How To Use A Midpoint

Tyler Mowery
3 Nov 202010:09

Summary

TLDRThis video explores the importance of the midpoint in screenwriting, a pivotal moment that shifts the story's direction. It discusses how the second act can often be confusing, and how establishing a strong midpoint can provide clarity and momentum. Examples from films like 'Parasite', '10 Cloverfield Lane', and 'Indiana Jones and the Raiders of the Lost Ark' illustrate how the midpoint serves as a dramatic turning point, affecting the character's journey. The video also references Gustav Freytag's pyramid and Dan Harmon's story circle to emphasize the midpoint's role in narrative structure, encouraging writers to consider their characters' desires and the costs of achieving them.

Takeaways

  • πŸ“ The video discusses the importance of maintaining a strong narrative in the middle section of a screenplay.
  • 🎬 Screenplays are often thought of in three acts: beginning, middle, and end, with the middle being a challenging section to write.
  • πŸ”‘ Understanding the midpoint of a story can help writers focus the middle section and provide clear direction.
  • 🌟 A strong midpoint involves a major event that shifts the story and sends it in a new direction, affecting the characters' actions.
  • πŸŽ₯ Examples given include 'Parasite', '10 Cloverfield Lane', and 'Indiana Jones and the Raiders of the Lost Ark', where the midpoint significantly changes the story's trajectory.
  • πŸ“š Gustav Freytag's technique of drama and his pyramid emphasize the importance of a climactic turning point in the middle of the story.
  • πŸ”„ Freytag's climax is a turning point, not the resolution, causing characters to face a new situation that alters their path.
  • πŸ”„ Dan Harmon's story circle also incorporates a midpoint where the protagonist gets what they want and then faces a heavy price.
  • πŸ€” The video suggests asking two key questions for story development: what the character wants and what cost they will face upon achieving it.
  • 🎞️ The technique of using a midpoint is not mandatory for all stories but can be beneficial for maintaining drama in the second act.
  • πŸ‘ The video encourages viewers to look for midpoints in their favorite films and suggests that identifying this can improve story structure.

Q & A

  • What is the main challenge screenwriters often face in the second act of their screenplay?

    -The main challenge screenwriters often face in the second act is maintaining a strong dramatic narrative, as they struggle with making the story focused, avoiding confusion, and preventing a loss of momentum.

  • What is the purpose of a midpoint in a screenplay?

    -The purpose of a midpoint in a screenplay is to create a major event that dramatically shifts the story and sends it in a new direction, providing focus and direction to the middle section of the story.

  • Can you provide an example of a film that effectively uses a midpoint to strengthen its second act?

    -One example is 'Parasite', where a major turn takes place at the center of the film, revealing a secret that drastically changes the direction of the story.

  • What is Gustav Freytag's contribution to understanding the structure of a drama?

    -Gustav Freytag, a German novelist and playwright, contributed the concept of the 'Freytag's Pyramid', which includes a climax at the midpoint of the story, serving as an extreme shift or turning point.

  • How does the climax at the midpoint differ from the climax at the end of the story?

    -The climax at the midpoint is not the resolution of the story but an extreme shift or turning point that throws the characters off their previous path, while the climax at the end is the resolution of the story.

  • What is Dan Harmon's Story Circle and how does it relate to the midpoint?

    -Dan Harmon's Story Circle is a narrative structure tool that includes a midpoint where the protagonist gets what they want and then pays a heavy price for it, often represented as points 5 and 6 in the circle.

  • How does the midpoint in '10 Cloverfield Lane' serve as a turning point for the story?

    -In '10 Cloverfield Lane', the midpoint occurs when Michelle discovers Howard's dark secret, which destroys the peace and stability they had achieved, forcing her to act against Howard.

  • What does the midpoint in 'Indiana Jones and the Raiders of the Lost Ark' involve?

    -In 'Indiana Jones and the Raiders of the Lost Ark', the midpoint is when Indy finds the Ark of the Covenant, but the Nazis take it from him, creating a new situation where he must retrieve it.

  • Why is it beneficial to consider the midpoint when writing a screenplay?

    -Considering the midpoint when writing a screenplay is beneficial because it helps maintain a high level of drama, provides a clear direction for the story, and strengthens the second act.

  • What two questions should a screenwriter ask themselves when considering the midpoint of their story?

    -A screenwriter should ask themselves: 'What does my character want?' and 'What major cost will come when my character gets what they want?'

Outlines

00:00

🎬 Understanding the Midpoint in Screenwriting

The first paragraph introduces the topic of the video series on screenwriting and storytelling fundamentals. It discusses the common challenge of maintaining narrative strength in the middle section of a feature-length screenplay. The paragraph emphasizes the importance of the midpoint in a story, which serves as a major event that shifts the direction of the narrative. Examples from films like 'Parasite', '10 Cloverfield Lane', and 'Indiana Jones and the Raiders of the Lost Ark' are used to illustrate how a strong midpoint can add focus and momentum to the second act of a story.

05:00

πŸ“š The Climax and Turning Points in Storytelling

The second paragraph delves into the concept of the midpoint as a dramatic climax, referencing Gustav Freytag's pyramid, which positions the climax at the story's midpoint rather than the end. It explains that Freytag's climax is a turning point that redirects the character's journey. The paragraph uses the same film examples to show how the midpoint serves as a pivotal event that forces characters to adapt to new circumstances. It also introduces Dan Harmon's Story Circle, highlighting how the midpoint fits into the narrative structure where characters get what they want and then face a heavy price.

10:01

πŸ” Strengthening the Second Act with a Midpoint

The final paragraph offers advice on how to use the midpoint to enhance the second act of a screenplay. It suggests asking two key questions: what the character wants and what major cost will come when they get it. The paragraph encourages viewers to analyze films at their midpoint to identify significant events that change the character's situation. It concludes by emphasizing the value of understanding the midpoint in maintaining dramatic tension throughout the story and hints at the next video in the series, which will focus on the essential element of a screenplay: the scene.

Mindmap

Keywords

πŸ’‘Screenwriting

Screenwriting is the art and craft of writing scripts for films, television shows, or any other visual media. It is a fundamental aspect of the video's theme as it sets the stage for discussing the structure and narrative techniques of storytelling. The script mentions screenwriting in the context of understanding the three-act structure and the importance of the second act, which is crucial for maintaining dramatic tension throughout a film.

πŸ’‘Three-Act Structure

The three-act structure is a model used in narrative fiction that divides the story into three parts: the beginning (setup), the middle (confrontation), and the end (resolution). The video emphasizes this structure by explaining how the middle section, often the most challenging to write, can be effectively managed by focusing on the midpoint and the obstacles faced by the characters.

πŸ’‘Midpoint

The midpoint is a pivotal moment in a story that occurs roughly halfway through the narrative and serves as a major turning point, changing the direction of the plot. The video script discusses the importance of the midpoint in creating a strong second act, using examples from films like 'Parasite' and 'Indiana Jones and the Raiders of the Lost Ark' to illustrate how the midpoint can shift the story's focus and increase dramatic tension.

πŸ’‘Dramatic Narrative

A dramatic narrative is a type of storytelling that relies on conflict and emotional engagement to maintain the audience's interest. The video's theme revolves around the challenges of sustaining a dramatic narrative throughout the middle section of a screenplay, highlighting the role of the midpoint in creating a dynamic and engaging story.

πŸ’‘Obstacles

In the context of storytelling, obstacles are challenges or barriers that the characters must overcome to achieve their goals. The script discusses how obstacles should be presented to the characters in the middle of the story to drive the narrative forward and create a sense of progression and conflict.

πŸ’‘Climax

The climax of a story is the turning point at which the conflict reaches its most intense moment before moving towards resolution. The video explains how the climax, according to Gustav Freytag's pyramid, occurs at the midpoint, serving as a major shift that propels the story and the characters into a new direction.

πŸ’‘Gustav Freytag

Gustav Freytag was a German novelist and playwright who is known for his book 'The Technique of the Drama,' which analyzed the structure of successful plays. The video references Freytag's pyramid to illustrate the placement of the climax at the midpoint and its significance in the overall narrative structure.

πŸ’‘Story Circle

The story circle is a narrative tool developed by Dan Harmon that outlines eight steps to create a complete story arc. The video mentions the story circle to explain how the midpoint fits into the overall structure, particularly points five and six, where the protagonist gets what they want and then pays a heavy price.

πŸ’‘Character Development

Character development refers to the process by which a character's personality, abilities, and relationships evolve over the course of a story. The video script discusses how the midpoint can serve as a catalyst for significant character development, as characters are forced to adapt to new situations and confront their desires and fears.

πŸ’‘Resolution

Resolution in a story is the final part where the conflict is resolved and the narrative is brought to a close. The video script uses the concept of resolution to contrast with the midpoint, showing how the climax at the midpoint sets the stage for the final resolution and the characters' ultimate fate.

πŸ’‘Dramatic Conflict

Dramatic conflict is the central struggle or problem that drives the plot of a narrative. The video emphasizes the importance of maintaining a high level of dramatic conflict, particularly in the second act, by using the midpoint to introduce a significant turning point that redirects the story and the characters' actions.

Highlights

The video series covers the fundamentals of screenwriting and storytelling.

Screenplays are often structured in three acts: beginning, middle, and end.

The middle section of a story can be challenging to maintain a strong narrative.

Building a midpoint can help focus the middle section of a story.

A strong midpoint involves a major event that shifts the story in a new direction.

Examples of films with effective midpoints include 'Parasite', '10 Cloverfield Lane', and 'Indiana Jones and the Raiders of the Lost Ark'.

The midpoint can cause characters to face new obstacles and change their course of action.

Gustav Freytag's pyramid includes a climax at the midpoint, not the end of the story.

The climax in Freytag's model is a turning point that redirects the character's path.

Dan Harmon's story circle also emphasizes the importance of the midpoint.

In Harmon's story circle, the midpoint is where the protagonist gets what they want and then pays a heavy price.

The midpoint can be identified by a major event that changes the character's situation significantly.

Not all stories require a strong midpoint, but understanding it can help maintain drama in the middle section.

Writers can improve their stories by considering the use of a midpoint to enhance the second act.

The next video in the series will focus on the fundamental element of a screenplay: the scene.

Transcripts

play00:00

welcome to the ninth video in this

play00:02

series covering the fundamentals of

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screenwriting and storytelling

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if you'd like to watch the rest of the

play00:06

videos you can find them linked below

play00:08

or on the end screen of this video

play00:11

when you're writing a feature-length

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screenplay it can be easy to understand

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how you want your story to start

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and maybe where you want it to end but

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it can be hard to figure out how to

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maintain a strong dramatic narrative

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for the long middle section of your

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story a lot of writers think of their

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screenplays in three

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acts the beginning of the story

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establishes the characters and starts

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the conflict

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the middle of the story is where things

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progress and the character must face

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many different obstacles

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and the end is where the climax is

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reached and the story resolves

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this is a pretty standard understanding

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of stories but what is actually supposed

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to happen

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during that middle section of the story

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how do

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things progress what kind of obstacles

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should the character be facing

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when i listen to screenwriters talk

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about their story's problems

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one thing i hear a lot is that their

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second act is confusing or unfocused

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they also say that they feel the story

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loses momentum or they simply lose

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track of where the story is supposed to

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go if you're struggling with the second

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act of your screenplay

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understanding how to build a midpoint

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can help you focus that middle section

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of your story

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and give you much clearer direction

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today i'm going to take a look at some

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ways that you can build your story

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around your midpoint

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let's begin when you use a strong

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midpoint you set up a major event that

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happens right at the center of your

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story

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which will dramatically shift your story

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and send it in a new direction

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so before the midpoint you can build to

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this moment

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and after the midpoint you can force

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your characters to deal with their new

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situation caused by the midpoint let's

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take a look at a few examples of films

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that used a midpoint to strengthen their

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second

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act parasite has one of the strongest

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midpoint turns in recent memory

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right at the center of the film a major

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turn takes place

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the kims have gotten everything they

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wanted they have fooled the parks and

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found solid jobs

play02:01

but the old housekeeper comes back and

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reveals a massive secret

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that turns the story and sends us in a

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completely new direction

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in 10 cloverfield lane it seems like the

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characters have finally found

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stability and are settling into their

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new life in the bunker

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the characters finally feel that they

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can trust one another

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but then the air filtration system

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breaks down forcing michelle to go fix

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it

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and she finds out that howard has been

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hiding a dark secret

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in indiana jones and the raiders of the

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lost ark indy finds what he's looking

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for

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the ark of the covenant all his hard

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work has paid off

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but the nazis take the ark from him

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sending him into the second half of the

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story

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attempting to take the ark back out of

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nazi hands

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doing this gives focus to that long

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second act

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and it gives momentum and purpose to

play02:50

your story

play02:51

gustav freitag was a german novelist and

play02:54

playwright

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he also wrote a book called the

play02:56

technique of the drama where he analyzed

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how great plays were created

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freytag found that many great plays

play03:02

revolved around a high point

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of drama that took place right in the

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middle of the story

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he referred to this point as the climax

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this

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is fry tag's pyramid here we see

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frytag's understanding of how many great

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plays worked

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the beginning of the story was called

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the exposition then rising action led us

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towards the climax in the middle

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then falling action led us away from the

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climax to the denouement

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where the story was resolved but doesn't

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the climax take place at the end of the

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story

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why does fry tag place the climax at the

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midpoint

play03:34

freytag's climax is not the resolution

play03:36

of the story

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it is an extreme shift or turning point

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in the story

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the character has now been faced with

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something that radically turns the story

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and throws them off their previous path

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let's look at some examples

play03:50

in parasite the kim family starts out

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trying to move up in the world

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by conning the parks into giving them

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jobs the kims are continuously

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successful in their scheme

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they secure jobs for each member of the

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family

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at the midpoint or the climax we have a

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major shift in the story

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the old housekeeper comes back and

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reveals a massive secret that turns the

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story

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and sends us in a completely new

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direction

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now the kims must adapt and hide this

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new secret from the parks

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so that they can keep their jobs and at

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the daenuman

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the story resolves when the kims can no

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longer hide the secrets of the basement

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and their scheme blows up in their faces

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in 10 cloverfield lane

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in the beginning of the story michelle

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wakes up in a strange bunker

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howard and emmett tell her that it's

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dangerous to go outside

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because the air is toxic michelle

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doesn't believe this

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and thinks howard has trapped her down

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here against her will

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until she sees evidence that the air is

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actually toxic

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michelle now believes howard is telling

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the truth which creates peace in the

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bunker

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until the air filtration system needs to

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be repaired and michelle finds evidence

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that howard has trapped a girl down here

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before

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michelle then formulates a plan with

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emmett to get free of howard

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until the day newman where michelle acts

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on her plan

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and escapes from the bunker in indiana

play05:09

jones and the raiders of the lost ark

play05:11

it is brought to indy's attention that

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the nazis are looking for the ark of the

play05:15

covenant

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so indy goes to search for it and find

play05:18

it before the nazis do

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at the midpoint indi finds the ark of

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the covenant but the nazis take it from

play05:23

him

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so now indy must follow the nazis and

play05:26

retake the ark from them

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until the denouement when the ark's

play05:30

power destroys the nazis

play05:33

think of freytag's climax as the largest

play05:35

turning point in your story

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it may be helpful to think of your

play05:38

characters as actively pursuing a clear

play05:41

goal in the first half of your story

play05:43

then being completely derailed at the

play05:45

midpoint and reacting against the events

play05:47

of the midpoint

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until the resolution of the story

play05:51

another great way to incorporate a

play05:52

midpoint is to use dan harmon's story

play05:55

circle

play05:56

if you've been following this channel

play05:57

you will have heard me talk about

play05:59

harman's story circle

play06:00

in the story circle the midpoint usually

play06:02

takes place at numbers 5

play06:04

and six where the protagonist gets what

play06:06

they want

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and then they pay a heavy price for it

play06:10

if we return to our past three examples

play06:12

we see how their midpoints work with

play06:14

this idea

play06:16

in the middle of parasite the kim family

play06:18

has gotten what they wanted

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they have inserted themselves into the

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wealthy park family's life

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they are making great money and have

play06:25

completely fooled the family

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this is point five on the story circle

play06:30

but

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this comes at a cost which is point six

play06:33

on the story circle

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the old housekeeper is back she forces a

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massive reveal

play06:38

throwing the family into a completely

play06:40

new situation where they could lose

play06:42

everything they've built not only that

play06:45

but this cost

play06:46

continues the park family comes home

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requiring everyone to secretly sneak out

play06:50

of the house

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and once the kim family is able to sneak

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out of the house they return to their

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own home

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to find it completely flooded this is a

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major turning point for the story

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and it sends us into the second half

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what will the kim family do

play07:04

now that they have lost so much halfway

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through 10 cloverfield lane

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it seems like the characters have

play07:10

finally found stability

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michelle howard and emmett have worked

play07:14

out their differences

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michelle believes howard is telling the

play07:17

truth and they have gotten the piece

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they wanted

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this is 0.5 in the story circle and now

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it costs them

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we move to 0.6 something flies over the

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bunker

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vibrating the bunker and causing the air

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filtration system to break down

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michelle is the only one small enough to

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crawl through the air ducts

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but like in parasite this is only the

play07:38

beginning of the move to six

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because once michelle gets to the air

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filtration system

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things get much worse this destroys the

play07:46

peace and stability the characters just

play07:48

achieved

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now michelle knows howard is hiding

play07:51

something dark and that she

play07:53

is in danger in indiana jones and the

play07:55

raiders of the lost ark

play07:57

indy finds the ark of the covenant at

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the midpoint

play08:00

this is 0.5 indy has gotten what he

play08:03

wanted

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however this comes at a cost we move to

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0.6 when the nazis take the ark from

play08:08

indy and leave him to die

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this creates a completely new situation

play08:12

for indy he must figure out how to

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survive

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and retrieve the ark back from the nazis

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fry tag and harmon both place heavy

play08:20

emphasis on the midpoint of a story

play08:22

they both see the midpoint as a high

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point of dramatic conflict that defines

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the first

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and second halves of the story this

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isn't to discount a common idea of a

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climax taking place at the end of a

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story

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what it does do is give a different view

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on how a story's conflict builds and

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changes in the middle of the

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story rather than a middle section

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dedicated to

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fun and games or further complications

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something specific

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is happening a major turning point is

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reached which sends the characters in a

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completely new direction

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not all stories have to have a strong

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midpoint but understanding this can help

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you maintain

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a high level of drama as you move

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through the tricky middle section of the

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story

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so as you go to write ask yourself these

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two questions

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number one what does my character want

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number two what major cost will come

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when my character gets what they want

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if you want to see just how many films

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use a midpoint

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i suggest taking a look at some of your

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favorite films and simply skipping to

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the very middle of the run time

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what's happening a lot of the time you

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will find a major event

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that dramatically changes the character

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situation

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obviously not all films have this and it

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isn't necessary for every story

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but many stories can be improved by

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using this technique

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and yours just might be one of them so

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now you have an understanding of a

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midpoint

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and how you can use it to strengthen the

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second act of your story

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and in the next video we're going to be

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taking a look at one of the most

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fundamental elements

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of a screenplay the scene so if you want

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to watch the rest of the videos in this

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series

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click the card on the screen now and if

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you like this video leave a like and

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subscribe for more videos just like this

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one

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Related Tags
ScreenwritingStorytellingThree-Act StructureMidpointCharacter DevelopmentDramatic NarrativeConflict ResolutionFreytag's PyramidDan HarmonStory CircleScriptwriting Tips