Make Your First Film: MUST WATCH for Documentary Filmmaking

Mark Bone
13 Aug 202008:16

Summary

TLDRThis video script emphasizes the importance of 'assertive documentary filmmaking' over 'aimless filmmaking'. It outlines four key questions filmmakers should ask to ensure compelling storytelling: identifying whether they have a story with conflict, establishing a clear main character early on, ensuring the character has a desire, and being able to visually depict their journey. The speaker promises an in-depth documentary master class covering various aspects of filmmaking, aiming to simplify the process for aspiring filmmakers.

Takeaways

  • πŸŽ₯ Aimless filmmaking is characterized by a focus on gear and shooting without a clear plan, whereas assertive documentary filmmaking is a more structured approach to ensure compelling storytelling.
  • πŸ“ Assertive filmmaking involves asking critical questions at all stages of the film production to guarantee the best possible story and audience engagement.
  • ❓ The first key question for filmmakers is to determine if they have a story with conflict rather than just a topic. A story should involve a character with a clear desire or goal and a journey to achieve it.
  • πŸƒβ€β™‚οΈ The second question is about identifying a main character early in the film, ideally within the first 5-10%, to establish who the audience will follow on the journey.
  • πŸ€” The third question challenges filmmakers to ensure their characters have a clear desire or need that drives the narrative, as characters without wants lack depth.
  • πŸ” The fourth question is about the feasibility of showing the character's journey, including their rise in tension and attempts to achieve their desires, which is essential for a compelling story.
  • 🎬 The importance of having access to the character's life and being able to capture key moments is highlighted as a prerequisite for telling their story effectively.
  • πŸ“š The script emphasizes the value of a checklist and self-honesty when evaluating the strength of a story, even suggesting the need to change direction or find a new story if necessary.
  • πŸ“½οΈ The speaker shares personal experience with the documentary 'Transcend' as an example of a successful story-driven film, illustrating the importance of conflict and character development.
  • πŸ‘₯ The mention of the documentary '9/11 Kids' serves to illustrate the importance of establishing the main character early and setting the stage for their narrative.
  • πŸ“ˆ The script introduces an upcoming documentary master class that will delve deeper into topics like story crafting, funding, research, character finding, and shooting techniques.
  • πŸ“£ The speaker invites interested individuals to join an early bird waitlist for the master class, emphasizing the limited availability and the comprehensive nature of the course.

Q & A

  • What is the main difference between aimless filmmaking and assertive documentary filmmaking as discussed in the video?

    -Aimless filmmaking is characterized by a focus on cameras and gear without a clear direction, often resulting in hope for the best outcome. Assertive documentary filmmaking, on the other hand, is a methodical approach that ensures the best possible story is captured at all stages, leading to a more compelling film and a better chance of gaining an audience.

  • Why are the four questions mentioned in the video important for filmmakers?

    -These four questions are crucial as they set the foundation for a successful film. They help filmmakers clarify the purpose and direction of their film, ensuring that the story is compelling and has a clear narrative arc, which is essential for engaging an audience.

  • What does the video suggest is the key to a good story in filmmaking?

    -The key to a good story is conflict. A story should involve a character who wants something and goes on a journey to achieve it, learning something along the way. This is in contrast to a topic, which may be aimless and lack these narrative traits.

  • Can you provide an example from the video of a film that was successful due to its story?

    -The film 'Transcend' is given as an example. It was successful because it followed the story of Wesley Korir, a Boston Marathon runner who attempted to get elected in the Kenyan parliament as an independent candidate, a journey filled with conflict and desire.

  • What is the importance of having a main character in a documentary film?

    -A main character is essential as it provides the audience with someone to journey with. It helps establish who the film is about and allows the audience to connect emotionally with the story being told.

  • According to the video, what should be clear within the first five to ten percent of the film?

    -The identity of the main character should be clear within the first five to ten percent of the film. This helps set the stage for the audience to understand who they will be following and what their journey will entail.

  • What does Aaron Sorkin's quote imply about characters in a film?

    -Aaron Sorkin's quote implies that for a character to be considered a character in a film, they must want something. This desire drives the narrative and gives the character depth and purpose.

  • What is the significance of a character's desire in a film according to the video?

    -A character's desire is significant because it propels the story forward. It creates tension and conflict, which are essential for keeping the audience engaged and invested in the narrative.

  • Why is showing the journey of the character important in documentary filmmaking?

    -Showing the journey of the character is important because it allows the audience to witness the rise in tension, the struggle, and the resolution. This journey, with a clear beginning, middle, and end, is what constitutes a compelling story.

  • What does the video suggest filmmakers should do if they find that their chosen character does not have a clear desire?

    -If the character's desire is not clear, the video suggests that filmmakers should either find out what the character wants or consider choosing a different character whose desire can drive the narrative.

  • What is the upcoming documentary master class mentioned in the video about, and how can interested individuals join?

    -The upcoming documentary master class will delve deeper into topics such as crafting stories, funding, researching, finding interesting characters, and shooting techniques. Interested individuals can join by signing up on the early bird wait list, as there are limited spots available.

Outlines

00:00

πŸŽ₯ Assertive Documentary Filmmaking: The Key Questions

This paragraph introduces the concept of assertive documentary filmmaking as opposed to aimless filmmaking, which is often promoted on YouTube. The speaker emphasizes the importance of having a clear story with conflict, characters, and a journey, using the example of the film 'Transcend' to illustrate a successful application of these principles. The paragraph also poses the first of four key questions filmmakers should ask themselves: whether they have a topic or a genuine story with conflict.

05:01

πŸ“½οΈ Establishing the Main Character and Their Desire

The second paragraph delves into the necessity of identifying a main character early in the film and ensuring that the audience knows who they are within the first five to ten percent of the film. It uses the film '9/11 Kids' as an example to demonstrate effective character introduction. The paragraph also discusses the importance of characters having a clear desire or goal, quoting Aaron Sorkin to stress that characters without wants are not characters at all. It encourages filmmakers to determine if their subjects have a clear want and to explore this in their films.

πŸ” Capturing the Character's Journey and Conflict

The final paragraph focuses on the fourth and critical question for filmmakers: whether they can visually represent the character's journey, the rising tension, and their pursuit of what they want. It discusses the importance of access to the subject's life and the ability to capture key moments as they unfold. The speaker advises filmmakers to be honest with themselves about whether they can truly tell the story they intend to, suggesting that they may need to pivot or find a new story if they cannot capture these essential elements.

Mindmap

Keywords

πŸ’‘Aimless Filmmaking

Aimless filmmaking is a term used in the script to describe an approach where filmmakers focus on acquiring knowledge about cameras and gear and then proceed to shoot without a clear direction or purpose. It is characterized by a lack of planning and structure, often resulting in a disjointed final product. The video contrasts this with 'assertive documentary filmmaking,' which is a more structured and intentional approach to creating films.

πŸ’‘Assertive Documentary Filmmaking

Assertive documentary filmmaking, as highlighted in the video, is a methodical and intentional approach to filmmaking that ensures the best possible story is told. It involves planning and strategy at all stages of the filmmaking process, from conception to final edit, to create compelling films that resonate with audiences and establish a filmmaker's career.

πŸ’‘Story

In the context of the video, a 'story' is defined by the presence of conflict and a clear narrative arc. It involves a character who wants something and goes on a journey to achieve it, learning something along the way. The script emphasizes the importance of having a story rather than just a topic, using the example of the film 'Transcend' to illustrate how a story with conflict and a clear protagonist can lead to a successful documentary.

πŸ’‘Conflict

Conflict is a critical element of storytelling as mentioned in the script. It refers to the struggle or problem that a character in the film faces, which drives the narrative forward. The script uses the example of Wesley, a character from the film 'Transcend,' who has the conflicting goals of winning the Boston Marathon and getting elected to the Kenyan parliament.

πŸ’‘Main Character

The 'main character' is a key concept in the video, referring to the central figure around whom the story is built. The script stresses the importance of introducing the main character early in the film, within the first five to ten percent, to establish who the audience will follow on their journey, as illustrated by the examples of 'Transcend' and '9/11 Kids'.

πŸ’‘Character's Need

A character's 'need' is the desire or goal that drives the character's actions and the narrative of the film. The script borrows a quote from Aaron Sorkin to emphasize that if a character does not want something, they are not truly a character. This need must be clear to the audience and is essential for creating a compelling story.

πŸ’‘Journey

The 'journey' in the script refers to the progression of the character's experience from the beginning to the end of the film. It involves the rise and fall of tension as the character attempts to discover or achieve what they want. The ability to show this journey is a key question filmmakers must ask themselves to ensure they can create a compelling narrative.

πŸ’‘Tension

Tension is a narrative tool used in the script to describe the suspense and emotional stakes that build up as the character pursues their goals. It is a driving force in storytelling that keeps the audience engaged and invested in the outcome of the character's journey.

πŸ’‘Topic

A 'topic' in the video is contrasted with a story, being a subject or theme without the narrative elements of conflict and character development. The script uses the distinction to emphasize that a successful documentary needs more than just a topic; it requires a story with a clear narrative and emotional depth.

πŸ’‘Documentary Master Class

The 'Documentary Master Class' mentioned in the script is an upcoming course that the speaker will be offering. It is designed to provide in-depth knowledge on various aspects of documentary filmmaking, including story crafting, funding, research, character finding, and shooting techniques. The class aims to simplify and clarify the process for aspiring filmmakers.

Highlights

The difference between aimless filmmaking and assertive documentary filmmaking is emphasized, with the latter focusing on a structured approach to storytelling.

Aimless filmmaking often involves gathering information about cameras and gear and hoping for the best, which rarely works out.

Assertive documentary filmmaking ensures the best possible story at all stages, setting up for a compelling film that attracts an audience.

Four quick questions are presented as essential for filmmakers to consider before starting their project.

Many people quit filmmaking due to the lack of a simple process, which the video aims to address.

The first question for filmmakers is whether they have a topic or a story, with a story being defined by conflict and a journey.

The importance of having a clear main character within the first 5-10% of the film is discussed.

Films should establish who the audience will journey with from the beginning.

The necessity of a character's desire for something is highlighted, as it drives the narrative.

If a character in a film doesn't want something, they are not considered a character according to Aaron Sorkin.

Filmmakers should ask if they can show the journey of the character, including the rise in tension and their pursuit of what they want.

The ability to access and capture key moments in a person's life is crucial for telling their story.

Filmmakers need to be brave and honest when evaluating their story's strength and considering a new direction if necessary.

An upcoming documentary master class is announced, promising in-depth knowledge on various aspects of documentary filmmaking.

The master class will cover topics such as story crafting, funding, research, character finding, and shooting techniques.

The course aims to be high-level and simplified to provide immediate value without hours of masterclass information.

Limited spots are available for the master class, emphasizing the quality of attention given to participants.

The master class will draw from the extensive experience of the presenter and their creative partner, Michael Del Monte.

Transcripts

play00:02

hey how's it going everybody

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if you haven't seen my last video i was

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talking about the difference between

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aimless filmmaking and assertive

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documentary

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filmmaking see aimless filmmaking is

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what i kind of see which is kind of

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taught all across youtube it's get

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information about cameras and gear

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and then just go shoot and hope for the

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best but the problem with that is that

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rarely works out see what i've been

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talking about lately on this channel is

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assertive documentary assertive

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filmmaking this is a way to approach

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your films at all stages

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to make sure that you have the best

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story possible in

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setting you up to have the most

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compelling film which will garner an

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audience and help you get

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more films in your career so today's

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video i'm going to be talking about four

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quick questions that will set you up for

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a win

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when making your film everyone who's

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ever going to shoot a film

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needs to know these questions and what's

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sad is they're so rarely taught they see

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so many

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people quit and leave their projects

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because there isn't a

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simple process outlined for them in

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creating

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that film so in today's video i want to

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help clarify some of that confusion for

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you

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and i want to show you why assertive

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documentary filmmaking will get you

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quickly started and help you

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cut through some of the confusion and

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the frustration

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in making films

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so number one the first question you

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need to ask before you ever start

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filming is this simply put

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is your idea a topic or a story

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my mentor in filmmaking used to drill

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this into me he would get me to actually

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chant it do you have a topic or story so

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what is the story because we always hear

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this that good stories that you need to

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story first

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it gets kind of lost you're like what is

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a story

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the key to a story is that it has

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conflict

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the person in your film wants something

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and they're gonna need to go on a

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journey to get that and along that

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journey and they're going to learn

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something

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see the difference between that and a

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topic is a topic is it just a bit

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aimless it doesn't

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have these traits so let me make this

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more practical

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in our film that we released in 2014

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transcend which went on to go onto

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netflix

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and was shown on espn i had the chance

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to help edit it and my creative partner

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michael del monte he directed it this

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film was successful because it was a

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story it was about wesley career who was

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a boston marathon runner

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who then tried to get elected in the

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kenyan parliament

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as an independent candidate which had

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never happened before see

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he was trying to win the boston marathon

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and win an election race

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right away we have a character who wants

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something

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i feel like it's a calling that i have

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to do to

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do the will of god but i think it's just

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going to be hard

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but when i look at my life nothing has

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been easy it's been

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all hard and it's just hard

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this is a story and this is why we

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followed him along that

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and the film kind of just told itself in

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a way where the difference between a

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topic and a story is the topic could

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have just been marathon running

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or running and nothing would have

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happened we would have just interviewed

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people talking about running we don't

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know what people want there's no

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conflict so simply put do you have

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conflict do you have a story

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or do you just have a topic number two

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do you have a main character and do we

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know

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who they are within the first five to

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ten percent of your film this is really

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important i see a lot of documentaries

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that just have random beautiful footage

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of sunsets and some voice over but we

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don't know who the film is about

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a great film that just came out you may

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not be able to see it because it's still

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doing its film festival circuit

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it's called 9 11 kids so right away one

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of the first scenes of the film

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it sets up who the main character is in

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the film and that's this teacher who had

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a class of students who were reading

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to president bush at the time when the

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planes hit the trade towers

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back in 2001 and the film goes on to

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talk about who these people are and how

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their lives unfolded

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after this moment but what the film does

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is it sets up the main character and the

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main characters

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right away at the beginning the film so

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we know who we

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are going to journey with this is

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important do you have a main character

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and do we know who they are within the

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first five to ten percent of the film

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okay number three and this is really

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important and often overlooked

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is your character's need to want

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something i'm going to borrow a quote

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from aaron sorkin which is

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if you have a character in your film and

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they don't want something they're not

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a character what we mean by that is

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everyone in your films needs to want

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something or they need to help your

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character achieve what they want

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so ask yourself is the person you've

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chosen to make your film about

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do they want something if yes then

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is that clear in your film if no then

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you need to find out what they want and

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if you can't find that out

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then maybe you don't have a character

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and maybe you need to choose someone new

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now the good thing about humans is that

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everyone wants

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something so in your film you can

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actually explore that if you don't

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necessarily know what the person wants

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or maybe they don't know what they want

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your film can be exploring that right

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there that's tension someone trying to

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find out what they want in their life

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and the number four assertive

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documentary question is

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can you show the journey of this

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character can you show the rise in

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tension in their life

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can you show them trying to discover

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what they want or trying to achieve

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what they want can you do this with old

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footage

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if it's a past story that you're

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retelling or if it's a fresh story if

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it's actually happening

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do you have access to them can you get a

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camera in front of them to actually

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tell that story if you can't it's going

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to be very difficult to create this film

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and this is what

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professional filmmakers are asking

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themselves before they ever start off

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can i actually be at these key moments

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in this person's life

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and retell this or be there to show it

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in the moment

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to show them trying to achieve what they

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want simply put

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can you show their journey if you can't

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you're not going to have a film

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because again as i said a story is a

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journey there's a conflict there's a

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beginning middle and an end

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see you don't need to be an artist or

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even experienced filmmaker to be able to

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answer these

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questions you literally just need a

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checklist you need to be writing them

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down right now and asking yourself

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as you approach your next film you need

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to be brave and honest when you ask

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yourself these questions too

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because sometimes you know the person

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that you're trying to tell the story

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about sometimes they're even a family

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member

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but you have to be brave and honest with

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yourself and admit maybe this isn't the

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strongest story

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maybe i need to take it a new direction

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or maybe i need to find a new story

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altogether

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[Music]

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in my upcoming documentary master class

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i'll be sharing more topics like this

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such as crafting your story how to fund

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your film how to research your film

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how to find interesting characters the

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best shooting techniques we're gonna get

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into

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all the nitty gritty i'm gonna crack my

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brain open

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and give you guys as much detail as i

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can the problem with youtube

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is i can only ever do six to ten minute

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videos but this course is going to get

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really in depth with documentary

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filmmaking but don't worry i will keep

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it high level and simplified so that you

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can jump in

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and get good information right away you

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don't have to sit through hours of

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masterclass information

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to know what's going to help you make

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the next best film

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in your career so make sure to sign up

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on our early bird wait list there is

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limited spots available in this course

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we're only going to be able to take

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a certain amount of people because we

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want to be able to give everyone the

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best attention that we can

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so make sure to stay on the lookout on

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this channel because in a few days i'll

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be releasing more information

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about the documentary master class and

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i'll show you exactly what's going to be

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included

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in that class thank you for watching

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guys make sure to leave comments down

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below if you have any questions about

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this i'm

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really really excited about this we've

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been working on this for over a year

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in a way i've kind of actually been

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working on the past 10 years because

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they're going to be giving all the

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knowledge

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from my documentary film creator as well

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as my creative partner michael delmonte

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who if you don't know his work well he's

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not on youtube but that's because he's

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too busy making amazing films he's shot

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many many feature documentaries and

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we're really excited to be releasing

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this course

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and teaching you guys more about

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documentary

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filmmaking all right i'll see you guys

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in the next one

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you

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