Turnaround para o II e I - Pela primeira vez no youtube BR.
Summary
TLDRIn this video, the speaker delves into the importance of turnarounds in various music genres like jazz, samba, MPB, bossa nova, and pop. Focusing on 'turnarounds for two' and 'turnarounds for one,' the speaker explores how these harmonic progressions link chords, creating smooth transitions between them. Examples from popular songs such as 'Garota de Ipanema' and 'Só Danço Samba' illustrate the use of these turnarounds in real musical contexts. The video emphasizes the significance of understanding these patterns to enhance improvisation and musicality, showcasing the harmony and life these techniques bring to the music.
Takeaways
- 😀 Turnarounds are harmonic progressions that connect two chords, commonly used in jazz, samba, MPB, and bossa nova.
- 😀 The 'turnaround for two' connects the tonic (I) and the supertonic (II), often involving minor seventh chords and secondary dominants.
- 😀 A basic turnaround for two in C major might involve a progression from C7 (I) to Dm7 (II), with various harmonic possibilities.
- 😀 The 'turnaround for one' resolves back to the tonic, signaling the completion of a musical phrase and the return to the beginning.
- 😀 A common turnaround for one is the 1-6-2-5-1 (I-vi-ii-V-I) progression, often used in jazz standards.
- 😀 Harmonic substitutions, such as tritone substitutions, are frequently used in turnarounds to create tension and dynamic movement.
- 😀 Tritone substitutions involve replacing a dominant chord with another dominant chord three steps away, creating fresh harmonic twists.
- 😀 Common examples of turnarounds can be found in songs like 'Só Danço Samba', 'Garota de Ipanema', and 'Take the Train'.
- 😀 Turnarounds not only provide harmonic structure but also serve as a tool for improvisation, with musicians often using them melodically or harmonically.
- 😀 Understanding turnarounds allows musicians to explore more complex harmonic structures and enhances their ability to navigate various genres, especially in improvisation.
Q & A
What is the main focus of the video?
-The main focus of the video is on 'turnarounds' in jazz, samba, MPB, bossa nova, and pop music, specifically the turnaround for two and for one, which help link chords together in a musical progression.
What are turnarounds in music?
-Turnarounds are harmonic progressions that serve to transition between chords, particularly in jazz and related genres. They connect one chord to another, often marking a shift or resolution in the music.
What is the 'turnaround for two' and how does it function?
-The 'turnaround for two' is a harmonic connection between the first chord (the tonic) and the second degree of the scale (the second chord, often minor). It can be represented in various forms, like a minor seventh chord or a dominant seventh chord.
Can you explain the example of 'Só Danço Samba' in relation to turnarounds?
-'Só Danço Samba' features a basic harmonic progression of one and two, but when the turnaround is added, it introduces additional harmonic movement with a sequence like 1-2-3-6 dominant, adding complexity to the simple progression.
What is the significance of dominant seventh chords in turnarounds?
-Dominant seventh chords, such as the sixth-degree dominant or secondary dominants, are often used in turnarounds because they create tension that resolves to the next chord, facilitating smooth harmonic movement in jazz and related genres.
What does 'turnaround for one' mean?
-The 'turnaround for one' refers to a progression that leads back to the tonic chord (the first degree of the scale), indicating the end of a musical phrase and a return to the starting point. It often uses a sequence like 1-6-2-5-1.
How do substitutions by tritone play a role in turnarounds?
-Tritone substitutions involve replacing a dominant chord with another dominant chord a tritone (three whole steps) away. This creates a smoother harmonic connection and adds harmonic interest, often used in turnarounds to add variety to the progression.
What is the 'chromatic turnaround' mentioned in the script?
-The chromatic turnaround involves descending chromatically to the sixth degree of the scale, preparing for the minor second chord. It is used to add a chromatic color to the harmonic movement.
What role does improvisation play in using turnarounds?
-Improvisation is often based on the harmonic structure of turnarounds. Musicians may not need to explicitly play the turnaround chords but instead can weave them into their melodic or harmonic improvisation, understanding their role in the progression.
How do turnarounds create 'life' in harmony, melody, and rhythm?
-Turnarounds add energy and movement to the music by connecting different harmonic points. They make the harmony feel dynamic, the melody more expressive, and the rhythm more engaging, especially in jazz, where these transitions are essential for creating flow.
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