:05

📽️ The Pioneering Inventions of Kazimierz Prószyński

This paragraph delves into the details of Prószyński's inventions, emphasizing his technological advancements in film. Despite being overshadowed by the Lumière brothers, Prószyński's 'Geographer' camera was superior, capable of recording at 50 frames per second, reducing flickering and providing a more stable viewing experience. The paragraph also mentions his subsequent inventions, such as the 'Bio-Geographer,' which further improved image stability, and the 'Operator,' a device that enhanced the viewing experience by stabilizing images. Prószyński's relentless pursuit of perfection in his inventions contributed to the evolution of cinema, allowing for longer and more enjoyable films.

10:05

🤹‍♂️ The Columbus of Cinema and His Hand-Held Camera

The third paragraph focuses on Kazimierz Prószyński's role as a trailblazer in cinema, likening him to Christopher Columbus for his exploratory spirit. It discusses his invention of the first hand-held camera, the 'Aero Scope,' in 1908, which revolutionized filming by allowing for mobility and capturing dynamic scenes. The Aero Scope was used to record significant events, such as the First World War and the coronation of King George V, and it was even produced in series in England. The paragraph also hints at Prószyński's dream of making cameras accessible to everyone, a vision that aligns with modern-day portable recording devices.

15:07

🎥 The Evolution of Sound and Visual Technology

This paragraph continues to explore Prószyński's inventive journey, discussing his development of a device that combined cinematography with photography, effectively creating the first camera capable of recording images with sound. This invention laid the groundwork for sound films. The narrative also touches on other inventions bearing Prószyński's name, such as 'Stereo-OS,' a precursor to stereo television, and 'Auto Lektor,' which provided recorded books for the visually impaired. The paragraph underscores Prószyński's forward-thinking and the breadth of his contributions to various fields, including the precursor to the modern GoPro with the 'Camera Eye.'

20:08

🌟 Celebrating Polish Cinematography Pioneers

The fifth paragraph shifts focus to other Polish pioneers in cinematography, acknowledging the contributions of Władysław Starewicz and Bolesław Matuszewski. Starewicz is recognized for his early work in animation, particularly with insects, creating a unique form of puppet film. Matuszewski is credited with understanding the potential of cinema as a research and historical tool, founding the first film studio in Poland and recording significant events, such as surgical operations, for educational purposes. The paragraph encourages further exploration of these figures and their impact on the development of cinema.

25:13

💫 The Magic of Cinema and the Dreamers Behind It

In the concluding paragraph, the speaker reflects on the passion and dedication of individuals like Kazimierz Prószyński, emphasizing the importance of pursuing dreams and loving one's work, regardless of the outcome. The speaker suggests that Prószyński found happiness in his relentless pursuit of innovation, and encourages the audience to consider the limitless possibilities of their own dreams, encapsulated by the phrase 'Sky is the limit.' The paragraph ends with an invitation to explore more about Polish cinema and culture through various online platforms and the Polish Film Festival website.

Keywords

💡Cinema

Cinema refers to the art of photographic and projection technology used to reproduce life moving in front of the camera, as well as the industry that produces films. In the video's theme, cinema is the central focus, discussing its creation and development. The script mentions the Lumiere brothers as commonly recognized creators of cinema, but challenges this notion by highlighting Kazimierz Prószyński's contributions.

💡Kazimierz Prószyński

Kazimierz Prószyński is identified as a key figure in the history of cinema, who invented the portable camera and other significant technologies before the Lumiere brothers. His work is central to the video's narrative, illustrating the often-overlooked history of cinema innovation. The script describes him as 'the third brother of Lumiere' and 'the Columbus of cinema,' emphasizing his pioneering role.

💡Lumiere brothers

The Lumiere brothers, Auguste and Louis, are historically recognized for their significant contributions to the development of cinema. They are often credited with the creation of cinema due to their public screenings and commercial success. The script, however, positions them in contrast to Kazimierz Prószyński, suggesting that Prószyński's inventions predated theirs.

💡Invention

Invention, in the context of the video, refers to the creation of new devices or methods. The script details several of Prószyński's inventions, such as the 'Leo Graf' camera, which was a technological advancement in recording and projecting images. These inventions are integral to the video's exploration of the evolution of cinema.

💡Portable camera

A portable camera, as mentioned in the script, is a lightweight and easily movable device for capturing photographic images or film. Prószyński's invention of the portable camera, referred to as the 'Aero Scope,' revolutionized the way films could be made, allowing for greater mobility and flexibility in filming.

💡Cultural Portal

The Cultural Portal mentioned in the script is a source of information about Kazimierz Prószyński. It is described as one of the best Polish portals for culture, including film, and provides a brief overview of Prószyński's achievements, contributing to the script's exploration of his impact on cinema.

💡Projections

Projections, in the context of the video, refer to the display of images or films onto a screen. Prószyński's work with projections was significant in the early days of cinema, as he introduced new methods that improved the stability and quality of the projected images, as noted in the script.

💡First World War

The First World War is mentioned in the script as a historical context where Prószyński's handheld camera, the 'Aero Scope,' was used to record many paintings or scenes from the war. This highlights the practical application and impact of his inventions on documenting history.

💡Kino Fon

Kino Fon is one of Prószyński's inventions mentioned in the script. It represents an early attempt at combining sound with film, which was a significant step towards the development of sound cinema. The script positions Kino Fon as a precursor to modern sound films.

💡Pioneer

A pioneer, in the context of the video, refers to an individual who is among the first to explore, discover, or invent something. The script uses this term to describe Kazimierz Prószyński and other figures like Bolesław Matuszewski, emphasizing their roles in advancing the field of cinema.

💡Documentary

Documentary, as discussed in the script, is a type of film that aims to document reality, often for educational or historical purposes. Bolesław Matuszewski is highlighted for his work in this genre, particularly his recording of surgical operations in the 19th century, showcasing the educational value of cinema.

Highlights

Kazimierz Proszyński, dubbed the 'third brother of Lumière' and 'Columbus of cinema', was a significant figure in the history of film.

Proszyński invented the portable camera and the first audio books for theatre, contributing to the early development of cinema.

He was born into a noble family and showed an early interest in constructing and inventing.

While studying in Belgium, Proszyński invented the 'Leo Graf', a film camera capable of recording and playing back images, a year before the Lumière brothers.

The 'Leo Graf' was technologically advanced, recording at 50 frames per second, which reduced flickering and provided a more stable image.

Despite being ahead of the Lumière brothers in invention, Proszyński did not achieve the same recognition due to factors such as his young age and the complexity of his machine.

Proszyński continued to innovate, creating improved versions of his camera, such as the 'Bio-Geograf', which further reduced image vibrations.

He introduced the 'Operator', a device that stabilized images in projection, allowing for longer viewing times and the creation of longer films.

In 1908, Proszyński constructed the first-ever hand-held camera, the 'Aero Scope', a significant step in the portability of film equipment.

The 'Aero Scope' was used to record many scenes from World War I and was even purchased by the English for series production.

Proszyński's dream was for everyone to have a camera, and his inventions brought this dream closer to reality.

He also invented 'Kino Fon', a camera that recorded images with sound, paving the way for sound films.

Proszyński's other inventions, such as 'Stereo-OS' and 'Auto-Lektor', were precursors to modern technologies like stereo television and audiobooks for the visually impaired.

The 'Camera Eye' or 'OKO' was another of Proszyński's inventions, a small, portable camera that could be considered a forerunner to today's GoPro.

The presentation also mentions other Polish pioneers in cinema, such as Władysław Starewicz, known for his animated films featuring insects.

Bolesław Matuszewski is recognized for advocating the value of cinema as a historical and research tool, and for founding the first film studio in Poland.

The presentation concludes with the message that it's worth dreaming and loving what you do, as exemplified by the life and work of Kazimierz Proszyński.

The audience is invited to explore more about Polish cinema and culture through various online platforms and the Polish Film Festival website.

Transcripts

Are we to talk today about how it came to be that the cinema was created?

I promised in the title of my speech a

story about the fact that it was not the Lumiere brothers.

They are in fact the creators of cinema

and that the Lumiere brothers are not the ones who so

are really responsible for the fact that we can watch the Avengers in cinema today.

We can rage against the fatal scenario

Godzilla Kong film, which I attended two days ago.

And so on and so forth.

We meet today because of a man who

would be 149 years old today, due to Kazimierz Pruszyński.

He is not there.

There is not enough time to describe to you this

man and to tell you about this man.

Any time you give me will be time too short and it will be time too

small to tell you about all that Kazimierz Prószyński has accomplished.

Well, perhaps that's the simplest way it was in a nutshell

always define a person by some such motto, some such slogan.

Well, let's follow the advice of the PL Culture Portal, which is one of the

the best Polish portals for culture, not only culture

film, but also culture in its other guises.

Let's see what the cultural portal writes about Kazimierz Proszynski just now.

And this is written by an inventor, film director and producer,

dubbed the third brother of Lumiere the Columbus of cinema,

created the portable camera and the first

audio books for theatre, introduced projections

video, and television was invented back in the nineteenth century.

I therefore ask you whether.

You yourself are able to imagine a man who has done all that in the

so brief, one, actually two sentences managed to describe it here.

And let's take a look.

Let us therefore take a closer look at this man.

Let's see what it means that he was the third Lumiere brother.

Let's see what it means to have been the Columbus of cinema.

Because I think most of you do not believe it.

What audiobooks there?

What portable camera there? Where?

Where? In those days?

After all, what are we talking about? Television?

Television came into being much later.

So let's have a look.

Let's take a look.

Kazimierz Proszynski was born in 1875.

And he was born into a family from such a noble line.

The constructor's grandfather was the nobleman Stanislaw Antoni Pruszyński.

Kazimierz Pruszyński's father was Konrad

Pruszyński, creator of the Elementary Polish Language.

It may also be such a curiosity for some of the

of you who are listening to me at the moment.

Kazimierz Pruszyński from the beginning of his

of life, he liked to chisel, he liked to combine, he liked to construct.

He liked to build new things,

Which was met with such a rather pleasant, positive reception from his family.

And Kazimierz Pruszyński

is sent by his parents to study at the polytechnic in Belgium

And there at this polytechnic, already as a student at this polytechnic in 1894

invents a machine called Leo Graf.

This is the name I hope you will all remember from now on.

In 1894 the film camera is developed

a camera that can record and play back images.

The camera, which is a phenomenal invention that is.

Please note

a year earlier than the camera, which was invented by the Lumiere brothers.

When was the world's first film screening held?

Perhaps one of you knows?

Perhaps some of you remember in which year

the Lumiere brothers introduced cinema to the living rooms?

In what year was the first commercial screening held in the world?

W 1895.

In 1895, the Lumiere brothers present their cinematography.

This is the beginning of cinema.

And now you ask me?

But wait, wait, stop!

Since they in 1895 and Kazimierz Proszynski in 1894?

Well, what do you mean, after all, he is a cinema maker.

Well, apparently so.

Apparently so, but.

But many factors contribute to this.

It has made up its mind that it is

The Lumiere brothers, not Kazimierz

Proszynski, are considered the founders of cinema.

One such factor, and a very interesting one at that.

I think it's the kind of factor that some of us might also think today

Aha, then nothing has changed over the years.

One of these factors is probably the age of Kazimierz Proszynski.

Please recall I said

before Kazimierz Proszynski was born in 1875.

So, quick maths.

How old was he when he invented geography?

Well, just 19.

19 He was young, he was a student.

He did not break through with this invention.

The Lumiere brothers were the first.

But.

But please see.

Also the Lumiere brothers

appreciated Kazimierz Pruszyński's

contribution to the development of cinematography.

Please see.

Take a look at the screen.

Read what they said.

August Lumiere said I was with my brother, the filmmaker

French, but there was also a Pole, a certain Kazimierz Proszynski,

which was well ahead of us, and Kazimierz Proszynski.

My dear friends, he was not only ahead of

the Lumiere brothers, he was ahead of his time by

whole centuries, maybe centuries This is an exaggeration, because cinema is not so

old, O decades, O decades.

Big steps ahead of what will be

happened later with the development of cinematography.

I said that one of the reasons for

which Kazimierz Proszynski probably did not

broke through with his invention, was his age.

But a second reason is also often given.

The programme was quite complex, but why was it quite a complex machine?

Because it was, ladies and gentlemen, in its essence better than cinema.

The first film images had this characteristic

characteristic that they flashed terribly and shook a lot.

It gave me a headache.

This was impossible to watch for long.

Kazimierz Pruszyński His paintings do not

They flashed as much as the cinematic images flashed.

So not only was the programme a first, but it was also technologically decidedly

a more advanced machine than the Lumiere brothers' cinematography.

Well, but we have to say to ourselves that this

Kazimierz Pruszyński was not enough for him.

It was not enough.

Kazimierz Proszynski knew that these images were flashing.

He knew that these images were flashing

and he wanted to do his best to make sure that the camera he

he creates so that the camera he has created is perfect, it is perfect.

Normal cameras are normal cameras.

The camera they used, which they

used by the Lumiere brothers, displayed or recorded images from the

speeds of 16 probably up to 20 frames per second.

If I remember correctly.

Kazimierz Prószyński's The Geographer.

That's why it was more technologically advanced, you see

recorded this image at a much faster rate.

50 frames per second.

So this flashing image was definitely

smaller, it was definitely more limited.

That is, you know, not so fast in our minds when we watched it.

It was definitely more stable and better.

But as I said, no, that's not good enough for him.

It was that he invented the geographer and

that this camera, let's just call it that, that this

The camera was better, it was more

advanced than the Lumiere brothers' camera.

She looked as you can now see on the

left-hand side of the screen image after the

The right-hand side is a normal camera, already a much more contemporary one.

Please see these devices are much different from

each other are not really structurally different.

It was not enough, it was not enough.

Kazimierz Proszynski therefore continued to work.

He therefore continued to work.

The programme was followed by.

Bio geographer, an improved version of the telegraph.

Such a version further eliminated these vibrations.

And the fact that this film, that this tape

The film on which the images were recorded flicked and shook and jumped so much.

But it was still not enough.

They will take geography, a foreign curator was created, a foreign curator.

Difficult words, we won't know a mass of new words today.

Even if we are Polish, an operator and an operator are created.

This, in turn, is such an aperture on the projector,

which, listen, makes these images stop flashing.

This projector is shifted in such a way that these images are just getting

stabilise more, are less and less flickering, and at the same time, i.e.

At the same time, we can look at such an image for longer and longer, can't we?

That is, see the contributions of Kazimierz Proszynski in the

in a sense very much to the fact that

films are being made that are getting longer, that

what we are able to watch may be getting longer and longer.

Because remember, the first videos are a few seconds or so of images.

This is a camera standing in one place recording.

If we wanted to use titles

of the Lumiere brothers' first films, that

is, this camera recording the workers' exit from the

factories or the arrival of the train at the station, is literally a moment.

Camera, station, train pulls in, end of film.

Doors open from.

The gate opens, factory workers come out.

The end of the film too.

Firstly, this length is influenced by the technological capabilities of the machine.

Secondly, it is precisely that we are not able to look at this image for long.

So, Kazimierz Prószyński I say again

contributes with its inventions to the

fact that films can be made longer and longer.

But that is not all.

Listen, well because I said look, let's have another look, let's go back again

to the beginning, to this first slide and to this first slide.

Lumiere's third brother, Columbus, cinematography, the Columbus of cinema.

Great phrase, great statement Christopher Columbus This is

one of the most important explorers, a truth in the history of the world.

So why is he such a Columbus?

Well he invented the camera, just as he did it

was invented by several other people in the world at about the same time.

No, my dears.

Kazimierz Proszynski goes further.

Kazimierz Proszynski spent his entire life in

in a sense, devotes itself to improving its inventions and making them go

farther and farther away, so that they are

more and more advanced and can do more and more.

Well, and now a note after biology and the operator, that is, after such

machines that make this graphic image or cinematography

is already very stable, no flickering, very good to look at.

Kazimierz Proszynski goes further and constructs.

Please hear me very clearly.

Constructs the first ever hand-held camera Hand-held camera.

Listen and see when. When?

1908.

A camera you can run with in your hand, that is

what we are dealing with on a daily basis today.

This aero scope, or this very handheld camera, is one of those inventions.

Well, of which Kazimierz Prószyński

is actually probably the most remembered.

That's how I would put it. That's how I would probably put it, even just

more than from this programme, because we

must remember that Kazimierz Proszynski's years of

whole was forgotten, forgotten was his contribution to the history of cinema.

It was only some time ago that this knowledge was refreshed.

We are talking about it more and more, we are being reminded of it more and more.

But the Aero Scope is an important invention. But a delight.

Listen, which is the world's first hand-held auto-powered camera.

Such a camera, which made it possible to record

many paintings from the First World War.

The camera that gave Pruszyński employment

At the filming of the coronation of King George the Fifth.

The camera, which was bought by

English and which went into series production in England.

I wanted to say mass production, but here I would be exaggerating.

It has definitely entered series production because.

Let us be very clear about this

Kazimierz Pruszyński's dream was that everyone could have a camera.

Did he succeed, or did he go further in that direction?

We are about to find out.

Kazimierz Muszynski's dream

were modern times, It was so that each of us could have such a tiny

device in his pocket so he can record what's around him.

But see AROS COP is not enough.

Kazimierz Pruszyński goes further in his inventiveness and the next

The invention he is creating is a

combination of cinematography and rumoured graphics.

And I don't have to say.

You alone can imagine what this machine does.

Since it's a combination of

cinematographer and photographer, that means it's the first

a camera that records images together with sound.

That is to say, it is a major abuse that this

registered together, but this is completely irrelevant.

The first sound films can begin to be made.

So look at the wonderful machines, the wonderful inventions.

And that, ladies and gentlemen, is not the end of it.

Because in addition to these five

inventions that we have just said, the programme

at Bio Geograf, operator Aero, SKOK and

Kino Fon, further inventions are being made.

Take a look at the names on the phone.

Stereo OS Auto voiceover and camera eye.

Consider for a second what this could be.

What might these inventions be?

I think we would be able to imagine every one of them at the moment.

But I will help.

A telephone, ladies and gentlemen, is a device,

which allowed images to be transmitted at a distance.

That is, it is what we would call the forerunner of today's stereo television.

It.

Type of projector.

That is how we would say projector today,

camera that allowed images to be projected onto walls in the streets.

That is, something that is in common use today.

Auto Lektor are books recorded for the visually impaired.

See what inventions, see what ideas.

And a camera, an eye, an eye that will not give

to be called anything other than the forerunner of today's GoPro.

OKO camera, or handheld camera.

Small camera.

She was.

I read somewhere the size of about an A4 sheet I think.

If well, if good.

Imaginary.

So it's already very small indeed.

For please see.

Please see what size the programme was.

Look at what a gigantic device it was.

That is, if we now imagine something

the size of an A4 sheet, it really was a small thing, wasn't it?

Very high-tech for the time.

And now, before I say any more, I would like to tell you two more

words about other pioneers of Polish cinematography and about other pioneering

of world cinema who came from Poland.

Because I think Kazimierz Pruszyński's inventions have left us head over heels.

And now all the PO states are rushing to the computers to find out about this

man more and to see what else he has done.

Before I say three more words about other cinematic pioneers.

I would like to refer you to the publication, Because if.

See.

Since we are talking about Kazimierz Proszynski today.

And suddenly we realised that a Pole is a Pole.

He has done so much for cinema,

did things simply unimaginable from today's perspective that they would

they happened just over a hundred years ago, didn't they?

I would like to refer you to the publication

Poles known and unknown travellers, inventors, explorers,

scientists, extraordinary people who changed the fate of the world.

Because I believe, I trust, that what I have just said to you, so much to your

surprised and interested you so much that you will want to

find out more about people like Kazimierz Proszynski, and it is precisely such

people, you will find a whole lot of them in this publication.

The publication is pleasing, colourful and

friendly, so I very, very much encourage you to use it.

And so I promised.

I said a while ago that there would be a few more words about other pioneers

cinematographers who came from Poland.

And no. It wouldn't be fair, it wouldn't.

Listen, it would be completely fair to

talk about Kazimierz Proszynski if we did not

said if we had not said two more names out loud.

The first of these names is certainly Ladislaus the Old, but

Vladislav the Old, who made animated films, made puppet films.

And his favourite dolls, or something that emitted dolls.

Because the doll is just such a metaphor

they were how to put it nicely bugs, worms, beetles.

Ladislaus the Old.

Ladies and gentlemen, animated insects

animate insects in such a way that they scoop them up on the

such sticks and emitted the movement of these insects.

Can you imagine that?

I do not think so. No, no.

I think somehow you can imagine killing now.

Simply packing such a beetle and.

And what might that look like in practice, right?

Such animation?

You've seen the PO beetles scooped up and those beetles are moving.

Ladies and gentlemen, make no mistake.

They are not trained, these beetles, they are dead.

And Vladislav, the old spectator

animated in just such a way, and of course he also created other animations.

Here I would be lying if I said that

it was the only object of his interest, as it were, but the main one and the one that

came, brought him, brought him fame.

And as much as I would like the state

After today's meeting, they remembered the name Kazimierz Pruszyński,

remembered names such as Leon Graf, Bio

Geographer, Operator, Aro, Scoop, Kino Fon.

This I would also very much like them to remember

You will know that Vladislav the Old Witch is the man who created the first

a puppet film that was released for theatrical distribution.

Wow! Another WOW!

OK, well let's look at another man.

Well, since we remember the name of Kazimierz Pruszkowski, since we remember

Vladislav from the TV and we will remember to animate the insects I encourage you to

to reach out on YouTube to find out more, watch more on

the subject of Wladyslaw Stary Wich, for

example here, in this film on the Polish shelf

Film Legend of Polish Animation Władysław Rawicz.

Well, it still has to be.

Listen to Boleslaw Matuszewski these three names, if you remember from this

of our meeting today, I will be very happy.

Boleslaw Matuszewski, who is one of those people who from the beginning pointed out

and believe me, to this day this is not a matter of course, who from the beginning

pointed out that cinema has a very high research and historical value, that the

cinema is not just the vile entertainment it has very often been regarded as.

And please note, a feature very

is often still considered today, and well over a century has passed.

Boleslaw Matuszewski, who said of cinema,

That it is of inestimable value because it is the material, it is the way.

It is an art that can archive,

which can record, which can be a new source of history alongside photography.

That's something no one did in those days.

At the time, everyone thought the film was

something absolutely inferior and for such

entertainment of the lowest order and lowest flight.

Please bear this in mind.

Boleslaw Matuszewski is one of those people again who appeared on the

world at about the same time, in different places, but there were few of them.

Who said Don't listen, it's not like that.

Bolesław Matuszewski, who founded the

the first for the first film studio in Poland, Paris photography.

Here you see the whole name on the screen at the moment.

Bolesław Matuszewski, who

Recorded Listen surgical operations as far back as the 19th century.

See 1897 Surgical operations in Warsaw.

Boleslaw Matuszewski makes materials,

records documentary material, which is, which is.

They are helping to teach young doctors who

help young medical students learn.

So please see we have a precursor to film in general and feature film.

We have a precursor to animated film and we have

pioneer of documentary film and film reportage.

Could we wish for more?

I think not.

And while I could still tell you

whole hours about various successive characters, or develop a story about these

characters I have shown, I will now only say two more things.

Firstly, I will refer you to the film

Cinematography directed by Tomek Baginski, Tomek Baginski, whose

you know very well from productions such

as The Cathedral or An Animated History of Poland.

But let us also remember that Tom Baginski

did cinematics for all parts of The Witcher game.

But we don't want to see The Witcher, we don't

We want to see the cathedral and we do not want to see an animated history of Poland.

We want to see cinematography, cinematography.

A beautiful, moving film about an inventor

of the inventor, who worked on the camera for so long, so long trying to make it

was excellent that the Lumiere brothers eventually overtook it.

Is this a film about Kazimierz Pruszyński?

Well, probably more like this.

And so that, to conclude somehow.

You know, I feel that if we are going to

talk about the magic of cinema and if we are going to talk at all about the

the magic of life today, because cinema is

life, then I must tell you in conclusion this

a thought that seemed to be guiding me the

whole time I was creating the presentation.

It is never worth giving up, even if

we devote much, much time to something and we are not the first, we fail to be

first, even if someone is ahead of us.

Even if on its invention it does not

we will make millions, it is worth

dreaming, worth dreaming, worth loving what you do.

It's worth, you know, dedicating your life

to something that gives you absolute pleasure.

This is what Kazimierz Proszynski did.

And I am convinced that.

He was a happy man when he could be a happy man.

Although, of course, if we were to delve

into his biography, it also has sad points.

It would probably have to be added here

that he would have done a lot more if it had not been for the advent of the

Second World War, as he died in 1945.

But listen, it's worth dreaming, it's worth loving what you do.

It is worth dreaming and thinking about

I don't know how to say it nicely in Polish, but I can in English.

Sky is the limit.

It is only there that something limits us, and in our dreams nothing should limit us.

You are cordially invited to

Polish Football channel on YouTube, on Instagram and on Facebook, but

I would also like to invite you to visit the website of the Polish Film Festival.

There much, much information of interest about

cinema and about the Polish language, about Polish culture.