Arts and Crafts in the Philippines (Part 2)
Summary
TLDRThis video explores the rich tapestry of Philippine indigenous arts, focusing on graphic and plastic arts. It delves into folk writing, with the 'suyat' scripts, which vary across ethnolinguistic groups. The discussion moves to folk paintings, reflecting traditional life, and ornamental textile or fiber art, including hat making and mask making, both integral to cultural festivals. Pottery is highlighted, with artifacts like the 'banungul jar' and 'maitum anthropomorphic pottery' showcasing the ancient pottery culture. The video concludes with an assignment for viewers to research traditional accessories, emphasizing their origin, history, and significance.
Takeaways
- 🖋️ The Philippines has a rich history of indigenous scripts known as 'suyat', each with unique forms and styles of calligraphy.
- 🎨 Folk paintings in the Philippines often depict traditional life and culture, with a history of thousands of years.
- 👒 Ornament textile or fiber art includes a variety of crafts such as hat making, mask making, and accessory making, reflecting the country's diverse cultural practices.
- 🎭 Mask making is both an indigenous and imported tradition in the Philippines, with some practices dating back before colonization and others adapted from colonizers.
- 🏺 Pottery is an ancient art in the Philippines, with artifacts like the Banungul jar and Maitum anthropomorphic pottery indicating a pottery culture dating back 300 years.
- 🌟 The Manunggul jar is a significant artifact, representing the journey of the soul to the afterlife, and is even featured on the 1000-peso bill.
- 👗 Traditional accessories in the Philippines are often worn with specific garments and are part of the attire, sometimes used for houses, altars, and other objects.
- 🎭 The Moriones Festival and Mascara Festival are examples of celebrations where masks play a significant role, showcasing the ongoing tradition of mask-making.
- 📜 The script 'suyat' was used by various ethnolinguistic groups in the Philippines from pre-colonial times up to the 21st century.
- 📝 The video script encourages viewers to conduct research on traditional accessories, highlighting the importance of preserving and understanding these cultural elements.
Q & A
What are the fields under full graphic and plastic arts in the Philippines?
-The fields under full graphic and plastic arts in the Philippines include tattooing, folk writing (suyat), folk drawings and paintings, ornament textile or fiber art, and pottery.
What is 'suyat' in the context of Philippine indigenous scripts?
-Suyat refers to the various indigenous scripts of the Philippines, each with their own forms and styles of calligraphy, used by different ethnolinguistic groups prior to Spanish colonization.
Which four scripts survived the end of colonialism in the Philippines?
-The Hanunó'o and Ibatan scripts are among the few that survived and continued to be used by certain communities in the Philippines after the end of colonialism.
What are some examples of folk paintings in the Philippines?
-Folk paintings in the Philippines often depict the traditional life of Filipinos and folk culture. An example provided in the script is a painting showing the normal life of Filipinos in the farm.
What is the significance of hat making in Philippine culture?
-Hat making is a fine art in many communities throughout the Philippines, with traditional Filipino hats like the Gourd Base Tabo being widely used in daily life until the 20th century.
How are masks used in Philippine festivals?
-Masks in the Philippines are primarily used during festivals such as the Moriones Festival and the Mascara Festival, where they play a significant role in the celebration of local traditions and feasts.
What is the purpose of accessory making in the context of traditional Filipino attire?
-Accessories in the Philippines are often worn with traditional garments and costumes, and they also serve as decorations for houses, altars, and other objects, enhancing the cultural attire and practices.
What is the history of pottery in the Philippines as mentioned in the script?
-The art of pottery in the Philippines dates back around 300 years, with important artifacts like the Banungul jar and the Maitum anthropomorphic potteries indicating a long-standing tradition of pottery culture.
What do the human figures on the Banungul jar represent?
-The human figures on the Banungul jar represent souls on a journey to the afterlife, as it is a burial jar, symbolizing the belief in an afterlife and the journey of the soul.
What is the assignment given to the viewers at the end of the video?
-The viewers are tasked to research different traditional accessories in the Philippines, focusing on one, and create a journal spread about it, including its origin, history, function, significance, or symbolism.
What is an example of a traditional accessory discussed in the script?
-The Pangalapang necklace is given as an example of a traditional accessory that one might focus on for the research assignment mentioned in the script.
Outlines
🖋️ Philippine Folk Writing and Painting
This paragraph introduces the realm of folk writing and painting in the Philippines. It discusses the various indigenous scripts known collectively as 'suyat,' which were used by different ethnolinguistic groups before Spanish colonization and continue to be used today, with four scripts being revived post-colonialism. The paragraph also delves into folk paintings, which depict traditional Filipino life and culture, using a wide array of pigments. Examples of folk paintings are provided, showcasing the everyday life of Filipinos in rural settings.
🎭 Philippine Fiber Art and Pottery
The second paragraph explores the diverse fields of fiber art, including hat making, mask making, and accessory making, which are integral parts of Filipino traditional attire and are used in various cultural events and rituals. It highlights the 'tabunga' hat, a prized craft made from gourd, and the art of mask making, which has both indigenous roots and influences from external trade. The paragraph also covers the art of pottery, with a focus on significant artifacts like the 'banungul jar' and 'maitum anthropomorphic pottery,' reflecting the long-standing tradition of pottery in the Philippines and its cultural significance.
📜 Research Task on Traditional Accessories
The final paragraph concludes the discussion by assigning a research task to the viewers on traditional accessories in the Philippines. It encourages an in-depth exploration of one particular accessory, including its origin, history, function, and symbolism. An example is provided, focusing on the 'pangalapang necklace,' which serves as a model for the expected research output. The paragraph ends with an announcement about an upcoming assessment related to the research task.
Mindmap
Keywords
💡Folk Writing or Calligraphy
💡Plastic Arts
💡Suyat
💡Folk Paintings
💡Ornament Textile or Fiber Art
💡Hat Making
💡Mask Making
💡Accessory Making
💡Pottery
💡Manunggul Jar
💡Maitum Potteries
Highlights
Introduction to the continuation of discussions on arts and crafts in the Philippines.
Exploration of the four graphic arts in plastic arts: tattooing, folk writing, drawing, and painting.
Discussion on folk writing or calligraphy, with a focus on indigenous scripts called 'suyat'.
Mention of the variety of ethnolinguistic groups in the Philippines and their unique calligraphic styles.
Historical context of the use of scripts from pre-colonial times to the 21st century.
Revival of four Soviet scripts post-colonialism: Hanunuo and Ibaldo.
Folk paintings and their depiction of traditional Filipino life and culture.
Use of natural pigments in folk paintings, such as gold, yellow, red, and blue.
Ornamental textile and fiber art, including hat making, mask making, and accessory making.
Significance of hat making in Philippine communities and the use of gourd in creating traditional hats.
Mask making as both an indigenous and imported tradition, with examples like the Moriones Festival.
Accessory making as an integral part of traditional Filipino attire and its use in various cultural practices.
Pottery as an ancient art form in the Philippines, with a history dating back 300 years.
Description of the Manunggul jar, an important pottery artifact representing the journey to the afterlife.
Maitum anthropomorphic pottery, showcasing the long-standing tradition of pottery in the Philippines.
Assignment for students to research and create a journal spread on traditional accessories.
Emphasis on the importance of understanding the origin, history, and significance of traditional accessories.
Example provided on researching the Pangalapang necklace for the journal assignment.
Transcripts
welcome to jack quantity to indigenous
creative craft
this video is a continuation of our past
past discussion on the arts and crafts
in the philippines
so let us proceed with the four graphics
in plastic arts
the fields under full graphic and
plastic plastic arts are tattooing folk
writing
for drawing and painting
so first we have the folk writing or
calligraphy
so the philippine has numerous
indigenous scripts
which which are collectively called as
suyat
so each of
which has their own forms and styles of
calligraphy
we have various ethnolinguistic groups
in the philippines
prior to spanish colonization in the
16th century up to the independence era
in the 21st
century so up until this 21st century
we have used the scripts
with various mediums so by the end of
the colonialism
there are only four of the soviet
scripts revived these are the
hanunu
and ibaldner scripts
so these for
surya
survived and continued to be used by
certain communities in the philippines
in their everyday life so
here we can see the different
uh
script indigenous script writing or the
suyat
that we have in the philippines
so there
next we have
the folk paintings so for paintings it
is like
uh folk drawings
so these are works of art that usually
include depictions of folk culture
so evidence suggests that the people of
the archipelago have been
painting and glazing their batteries for
thousands of years
pigments used in paintings range from
gold yellow reddish purple green
white blue green or
blue
so
for faux paintings these are paintings
which are or which is the usual subject
depicts or describes or shows or
illustrates
the
traditional
life of filipinos folk culture
depictions of folk culture example is
this
painting it shows the normal life of
filipinos in the farm
then next we have
the ornament textile or fiber art so
ornament textile or fiber art includes a
variety of fields it ranges from hat
making from mask making
accessory making
ornamental
crafts and many others
first we have the hat making
so hat making is a fine art in many
communities throughout the country
throughout the philippines so we have
the gourd beast taboo now
hat
of ambra and ilokas so it is it is one
of the most prized
had craft of the philippines
indigenous filipino hats were widely
used in the daily lives of the people
until the 20th century when they were
replaced by western style hats so up
until now some people use hats for their
daily life
they are currently wearing during
certain occasions such as festivals
rituals or
in theater
so this tabunga had here gourd base it
is actually a plant
gourd
that is used
or
creatively used to
make
a hat and it is common in abra and in a
locus
then we have
the mask making so the art of mask
creation is
both an indigenous imported tradition so
it is both indigenous because it began
locally in our country and at the same
time
imported meaning
adapted
from the colonizers that we have so
australian communities
have mask-making practices prior
colonization so while some mask-making
traditions were introduced
through
trade from parts of asia and the west
so today
these masks are worn mostly during
festivals festivals such as moriones
festival
and mascara festival actually even other
type of festival uses masks
when they celebrate
their
feasts
then we have
the accessory making so accessories in
the philippines are almost
almost always worn
with their respective combination of
garments so it is it always comes with
with their
clothes
or with the with the costume it is a
part of an attire so it's um being used
as accessories for houses
altars and other
objects so
even as in maya now culture we have
accessories that comes
with our traditional
traditional attire traditional clothing
then we have
pottery so the art of paterica digressed
into ceramic making
clay pot making and folk clay sculptures
it has long been a part of
various culture in the philippines with
evidence pointing to
pottery culture dating around 300 years
ago so important battery artifacts from
the philippines
includes
the banungul jar
and the maitum anthropomorphic battery
so first we have the manual
manual jar
so
manongo jar is a secondary boreal jar
from the early
1960s in manongal cave
[Music]
[Music]
[Music]
these two figures or human figures
represents
two souls
that is on a journey or on a voyage
to the afterlife so it is believed since
it is a burial jar
uh this
lead or this sculpture or design
represents
the journey of the soul
to the afterlife
so
as you can see the boatman is seated
behind the figures
both man
the new sahara the figure has
its hands crossed on the chest
so
position and combine is actually a
traditional filipino practice
now
we can observe when we arranging and
then body or a corpse no
so yeah it represents a dead body
that is traversing or traveling to the
afterlife
actually this manongoja is very
uh we can always see this in one
thousand peso bills
it's a liquid and onion
image or picture in a manual gold jar
then we have the maitom
pateris or maito anthropomorphic
potteries
so these are earthenware pots resembling
human
figures that were found in ayub gave in
pinol maetum sarangani provence
so these spots were dated to the metal
age pashanos and it is used as secondary
boreal same
so there were 29 jars
discovered
in the province of saryangani and each
of
these jars had head shaped covers for
trees which produce different kinds of
expressions
[Music]
and accordingly each cover portrays
different kind of expressions
so
those
heads
were either plain or some of them are
coated with red or
black paints
so
it's a philippines so it shows how
battery has been practiced or has been
done
for
for a long time
okay
so that ends our discussion
for your journal entry number three
so you if you have noticed in this small
in this module or in this video
we did not give much examples on the
traditional accessories so we had just
an
overview of our
uh traditional accessories or jewelries
or yuma headrest
it is because you are tasked to do a
research
on the different traditional accessories
that we have in our
country
so after doing your research
focus on one select from that
research select from the various
traditional access ratio research where
you have encountered in your search and
make a journal spread about it
so you may include in your journal the
origin history function
significance or symbolism of your chosen
traditional accessories
so we have here an example
so this example
have focused on
necklace pangalapang necklace and
he
researched about that and put
some information or details about that
certain traditional accessories
and that's it that ends this
video discussion
i will be posting the assessment on your
an hour in model class thank you for
watching and listening
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