Genshin Impact - Alucinatio Gloriosa & Year Of Tribulation // Reaction & Analysis

Summary

In this video, the creator reacts to two tracks from the game 'Genshin Impact': 'Elucinio, Gloriosa' and 'Year of Tribulation.' While exploring these songs, they discuss the overall composition, highlighting the haunting beauty of the first track and its issues with an artificial-sounding choir. The second song, with its more dynamic arrangement and natural-sounding choir, is praised for its flow and balance. The creator reflects on the balance between composition, performance, and mixing, offering a critique of the production choices while still appreciating the music's emotional impact. Overall, they rate the tracks an 8 out of 10.

Takeaways

• 😀 The video is a reaction to two songs from Zavehans, 'Elucinio, Gloriosa' and 'Year of Tribulation,' from Ramura.
• 😀 The reaction focuses on analyzing the songs individually, with a special focus on the choir and overall production quality.
• 😀 The first song, 'Elucinio, Gloriosa,' was praised for its gorgeous melody but criticized for its stiff, possibly artificial choir.
• 😀 The reviewer suspects the choir might have been pre-recorded (canned), which contributed to its mechanical feel, despite the high quality of the voices.
• 😀 The melody of 'Elucinio, Gloriosa' was described as hauntingly beautiful, evoking imagery of a dark, nature-filled grotto.
• 😀 The second song, 'Year of Tribulation,' featured more intensity and a war march vibe, with an emphasis on brass and rhythm.
• 😀 The choir in 'Year of Tribulation' was better integrated, with the performance feeling more natural and organic compared to the first song.
• 😀 The reviewer noticed the balance between different instruments in 'Year of Tribulation,' highlighting how the brass and harp worked well to support the composition.
• 😀 A key takeaway was that sometimes the success of a song depends on how the choir or instruments are handled within the arrangement, even when using the same choir.
• 😀 The video ends with the reviewer providing ratings: a solid 8 for the overall experience, with 'Year of Tribulation' scoring higher than 'Elucinio, Gloriosa,' which received a 6.5 or 7.

Q & A

What is the main theme of the reaction video?

The main theme of the reaction video is the review of two songs, 'Elucinio Gloriosa' and 'Year of Tribulation,' which are from the composer Ramura. The video focuses on the reaction to the compositions, the use of choir in the tracks, and the impact of how the music was mixed.

Why does the reviewer feel the choir in 'Elucinio Gloriosa' sounds artificial?

The reviewer feels the choir sounds artificial because it appears too stiff, and the voices sound like they were played on a keyboard. The reviewer speculates that this could be due to the use of pre-recorded or 'canned' choir samples.

What is the Budapest Scoring Choir's role in the song 'Elucinio Gloriosa'?

The Budapest Scoring Choir is credited as the choir in 'Elucinio Gloriosa.' The reviewer mentions that while they do legitimate recording sessions, there is a possibility that the choir used here was pre-recorded, which contributed to the artificial feel.

What does the reviewer think about the overall composition of 'Elucinio Gloriosa'?

The reviewer finds 'Elucinio Gloriosa' to be a beautiful composition, describing it as haunting and gorgeous with a melody that feels like wandering in a natural, serene environment. However, the reviewer feels that the choir's stiffness detracts from the emotional impact of the song.

How does the reviewer contrast 'Year of Tribulation' with 'Elucinio Gloriosa'?

The reviewer contrasts 'Year of Tribulation' with 'Elucinio Gloriosa' by highlighting that the former feels more organic and natural. The mixing and handling of the choir in 'Year of Tribulation' are praised for providing a better flow and fitting the composition, compared to the stiffness in 'Elucinio Gloriosa.'

What specific elements of 'Year of Tribulation' are highlighted as contributing to its positive reception?

The reviewer appreciates the increased intensity, presence, and the war march-like rhythm of 'Year of Tribulation.' Additionally, the balance between different instruments, including the harp and brass, is noted for giving the song a more dynamic and organic feel.

Why does the reviewer believe the choir might sound better in 'Year of Tribulation'?

The reviewer believes the choir sounds better in 'Year of Tribulation' because of the way the song is written and arranged. The inclusion of more instruments like brass and rhythm helps mask any potential stiffness in the choir and creates a more balanced sound.

What role does the harp play in 'Year of Tribulation,' according to the reviewer?

In 'Year of Tribulation,' the harp is mentioned as an accentual instrument that adds a resolution to the track, contrasting with its prominent role in 'Elucinio Gloriosa.' The harp's placement is seen as more sensible and integrated into the overall composition.

What does the reviewer suggest about the potential challenges composers face in their work?

The reviewer suggests that composers might have to make decisions based on practical constraints, such as time and budget. They note that sometimes a composition may not be perfect, but it gets completed due to deadlines or other factors, such as whether a song is still functional despite minor issues.

What overall rating does the reviewer give to the two songs, and why?

The reviewer gives a combined rating of 8/10 to the two songs, with 'Year of Tribulation' being rated more highly. 'Elucinio Gloriosa' is rated around 6.5 or 7, with the reviewer acknowledging that despite its beauty, the stiffness of the choir affected the song's emotional impact.