Did Emperor NERO set Rome on FIRE?

See U in History / Mythology
6 Aug 202407:52

Summary

TLDREmperor Nero is infamous for his alleged tyranny, including the Great Fire of Rome in 64 AD, which some claim he started for his own pleasure. However, historical accounts suggest he was not responsible for the fire but capitalized on it to build his opulent Golden House. His enemies, including the Senate, used the disaster to tarnish his reputation, and later, Christian historians portrayed him as a persecutor of early Christians. Despite his unpopularity, recent findings hint that his Golden House may have been a public space, and Nero's portrayal as a villain might be more a result of historical bias than fact.

Takeaways

  • πŸ›οΈ Emperor Nero is infamous for his alleged tyranny and insanity, including accusations of killing family members and being a brutal oppressor of early Christians.
  • πŸ”₯ The Great Fire of Rome in 64 AD is often attributed to Nero, with claims he either ordered it or played the lyre while it burned, but these stories may be fabrications.
  • 🏠 Nero was not in Rome when the fire started; he was at his seaside villa in Antium, and he returned to lead relief efforts, suggesting he was not responsible for the fire.
  • πŸ› οΈ Nero implemented new fire regulations and provided financial incentives to rebuild Rome quickly after the disaster.
  • 🏰 In the aftermath of the fire, Nero built the Domus Aurea, or Golden House, a lavish palace complex that was criticized by political rivals but may have been more public than private.
  • πŸ‘₯ Nero was popular with ordinary citizens, which contrasts with the image painted by his political enemies in the Senate.
  • 🎭 The story of Nero playing the lyre during the fire is likely exaggerated or untrue, as Tacitus records Nero was elsewhere when it started.
  • πŸ—οΈ Nero used the Christians as a scapegoat for the fire, leading to their persecution, but the extent of this persecution may have been exaggerated by early Christian historians.
  • πŸ‘₯ The Senate and historians like Suetonius and Cassius Dio contributed to the negative portrayal of Nero, which has persisted through history.
  • πŸ‘‘ Nero's actions and the subsequent civil war led to his suicide and the end of the Julio-Claudian dynasty, with the Flavian dynasty using the fire to tarnish his reputation further.
  • πŸ“– The winners of history, including the Christians and the Senate, have shaped Nero's legacy as a tyrant, murderer, and persecutor, possibly obscuring the truth of his reign.

Q & A

  • What is the historical perception of Emperor Nero?

    -Emperor Nero is often remembered as one of history's most infamous figures due to accusations of murdering family members, being a tyrant, and oppressing early Christians, including Saints Peter and Paul.

  • What is the popular narrative about Nero during the Great Fire of Rome?

    -The popular narrative suggests that Nero played the harp or lyre while Rome burned, implying he was indifferent to the disaster. However, this account may be a fabrication.

  • Was Nero actually responsible for the Great Fire of Rome?

    -No, historical sources, including Tacitus, suggest that Nero was not responsible for the fire. He was at his seaside villa when the fire started and returned to Rome to lead relief efforts.

  • What actions did Nero take after the Great Fire of Rome?

    -Nero opened the Campus Martius and public buildings as shelters, allowed the use of his private gardens, offered cash incentives for rebuilding, and enforced new fire regulations.

  • What was the extent of the damage caused by the Great Fire of Rome in 64 AD?

    -The fire raged for six days and seven nights, destroying or damaging 10 of the 14 districts, killing hundreds, leaving thousands homeless, and leaving two-thirds of the city in ruins.

  • What was the purpose of Nero's Golden House?

    -The Golden House, or Domus Aurea, was an opulent palace complex built by Nero on the site of the fire. It was a grand project that he had long dreamed of but had not executed due to lack of space.

  • How did Nero's enemies use the Great Fire of Rome against him?

    -Nero's enemies, particularly the Senate, blamed him for the fire and used it to tarnish his reputation, claiming he was negligent or used the disaster for his own artistic pursuits.

  • What was the role of the Christians in the aftermath of the Great Fire of Rome?

    -Nero accused the Christians of causing the fire and used them as scapegoats. They were persecuted, with some being crucified, thrown to beasts, or burned alive.

  • How has the historical narrative of Nero been shaped by later events and figures?

    -The narrative of Nero as a tyrant and persecutor of Christians was reinforced by early Christian historians and solidified by figures like Constantine the Great and later historians like Suetonius and Cassius Dio.

  • What evidence suggests that the Golden House may have been more public than private?

    -Recent findings suggest that the Golden House was not solely a private residence but may have been a public space open to the people of Rome.

  • How did the winners of history shape the narrative around Nero?

    -The winners, including the Flavian Dynasty and Christian historians, wrote history in a way that portrayed Nero negatively, as a tyrant, murderer, and the mastermind behind the Great Fire of Rome.

Outlines

00:00

πŸ”₯ The Infamous Emperor Nero and the Great Fire of Rome

This paragraph delves into the controversial legacy of Emperor Nero, who is often accused of tyranny and insanity, including the murder of family members and the persecution of early Christians. The Great Fire of Rome, which devastated much of the city in 64 AD, is also attributed to him, with claims that he played the lyre while the city burned. However, these accounts are disputed, with evidence suggesting Nero was not in Rome during the fire and that he actively participated in relief efforts. The paragraph also discusses the aftermath of the fire, during which Nero initiated building projects, including the Golden House, which further fueled political opposition and led to his eventual downfall.

05:02

πŸ› Nero's Golden House and the Persecution of Christians

The second paragraph explores the aftermath of the Great Fire of Rome and Nero's ambitious construction projects, particularly the Golden House, which was rumored to be a lavish private residence but may have been a public space. The paragraph also addresses the political backlash against Nero, including the Senate's exploitation of the fire to tarnish his reputation. Furthermore, it discusses how Nero scapegoated the Christians for the disaster, leading to their persecution, although the extent of this persecution may have been exaggerated by early Christian historians. The paragraph concludes by reflecting on how Nero's image has been shaped by those who wrote history, painting him as a tyrant and a symbol of Christian persecution.

Mindmap

Keywords

πŸ’‘Emperor Nero

Emperor Nero was the last Roman emperor of the Julio-Claudian dynasty, known for his controversial and often brutal reign. In the script, he is portrayed as an infamous figure due to accusations of murder, tyranny, and the alleged playing of the lyre during the Great Fire of Rome. His actions and the subsequent negative portrayal by historians are central to the video's theme of historical infamy and the manipulation of historical narratives.

πŸ’‘Great Fire of Rome

The Great Fire of Rome was a catastrophic event that occurred in 64 AD, destroying much of the city. The script discusses this event as one of the key incidents that Nero is infamous for, despite the fact that he was not responsible for the fire itself. The fire is used in the video to illustrate the scale of the disaster and the subsequent rebuilding efforts by Nero, which were controversial and contributed to his negative image in history.

πŸ’‘Lyre

The lyre is an ancient stringed musical instrument, and the script mentions the infamous story of Nero playing the lyre while Rome burned. This anecdote has become a symbol of Nero's perceived indifference to the suffering of his people and is used in the video to highlight the myths and accusations surrounding his character.

πŸ’‘Christian Persecution

The script refers to the persecution of Christians under Nero's rule, including the execution of Saints Peter and Paul. This persecution is a significant aspect of Nero's legacy and is used in the video to discuss the early history of Christianity and the role of the Roman Empire in shaping its narrative.

πŸ’‘Domus Aurea

The Domus Aurea, or Golden House, was a lavish palace complex built by Nero after the Great Fire of Rome. The script describes it as an opulent and enormous structure, which was controversial due to its scale and the perception that it was built on the ashes of the city. The Golden House serves as an example in the video of Nero's extravagance and the resentment it generated among the Roman elite.

πŸ’‘Senate of Rome

The Senate of Rome was the governing body of the Roman Republic and the early Roman Empire. In the script, the Senate is portrayed as a political adversary of Nero, who capitalized on the Great Fire to tarnish his reputation. The Senate's role in the video underscores the political dynamics and power struggles within the Roman Empire.

πŸ’‘Tyranny

Tyranny refers to oppressive or brutal rule, and the script associates this term with Nero's reign, citing his alleged acts of murder and persecution. The concept of tyranny is central to the video's exploration of Nero's historical image and the accusations leveled against him.

πŸ’‘Historical Fabrications

The script suggests that some of the accounts of Nero's actions may be fabrications, particularly the story of him playing the lyre during the fire. The concept of historical fabrications is important in the video as it raises questions about the reliability of historical sources and the potential for bias in the portrayal of historical figures.

πŸ’‘Relief Efforts

The script describes Nero's personal involvement in relief efforts following the Great Fire, providing aid to the victims and implementing new fire regulations. These actions are highlighted in the video to counterbalance the negative portrayal of Nero and to suggest that there may be more to his story than the traditional narrative allows.

πŸ’‘Scapegoat

In the script, Nero is said to have blamed the Christians for the Great Fire as a way to deflect blame and find a scapegoat. The term 'scapegoat' is used in the video to illustrate the political strategy of blaming a marginalized group to divert attention from one's own actions or failures.

πŸ’‘Winners Write History

The phrase 'winners write history' encapsulates the idea that those in power can shape historical narratives to their advantage. In the context of the video, it is used to suggest that the negative portrayal of Nero may be partly due to the influence of his political enemies and the later Christianization of the Roman Empire.

Highlights

Emperor Nero is infamous for his alleged crimes, including the murder of his half-brother, two wives, and his mother.

Nero's oppressive rule included the persecution of early Christians, such as Saints Peter and Paul.

The Great Fire of Rome is often misattributed to Nero, who was actually not responsible for the disaster.

Nero was accused of playing the lyre while Rome burned, a claim that may be a fabrication.

Nero took advantage of the fire to undertake lavish building projects, including his Golden House.

The fire started in the Circus Maximus area and spread rapidly due to strong winds and dry climate.

The Great Fire of Rome lasted for six days and nights, destroying two-thirds of the city.

Nero was not in Rome when the fire started; he was at his seaside villa in Antium.

Nero led relief efforts and provided shelter for those affected by the fire.

Nero introduced new fire regulations to prevent future disasters.

Rome had experienced several fires before, but the fire of 64 was the most devastating.

Nero's Golden House was a public complex, not a private residence as some believed.

Nero was popular with ordinary citizens, which contrasts with the Senate's view of him.

Nero used the Christians as scapegoats for the fire to divert blame and quell unrest.

The persecution of Christians by Nero was likely exaggerated by early Christian historians.

St. Peter was martyred under Nero's rule, and a basilica was later built on the site of his martyrdom.

Nero's image as a tyrant was shaped by his enemies, including the Senate and later Christian historians.

The winners of history, such as the Flavian Dynasty and Christian historians, wrote Nero as a villain.

Transcripts

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emperor Nero holds a special place in

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the Hall of history's most infamous

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figures after all he killed his half

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brother and Throne rival as well as his

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two wives he also had his mother

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murdered and after several failed

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attempts his assassins managed to kill

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her the emperor was also known for being

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a merciless oppressor of the early

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Christians including Saints Peter and

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Paul one Infamous last scene almost a

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meme portrays the emperor playing the

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harp or liar while Rome was burning if

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true all these accusations ranked Nero

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as one of the worst Roman emperors but

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some of these accounts may be nothing

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but

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Fabrications Emperor Nero was renowned

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for his insanity and tyranny including

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the great fire of Rome one of his most

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vile and notorious actions nevertheless

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whilst it was a devastating event that

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destroyed a large part of the Roman

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Empire's Capital Nero was not to blame

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for the catastrophe he did not give the

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order and certainly did not play the

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harp or liar while the Flames were

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burning but Nero made the most of the

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cataclysmic occurrence and in the

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aftermath of the great fire undertook

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several lavish building projects

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including the opulent Palace complex

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known as the domus Ora or Golden House

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his construction spree on the ashes of

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the smoldering City infuriated political

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foes including the Senate of Rome in the

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wake of his suicide in ' 68 the Senators

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capitalized on the great fire of Rome in

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their attempt to smear Emperor Nero's

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name for posterity to some extent they

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succeeded but what was the great fire of

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Rome really like as one of the most

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tragic episodes in the city's long

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history it happened in the 10th year of

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Emperor Nero's Reign the fire started on

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the night of July 18th 64 in the 11th

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District where the great Chariot racing

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Arena the circus Maximus was located

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according to one of the best sources

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available the historian tacitus the

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first Flames Rose in the stores near the

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great Ring from where the fire spread

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swiftly fueled by the strong wind and

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the dry summer climate The Great Fire of

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Rome raged for six days and seven nights

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wiping out or damaging 10 of the 14

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districts the Flames killed hundreds of

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people left thousands homeless and 2/3

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of the city in Ruins Nero's enemies

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blamed the disaster on the emperor Nero

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was put at fault for the fire either for

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ordering it or for neglecting it in

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other words he acted negligently showing

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indifference to the suffering of those

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affected by the tragedy the most severe

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of the accusations was probably that the

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emperor was using the great fire of Rome

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for his artistic Pursuits as the ancient

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city burned he watched from the safety

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of his Palace played his liar and sang

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of the destruction of Troy drawing

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comparisons between the ongoing disaster

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and the ancient calamities a tempting

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story but as always happens in history

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too good to be true for starters

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according to tacitus Nero had a strong

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Alibi he was not in Rome when the fire

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broke out at 26 of age the emperor was

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relaxing at his Seaside Villa in antium

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50 km from Rome upon hearing the

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Dreadful news the emperor immediately

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returned to the capital where he

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personally led the relief effort

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this is not something you would expect

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from an arsonist unless he was also an

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excellent actor attempting to divert

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everyone from his

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culpability besides leading the efforts

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to curb The Inferno the emperor also

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helped the victims as tacitus wrote the

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emperor opened the Campus Martius and

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the public building as a shelter for

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those who had lost their homes to the

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point of allowing them to use his

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private Gardens once the Blazing hell

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had finally stopped Nero offered cash

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incentives to ensure Rome's rapid

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recovery he also approved and enforced

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new fire regulations The Great Fire of

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Rome was not the first time the ancient

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city had been engulfed in flames there

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had been no less than six fires in the

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first half of the first century alone

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but the 64 fire was by far the worst

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Nero consequently played a crucial role

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in averting any similar disaster in the

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future meanwhile Nero harnessed the fire

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to carry out a magnificent project that

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he had dreamed of for a long time time

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but had not carried out due to a lack of

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available space in Rome he wanted to

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build his opulent Golden House

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notwithstanding the emperor's efforts

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many blamed Rome's burning on Nero for

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being too suitable for his Golden House

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this Palace was built in the site

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ravaged by the fire and was a

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magnificent and enormous Palace complex

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with many buildings landscaped Gardens

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Orchards Vineyards and even an

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artificial Lake the rooms were plated in

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gold and adorned with precious stones

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and gems not surprisingly the Senators

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jumped at the chance to bash their hated

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rival exploiting the Sumptuous structure

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yet the Senator's anger may have been

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misplaced since according to recent

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findings the huge complex seems not to

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have been a private building but a

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public One open to the people of Rome in

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fact Nero was quite popular with the

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ordinary citizens to quell the rumors

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and deter any violence Nero had to find

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a skategoat for the crippling ordeal

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that had wrecked Rome the answer was to

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accuse a new and unpopular religious

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sect regarded as a threat by the Roman

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authorities the Christians tacitus

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reported that on the emperor's orders

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they were arrested in droves nailed to a

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cross thrown to the Beast or burned

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alive as human torches that illuminated

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the night however tesus his narrative is

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questionable and it seems that Nero's

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persecution of the Christians was

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bloated by early Christian historians

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who considered the hated Pagan Emperor

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an easy target in the Empire Constantine

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the Great and his heirs nevertheless one

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thing is clear St Peter was a victim of

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Nero's persecution and on the spot where

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he was martyred St Peter's Basilica in

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the Vatican was built centuries later

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while probably unintended The Great Fire

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of Rome was easily profited from by the

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Emperor Nero's countless enemies his

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ambitious building binge on the ashes of

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the still smoldering City including the

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fancy domus ARA made it easier for

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Nero's Rivals to erode his authority

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eventually leading to Nero suicide after

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the bloody Civil War the new flavian

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Dynasty used the great fire of Rome to

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slander both Nero and his Julio claudian

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Dynasty accounts by senators and

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historians such as suetonius and cassus

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doo forever cemented the fate of The

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Wretched Emperor branding him as a

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tyrant and torturer of Rome following

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the Christian takeover of the Roman

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Empire Nero's persecution of Christians

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cast him as a symbol of the new

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religion's enemies let's not forget that

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the winners write history Nero was an

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emperor the most powerful man in Rome

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yet he lost a struggle against a

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powerful and well-entrenched senatorial

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Elite centuries later the long dead

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Emperor also lost the battle against the

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Christians his life was shaped as that

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of a tyrant a murderer a Christian

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persecutor and The Mastermind behind the

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great fire of Rome

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Related Tags
Emperor NeroRoman HistoryGreat FireHistorical MythsTyrannyChristian PersecutionAncient RomePolitical IntrigueCultural ImpactHistorical Controversy