How ancient art influenced modern art - Felipe Galindo

TED-Ed
25 Feb 201604:50

Summary

TLDRThe script explores the origins of modern art, tracing its roots back to the late 19th century and its departure from traditional representation. It highlights the influence of non-Western cultures, particularly African art, on pioneers like Picasso and Matisse, whose revolutionary works, such as 'Les Demoiselles d'Avignon,' challenged artistic norms and sparked controversy. The narrative also touches on the broader impact of ancient cultures on modern artists, raising questions about cultural appropriation and the ever-evolving nature of art.

Takeaways

  • 🎨 Modern art, despite its name, originated over 150 years ago and includes artists like Picasso, Matisse, and Gauguin who are now considered classics.
  • 🔍 The movement was inspired by traditional and ancient designs, challenging the conventional representation and classical forms emphasized since the Renaissance.
  • 🌏 Artists like Van Gogh and Cézanne expanded the boundaries of painting in the late 19th century, leading to the emergence of a new art style.
  • 🌴 Paul Gauguin's move to Tahiti in the 1890s exemplified artists looking beyond Western civilization for inspiration, intertwining European themes with Polynesian lore.
  • 🌍 European expansion into Africa brought African artifacts and artworks into museums and collections, influencing artists like Henri Matisse and Pablo Picasso.
  • 🎭 Picasso's visit to the Trocadéro Ethnographic Museum in Paris in 1907, where he was inspired by African masks, was pivotal in shaping his revolutionary style.
  • 🖼️ 'Les Demoiselles d'Avignon', created by Picasso in 1907, is considered the first truly 20th-century masterpiece, breaking with traditional art notions and introducing Cubism.
  • 🔥 The painting's avant-garde qualities caused a public sensation and controversy when first exhibited, with critics denouncing it and even Picasso's friends being shocked.
  • 🌟 Other artists like Constantin Brâncuși and Amedeo Modigliani, as well as the German Expressionists, were influenced by African sculptures in their work.
  • 🗿 British sculptor Henry Moore and artist Josef Albers drew inspiration from ancient cultures like the Toltec-Maya and Pre-Columbian art for their semi-abstract creations.
  • 🤔 The script raises questions about the role of modern artists as explorers or conquistadors, appropriating and profiting from cultures they considered primitive, highlighting the need for scrutiny in cultural appropriation.
  • 🚀 The innovations of modern art may one day be seen as orthodoxies, ready to be challenged by new radical artists drawing inspiration from unexpected sources.

Q & A

  • What does the term 'modern art' actually refer to in the context of the script?

    -In the script, 'modern art' refers to a style that originated over 150 years ago, including artists like Picasso, Matisse, and Gauguin, who pioneered a movement that was considered revolutionary and scandalous at the time.

  • How did the art movements during the Renaissance period differ from the modern art movement?

    -During the Renaissance, art movements emphasized conventional representation and adherence to classical forms, whereas the modern art movement sought to break these conventions and create an entirely new style of art.

  • What role did Paul Gauguin's move to Tahiti play in the development of modern art?

    -Paul Gauguin's move to Tahiti allowed him to find inspiration in the island's inhabitants, landscape, and culture, which led to the creation of artwork that intertwined European themes with Polynesian lore, contributing to the modern art movement.

  • How did the expansion of European empires into Africa influence modern art?

    -The expansion led to African artifacts and artworks being brought into museums and collections in Europe, which in turn inspired artists like Picasso and Matisse, significantly influencing the development of modern art.

  • What was significant about Picasso's visit to the Trocadéro Ethnographic Museum in Paris in 1907?

    -Picasso's visit to the museum was a revelation for him, as he discovered African masks that he proclaimed were what painting was all about, leading to the incorporation of African aesthetic elements into his work.

  • Can you describe the painting 'Les Demoiselles d'Avignon' and its significance in art history?

    -'Les Demoiselles d'Avignon' is a painting by Picasso created in 1907, featuring five nude women with distorted, abstract, and primal geometric forms. It is considered the first truly 20th-century masterpiece and marked a significant break with traditional art notions.

  • What was the public and critical reaction to 'Les Demoiselles d'Avignon' when it was first exhibited?

    -The painting caused a sensation, with the public being shocked, critics denouncing it as immoral, and even Picasso's own friends expressing a mix of surprise, offense, and fascination.

  • How did other artists follow Picasso's lead in incorporating non-Western aesthetics into their work?

    -Artists like Constantin Brâncuși and Amedeo Modigliani in Paris, as well as the German Expressionists, drew on the aesthetics of African sculptures in their work, while others like Henry Moore and Josef Albers found inspiration in Pre-Columbian art and other ancient cultures.

  • What ethical questions does the script raise about the use of non-Western art by modern artists?

    -The script questions whether these artists were playing the role of explorers or conquistadors, appropriating ideas and profiting from cultures they considered primitive, which raises ethical concerns about cultural appropriation.

  • What does the script suggest about the future of art and its potential sources of inspiration?

    -The script suggests that the bold innovations of modern art may eventually become stale orthodoxies, ready to be overturned by new radical trailblazers who will draw inspiration from other unlikely sources.

Outlines

00:00

🎨 Origins of Modern Art

This paragraph delves into the origins of modern art, which, contrary to its name, is a movement that began over 150 years ago. It highlights the irony that this movement, once considered revolutionary and scandalous, was inspired by traditional and ancient designs. The narrative traces the shift from conventional representation in art to a new style that emerged in the late 19th century with artists like Van Gogh and Cézanne. It also discusses the influence of non-Western cultures, particularly African art, on modern artists, leading to the creation of groundbreaking works like Picasso's 'Les Demoiselles d'Avignon'.

Mindmap

Keywords

💡Modern Art

Modern art refers to a movement that originated over 150 years ago, encompassing a style that broke away from traditional representation and classical forms. It is characterized by the work of artists like Picasso, Matisse, and Gauguin who have since become classics. In the script, modern art is described as having been revolutionary and scandalous at the time, yet it has now become a recognized and respected style.

💡Renaissance

The Renaissance was a period of European history marked by a revival of learning and the arts, spanning roughly the 14th to the 17th century. It is often seen as the bridge between the Middle Ages and modernity. In the context of the script, the Renaissance is mentioned to highlight the shift in art from conventional representation to the more experimental styles that emerged in the late 19th century.

💡Van Gogh

Vincent van Gogh was a Dutch post-Impressionist painter whose work, notable for its emotional power and bold color, had a far-reaching influence on art. The script mentions Van Gogh as one of the artists who expanded the boundaries of painting, indicating his role in the transition from traditional to modern art.

💡Cézanne

Paul Cézanne was a French artist and a key figure in the transition from the 19th-century art to 20th-century modern art. He is known for his ability to capture natural landscapes and still life in a way that broke from traditional perspective. The script refers to Cézanne as part of the movement that sought to redefine the style of art.

💡Cubism

Cubism is an early 20th-century art movement pioneered by Picasso and Georges Braque, characterized by the fragmentation and abstraction of objects. It is a revolutionary style that challenged the traditional depiction of three-dimensional space. In the script, Cubism is exemplified by Picasso's 'Les Demoiselles d'Avignon,' which is considered the first truly 20th-century masterpiece.

💡Les Demoiselles d'Avignon

'Les Demoiselles d'Avignon' is a seminal painting by Pablo Picasso, created in 1907. It is renowned for its innovative use of geometric forms and its departure from traditional artistic conventions. The script describes this painting as a groundbreaking work that broke with many previously held notions in art, showcasing the influence of African art on Picasso's style.

💡African Art

African art in this context refers to the artifacts and artworks from Sub-Saharan Africa that influenced European artists, particularly during the early 20th century. The script explains how the stylized figures and masks of African art inspired artists like Picasso and Matisse, leading to a new artistic language and the development of movements like Cubism.

💡Henri Matisse

Henri Matisse was a French artist, known for his use of color and his fluid, decorative style. He was a key figure in the Fauvism movement and later in the development of modern art. The script mentions Matisse as a collector of African art, whose mask from the Dan tribe influenced Picasso and contributed to the modern art movement.

💡Picasso

Pablo Picasso was a Spanish artist, a central figure in the development of modern art, and one of the most influential artists of the 20th century. He is known for co-founding the Cubist movement and for his diverse artistic styles. In the script, Picasso's visit to the Trocadéro Ethnographic Museum and his subsequent work, 'Les Demoiselles d'Avignon,' are highlighted as pivotal moments in the evolution of modern art.

💡Inspiration

Inspiration in the context of the script refers to the creative influence that artists draw from various sources, such as different cultures and historical artifacts. It is shown how artists like Gauguin, Picasso, and others were inspired by non-Western cultures, leading to the creation of new styles and movements in art.

💡Cultural Appropriation

Cultural appropriation is a concept that raises questions about the use of elements from one culture by members of another culture, often without understanding or respecting the original culture's context. The script poses the question of whether modern artists were explorers or conquistadors, suggesting that their use of non-Western cultural elements might be seen as appropriation.

Highlights

Modern art originated over 150 years ago and includes classic artists like Picasso, Matisse, and Gauguin.

Modern art movements were inspired by traditional and ancient designs, contrary to their revolutionary nature.

European art movements emphasized conventional representation and classical forms until the late 19th century.

Artists like Van Gogh and Cézanne expanded the boundaries of painting in the late 19th century.

A new art movement sought to create an entirely new style by looking beyond Western civilization.

Paul Gauguin found inspiration in Tahiti, intertwining European themes with Polynesian lore.

European empires' expansion into Africa brought African artifacts and artworks into museums and collections.

Henri Matisse and Picasso were influenced by African art, particularly masks from the Dan tribe.

Picasso's visit to the Trocadéro Ethnographic Museum in Paris was a revelation for his artistic style.

African masks influenced Picasso's painting 'Les Demoiselles d'Avignon', considered the first truly 20th-century masterpiece.

'Les Demoiselles d'Avignon' broke with traditional art notions, featuring aggressive, abstract, and distorted forms.

The painting caused a sensation, shocking the public and dividing critics and Picasso's friends.

Artists like Constantin Brâncuși and Amedeo Modigliani were influenced by African sculptures in their work.

British sculptor Henry Moore based his semi-abstract sculptures on a Toltec-Maya statue called a chacmool.

Josef Albers created compositions inspired by pyramids and Mexican local art.

The use of ancient cultures' inspiration in modern art raises questions about cultural appropriation and profiting from considered primitive cultures.

Modern art's innovations may eventually be seen as orthodoxies, ready to be overturned by new radical artists.

Transcripts

play00:07

The term modern art sounds like it means art that is popular at the moment,

play00:11

but in fact, modern art is a style that originated over 150 years ago,

play00:17

and includes artists that by now have attained classic status,

play00:21

such as Picasso, Matisse, and Gauguin.

play00:24

And what's even more ironic is that the movement they pioneered,

play00:27

considered revolutionary and even scandalous at the time,

play00:31

was inspired largely by an object of a traditional and ancient design.

play00:37

As far back as the Renaissance,

play00:39

the primary European art movements emphasized conventional representation

play00:44

and adherence to classical forms.

play00:47

But that began to change in the late 19th century

play00:50

as artists like Van Gogh and Cézanne expanded the boundaries of painting.

play00:54

Soon, a movement arose that sought to create an entirely new style of art,

play00:59

and one way of doing so was to look beyond Western civilization.

play01:04

For example, Paul Gauguin moved to the island of Tahiti in the 1890s.

play01:09

There, he found inspiration in the island's inhabitants, landscape, and culture

play01:14

to create artwork that intertwined European themes and Polynesian lore.

play01:20

Others looked the cultures of the Islamic world,

play01:22

but the most influential inspiration would come from Sub-Saharan Africa.

play01:28

As European empires expanded deeper into the African continent,

play01:32

its artifacts and artworks made their way into the hands of museums and collectors.

play01:37

One such collector was Henri Matisse,

play01:39

who showed his friend Picasso a mask he had acquired

play01:43

made by the Dan tribe of the Ivory Coast.

play01:46

The mask awoke Picasso's curiosity,

play01:48

leading him to visit the Trocadéro Ethnographic Museum in Paris in 1907.

play01:55

Founded to house acquisitions from colonial conquests,

play01:58

the museum boasted a collection of African art,

play02:01

with stylized figures and masks made of wood

play02:04

and decorated with simple colors and materials.

play02:07

The visit was a revelation for Picasso,

play02:10

who proclaimed that African masks were what painting was all about.

play02:15

At this time, Picasso had been working on a painting of five nude women

play02:19

in a style that would later come to be known as Cubism.

play02:22

And while three of these ladies show facial features

play02:25

found in ancient Iberian art,

play02:27

a nod to Picasso's Spanish heritage,

play02:29

the faces of the two on the right closely resemble African masks.

play02:34

Created in 1907 after hundreds of sketches and studies,

play02:38

"Les Demoiselles d'Avignon"

play02:40

has been considered the first truly 20th century masterpiece,

play02:43

breaking with many previously held notions in art.

play02:46

It was at once aggressive and abstract,

play02:49

distorted yet primal in its raw geometry,

play02:52

a new artistic language with new forms, colors, and meanings.

play02:58

And these avant-garde qualities caused a sensation

play03:00

when the painting was first exhibited almost ten years later.

play03:04

The public was shocked,

play03:06

critics denounced it as immoral,

play03:08

and even Picasso's own friends were simultaneously surprised,

play03:11

offended,

play03:12

and mesmerized at his audacity.

play03:15

More artists soon followed in Picasso's footsteps.

play03:18

Constantin Brâncuși and Amedeo Modigliani in Paris,

play03:23

as well as the German Expressionists,

play03:25

all drew on the aesthetics of African sculptures in their work.

play03:29

Others looked to a different continent for their inspiration.

play03:32

British sculptor Henry Moore based many of his semi-abstract bronze sculptures

play03:37

on a replica of a chacmool,

play03:39

a distinctive reclining statue from the Toltec-Maya culture.

play03:44

Pre-Columbian art was also a major influence for Josef Albers.

play03:48

He created a series of compositions,

play03:50

such as the geometrical series Homage to the Square,

play03:54

that were inspired by pyramids and local art

play03:56

he encountered on his frequent visits to Mexico.

play04:00

Inspiration from ancient cultures

play04:02

initiated one of the most revolutionary movements in art history,

play04:06

but were these artists playing the role of explorers or conquistadors,

play04:11

appropriating ideas and profiting from cultures they considered primitive?

play04:15

Questions like this deserve scrutiny, as artists continue to redefine standards.

play04:20

Perhaps not too long from now,

play04:22

the bold innovations of modern art will seem like stale orthodoxies,

play04:27

ready to be overturned by a new set of radical trailblazers

play04:30

drawing inspiration from another unlikely source.

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Related Tags
Modern ArtCultural InspirationPicassoMatisseAfrican ArtCubismEuropean HeritageTahitian InfluenceExpressionismSculptureHenri Moore