Hamog: A Rappler documentary

Rappler
23 Jun 201209:33

Summary

TLDRThe video script tells the story of Pedro, who dreams of becoming a police officer to fight crime and atone for his past as a thief. It depicts his journey from a life of crime to one of redemption, where he finds purpose in helping street children accused of crimes but not necessarily guilty. Pedro's transformation is marked by his commitment to protect these children, reflecting on the lack of support and rehabilitation facilities for youth in conflict with the law. The narrative highlights the harsh realities faced by these children and calls for societal change and government intervention to address their plight.

Takeaways

  • 👮 The protagonist aspires to become a police officer, inspired by his grandfather who was a police officer.
  • 🚔 He is knowledgeable about criminal tactics, intending to use this knowledge to catch criminals.
  • 🎶 The script references a song that symbolizes the protagonist's journey and the cycle of life and crime.
  • 🏃‍♂️ At 14, he ran away from home due to abuse and hunger, eventually joining a group involved in theft and other crimes.
  • 👥 He later realizes his mission is to help street children, reducing his own guilt and finding joy in their company.
  • 👨‍👧‍👦 Pedro, who is a father figure to the street children, is described as a world-weary father trying to provide for his 'family'.
  • 🚛 The group engages in risky activities like 'creaming', where they steal from trucks during traffic, highlighting the harsh realities of their lives.
  • 🚔 There's a contrast between the protagonist's past as a thief and his current desire to avoid being caught or shot by the police.
  • 🏠 The script discusses the lack of facilities for juvenile offenders, emphasizing the need for youth homes and rehabilitation centers.
  • 🙏 It calls for societal change and support, suggesting that even small efforts like volunteering can make a difference in the lives of these children.
  • 🌆 The protagonist reflects on the 'real' happiness found in the streets compared to the controlled life at home, indicating a complex view of poverty and crime.

Q & A

  • What was Tangang's childhood dream?

    -Tangang's childhood dream was to become a police officer, inspired by his grandfather who was also a policeman.

  • What does Tangang know about the criminal world?

    -Tangang is knowledgeable about the tricks of thieves and criminals, which he learned from his past experiences.

  • How old was Tangang when he first ran away from home?

    -Tangang was 14 years old when he first ran away from home.

  • What did Tangang and his group do to survive on the streets?

    -Tangang and his group engaged in petty crimes such as theft and snatching to survive on the streets.

  • What was the turning point for Tangang in his life?

    -The turning point for Tangang was when he was influenced by Jesus Christ's teachings to repent and change his ways.

  • What mission did Tangang find for himself after meeting the street children?

    -After meeting the street children, Tangang found a mission to help them and reduce his own sins.

  • How does Tangang describe the living conditions of the street children?

    -Tangang describes the street children as living in harsh conditions, with some being homeless and involved in criminal activities to survive.

  • What is Pedro's role in the story?

    -Pedro is portrayed as a father figure to the street children, providing guidance and support to them.

  • What are the challenges faced by the street children according to Tangang?

    -The street children face challenges such as hunger, lack of shelter, and being involved in criminal activities to survive.

  • What does Tangang suggest as a solution to help the street children?

    -Tangang suggests that the government should establish youth homes for the street children, separate from adult criminals, to provide care and rehabilitation.

  • What is Tangang's perspective on the government's role in addressing the issues faced by street children?

    -Tangang expresses frustration with the government's lack of action, stating that there is a need for more support and resources for the street children.

Outlines

00:00

👮‍♂️ Childhood Dream of Becoming a Policeman

The speaker shares a long-standing dream of becoming a policeman, inspired by their grandfather who was also in law enforcement. Despite the challenges, this dream has been deeply ingrained in their mind since childhood. The speaker reflects on their past life, involving crime and criminal behavior, and how they once lived as a criminal. Eventually, they decided to turn their life around, realizing that they understand the tactics of criminals and could use this knowledge as a law enforcer. The story highlights their journey from being a thief to someone who aspires to catch criminals.

05:02

🌧️ Life on the Streets and Helping the Youth

The second paragraph delves into the harsh reality of street life, where the speaker encounters children in difficult circumstances. These children, often referred to as 'mga batang hamog,' live under bridges, face hunger, and resort to crime to survive. The speaker takes on a fatherly role for these kids, teaching them how to survive without stealing or committing crimes. Pedro, a central figure in their lives, acts as a protector and mentor to these children, who have been abandoned or neglected by society. Despite the chaos and lawlessness, there’s a sense of community and shared survival, though the speaker acknowledges the dangers of this lifestyle.

Mindmap

Keywords

💡Dream

The term 'dream' refers to an aspiration or ambition one holds. In the script, the individual's dream is to become a police officer, inspired by his grandfather who was a police officer. This dream is deeply ingrained in him from a young age, as he mentions, 'I really wanted to be a police officer, even when I was a child.' The dream is central to understanding his life's trajectory and the choices he makes.

💡Criminal Discourse

Criminal discourse refers to the language and concepts used to discuss criminal activities. The script mentions the individual's knowledge of 'diskarte' or cunning used by criminals, which he aims to use against them to catch them. This shows his understanding of the criminal mindset and his determination to fight crime, as he says, 'I know the cunning of thieves... I will catch them.'

💡Poverty

Poverty is a state of lacking sufficient financial resources to meet basic needs. The script highlights the protagonist's struggle with poverty, which influences his decisions and actions. He mentions being hungry and resorting to theft to survive, illustrating how poverty can drive individuals to criminal activities, as seen when he says, 'I was hungry for a whole day.'

💡Reformation

Reformation refers to the process of changing one's behavior for the better. The script discusses the protagonist's journey from a life of crime to one of helping others. His transformation is inspired by religious teachings, as he follows the path of 'sisi' or repentance, leading him to help children in need, reflecting a change in his moral compass.

💡Street Children

Street children are minors who live or work on the streets, often due to poverty or abandonment. The script portrays the protagonist's encounter with street children, which becomes a turning point in his life. He sees himself in them and decides to help, as he says, 'I saw them there, I thought, this is my mission now.' This highlights the social issue of street children and the protagonist's role in addressing it.

💡Homelessness

Homelessness is the state of not having a permanent place of residence. The script describes the protagonist and the street children's experiences of homelessness, which is a significant part of their struggle for survival. It is mentioned when he talks about living on the streets and the challenges they face, such as 'We live on the streets, we sleep together, side by side.'

💡Victimization

Victimization refers to being subjected to harm or mistreatment. The script touches on the victimization of street children by the legal system, where they are charged with offenses but may not necessarily be guilty. The protagonist recognizes this injustice and aims to help them, as he notes, 'These children have cases in court, but not necessarily guilty of the charges against them.'

💡Survival

Survival in this context refers to the struggle to stay alive amidst difficult circumstances. The script depicts the harsh realities of survival on the streets, where the protagonist and the children engage in risky activities for food and shelter. An example is when he describes their daily struggle, 'We look for scrap metal, we steal, just to eat.'

💡Responsibility

Responsibility here refers to the sense of duty or obligation one has towards others. The protagonist feels a strong sense of responsibility towards the street children, whom he considers his family. He takes on the role of a guardian, as shown when he says, 'I am the father, the judge, the world to these children.' This reflects his commitment to their well-being.

💡Social Injustice

Social injustice refers to unfair treatment of individuals or groups within a society. The script addresses social injustices faced by the street children, such as lack of proper care and legal representation. The protagonist criticizes the government's lack of action, stating, 'I see what the government does to us, but not for us.' This highlights the systemic issues that contribute to the plight of the street children.

💡Hope

Hope is the feeling of expectation and desire for a certain future outcome. Despite the hardships, the script conveys a sense of hope through the protagonist's efforts to improve the lives of the street children. He finds joy in helping them, as he says, 'I became happier when I was with them.' This hope is a driving force for change and a reminder of the potential for a better future.

Highlights

Dream of becoming a police officer since childhood, inspired by grandfather who was a police officer.

Lack of knowledge about other jobs, only dream was to become a police officer.

Awareness of criminal tactics and the desire to catch criminals.

Pedro's story of being called 'santo' and his involvement in criminal activities.

Daily struggle with hunger and the decision to steal to survive.

Transformation from a thief to a caregiver for street children.

Pedro's realization of his mission to help children and reduce his own sins.

Description of the harsh living conditions of street children.

Pedro's role as a father figure to the children he helps.

The daily challenges of finding food and money to survive.

The danger of being shot and the constant fear of being caught by the police.

The importance of separating juvenile offenders from adults in detention.

Lack of resources and facilities for youth in conflict with the law.

The impact of poverty and lack of opportunities on criminal behavior.

The need for government intervention and support for at-risk youth.

The resilience and survival instincts of the street children.

The emotional toll of living on the streets and the fear of being caught.

The hope for a better future and the desire to escape the cycle of poverty and crime.

Transcripts

play00:11

tangang pangarap ko maging pulis talaga

play00:13

kahit bata pa ako kasi lolo ko Pulis E

play00:15

wala na akong ibang alam na trabaho

play00:16

naisipin kong pangarap ko yun lang

play00:19

talaga tinatak sa sarili ko malay mo

play00:21

balang araw makapag-aral ako may mapaga

play00:24

saakin ganon maging pulis ako Syempre

play00:26

alam ko ng diskarte na magnanakaw Alam

play00:28

ko ng diskarte ng mga kriminal kaya ko

play00:30

na sila huhulihin Kasi ganito dati

play00:31

ginagawa ko

play00:34

e ang tawag sa kanya santo sabi ng iba

play00:38

gago tatawagin natin siyang

play00:42

[Musika]

play00:49

Pedro kwento kwenta kwento

play00:53

kwenta kwento kwenta

play00:57

kinakanta kwento kwent

play01:00

kwento

play01:01

kwenta kwento kwenta

play01:05

binebenta hari daw ng hamog ang kalsada

play01:08

ang kaharian mulat ang mata mabilis ang

play01:12

paa 14at anyos siya ng unang Naglayas

play01:15

araw araw daw binubugbog ng ama

play01:18

Nagugutom ako hangga't isang araw

play01:20

lumapit yung tropa ko saakin ha Sama ka

play01:22

sa amin gusto m magkapera Sinama na

play01:24

akong magnakaw mga hold up mga snatch

play01:27

akat bahay hanggang Nasanay na ako yun

play01:30

wala akong kalagyan sarili ko lang

play01:32

tinutulong ako nakakasawa rin at dahil

play01:34

sabi ni jesukristo magsisi at magbago

play01:37

sinundan niya ang kapalaran hanggang sa

play01:38

kahabaan ng kalyeng C5 pagbaba ko roon

play01:41

sa m ilalim nakita mga batang hamog mga

play01:44

batang hamog na nak tulay mga madudungis

play01:50

[Musika]

play01:53

nag-ring um Itong mga batang ito meron

play01:56

silang suliranin sa batas but not

play01:58

necessarily na may kasalanan sila or

play02:01

guilty sila of the offense being charge

play02:04

of them hindi ka

play02:07

[Musika]

play02:09

Pao hindi ka pa

play02:13

[Musika]

play02:15

kuntento hindi ka pa

play02:19

kento

play02:21

saimo nakita ko sila roon Parang sabi ko

play02:24

ito na lang yung misyon ko Nat tulungan

play02:26

ko na lang sila para man lang mabawasan

play02:28

yung mga kasalanan ko naging masaya nga

play02:30

ako nung nakasama ko sila lahat

play02:32

inalagaan ko sila Sabi ko dati naman ako

play02:35

magnanakaw e ko sila sa diskarte lahat

play02:38

diskarte pag ng bakal smag lat binabaril

play02:42

kam sila ang pamilya ni Pedro mga tambay

play02:45

at palaboy ang mga nausang anak ng mga

play02:48

hiwalay na magulang para sa mga batang

play02:50

hamog si Pedro ay papa ang tatay na

play02:53

sandigan gumuguhong mundoang ama

play02:58

Nain Mahal ko pa si papat Kay sa mga iba

play03:02

kwanan niya na nga daw po yung magulang

play03:04

niya para sa amin lang Kasi po minsan

play03:06

wala po kaming makain sa kanya po kam

play03:09

pupunta ano po turing po namin sa kanya

play03:11

tatay pag ano po umaakyat po siya ng

play03:14

truck tinutulungan po namin si Pedro ang

play03:16

nakatatanda L si na taong gulang lahat

play03:19

ng mga batang tinatawag niyang pamilya

play03:21

ay bata sa ilalim ng batas pagising ko

play03:23

sa umaga wala kaming pera pera dahil

play03:26

pinang Nam gabi hanap kami ng diskarte

play03:28

diyan kami titigil hangga't wala kaming

play03:31

nanako na bakal kit sa SM kahit

play03:33

binabaril na kami papasukin namin yan

play03:35

basta Inisip ko pangkain namin Habang

play03:37

may traffic may pera binabato lang nila

play03:39

yung pinto para hindi bumaba yung truck

play03:41

tapos yung open po na truck sa likod Yun

play03:44

po yung inagat ko pag may mga tubo kaya

play03:46

bakal mga scrap nila tep yon creaming

play03:50

yon responsibilidad ng pulis yun h

play03:51

hulihin

play03:52

yon So hindi naman Gagawa ng cream pagka

play03:55

nandon ng pulis pag traffic po kahit may

play03:58

mga pulis Marami ng survey bumababa po

play04:00

kami diyan kahit dalawa lang kami Tatlo

play04:02

lang kami lalo na

play04:05

ako sila na lang priority k mga bata Mga

play04:09

hamog mga lahat ng kasama ko b lang ako

play04:12

lang mahuli wag lang sila B ako mabaril

play04:14

akoang mamatay wag lang

play04:16

[Musika]

play04:19

sila

play04:21

ang magtrabaho man ako Kulang pa sa amin

play04:23

lahat wala rang mangyari

play04:30

parang hari kong maglakad pag nadala

play04:33

rito Takot na rin may takot pa rin meron

play04:37

namang parang

play04:39

nasanay Nasanay na na ay hindi naman ako

play04:41

makukulong Mamaya Uuwi rin ako bukas uwi

play04:44

rin ako wala ng Takot kasi pag natakot

play04:46

ako magpapatalo ak sarili ko multo lahat

play04:48

kami gutom dito nakatira si Pedro at

play04:52

kung nasaan siya nandun raw ang ligaya

play04:55

minsan po kumpleto kami tas ano Kumakain

play04:58

po kami ng sabay-sabay to natutulog kami

play05:01

ng magkakatabi magkakayakap

play05:04

umabot na po kami sa B mahigit na

play05:08

nagsisiksikan kami rito iba May mga

play05:10

bahay pero ang isip nila dito sila

play05:14

masaya sa buhay kalye Sa buhay kalye

play05:17

lang namin nakita yung totoong kaligay

play05:19

ng buhay hindi sa bahay namin na

play05:21

kinokontrol kami ng magulang namin

play05:22

binubugbog pa kami ako maga Island

play05:26

mahali

play05:28

ako bawat batang hamog ang ebanghelyo ni

play05:31

Pedro bawal ang rugby bawal ang di

play05:34

maligo bawal magnakaw ang maliit at

play05:38

bawal magbenta ng laman inano ko sa isip

play05:41

ko na ayan sabi ni papa yan dapat hindi

play05:45

natin kalimutan Kinalimutan po nila nung

play05:47

nakulong si Papa kasi nakulong nga po

play05:49

ako non nawala ako h nawala tumut sa

play05:51

kanila walang dumidiskarte walang

play05:53

pwedeng dumar dahil nakakulong ako eh

play05:55

nagpapabinyag

play05:56

nagpapa sila sa iba tapos p gipit na

play05:59

naipit kami halos umiiyak na po kami

play06:02

kaya po Kaya po Naghahanap kami ng

play06:04

diskarte minsan pumapayag po kami sa

play06:06

ganyan napakadaling

play06:08

mag-rest napakadaling mag-pick up

play06:13

napakadaling manghuli kung tawagin mo ng

play06:15

huli Where are you going to bring them

play06:17

ayon sa batas magkaiba Ang parusa sa

play06:20

bata at sa matanda lalo na sa mabababang

play06:23

krimen ang bawat lungsod ay kailangang

play06:25

magtayo ng bahay para sa pangangalaga at

play06:27

rehabilitasyon ng mga nagkasalang edad

play06:30

should be a bahay pag-asa established in

play06:32

every local government unit funded of

play06:34

course from the era of the city na hindi

play06:39

lahat gumagawa naiipit kami Kasi nga

play06:41

wala kaming youth home sa loob ng anim

play06:43

na taon wala pa ring gusaling na itatayo

play06:46

ang lungsod ng Taguig para sa mga batang

play06:48

may suliranin sa batas ang naging

play06:50

solusyon ko roon hinihiwalay ko yung

play06:53

lahat ng cicl wala silang ibang kasamang

play06:56

lalaki na adult ang adult nila

play06:58

makakasama is babae Ipinagbabawal ng

play07:01

batas ang pagkakakulong ng bata kasama

play07:03

ng matanda babae man o

play07:07

lalaki putao may pinag naman kahit

play07:10

papano e kaga mulat ako sa mundo e iba

play07:12

hindi nakikita yung mga ginagawa ng

play07:14

gobyerno h nakikita yung ginagawa sa

play07:16

amin e wala walang kwenta y gobyerno

play07:18

para Sain Kahit Isang request isang

play07:21

Suggestion lang kumbaga isang volunteer

play07:23

lang na PTA Sain pede naman kay magbago

play07:25

Gan wala Walang wala ho kin nila lahat

play07:29

ang nakik kasi namung kahirapan

play07:34

talaga run from home but work the yung

play07:39

kahirapan hindi hindi ko pwedeng isisi

play07:42

sa paggawa ng kasalanan yan e kasi may

play07:45

nakikita ako mga nangangalakal naman e

play07:47

para mabuhay Bakit natin ikakatwiran

play07:50

yung kahirapan magsikap tayo tinatawag m

play07:54

magnanakaw

play08:00

mangyari kaya sa nila yung nangyayari sa

play08:01

amin na yung iba Walang magulang yung

play08:03

iba tapos yung iba magugutom Anong

play08:06

gagawin nila wala mahanap ng trabaho

play08:08

dahil bata pa kami h kami makapaghanap

play08:10

ng trabaho dahil nga may record na kam

play08:11

mga magnan para Sain Ong ginagawa para

play08:14

makakain lahat magnanakw ako pero m

play08:17

nanaka ko mayayaman barya lang sa mga

play08:19

bakal e kumukurot lang ako e nagkukwento

play08:23

po para maintindihan niyo bit namin

play08:25

ginagawa ito ay kwento ng kalsada at

play08:28

kwento ng is da bata mulat ang mata

play08:31

mabilis ang paa pwedeng santo pwedeng

play08:35

Gago kaw nawawala minsan ay nawawalan Di

play08:41

ka

play08:42

naniniwala puno ng

play08:45

alinlangan ikaw ay

play08:47

nanliliit ligtas ka ba sa Rehas Bakit ka

play08:52

nakapiit Bakit ka tumatakas

play08:56

[Musika]

play09:00

ikaw ay

play09:02

natatakot parang walang hangganan ang

play09:06

kirot ng bangungot Di mo

play09:09

makalimutan ikaw ay

play09:11

nanlulumo bilang na ba ang araw Gusto mo

play09:16

ng sumuko mundo kang nagugunaw Hindi

play09:20

Hindi ako natatakot Totoo naman sinasabi

play09:23

ko eh

play09:25

wala wala naman wala naman perb con tá

play09:32

[Musika]

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相关标签
Street LifeChild LaborCrimeRedemptionPhilippinesPovertySocial IssuesYouthSurvivalHuman Rights
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