Desain Ragam Hias Daerah - Kelas 8 - Kurikulum Merdeka

Summary

This educational video, presented by Miss Estter, explores the diverse world of decorative patterns (ragam hias) from various regions of Indonesia. It covers the definition of ornamental motifs, their cultural significance, and the different types such as geometric, floral, fauna, figurative, and natural motifs. The video also highlights specific regional examples, including the Ulus fabric from North Sumatra, Songket from Jambi, Tapis from Lampung, and the Barong motifs from Bali. These motifs are not just artistic expressions but also embody cultural values, traditions, and social symbols.

Takeaways

• 😀 *Ragam hias* refers to decorative patterns used in crafts and artworks, often repeated to form a unified design.
• 😀 The term 'ornament' comes from the Greek word *ornare*, meaning 'to adorn' or 'to decorate'.
• 😀 There are five main types of *ragam hias*: geometric, floral, faunal, figurative, and natural object motifs.
• 😀 Geometric motifs include designs like Gaung, Swastika, Meander, Lereng, Tumpal, and Cigjak.
• 😀 Floral motifs are inspired by flowers and plants, representing nature’s beauty.
• 😀 Faunal motifs are inspired by animals and wildlife, reflecting the diversity of life.
• 😀 Figurative motifs involve human figures as the focal point of the design.
• 😀 Natural object motifs use elements from nature, such as trees and mountains, to create designs.
• 😀 Regional *ragam hias* are unique to different parts of Indonesia, reflecting local culture and traditions.
• 😀 In Sumatera Utara, the *Ulus* fabric represents love and unity, with colors symbolizing bravery, purity, and strength.
• 😀 Jambi’s *songket* fabric, particularly the *Tampuk Manggis* motif, signifies affection, respect, and purity.
• 😀 Lampung’s *Tapis* fabric is an embroidered textile used in ceremonies, symbolizing the region's cultural identity.
• 😀 Bali’s *Barong* motif is a symbol of strength, desire, and protection, often seen in religious and ceremonial art.

Q & A

What is the main objective of the lesson in this video?

The main objective is for students to analyze various Nusantara decorative motifs and their types, and to be able to design motifs or patterns of regional decorations.

What is the definition of a decorative motif (ragam hias) in the context of this lesson?

A decorative motif is a basic form of decoration that is usually repeated to create a pattern in a craft or artwork. It can be created through drawing, carving, or printing to enhance the quality of an object.

What is the origin of the word 'ornament' and what does it mean?

The word 'ornament' comes from the Greek word 'ornare,' meaning 'to adorn.' It refers to the application of decoration on an object to beautify it.

What are the main functions of ornaments?

The main function of ornaments is to beautify objects or products.

What are the five types of decorative motifs (ragam hias) mentioned in the video?

The five types of decorative motifs are: geometrical, flora, fauna, figurative, and natural objects.

What is the characteristic of geometrical decorative motifs?

Geometrical decorative motifs are derived from geometric shapes and often include elements like lines, angles, spaces, and fields.

What does flora-inspired decorative motif mean?

A flora-inspired decorative motif is one that takes inspiration from plants or flowers.

How are fauna-inspired decorative motifs characterized?

Fauna-inspired decorative motifs are based on animals or animal-like shapes as their source of inspiration.

What is a figurative decorative motif, and what does it represent?

A figurative decorative motif uses human figures as the subject of the design, often reflecting cultural or symbolic significance.

Can you describe the significance of the Ulus fabric from Sumatera Utara?

The Ulus fabric from Sumatera Utara is decorated with motifs symbolizing love and solidarity. It is traditionally used in ceremonies like weddings and funerals, with red, white, and black colors representing bravery, purity, and strength, respectively.