Make Your First Film: MUST WATCH for Documentary Filmmaking
Summary
TLDRThis video script emphasizes the importance of 'assertive documentary filmmaking' over 'aimless filmmaking'. It outlines four key questions filmmakers should ask to ensure compelling storytelling: identifying whether they have a story with conflict, establishing a clear main character early on, ensuring the character has a desire, and being able to visually depict their journey. The speaker promises an in-depth documentary master class covering various aspects of filmmaking, aiming to simplify the process for aspiring filmmakers.
Takeaways
- π₯ Aimless filmmaking is characterized by a focus on gear and shooting without a clear plan, whereas assertive documentary filmmaking is a more structured approach to ensure compelling storytelling.
- π Assertive filmmaking involves asking critical questions at all stages of the film production to guarantee the best possible story and audience engagement.
- β The first key question for filmmakers is to determine if they have a story with conflict rather than just a topic. A story should involve a character with a clear desire or goal and a journey to achieve it.
- πββοΈ The second question is about identifying a main character early in the film, ideally within the first 5-10%, to establish who the audience will follow on the journey.
- π€ The third question challenges filmmakers to ensure their characters have a clear desire or need that drives the narrative, as characters without wants lack depth.
- π The fourth question is about the feasibility of showing the character's journey, including their rise in tension and attempts to achieve their desires, which is essential for a compelling story.
- π¬ The importance of having access to the character's life and being able to capture key moments is highlighted as a prerequisite for telling their story effectively.
- π The script emphasizes the value of a checklist and self-honesty when evaluating the strength of a story, even suggesting the need to change direction or find a new story if necessary.
- π½οΈ The speaker shares personal experience with the documentary 'Transcend' as an example of a successful story-driven film, illustrating the importance of conflict and character development.
- π₯ The mention of the documentary '9/11 Kids' serves to illustrate the importance of establishing the main character early and setting the stage for their narrative.
- π The script introduces an upcoming documentary master class that will delve deeper into topics like story crafting, funding, research, character finding, and shooting techniques.
- π£ The speaker invites interested individuals to join an early bird waitlist for the master class, emphasizing the limited availability and the comprehensive nature of the course.
Q & A
What is the main difference between aimless filmmaking and assertive documentary filmmaking as discussed in the video?
-Aimless filmmaking is characterized by a focus on cameras and gear without a clear direction, often resulting in hope for the best outcome. Assertive documentary filmmaking, on the other hand, is a methodical approach that ensures the best possible story is captured at all stages, leading to a more compelling film and a better chance of gaining an audience.
Why are the four questions mentioned in the video important for filmmakers?
-These four questions are crucial as they set the foundation for a successful film. They help filmmakers clarify the purpose and direction of their film, ensuring that the story is compelling and has a clear narrative arc, which is essential for engaging an audience.
What does the video suggest is the key to a good story in filmmaking?
-The key to a good story is conflict. A story should involve a character who wants something and goes on a journey to achieve it, learning something along the way. This is in contrast to a topic, which may be aimless and lack these narrative traits.
Can you provide an example from the video of a film that was successful due to its story?
-The film 'Transcend' is given as an example. It was successful because it followed the story of Wesley Korir, a Boston Marathon runner who attempted to get elected in the Kenyan parliament as an independent candidate, a journey filled with conflict and desire.
What is the importance of having a main character in a documentary film?
-A main character is essential as it provides the audience with someone to journey with. It helps establish who the film is about and allows the audience to connect emotionally with the story being told.
According to the video, what should be clear within the first five to ten percent of the film?
-The identity of the main character should be clear within the first five to ten percent of the film. This helps set the stage for the audience to understand who they will be following and what their journey will entail.
What does Aaron Sorkin's quote imply about characters in a film?
-Aaron Sorkin's quote implies that for a character to be considered a character in a film, they must want something. This desire drives the narrative and gives the character depth and purpose.
What is the significance of a character's desire in a film according to the video?
-A character's desire is significant because it propels the story forward. It creates tension and conflict, which are essential for keeping the audience engaged and invested in the narrative.
Why is showing the journey of the character important in documentary filmmaking?
-Showing the journey of the character is important because it allows the audience to witness the rise in tension, the struggle, and the resolution. This journey, with a clear beginning, middle, and end, is what constitutes a compelling story.
What does the video suggest filmmakers should do if they find that their chosen character does not have a clear desire?
-If the character's desire is not clear, the video suggests that filmmakers should either find out what the character wants or consider choosing a different character whose desire can drive the narrative.
What is the upcoming documentary master class mentioned in the video about, and how can interested individuals join?
-The upcoming documentary master class will delve deeper into topics such as crafting stories, funding, researching, finding interesting characters, and shooting techniques. Interested individuals can join by signing up on the early bird wait list, as there are limited spots available.
Outlines
π₯ Assertive Documentary Filmmaking: The Key Questions
This paragraph introduces the concept of assertive documentary filmmaking as opposed to aimless filmmaking, which is often promoted on YouTube. The speaker emphasizes the importance of having a clear story with conflict, characters, and a journey, using the example of the film 'Transcend' to illustrate a successful application of these principles. The paragraph also poses the first of four key questions filmmakers should ask themselves: whether they have a topic or a genuine story with conflict.
π½οΈ Establishing the Main Character and Their Desire
The second paragraph delves into the necessity of identifying a main character early in the film and ensuring that the audience knows who they are within the first five to ten percent of the film. It uses the film '9/11 Kids' as an example to demonstrate effective character introduction. The paragraph also discusses the importance of characters having a clear desire or goal, quoting Aaron Sorkin to stress that characters without wants are not characters at all. It encourages filmmakers to determine if their subjects have a clear want and to explore this in their films.
π Capturing the Character's Journey and Conflict
The final paragraph focuses on the fourth and critical question for filmmakers: whether they can visually represent the character's journey, the rising tension, and their pursuit of what they want. It discusses the importance of access to the subject's life and the ability to capture key moments as they unfold. The speaker advises filmmakers to be honest with themselves about whether they can truly tell the story they intend to, suggesting that they may need to pivot or find a new story if they cannot capture these essential elements.
Mindmap
Keywords
π‘Aimless Filmmaking
π‘Assertive Documentary Filmmaking
π‘Story
π‘Conflict
π‘Main Character
π‘Character's Need
π‘Journey
π‘Tension
π‘Topic
π‘Documentary Master Class
Highlights
The difference between aimless filmmaking and assertive documentary filmmaking is emphasized, with the latter focusing on a structured approach to storytelling.
Aimless filmmaking often involves gathering information about cameras and gear and hoping for the best, which rarely works out.
Assertive documentary filmmaking ensures the best possible story at all stages, setting up for a compelling film that attracts an audience.
Four quick questions are presented as essential for filmmakers to consider before starting their project.
Many people quit filmmaking due to the lack of a simple process, which the video aims to address.
The first question for filmmakers is whether they have a topic or a story, with a story being defined by conflict and a journey.
The importance of having a clear main character within the first 5-10% of the film is discussed.
Films should establish who the audience will journey with from the beginning.
The necessity of a character's desire for something is highlighted, as it drives the narrative.
If a character in a film doesn't want something, they are not considered a character according to Aaron Sorkin.
Filmmakers should ask if they can show the journey of the character, including the rise in tension and their pursuit of what they want.
The ability to access and capture key moments in a person's life is crucial for telling their story.
Filmmakers need to be brave and honest when evaluating their story's strength and considering a new direction if necessary.
An upcoming documentary master class is announced, promising in-depth knowledge on various aspects of documentary filmmaking.
The master class will cover topics such as story crafting, funding, research, character finding, and shooting techniques.
The course aims to be high-level and simplified to provide immediate value without hours of masterclass information.
Limited spots are available for the master class, emphasizing the quality of attention given to participants.
The master class will draw from the extensive experience of the presenter and their creative partner, Michael Del Monte.
Transcripts
hey how's it going everybody
if you haven't seen my last video i was
talking about the difference between
aimless filmmaking and assertive
documentary
filmmaking see aimless filmmaking is
what i kind of see which is kind of
taught all across youtube it's get
information about cameras and gear
and then just go shoot and hope for the
best but the problem with that is that
rarely works out see what i've been
talking about lately on this channel is
assertive documentary assertive
filmmaking this is a way to approach
your films at all stages
to make sure that you have the best
story possible in
setting you up to have the most
compelling film which will garner an
audience and help you get
more films in your career so today's
video i'm going to be talking about four
quick questions that will set you up for
a win
when making your film everyone who's
ever going to shoot a film
needs to know these questions and what's
sad is they're so rarely taught they see
so many
people quit and leave their projects
because there isn't a
simple process outlined for them in
creating
that film so in today's video i want to
help clarify some of that confusion for
you
and i want to show you why assertive
documentary filmmaking will get you
quickly started and help you
cut through some of the confusion and
the frustration
in making films
so number one the first question you
need to ask before you ever start
filming is this simply put
is your idea a topic or a story
my mentor in filmmaking used to drill
this into me he would get me to actually
chant it do you have a topic or story so
what is the story because we always hear
this that good stories that you need to
story first
it gets kind of lost you're like what is
a story
the key to a story is that it has
conflict
the person in your film wants something
and they're gonna need to go on a
journey to get that and along that
journey and they're going to learn
something
see the difference between that and a
topic is a topic is it just a bit
aimless it doesn't
have these traits so let me make this
more practical
in our film that we released in 2014
transcend which went on to go onto
netflix
and was shown on espn i had the chance
to help edit it and my creative partner
michael del monte he directed it this
film was successful because it was a
story it was about wesley career who was
a boston marathon runner
who then tried to get elected in the
kenyan parliament
as an independent candidate which had
never happened before see
he was trying to win the boston marathon
and win an election race
right away we have a character who wants
something
i feel like it's a calling that i have
to do to
do the will of god but i think it's just
going to be hard
but when i look at my life nothing has
been easy it's been
all hard and it's just hard
this is a story and this is why we
followed him along that
and the film kind of just told itself in
a way where the difference between a
topic and a story is the topic could
have just been marathon running
or running and nothing would have
happened we would have just interviewed
people talking about running we don't
know what people want there's no
conflict so simply put do you have
conflict do you have a story
or do you just have a topic number two
do you have a main character and do we
know
who they are within the first five to
ten percent of your film this is really
important i see a lot of documentaries
that just have random beautiful footage
of sunsets and some voice over but we
don't know who the film is about
a great film that just came out you may
not be able to see it because it's still
doing its film festival circuit
it's called 9 11 kids so right away one
of the first scenes of the film
it sets up who the main character is in
the film and that's this teacher who had
a class of students who were reading
to president bush at the time when the
planes hit the trade towers
back in 2001 and the film goes on to
talk about who these people are and how
their lives unfolded
after this moment but what the film does
is it sets up the main character and the
main characters
right away at the beginning the film so
we know who we
are going to journey with this is
important do you have a main character
and do we know who they are within the
first five to ten percent of the film
okay number three and this is really
important and often overlooked
is your character's need to want
something i'm going to borrow a quote
from aaron sorkin which is
if you have a character in your film and
they don't want something they're not
a character what we mean by that is
everyone in your films needs to want
something or they need to help your
character achieve what they want
so ask yourself is the person you've
chosen to make your film about
do they want something if yes then
is that clear in your film if no then
you need to find out what they want and
if you can't find that out
then maybe you don't have a character
and maybe you need to choose someone new
now the good thing about humans is that
everyone wants
something so in your film you can
actually explore that if you don't
necessarily know what the person wants
or maybe they don't know what they want
your film can be exploring that right
there that's tension someone trying to
find out what they want in their life
and the number four assertive
documentary question is
can you show the journey of this
character can you show the rise in
tension in their life
can you show them trying to discover
what they want or trying to achieve
what they want can you do this with old
footage
if it's a past story that you're
retelling or if it's a fresh story if
it's actually happening
do you have access to them can you get a
camera in front of them to actually
tell that story if you can't it's going
to be very difficult to create this film
and this is what
professional filmmakers are asking
themselves before they ever start off
can i actually be at these key moments
in this person's life
and retell this or be there to show it
in the moment
to show them trying to achieve what they
want simply put
can you show their journey if you can't
you're not going to have a film
because again as i said a story is a
journey there's a conflict there's a
beginning middle and an end
see you don't need to be an artist or
even experienced filmmaker to be able to
answer these
questions you literally just need a
checklist you need to be writing them
down right now and asking yourself
as you approach your next film you need
to be brave and honest when you ask
yourself these questions too
because sometimes you know the person
that you're trying to tell the story
about sometimes they're even a family
member
but you have to be brave and honest with
yourself and admit maybe this isn't the
strongest story
maybe i need to take it a new direction
or maybe i need to find a new story
altogether
[Music]
in my upcoming documentary master class
i'll be sharing more topics like this
such as crafting your story how to fund
your film how to research your film
how to find interesting characters the
best shooting techniques we're gonna get
into
all the nitty gritty i'm gonna crack my
brain open
and give you guys as much detail as i
can the problem with youtube
is i can only ever do six to ten minute
videos but this course is going to get
really in depth with documentary
filmmaking but don't worry i will keep
it high level and simplified so that you
can jump in
and get good information right away you
don't have to sit through hours of
masterclass information
to know what's going to help you make
the next best film
in your career so make sure to sign up
on our early bird wait list there is
limited spots available in this course
we're only going to be able to take
a certain amount of people because we
want to be able to give everyone the
best attention that we can
so make sure to stay on the lookout on
this channel because in a few days i'll
be releasing more information
about the documentary master class and
i'll show you exactly what's going to be
included
in that class thank you for watching
guys make sure to leave comments down
below if you have any questions about
this i'm
really really excited about this we've
been working on this for over a year
in a way i've kind of actually been
working on the past 10 years because
they're going to be giving all the
knowledge
from my documentary film creator as well
as my creative partner michael delmonte
who if you don't know his work well he's
not on youtube but that's because he's
too busy making amazing films he's shot
many many feature documentaries and
we're really excited to be releasing
this course
and teaching you guys more about
documentary
filmmaking all right i'll see you guys
in the next one
you
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