VLOG SEJARAH - GOES TO MUSEUM NASIONAL INDONESIA

naina zahra

27 Jan 202210:54

Summary

TLDRThe video script details a visit to the National Museum of Indonesia in Jakarta, showcasing the journey via KRL and a walk due to road closures. It highlights the museum's entrance fee and health protocols. The tour covers exhibits on social organizations, settlement patterns, and various artifacts like the Bale Piyaian model, ancient Javanese statues, and traditional regalia. The script also describes historical inscriptions, royal decorations, and traditional clothing, reflecting Indonesia's rich cultural heritage.

Takeaways

🚇 The group planned to visit the National Museum of Indonesia in Jakarta using the KRL (Jakarta's mass rapid transit system) from Lenteng Agung station to Juanda station.
💸 The cost of transportation via KRL was Rp3,000, and due to road closures, they decided to walk to the museum.
🏛️ The museum is located at Jalan Medan Merdeka Barat No. 12 Gambir, Jakarta Pusat, and the entrance ticket costs Rp5,000 per person.
📋 Visitors are required to follow health protocols including temperature checks, hand sanitizing, and showing vaccination validation through the PeduliLindungi app.
🏰 The group explored the museum's Building B, 3rd floor, which contains exhibits on social organizations and settlement patterns.
🗿 They saw a model Bale (traditional pavilion) with 12 poles and a Garuda Wisnu statue, which is a place for deities to descend during ceremonies.
🎭 Various artifacts were discussed, including a bronze kettle with a frog-shaped spout, a moko-moko (bronze bell), and a prasasti (ancient inscription) that tells the story of King Srimulat Farma.
🌾 A bas-relief was highlighted, depicting agricultural scenes from the Majapahit era, showcasing rice fields, rivers, and hills.
👑 The group learned about traditional Javanese jewelry, such as silver bracelets and anklets, which hold cultural and ceremonial significance.
👘 They also observed traditional clothing and accessories from various regions, like Enggano, Bengkulu, and Papua, each with unique cultural and functional aspects.

Q & A

Where is the National Museum of Indonesia located?
-The National Museum of Indonesia is located at Jalan Medan Merdeka Barat No. 12 Gambir, Jakarta Pusat.
What is the cost of the KRL (Jakarta Kota Ring Road) train ticket from Lenteng Agung to Juanda Station?
-The cost of the KRL train ticket from Lenteng Agung to Juanda Station is Rp3,000.
Why did the visitors decide to walk to the museum?
-The visitors decided to walk to the museum because several access roads were closed on the day of their visit.
What is the admission fee to enter the National Museum of Indonesia?
-The admission fee to enter the National Museum of Indonesia is Rp5,000 per person.
What health protocols were required before entering the museum?
-Before entering the museum, visitors were required to undergo body temperature checks, use hand sanitizer, and show their vaccination validation using the Peduli Lindungi app.
What is the significance of the artwork by Nyoman Nuarta behind the visitors at the museum?
-The artwork by Nyoman Nuarta represents the powerful struggle through spirit and hard work towards a better end goal.
What is the function of the Bale Piyaian model with the Garuda Wisnu statue on top?
-The Bale Piyaian model with the Garuda Wisnu statue on top serves as a place for deities to descend during religious ceremonies.
What is the purpose of the Moko-Moko artifact mentioned in the script?
-The Moko-Moko artifact, resembling an hourglass, is likely used as a burial item and a marriage gift in societies with high social status.
What does the Prasasti Mulawarman inscription, found in 1879, indicate about the ruler?
-The Prasasti Mulawarman inscription, written in Pallawa script and Sanskrit language, mentions the name Srimulat Farma Nah as a noble ruler who made a donation of 20,000 cows to Brahmins.
What is the traditional use of the songket cloth in Indonesian culture?
-The songket cloth is used for official ceremonies, traditional rituals, and attending family gatherings. It is adorned with gold thread patterns and signifies high social status for the wearer.
What is the function of the 'sendal' mentioned in the script?
-The 'sendal,' made from lightweight wood, is used during wedding ceremonies and can also serve as a timepiece or a home decoration.

Outlines

00:00

🏛️ Visit to National Museum of Indonesia

The video script describes a visit to the National Museum of Indonesia located in Central Jakarta. The journey begins with the intention to use the Jakarta Commuter Line (KRL) from Lenteng Agung station to Juanda station, costing 3,000 Indonesian Rupiah. However, due to road closures, the group decides to walk to the museum, which takes approximately five minutes. Upon arrival, they are greeted by a statue by Nyoman Nuarta, symbolizing the spirit of struggle. The museum's entrance fee is 5,000 Rupiah per person, and visitors must follow health protocols including temperature checks and showing vaccination validation through the 'Peduli Lindungi' app. The group then proceeds to Building B, 3rd floor, which exhibits social organizations and settlement patterns. They encounter a Bale Piyasan model, a Garuda Wisnu statue, and various artifacts like the Moko-Moko, ancient Javanese bronze kettles, and a Prasasti Mulawarman stone inscription. The script also mentions a relief depicting agricultural areas during the Majapahit era.

05:00

💍 Traditional Javanese and Regional Artifacts

This paragraph delves into the traditional artifacts and cultural practices of Java and other regions in Indonesia. It discusses the significance of various bracelets and rings, such as Arab-style silver rings and Gazelle bracelets, which are part of traditional attire and ceremonial dress. The script mentions a 'gelang kaki' or anklet from Kediri, East Java, which is filled with metal balls to produce a sound when moved. The Prasasti Tugu, a stone inscription from the Tarumanegara kingdom, is highlighted, along with its Pallawa script and Sanskrit language. The use of a three-legged vessel in local rituals and the 'sesako susah', a decorative element from a short chair backrest used in Lampung's 'papadon' ceremony, are also described. The paragraph further explores the cultural influence of Chinese sub-cultures on the production of 'kain songket', a gold-threaded cloth with high social status, and the traditional clothing made from wood fibers found in Enggano, Bengkulu.

10:01

🎭 Cultural Performances and Traditional Houses

The final paragraph of the script focuses on cultural performances and traditional housing. It mentions鼓掌, which could be a reference to applause or a traditional gesture, followed by a recitation of blessings in Arabic. The script also describes traditional houses, such as the Rumah Gadang in West Sumatra, which is a large family dwelling for matrilineal families including the head of the customary law, his mother, and his siblings. The house is adorned with baroque-style decorations and is estimated to have been built in the 17th century. The script concludes with a description of a wooden clock used during marriage ceremonies and a carved wardrobe from Palembang, South Sumatra, decorated with Sulur leaf motifs, used for storing documents and as a room divider.

Mindmap

Keywords

💡National Museum of Indonesia

The National Museum of Indonesia, referred to as 'Museum Nasional Indonesia' in the script, is a significant cultural institution located in Jakarta. It houses a vast collection of Indonesian historical and cultural artifacts, showcasing the country's rich heritage. In the video, the museum serves as the main destination for the visit, emphasizing the theme of exploring and appreciating Indonesia's past.

💡KRL (Kereta Rel Listrik)

KRL, or Kereta Rel Listrik, translates to Electric Train in English and refers to the electric train system in Jakarta. It is part of the city's public transportation network. In the script, the use of KRL from Lenteng Agung Station to Juanda Station illustrates the mode of transportation taken to reach the museum, highlighting the urban infrastructure and connectivity within Jakarta.

💡Gedung B

Gedung B, or Building B, is mentioned as a part of the museum complex where the social organization and settlement patterns are displayed. This indicates a specific wing or section of the museum dedicated to showcasing the societal structures and living arrangements throughout Indonesian history, contributing to the understanding of the country's cultural diversity.

💡Bale

Bale, as mentioned in the script, refers to a traditional Indonesian pavilion or community hall. It is often used for social gatherings, ceremonies, and other community events. The script describes a model Bale with a Garuda Wisnu statue, symbolizing the descent of deities, which reflects the cultural and religious practices in Indonesia.

💡Garuda Wisnu

Garuda Wisnu is a significant symbol in Indonesian mythology, representing a mythical bird-like creature. In the context of the script, it is mentioned as part of a model Bale, indicating its role in cultural and religious iconography. The Garuda Wisnu serves as a symbol of divine presence and is often associated with the Hindu-Buddhist heritage of Indonesia.

💡Prasesti Mulawarman

Prasesti Mulawarman is one of the seven inscriptions mentioned in the script, carved on a stone pillar known as Yupa. It was discovered in 1879 and written in Pallawa script and Sanskrit language. This inscription is an important historical artifact that provides insights into the ancient Javanese kingdom, reflecting the cultural and linguistic influences of the time.

💡Candi

Candi refers to ancient Hindu or Buddhist temples in Indonesia, typically characterized by their stepped pyramidal structure. In the script, bas-reliefs on Candi depict agricultural scenes from the Majapahit era, illustrating the historical significance of these structures in representing the religious and cultural practices of the time.

💡Papadon

Papadon is a traditional ceremony in Lampung, Indonesia, where a short bench is used for the elevation of a head of a clan during the ceremony. The script mentions 'sesako susah kau' as a decoration associated with this ceremony, indicating the cultural practices and the importance of rituals in local communities.

💡Songket

Songket is a traditional Indonesian fabric known for its intricate gold or silver thread work. It is often used for ceremonial occasions, official events, and traditional attire. The script mentions songket as a fabric with high social value, indicating the status of the wearer and the influence of Chinese sub-culture in its making, showcasing the blend of cultural influences in Indonesian textiles.

💡Rumah Gadang

Rumah Gadang, or 'Great House,' is a traditional Minangkabau house from West Sumatra. It is a large, communal dwelling for an extended family, reflecting the matrilineal social structure. The script describes it as a home for the head of the customary law, his mother, children, and affines, illustrating the architectural and social aspects of Indonesian indigenous cultures.

💡Petakas

Petakas, mentioned in the script, refers to a decorative backrest used in traditional Javanese culture. It is associated with the elevation of a person's status during ceremonies, such as the 'papadon' ceremony. The use of petakas reflects the importance of ceremonial objects in signifying social rank and the aesthetic aspects of traditional Javanese art.

Highlights

Visit to the National Museum of Indonesia in Jakarta.

Using KRL (Jakarta's Mass Rapid Transit) from Lenteng Agung to Juanda Station.

Continuing the journey to the museum by online transportation due to road closures.

Walking to the main entrance of the museum, taking approximately five minutes.

Arrival at the National Museum of Indonesia located on Jalan Medan Merdeka Barat No. 12.

Admission fee to the museum is Rp5,000 per person.

Health protocols required for entry include temperature checks and showing vaccination validation.

Exhibition on social organizations and settlement patterns on the third floor of Building B.

Model Bale Piyaian with 12 poles and a Garuda Wisnu statue as a place for deities to descend.

Description of a proportionally shaped ancient Javanese tomb with various ornaments.

Moko-moko, a sandglass-shaped artifact possibly used for burial and marriage ceremonies.

Prasasti Mulawarman, one of seven inscriptions, found in 1879, with Pallawa script and Sanskrit language.

Bas-relief decorations on a temple depicting agriculture during the Majapahit era.

Arab or silver bracelets used by women as part of traditional attire and ceremonial significance.

Prasasti Tugu, an inscription from the Tarumanegara kingdom, using Pallawa script and Sanskrit language.

Sesako Susah, a decorative piece used in the Marga community in Lampung for ceremonial purposes.

Kain Songket, a valuable cloth used for official ceremonies and social status indication.

Traditional clothing from Enggano, made from wood species with zigzag motifs.

Heboh TK, a traditional Papuan male covering made from dried bark.

Traditional Papuan female chest covering made from wood fiber or beads.

Rumah Gadang, a traditional house in West Sumatra for a matrilineal family.

Peti or cash box with Baroque style motifs for storing money.

A clock used as a wedding ornament and a home decoration from Palembang, South Sumatra.

Bas-relief on a temple wall depicting a village and rice fields during the Majapahit era.