How Control the Camera, Angle and Distance on an AI Art Scene in MidJourney?

Summary

This video tutorial offers an in-depth guide on controlling camera angles and scene composition in AI-generated art. The host discusses various camera positions, distances, and heights, illustrating how to manipulate these elements to create dynamic scenes. Using 'medieval warriors' as a base subject, the tutorial explores different views, angles, and scene types, emphasizing the importance of scene configuration before subject placement. The video is a valuable resource for artists looking to enhance their AI art creation skills and understand the fundamentals of scene composition.

Takeaways

• 🎥 The video is an introduction to controlling camera scenes in AI art creation.
• 📸 Key aspects covered include camera position, distance, and height.
• 🖼️ The focus is on creating different types of scenes and configuring camera views.
• 📏 The video explains the importance of configuring elements before adding the subject to the scene.
• 🧩 Tips include avoiding naming objects that could be mistakenly added to the scene by AI.
• 🔄 Different views such as front, side, and back are discussed, along with their uses.
• 📐 Various camera heights like ground level, low angle, eye level, and high angle are explained.
• 🔍 Distance settings are covered, including extreme long shot, long shot, medium shot, close-up, and extreme close-up.
• 🎬 The importance of selecting appropriate scene types like action, war, and panoramic views is emphasized.
• 📊 The video also mentions additional resources available through the creator’s Patreon for further learning and support.

Q & A

What is the main topic of the video?

The main topic of the video is about controlling the scene in AI art creation, focusing on camera positioning, distance, height, and the types of scenes that can be worked on.

What are the three basic views of a scene that the video discusses?

The three basic views discussed in the video are the front view, side view, and back view.

Why should props not be used before the subject in AI art creation?

Props should not be used before the subject because the AI might interpret them as elements to be included in the final image, which could lead to unwanted additions to the composition.

What is the significance of configuring the scene before the subject in AI art creation?

Configuring the scene before the subject is important because it sets the stage for the AI to understand the desired point of view, angles, and distance, leading to better results in the final artwork.

What are the different camera height perspectives discussed in the video?

The different camera height perspectives discussed are ground level view, low angle view, eye level view, and high angle view.

How many scene types are mentioned as being possible for camera positions in the video?

The video mentions around 61 possible scene types for camera positions.

What is the purpose of using different scene types in AI art creation?

Using different scene types helps to convey the desired theme or mood of the artwork, influencing the camera position and composition to best represent that scene.

What command can be used to reset the camera to a centered view in AI art creation?

The command to reset the camera to a centered view can be 'Central View' or 'Centering View'.

How does the video suggest combining different elements to control the scene better?

The video suggests combining elements such as the angle, height, distance, and scene type to control the camera position and create a more tailored and specific scene in AI art creation.

What is the importance of understanding camera control in creating AI art scenes?

Understanding camera control is crucial for artists as it allows them to have full control over the composition, enabling them to create scenes that align with their vision and artistic intent.

Outlines

00:00

🎨 Introduction to Scene Control in AI Art

The speaker introduces the topic of controlling the scene in AI-generated art, specifically focusing on camera positioning, distance, height, and angles. They mention this as the first part of a series on creating AI art, emphasizing the importance of scene configuration before subject placement. The speaker also advises against using props that could be mistaken for elements in the AI's final rendering, to avoid unintended results. They encourage viewers to like and subscribe to support the channel, as they share their learning journey in AI art creation.

05:01

📐 Understanding Camera Angles and Heights

This paragraph delves into the specifics of camera angles and heights in scene configuration. The speaker explains the basic views: back, side, and front, and how they can be manipulated in AI art. They also discuss different camera heights, including ground level, low angle, eye level, and high angle views. The speaker provides examples using 'medieval warriors' as a subject and demonstrates how to adjust the camera's position to achieve various perspectives, from ground level to high above the subject.

10:01

🌌 Exploring Distance and Scene Types

The speaker continues the discussion on scene control by addressing the camera's distance from the subject, outlining different shot types such as extreme long shot, long shot, medium shot, close-up, and extreme close-up. They also introduce the concept of scene types, which can influence the camera's position and angle to best represent the scene's theme. Examples of scene types include action, chase, and war scenes, each of which can alter the camera's perspective to enhance the portrayal of the scene's dynamics.

15:04

🏰 Advanced Scene Configuration Techniques

The speaker provides advanced techniques for configuring scenes in AI art, discussing the use of specific scene types and camera angles to create a desired effect. They mention the integration of scene types with camera views, such as combining a war scene with a panoramic or aerial view to capture the full scope of the action. The speaker also touches on the use of different 'syn' types, which are scene types that can be combined with camera angles to create unique perspectives and enhance the storytelling within the AI-generated art.

20:04

📘 Conclusion and Encouragement to Experiment

In the concluding paragraph, the speaker emphasizes the importance of understanding and controlling camera angles, heights, and distances in creating compelling AI art scenes. They encourage viewers to experiment with the various scene types and camera positions discussed to gain a deeper understanding and improve their art creation skills. The speaker also mentions their Patreon, where they document their process and provide a database of commands for scene creation, inviting viewers to join and support their work.

Keywords

💡Camera Position

Camera Position refers to the spatial relationship of the camera to the subject in a scene. It is a fundamental aspect of cinematography and photography, influencing the viewer's perspective and emotional response. In the video, controlling camera position is central to creating dynamic scenes, with the script discussing various camera angles such as front view, side view, and back view.

💡Scene Configuration

Scene Configuration involves arranging the elements within a scene to achieve a desired visual effect or narrative purpose. The script emphasizes the importance of configuring the scene before the subject to avoid unwanted elements and to ensure that the scene setting complements the subject matter. This includes defining camera angles, height, and distance.

💡Camera Angle

Camera Angle is the position from which a scene or subject is viewed and captured by the camera. The script discusses different types of camera angles, such as ground level, low angle, eye level, and high angle, each of which can convey different moods or perspectives in a scene.

💡Distance

Distance in the context of the script refers to the physical space between the camera and the subject. Different distances can create various visual effects, such as extreme long shots, long shots, medium shots, close-ups, and extreme close-ups. The script provides examples of how these distances can be used to frame medieval warriors to create different scene dynamics.

💡Scene Type

Scene Type categorizes the nature or setting of a scene, such as action, war, or panoramic. The script explains how different scene types can influence the choice of camera position and angle to best represent the intended atmosphere or narrative of the scene.

💡Medium Shot

A Medium Shot in film and photography captures the subject from the waist up, providing a balance between showing the subject and the surrounding environment. The script mentions this as a common shot used by AI when creating scenes, indicating a typical approach to scene composition.

💡Extreme Close-Up

An Extreme Close-Up (ECU) is a shot that tightly frames a subject, often focusing on a specific detail or feature. The script discusses the use of extreme close-ups to bring the viewer very close to the subject, creating a sense of intimacy or emphasis.

💡Panoramic View

A Panoramic View is a wide shot that captures a broad perspective of a scene, often used to establish the setting or to show the scale of a scene. The script suggests using a panoramic view to give a wider context to a war scene, for example, showing the full scope of the action.

💡Aerial View

An Aerial View is taken from above, providing a bird's-eye perspective of the scene. The script mentions using an aerial view to depict a war scene from the top, offering a unique vantage point that can reveal the layout or extent of the action.

💡Action Scene

An Action Scene is a sequence in a film or video that is characterized by high energy, movement, and often physical conflict or activity. The script discusses how to configure the camera and scene to effectively capture the intensity and dynamics of an action scene.

Highlights

Introduction to controlling the position of a camera in AI-generated scenes.

Explanation of how to control camera distance, height, and angles in scene creation.

Discussion on avoiding the use of props that can be mistaken as elements in the scene.

Importance of configuring the scene before the subject in AI art creation.

Techniques for defining the point of view and angles in scene setup.

The use of basic subjects like medieval warriors for demonstrating camera control.

Differentiating between front, side, and back views for scene composition.

Understanding the impact of camera height on perspective: ground level, low angle, eye level, and high angle views.

Practical examples of how camera angle affects the portrayal of medieval warriors.

Exploring the five types of camera distance: extreme long shot, long shot, medium shot, close-up, and extreme close-up.

How to combine camera distance with angle to create dynamic scenes.

The concept of scene types and their influence on camera positioning for different themes.

Using scene types like action, chase, and war to dictate camera angles and create immersive experiences.

The role of scene types in enhancing the storytelling aspect of AI-generated art.

Combining different scene types with camera angles to create complex and engaging visuals.

The use of panoramic and aerial views to capture the breadth of a scene in war or large-scale scenarios.

Highlighting the importance of experimenting with camera control to master AI art creation.

Invitation to join the Patreon for further documentation and exploration of AI art techniques.

Encouragement for viewers to practice and have fun with the creative possibilities of AI scene generation.

Transcripts

hello guys and girls welcome to one more

AI artist TV Qatar is here and today

we're gonna be talking about how to

control your scene so I pretty much will

cover them during this this

video how to control the position of a

camera the distance of the camera the

height how the possible kind of scenes

you can work on uh I'm considered I'm

considering this one here as the first

part on how to create a whole C uh I I

we're going to be talking here today

we're going to be talking a little bit

about uh the first part of the probes um

even before the subject and how you

position and what options we have to

Define configure exactly where we want

our point of view where what's the

angles what's the distance and Etc okay

all right let's think about that I I

thank you for for being here so give me

a like give me a subscribe all this it

is great help me a lot since I'm just

starting here and I want to keep sharing

everything I'm learning with you guys

okay so

um speaking about this the subject which

which I love but by the way seems one of

the things I like most to do

um we're gonna be talk as I said we're

gonna be talk today here on pretty much

uh as the configuration before the

subject and by the way this is a very

important point that I would like to

stress a little bit more everything we

put before the subject me Journey has to

be something no material has been said

to be something that midi Journey will

not add any element there because

otherwise if we start using something

inside that inside the the the props uh

that is before the subject mid Journey

can put as an element and I was doing

myself this mistake uh on on the first

video about the photos for example I was

using the the dynamic camera before the

the subject and we go we were getting

some results that the the people's

holding a camera so try not never use

name of any object anything that can be

that can be in the picture before your

subject okay so everything you want to

be working here before the the subjects

pretty much the Ethereal things the

things that don't exist and that's why

we can work there as technology as well

we could be working here but

Technologies is better we work after the

the subject but to configure the scene

that that the mid Journey gonna be we're

gonna be drowning I have been very very

good results configuring everything

before so what we're going to be

configuring today here is oh let me put

my my smoker you guys not see me hold on

uh what what you're gonna be pretty much

what we're gonna be configuring today

here is the

is the

is that I said is this the beginning is

the beginning of of the prompts which is

um which is high distance angle angle

those those are all type of views that

we're gonna be configuring we're going

to be configuring this scene type and

then we're gonna be talking about the

the medium that that we're gonna be

working for us okay I speak about that I

will start about the angle then we're

going to start about talking about the

high and the distance so we pretty much

I'm not full exactly you wanted there

but before I wonder which I make that

will makes more sense for us understand

um let me open here down so the the

Discord and let's start work on this so

to work to work on this exercise of

controlling the position of our camera

uh I'm gonna be using a very basic

subject I will be using medieval

Warriors

just because uh it's a base one it could

be do anything uh but I'm thinking here

about about a scene okay so I'm not here

thinking about create a portrait of a

medieval warrior I'm going to talk here

what was we could have seen although you

can use many of those comments as well

to control the position of your camera

in many other kinds of of work that guys

do World Trade architecture

administrations of any type so you can

use most of them but today here I'm

gonna talk pretty much

things are important for the scene so uh

medieval Warriors and the first one that

I would like to to control is exactly

control what side of the new medieval

Wars I want to be seen on that scene so

there are three basic ones which they

are the front view side view and back

view same Sims base right so and it is

so let's go here uh the prop medieval

Warriors I have the back view

medieval Wars I have the side view

side view and here we have the front

view

um normally now the preference of media

is always that draw the front view so

normally don't even use to need to use a

front view and otherwise that I'm gonna

show here today normally me Johnny

already use but we can also is when we

put uh we pretty much force not to use

so as you see the result he gave us here

are pretty much most almost all of them

uh uh front view

um speaking about speaking about now uh

this though those three we do have more

because if possible you get even degrees

of 45 degrees more more rotations

because meet me Jordan as we know it is

a uh natural language processing so you

can explain different ways or where

where you want where you want your your

camera but pretty much the I think the

basic ones I need to show here that

works very nicely is back view side view

and of course front view for the the the

the this the the First Dimension that we

are using here okay where is where is

positioned at

the camera okay after that what we have

after choosing this this the the

obviously the x-axis we can choose the

the also the where where is the how

where is the height of our our camera so

right now speaking about the props we

just Define the angle okay now we're

gonna Define the height so the height

pretty much

we have foreground level view ground

level low angle view to eye level view

which will be here and to the high angle

view okay so let's try let's play with

those together here

um so I will get here the I will I use

the media Motors again I could use side

view front view but I'm gonna just use

this one here

the front view right I imagine

I will not put the

so now I'm going to put here ground

level View

and by the way let's put a spec radio 32

so we have a better

better space to see so ground level View

right I have now the

um low angle view ground level View

low angle View

I have here the eye level View

and I have here the

high angle fuel

foreign

what's the principle of them

um first I would like to say this uh

speak when we work about the views in

camera me Journey because of the chaos

because it's the lies he always change a

little bit but normally when I get two

or three of the results being kind of

where where we want them so uh let's let

me explain now guys the results we are

getting here so okay ground level view

we will have a tendency of of of like

this one here we're gonna have a

tendency off we'll be very closer to the

ground uh ground level view is you

probably have to do two or three reloads

to get a real round one but it's it

would have an energy to put the camera

lower or on the ground in a ground just

as for from for the target for the for

the Warriors that we are trying to to

depict normal not normally gonna be very

close to the ground many sides sometimes

the ground but sometimes I get results

even the ground depending the scene

depending on the subject

um ground level View

the the next one that we have here is

the low angle low angle normally got a

bit lower than the shoulder okay so as

you see here the the the the the head's

gonna be higher and everybody normally

gonna be lower than the shoulder it's no

low angle it's lower than the shoulders

not lower as the round level but it's

slowing in the shoulder that's the the

low angle then of course we have it here

the eye level so we're pretty much gonna

be seeing that on the same level as we

are and there's a tendency that we got

closer to to the targets already uh do

on eye level

and uh let's go here now to the to the

to the high angle high angle normally

you've got to be C4 or both know when

they go even I was like Sky View but but

they really pretty much have a tendency

to put them in higher uh high angle

sometimes does it does doesn't go that

high it went very high here high angle

view but sometimes go a little bit above

the shoulder above the head some reloads

as well you're gonna see that you're

gonna be in this in this area uh above

the above the shoulders okay

um after that after the okay we now know

how to have the back side of front here

we know now here that we're going run

level to high to high angle to run live

view to high angle view now speaking

about the distance that that we're gonna

before on a Target same same goes as

well basically what we're going to be

using here is five different ones uh

we're gonna have the extreme long shot

we have the long shot we have the medial

shot we have the close-up shot the

extreme index stream close-up shot so

pretty much I'm coming from this sets to

close same thing as well oh by the way

let's start using them together this

time let's put here imagine

I'll put here the let's get the

ground level now let's get some some

some some no no let's Get Low angle fuel

below the shoulders let's get the low

angle field look what I'm gonna do here

now I'm gonna put it here uh low angle

View

no angle View

I'm gonna put here now

um and I want the just destroy the prop

here because now we go to the next level

The Prompt okay now we're going to talk

about the distance okay so I'm gonna put

here now now figure here I'm gonna put

here the first one

extreme

long shot

low angle view okay

side view

allowing your view side view medieval

warriors uh I think that will work

Sunday is tricky side view sometimes

they they they they don't have much on

the models I will put as well just for

for the sake of maybe maybe I could put

maybe I was on low angle side view

without repeating two views pretty much

clean up if you're probably understand

what's better but now probably gonna be

a distance lower and distant for foreign

there you go I think the number three

here shows pretty much uh what what what

we that what is this extreme long shot

low angle uh size view so we get we have

here the long shot let's watch in Long

Shot

there we have the meeting shot as I said

as well medium shot is pretty random

it's pretty much what media is using as

as base menu shot we have the close-up

shot let's do this wall then here

close up shot and we have here the

extreme

close-up shot understand that where I'm

using here all the terms that I mostly

work with scenes there's another scenes

of for example portraits where you can

refer the the the the the height of the

camera or the this of the camera by the

parts of the body and and that's one of

the things that we cannot do we sing is

is try to tell the camera this other

camera angle use the part the body

because for example portrait you can use

for example waist up uh angle erase up

shot to kill this kind of thing here I

cannot use because I'm trying I'm trying

to assume if I if I say it in the scene

that I want a camera for example waist

up short or something like that if we

probably gonna kill the scene you gotta

put the the camera in the in the in my

targets okay so let's see here what the

results we have so we got here already

the movement let's see here okay extreme

long shot it's pretty much shows

perfectly here uh it we have a tendency

to give us some results with camera very

distance and lower

variations yeah happen as well like this

we can we kind of avoid types of

variations extreme long shot depending

on the model is very hard to give we

also have to do two three loads to to

get extreme long shot uh extreme long

shot low low angle is it's not a it's

that I use it to that to do sometimes

then we have it here now the long shot

long shot but

sorry then we have it here the long this

is a long track that long shot so it's

uh way more way more way more

interesting at least here two of them in

Long Shot So Below the shoulder very

high side view I'm your side view here

all the time so we have the low the long

short side view now we got a little bit

closer here now we have the menial shot

side view uh low angle so below the

shoulders uh middle distance there we

got little closer here we go to the

close up now we go pretty much on on the

on the close app on the close up the I

would say that the probably the problem

in low angle will put us below the eye

like this one here because the shoulder

does appear anymore so probably the

referential is already the eye so the

eye probably gonna be higher in the

picture for the low angle

are here and there we go for extreme

close-up by the way they didn't give me

any any extreme close-up here I will

reload this one here just so you guys

know that really exists but it's uh but

it's hard sometimes the model to give to

us and then extremely close up I'm gonna

very very side the Target and and I will

give a very good very clear one there is

one command that we can use that pretty

much resets all this if you want to if

you've got a little loss about all the

other commands we're using here uh we

can use the center it

uh on the scene so if you put get here

imagine

and I put here a

uh if I put here it's all this if I want

to go back to my Center centering uh

view or a simple shot I think both Works

Central View I pretty much gotta put in

the center of the of the big so I will

be on all the dimensions are going to be

centralized on the picture okay

and now we give a little bit more close

up

uh but pretty much you're not giving me

yet the the extra milkshock now you

gotta put everything in the center

center of the picture center of the view

will be pretty much a centered scene or

this one here that we are that we have

it pretty much here I'm reset the

distance angles and everything I got the

centered view medieval Wars okay so

pretty much now we know that we can

control the the back the side which

which angle we want on this Dimension we

pretty much not culture as well where we

watch on Disney measure here as well and

pretty much now this is the measure as

well on the scene okay

um now become a little tricky because

now we're going to talk a little bit

about about the types of scene that we

have okay when we speak about a type of

scene uh there is a world of possibility

it's very interesting uh those who are

part of my my uh those by the way who

have access to my

to my patreon they they they they they

they they can see here for example that

scene position for example we have

around let me see here how many City

positions we have we have around 61

possible uh cameras for for scenes okay

uh which pretty much we will get all

those things that I said again they

already bring embedded on those names

okay so for example when I use uh when I

was for example here a tooth angle or a

point of view or a panoramic review they

also they are already coffee good for us

many many of those informations although

we can always Force some of those

cameras in the scene to do as well okay

so just you just to give also another

important besides all those six six

names of possible possible cameras that

we have for for using again those link

link for my patrons here at the at the

description of this video those who want

access to those controls here I have

here pretty much all the possible seats

that I could map I said 61 means here

that you can use your compositions uh

other other way of also get to the scene

I'm going to use hasami for guys C is

also defining the type of the the scene

pretty more by the theme of the scene

for example you can use action scene you

can use the haste scene you can use uh

war scene but when you use those related

with the gender of the scene they will

give you already elements that will give

you uh something up let me use it here

for let's use a

a one that that's per I used to here I

use the Imagine

I'm gonna be putting here on our actual

scene

action scene and we're gonna put the

medieval Warriors

okay

uh I could I could control this view of

the scene as well okay I can put back

view I can put I can put photos but I'm

gonna I'm gonna put here actual scene

and let's put as well here what would be

a haste scene from from for example you

can use situations of of of of of uh if

you imagine any more of a situation uh

you can use as well hey so I'm going to

see a war scene as well a war scene uh

of my divorce they be they might be a

little bit similar but we can use that

that that that that possibility as well

and now you see that you're gonna start

to use the camera in positions and

situations that will give you the best

view to have a scene of that type that

you're choosing so for example when I

put actual scene gonna give me a camera

as a position to show the best as

possible the action scene so I've

already telling that this camera is

giving also a little bit the theme of is

helping with the team that I want to put

there I have control the theme as well

but it's already I will have a camera

push for this same thing that I put here

for example war is already showing more

than one like that so what I can do with

this uh I can do this combination of of

the worst scene for example with uh with

the with the views and that those 660

types of views here is where we start

configuring the scene so for example I

can get here I can get the the worst

scene that we have here 3.2 and let's do

like this let's get the Imagine let's

get the war scene but I want the scene

the worst scene in panoramic view so I

come here work Awards about with you

noramic view

view I would I could put afterwards in

here but I will just put a a comma here

and an MK viewer since you guys know

they're gonna be even more wide angle

that that we're gonna be here white

average pretty much we mostly used for

for portraits and you know on a type mvq

is also here Panorama I I rather use for

example I use I use more panoram to even

the wide angle for things so pattern mqv

war scene so not gonna give up much more

view of the whole world happening

because I'm putting panoramic view I

could also come here for example and put

instead of panoramic view I could put

aerial view

I really feel the war scene now I'm

gonna give me something from from the

top show me showing that war so those

views are there as I said there are more

than six possible types of of you here

of the war scene

um but now here speaking about our our

our our our subject and talk about this

the scene type okay so hearing the Sim

type and we can play with the views we

can play with the distance of all the

scene types so uh syn types uh there are

not that many that directly that I could

map I can show you guys here again those

who have access to my patreon can see

the list that I have that I have but

pretty much what I have here on scene

types is how many syn types I was in the

same types I was able to map here I was

able to map it before 14 scene types

which get some some nice results okay uh

I have for example have underwater uh

and we have some some establishing shots

some axes of action

um there are some uh actual scene 100

degree rule so they're different there's

some there's some scenes as well there

are mostly for showing characters or

different type of scenes I explained in

description some of them but I like a

lot to to use the action I like a lot

dashcon footage is very good as well

because it's pretty much put you inside

the scene so there are there are

different types of scene and you can

play with the position of the cam that

we learned in the first part so going

back here let's see the results we have

here so now we have here the aerial view

off of the of the of the war scene so we

have a war happening and now here we are

in the aerial view so there's a lot

those views as I said are more than six

reviews we can play and you can get out

you can Define the scene you want and

you can play with a lot of types of of

view or control yourself the angle of

the camera because this you see the same

result here that I put I review I review

pretty much this extreme long shot with

the high angle camera so I could also

control that way or I can put just a

review and and get there so let's go

back here and see what else we we can we

can talk about that so

I understand the the that that the kind

of scene that we have that we are seeing

here uh the kind of uh positions that

I'm that I'm talking here and uh and the

position there are there we can that we

can be doing with the cameras ourselves

is pretty much one of the most important

element that you that you need to to be

able to to hold and to be to use on your

on your creation of the scene uh after

you have this first part describing the

subject describe the C1 is much easier

and right now Vision version four

majority gives a lot of controls for us

to be doing a lot of different scenes a

lot of previous things myself I still

discovering different types of scenes

possible uh is a very good uh sometimes

sometimes people describe in a way which

I try to I try to decompose and see what

kind of scenes I want but since

something that uh I'm passionate about

as well I I just did a lot of manuals

about photo but uh seeing something very

interesting guys

play with this play with those names

blame the cultural camera I gave you a

lot of a lot of comments that you can

try to mix in and combining to

understand how you control better your

your scenes and have fun I really think

that's one of the the most fun things to

do in me journey is creating scenes I

got really where's the camera are where

where are the possibilities of of uh of

uh having uh this this full control so

uh thank you again uh please give me us

give me a subscription your like if this

if you learn something if if you

understand uh something interesting in

this video I I ask you to give me a like

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everything that I'm doing a database of

terms of of of of commands that that we

can use of prop makers I think I have a

patreon here I I welcome you to join us

I got I welcome you to subscribe I have

a just a description that we are talking

as well and I really want to want to

make this this bigger and bigger because

mainly what we are doing here you're

supporting what I'm doing here so I I

really appreciate it and thank you so

much guys see you next time make our

scenes and I hope and by the way in the

second moment here in the second one I'm

gonna be talking all the technologies

that we can use in terms to create

scenes by photo and scenes Illustrated

as well okay bye bye thank you so much