How Easy Can Sketching Be? The Answer Might SURPRISE you!

Summary

In this engaging video, the artist explores the concept of simplicity in sketching, drawing inspiration from the minimalist style of SK Turnal, an artist popular on Instagram. The video takes viewers through a creative journey of sketching a farm scene with sheep and grass, emphasizing the use of basic shapes like triangles, rectangles, and circles. The artist encourages the use of limited colors, experimenting with different perspectives and techniques, such as hatching to create depth and shadow. As the video progresses, the artist shares insights on their updated color palette, discusses the challenges of wet paper on the sketch's outcome, and demonstrates how to adapt and utilize errors creatively. The sketching process is both relaxing and invigorating, with the artist reflecting on how fatigue can influence one's creativity. The video concludes with a call to embrace simplicity in art and to practice the skill of knowing when enough is enough, leaving viewers inspired to experiment with their own sketching techniques.

Takeaways

• 🎨 **Simplicity in Art**: The artist emphasizes the skill required to create simple yet effective sketches, highlighting that simplicity is not a lack of detail but a purposeful choice.
• 🚫 **Breaking Stereotypes**: Simplicity in art is not an insult; it takes real skill to convey a scene with minimal elements.
• 👀 **Seeing Things Differently**: The challenge is to see and represent things in a simplified manner while still capturing the essence of the subject.
• 🌈 **Minimalist Palette**: Using a limited color palette can help in focusing on the essence of the scene and learning more about color interactions.
• 📐 **Basic Shapes**: Complex scenes can be broken down into basic shapes like rectangles, circles, and triangles to simplify the sketching process.
• ✍️ **Continuous Lines**: Employing continuous lines can add a sense of flow and unity to a sketch.
• 🖋️ **Hatching for Depth**: Using hatching techniques can create light and shadow, adding depth and nuance to simple sketches.
• 🔄 **Iterative Sketching**: Returning to previous sketches to add details or make changes can enhance the overall composition.
• 🌲 **Spatial Reasoning**: Imagining the scene from different perspectives and adjusting the shapes accordingly is a key part of sketching from imagination.
• 🐑 **Simple Representation**: Even complex subjects like animals can be simplified into basic shapes for easier inclusion in sketches.
• 🖌️ **Adapting to Challenges**: Encountering and overcoming challenges, such as a wet page or an awkward grip, can lead to new techniques and learning experiences.
• 🔄 **Creative Exploration**: Experimenting with different styles, colors, and compositions within a single session can stretch creativity and result in varied artworks.
• 📝 **Learning from Mistakes**: Embracing and learning from errors can lead to new artistic approaches and techniques.
• 🌟 **Quality over Quantity**: The principle of knowing when enough is enough in a sketch is crucial to avoid overcomplicating the artwork.
• ⏲️ **Fatigue and Creativity**: Recognizing the impact of fatigue on the creative process and adjusting the approach accordingly can maintain the quality of the work.

Q & A

What is the central theme of the video?

The central theme of the video is exploring the concept of simplicity in sketching using ink and watercolors, inspired by the artist SK Turnal.

What is the significance of the artist SK Turnal's style in the context of the video?

SK Turnal's style is significant because it exemplifies the idea that simplicity in art can be both skillful and impactful, which is the core principle the video aims to convey.

What does the artist suggest is surprisingly hard about simplifying sketches?

The artist suggests that it is surprisingly hard to allow oneself to simplify things and to see and represent subjects in a simple way that still communicates the scene effectively.

What is the first step in the sketching process as described in the video?

The first step is to create a simple scene, starting with basic shapes like rectangles, circles, and triangles to form the structures of a farm, trees, and sheep.

How does the artist approach the use of color in the sketches?

The artist approaches color use by starting with a minimal palette, experimenting with different color schemes such as abstract, limited colors, and later moving on to more realistic and punchy colors.

What technique does the artist use to add depth and nuance to the simple sketches?

The artist uses hatching, a technique of drawing lines close together, to create light and shadow, giving the simple sketches more depth and a more nuanced appearance.

What is the artist's approach to handling mistakes during the sketching process?

The artist embraces mistakes, suggesting that they can be used to create interesting textures or as an opportunity to try something different, and to learn from these experiences for future sketches.

How does the artist suggest improving spatial reasoning in sketching?

The artist suggests practicing by repeating the same scene from different perspectives and moving the shapes around in the mind's eye, which helps in improving spatial reasoning.

What is the purpose of the artist's recommendation to have a loose grip on the pen or pencil?

A loose grip allows for better control and adaptability during sketching, which is essential for creating various styles and adapting to different conditions or positions while drawing.

How does the artist encourage viewers to engage with the process of sketching?

The artist encourages viewers to join them on Sketch Loose or Skillshare to participate in the kind of exploratory and interesting art techniques discussed in the video.

What is the artist's final advice for maintaining creativity while sketching?

The artist advises to recognize when enough is enough, to practice simplicity, and to create a variety of studies that can be compiled into a sketchbook, which is a low-risk way to explore different ideas and techniques.

Outlines

00:00

🎨 Simplifying Sketching with Ink and Watercolors

The video begins with an introduction to the concept of simple sketching using ink and watercolors. The artist draws inspiration from SK Turnal, an artist known for his minimalist style on Instagram. The aim is to capture scenes with the essence of simplicity, which is deceptively challenging. The artist plans to sketch a farm scene with sheep and grass, experimenting with minimal colors while maintaining the scene's essence. The process involves sketching the scene from different angles and perspectives, focusing on the use of basic shapes like triangles, rectangles, and circles to build the composition. Hatching is used to add depth and nuance to the simple shapes.

05:01

🖌️ Exploring Colors and Abstract Sketching

The artist discusses the use of a limited color palette to create abstract and limited sketches. They introduce their updated palette and choose quinacridone magenta and Mars yellow to create an abstract representation of the farm scene. The focus is on using contrasting colors and earthy tones to simplify the scene while maintaining visual interest. The artist emphasizes the importance of spatial reasoning in sketching, imagining the scene from different viewpoints and adjusting the shapes accordingly. They also touch upon the idea of using mistakes as opportunities for creative expression.

10:02

🐑 Sketching Sheep and Playing with Shadows

The artist demonstrates how to sketch sheep in a simple manner using basic shapes and a few lines. They discuss the concept of using hatching to create shadows and depth. The video continues with the artist adjusting the orientation of the shapes to practice different perspectives of the sheep. They also address the challenge of working with a wet page and how to manage color bleeding. The artist uses a dry brush to correct unwanted color spread and adds more details to the sheep, maintaining a playful and exploratory approach throughout the process.

15:03

🌾 Creating Visual Cues and Adapting to Challenges

The artist talks about the importance of creating visual cues in sketching to convey the subject effectively. They admit to drawing a tractor that didn't look quite right, so they added a trailer to provide context. The artist also discusses the process of learning from mistakes and using them as opportunities to try different techniques. They mention the use of graphite to layer colors and the challenge of working with wet areas on the paper. The video shows the artist's process of returning to previous sketches to add more details and refine their work.

20:04

🌈 Experimenting with Color and Loose Sketching

The final paragraph covers the artist's exploration of different color schemes and styles within the same scene. They discuss the use of warm, punchy colors and abstract compositions to create a dynamic visual effect. The artist also talks about their experience of sketching when tired and how it affects their creativity, leading to looser and more expressive strokes. They encourage viewers to push their creative boundaries and try different approaches, even if it means making mistakes along the way. The artist concludes by inviting viewers to follow their channel and join them on Skillshare or Sketchloose for more sketching adventures.

Keywords

💡Sketching

Sketching is the art of creating a rough or unfinished drawing, typically with the use of a pencil, pen, or charcoal. In the video, sketching is the central theme, as the artist explores the idea of simple sketching using ink and watercolors to create quick, expressive artwork.

💡Simplicity

Simplicity refers to the quality of being simple or uncomplicated. The video emphasizes the skill required to create art that is simple yet effective, showcasing how the artist uses basic shapes and minimal colors to convey a scene or subject.

💡Artistic Style

Artistic style is the distinctive visual language or manner in which an artist creates their work. The video mentions SK Turnal, an artist known for his minimalist style, which serves as an inspiration for the simplicity being explored in the video.

💡Watercolors

Watercolors are a painting medium made of pigment suspended in water. They are used by the artist in the video to add color to the sketches, often in a minimalist fashion to maintain the simplicity of the artwork.

💡Continuous Lines

Continuous lines refer to a drawing technique where lines flow continuously without lifting the pen or brush from the paper. The artist in the video uses this technique to create a sense of movement and fluidity in the sketches.

💡Hatching

Hatching is a shading technique that uses a series of closely spaced parallel lines to create the illusion of light and shadow. In the video, the artist uses hatching to add depth and texture to the simple shapes in the sketches.

💡Palette

A palette is a set of colors an artist uses for a particular piece or collection of artwork. The video discusses the artist's updated palette and the strategic choice of colors, such as quinacridone magenta and Mars yellow, to achieve the desired effect in the sketches.

💡Spatial Reasoning

Spatial reasoning is the ability to visualize and manipulate objects in space. The artist uses spatial reasoning to rearrange the simple shapes that make up the scene in different sketches, simulating different viewpoints and perspectives.

💡Abstract Art

Abstract art is a style of art that does not attempt to represent external reality but instead uses shapes, colors, and textures for expressive effect. The video includes abstract approaches where the artist focuses on the essence of the scene rather than realistic details.

💡Monochromatic

Monochromatic refers to the use of a single color or hue in a piece of artwork. The artist experiments with monochromatic sketches, using variations in shading and texture to create interest within the single color scheme.

💡Creative Fatigue

Creative fatigue is the state of feeling mentally exhausted from creative work, which can affect the quality or style of an artist's output. The video discusses how the artist's approach to sketching changes when they are tired, leading to looser and more expressive strokes.

Highlights

Exploring the concept of simple sketching using ink and watercolors.

Drawing inspiration from the artist SK Turnal, known for his minimalist style on Instagram.

The importance of skill in achieving simplicity in art, as demonstrated by SK Turnal's work.

Allowing oneself to simplify scenes while maintaining the essence of the subject.

Using a limited color palette to focus on the fundamentals of sketching.

Creating a sense of art through a series of simple, exploratory sketches.

The challenge of simplifying shapes to convey complex scenes effectively.

Using hatching techniques to add depth and nuance to simple sketches.

Experimenting with minimalism by using only a couple of colors in each sketch.

The process of updating the artist's color palette and the thought process behind choosing new colors.

Incorporating abstract and limited color schemes to create a unique artistic expression.

The use of spatial reasoning to rearrange shapes and perspectives in the sketch.

Practicing sketching with a loose grip on the pen for better adaptability and control.

Overcoming challenges in sketching by embracing mistakes and using them creatively.

The impact of tiredness on creativity and the balance between looseness and control in sketching.

Encouraging viewers to push their creative boundaries by trying different styles and compositions.

The value of simple studies and the concept of knowing when enough is enough in art.

The artist's approach to creating a page full of varied sketches as a risk-free way to explore creativity.

Transcripts

today we're exploring the idea of really

simple sketching and just asking

ourselves how simple can we make our

sketches using our ink and our

watercolors there's an amazing artist

and that I'm sure many of you have heard

of especially if you're on Instagram

called SK Turnal well that's his that's

his Instagram handle um and we can see

some of his style here it's so strict

back so simple and when we say simple

that is not a an insult in any way to be

this good and this simple takes real

skill um and it's it's actually

surprisingly hard to allow ourselves to

simplify things like this and to allow

ourselves to see things in a way which

is this simple and still get the scene

across I want to channel that today so

I'm just going to take a simple scene

it's actually um something from the

imagination which I sketched on my

Christmas cards this year um we're going

to take this little farm so we we've got

a farm we've got some sheep we've got

some grass in the front we're going to

sketch it a few times and I'm going to

sketch it from the front then from the

side from the back we'll do a closeup of

the sheep and all the while we're going

to be experimenting with simplicity so

stripping things back using only a

couple of colors on each sketch and yet

filling up a page with fun little

artworks which together are a sort of

sense of art itself if you like these

kind of exploratory interesting art

techniques then do join me on sketch

loose. cuk got a free course you can

find it down below Linked In the

description um and also if you are on

skillshare I've got a big library of

classes there doing lots of silly things

like this which I'd love you to join in

with if if that sounds like the kind of

thing You' like to do or if you're

already on skillshare um and with that

let's start sketching all you're going

to need today is well whatever you've

got really I'm using a pen and some

watercolors nothing more fancy than that

my supplies are also all listed um on my

supplies link which you'll find in the

description um so let's just dive in and

see what we make of our little scene

today see what we make of our scene and

how we can adapt and have fun with it

and with that let's go so I hope you've

got that silly little farmine in your

mind side I am of course joking you

don't Absolut you don't need to have it

in your mind's eye you can just imagine

very simple shapes so all I'm doing is

drawing a child's version of her house

and popping some small shapes inside and

doing my lovely I say lovely unbiased

doing my continuous lines which I think

are really fun and and lovely on the

side we're having a tree in the winter

scene the tree was Christmas tree today

it's going to be just a normal tree and

then just dancing around the page and

finding little fun loops and adding in

my sheep now if you want to know how to

draw sheep in a really simple way here's

your answer but shortly we'll be doing

our sheep in a zoomed in sketch so

little spoiler but we'll be doing them

really simple really fun really easy and

it's a great way to add in sheep to any

kind of art and if you if you actually

look at a lot of like really brilliant

much more realistic kind of acrylics and

oils you'll not sheep are done in a

surprisingly similar way to the way I'm

doing them today not you know portrait

of a sheep but just the idea of getting

in animals doesn't have to be as scary

as we think it is that's basically what

I'm trying to say so my ideas here for

just having fun making this really

simple are just basing everything in

those really simple shapes so notice how

you could break down this image into a

series of rectangles cires CES and

triangles if you just pause now and have

a look you'll just be be able to

identify that although it looks a bit

mad and complicated cuz it's all joined

up actually all I've done is draw very

simple triangles rectangles and circles

even the Sheep are just basically two

circles with four little sticks doing a

little bit of hatching is a really

wonderful way to really sort of Engage

The viewer

create some light and Shadow and shape

and make a simple sketch appear far more

nuanced than it would without it and

you'll actually see some of these ideas

in again a lot of very complicated art

but we can make it really simple by just

doing our little touches like this

today so having done the really quick

line workk there one of the things I

want to do as we move through four or

five sketches is to use really minimal

color um I've recently updated my

palette um you can find my video about

that here um where I will talk you

through the decisions I went through to

choose my new colors um and so one way

to start to learn more about some of the

colors I've updated is to strip things

back and just use a couple of colors so

in this first one we just going to start

off with quinacridone magenta really

lovely very cool red almost a pink

really pinky purple um and a bit of Mars

yellow in kacen quite earthy and nothing

that's actually in this real scene if

this scene was real at all but uh

something we can make abstract and

limited and have a bit of fun with so to

start this abstract limited and a bit of

fun kind of way of sketching I'm going

to talk really abstract um and this is

the first time when I've got my new

palette my new colors which I'm using

this year um it's the first time for a

long time I've used quinone magenta

which is a really lovely very cool red

you can see it's basically well it's

magenta it's basically purple isn't it

in that I'm adding some Quin acrone

Sienna to warm it up a bit just to

provide that contrast so they're quite

close to each other on our on our color

wheel you know if we are thinking about

the actual Hues they're both kind of red

but they're also so different that they

are also so contrasting in in the colors

that they're producing and in the the

feel that they give with that using a

little bit of my Mars yellow which is

another warm earthy tone um to create

that contrast between the bright pink

and the more earthy warmth and that's

where I'm going to leave it and it can

really be that simple and that means we

can move on to our next sketch but

what's going to happen through the next

few minutes or the next 10 or so minutes

of this video is I'm going to be jumping

between sketches so just because we've

done one simple

sketch doesn't mean we can't come back

and touch little bits in and explore it

again so that's what we'll be doing as

we build up our sketches will be coming

backwards and forwards and playing

around with the previous sketches and

this this is supposed to be the same

scene and all I'm trying to do is

imagine what would this look like if I

was standing on the right hand side of

that like grain silo and barn and

looking straight over the scene so I'm

trying to just in my mind's eye and then

on the paper move the shapes so that the

same shapes the squares the triangles

the circles even the little wires the

looping wires and the sheep in the front

are all just shifted around and it's a

bit of a sort of I guess it's it's

almost like those spatial reasoning

tests you may have done as a a child Cly

in the in the UK if you were trying to

go for a grammar school or something

like that you have this kind of verbal

reasoning and spatial reasoning and

trying to work out what would happen if

you move these shapes in a certain

direction that that's the nonsense which

is going through my head and that's what

it felt like I was doing um but it's

quite a fun little Challenge and when

we're thinking about doing really simple

sketches from the imagination it can be

really quite for me at least quite

motivating to be trying to work through

a challenge to try and improve an

element of my sketching an element of my

understanding so repeating the same

scene lets me get better at this kind of

scene better at these kind of shapes but

changing it slightly keeps me interested

and makes me think a bit about what I'm

trying to achieve with each one and with

this one having moved it around we're

going to go for slightly more realistic

colors so here I'm mixing up some yellow

which is Azo yellow some ultramarine

blue uh along with some various things

actually it's got some M uh manganese

blue hue almost tripped over my words

there um along with some green appetite

genuine as well so we we've actually got

four maybe even five pigments now with a

little bit of Mars yellow making up this

yellow green orange wash and that's what

greens look like in life they look like

this diverse range of everything from

black and brown blue Shadows through to

Greens bright yellows whites loads going

on the sky here I'm using mostly

lavender with a little touch of

Manganese blue hue in there as well to

give it a slightly sort of more Bluey

hint than that lavender which is quite a

warm blue if we're going to call it blue

it's got that reddish feel to it um or

the sort of light purplish feel to it

now that things are sort of taking shape

I'm using these darker greens mostly

green appetite genuine there to provide

the idea of some shadow in my trees and

do you see that little touch of Shadow

lifts those trees away from the grass

and away from the Sheep perhaps as well

and here we go we can now go back and

have a go at doing something similar in

the other and what I discovered here was

that the page was still a bit too wet so

when I tried to put that extra bit of

quinone magenta on it's got of spread in

a way that I wasn't totally anticipating

so I thought we better stop and again we

can come back later and I promised you

sheep didn't I promised you sheep so

here we go here are some sheep so to

draw your sheep and this is a great fun

with really simple sketching draw your

sheep that would for me that's two

circles not perfect circles and sheep

are not going to be perfect circles but

that's two two circles with well six

sticks two for horns four for legs

and that's a sheep for all intents and

purposes in any scene that you draw if

you want a sheep there you go you've got

one little bit of hatching again just

like in our buildings um can create that

fun that extra shape the Shadow shows

this isn't a flat shape it's a a

spherical object just to totally

simplify a shape and again we can just

move the orientation of those shapes

around so again really I'm practicing

the same things here in a really simple

fashion practicing the same ideas here

as I was with my buildings I've I've

done the sheep and I've slightly moved

them around zooming in we can imagine

those grass textures and make them a

little bit bigger and that's all we need

to do now we've got a couple of funny

little slightly alien sheep to play with

I'm going to continue moving around

touching bits of color in other places

just as I see fit and as my sort of Mind

decides it want to and here remember I

said the page is a bit too wet it just

bled out a bit too much so what I've

done is come in with a dry brush and

remove a bit of the pink that had

escaped my tree and as that dries we'll

be able to make more and more changes

into our sheep now I wanted to make this

more of like a monochrome sketch there's

a another bit of practicing a different

kind of way of painting in the first

we've got that kind of analogous color

scheme where everything's on one side of

the color wheel

still quite contrasting all on one side

on the next we've got a sort of semi

analogist I guess it's blues and greens

but it feels much more real and then I

thought let's just do something which is

more layered more about the monotone the

Silhouettes I couldn't help myself

adding A Touch of Green in just to pull

apart those trees the not trees are they

grass but essentially this is about the

monotone shading that graphite Gray

little bit extra while it's still wet

will give us a nice soft shape increase

that 3D feel and there we go so it's

about now that I regret

starting starting my sketching on the

bottom and right hand side of my page

cuz now everything's wet but in the

spirit of this little challenge I set

myself I don't want to to stop so expect

everything from now to be a lot looser

um because I'm going to have to hold my

pen sort of right at the end and just

draw oh draw like that and that's what I

love about sketching that you just get

to do silly things it's not going to

matter if it's not perfect and we'll see

what happens and these are the things

which are great fun in sketching anyway

aren't they you know you regret and you

can hopefully see my awkward hand

position and how I'm having to hold my

pen uh differently to normal you know

not not drastically differently but it's

definitely I've got this sort of feeling

it's really affecting my control of the

pen but you know you're out and about

sketch ing you might have to stand up

you might have to put your colors

somewhere really awkward and you just

can't quite do what you want to do and

being able to practice and adapt to

slightly tedious situations like this is

great um and also you might discover

something um one of the biggest things

again I've talked about big problems in

another recent video of mine about big

problems for beginners and then another

one is having that deaf grip on on the

on the pen doesn't really matter pen

pencil what style you're trying to

sketch in if you're trying to sketch or

drawer you need a loose grip on your pen

and the loose is obviously a gradient

it's not loose or tight but that really

tight grip will not benefit any kind of

art so you can probably probably benefit

from trying a looser lucer grip like I

am today trying my looser grip here and

with that lucer grip comes comes

challenge

I mean look at that tractor and this is

supposed to be a view from from behind

from behind the farm yard and actually

it comes together okay I I wasn't going

to draw the little sort of trailer

behind the tractor but the tractor was

so awful that I felt I needed to hide it

with something else um and give another

like visual cue and that's what we're

doing in sketching is just creating

visual cues so we are taking a lot of

shortcuts to showing people what it is

we trying to draw and I thought if I

have a tractor which doesn't look like a

tractor I don't know what it looks like

but I put a trailer behind it it becomes

a little bit more obvious what's going

on here especially in the context of the

the sheep and things you can see as well

another problem down the bottom I've

just been blotting away some ink and I

thought you know what instead of trying

to hide that totally I'm just going to

pop my signature in it and then I've

used another mistake to try something

different I I know does it work it it

doesn't not work it's not an amazing

touch but it's a nice way to utilize

what is basically an error um I was

about to go in there go into the last

sketch and then I just felt this is too

challenging I need to wait for things to

dry I just can't get there and that

gives us another opportunity to dive

around the rest of the page I mentioned

the graphite I wanted to layer it up I

mentioned that this area of the tree had

been too too wet for me to control the

watercolors properly so I had to dry it

off had to wait and I think now is a

suitable time to come back in with those

bold colors I often talk about and just

a couple of touches and I can come back

and move on elsewhere and I wanted to

try like I said before different things

in each part of this scene so here I've

previously focused abstract sort of

colors I've focused on real colors I've

left different AAS of negative space

I've not done a truly really warm Punchy

scene though so this is what this is

warm punching and Abstract with just

yellows and reds that's the starting

point and then we can see what happens I

was interested so I've mentioned a few

times recently this is a new palette for

me and you might notice that putting

that yellow down it covers the lines

quite a lot so I'm interested I haven't

yet had a chance to look it up or I've

been too lazy to look it up but I do

wonder if Azo yellow is a little bit

opaque um which will like the lavender

make it come forward make it more

obvious in the painting but it will lead

to challenges where you're trying to use

it as a really light glaze so it's going

to be interesting to see when I do use

it more and more how that affects my

painting and I'm not going to change it

quickly you always need to give yourself

a little while to adapt to these things

just like that adding a little bit of

graphite to mellow out again against

those warm tones and there's yet another

little simple sketch done now for a last

thing I thought it' be fun just let's do

a little Panama let's Zoom ourselves

back from this scene and be really loose

and really

um throw the pen throw the watercolors

around I guess my question for you is do

you get tired like I do let's be honest

even just after these four things I'm

stretching my creative uh muscles and um

pushing my brain around more than it

wants to be pushed necessarily and I'm

sketching quite late this evening

filming this uh so do you get tired how

many sketches can you do before you get

tired um and what happens to your

sketching when you get tired for me I'll

let you know um to start with it gets

looser and I probably initially actually

my sketching gets really good cuz I I

sto caring so much about the details

then I can get a bit too rushed and

Things become messy perhaps I don't

clean up my palette when I probably

should have so there's an upside and a

downside and equally sketching can give

me energy so when I am tired as long as

I let myself just do it it ends up being

fun I'd love to hear in the comments let

me know your version when you're tired

what happens to your creativity to your

sketching both the good and perhaps the

challenges so here we go this is

definitely for me the

challenges they're they're ramping up

I've got to think of another idea um

I've got to do it in a already walk

place on my page um I'm getting tired so

I'm going to get very loose and swirly

and swishy but that's great it's trying

something different so this time more

zoomed out more of a sort of Panorama

feel in each of these different sketches

we've tried something different we've

moved shapes around we've imagined

things in different ways we've done

different amounts of hatching we've left

different negative space we've used

different colors and now we're trying a

different kind of composition and a much

looser style even from the very loose

stuff I was doing at the beginning this

is a much looser style you can see it

immediately still even within that loose

style notice that the hatching adds

something it adds a little bit of more

certainty about whether these shapes are

intentional or not um really loose trees

that's that's how I always do them so

you've probably probably seen those

before um they're very similar to what I

used in other sketches aren't they and

here we can try another sort of trial of

different colors um so more manges blue

hue and what you'll notice this time is

the ink is rather wet so we're going to

get the ink wafting up into the color

not intentional but I don't hate it and

that's fine and as we're doing these

things as these little mistakes and sort

of Errors happen we can think ah well

number one do we like it and if so how

can we intentionally use this in the

future number two do we not like it and

if so what could I've done differently

to avoid it so obviously here the answer

is easy I could have waited probably

just 10 to 15 more seconds and it would

have been dry but equally I can look and

go you know what some of that bleeding

effects quite interesting creating

interesting textures and that's what I

did I S of thought you know it's

moderately interesting so let's try

touching a bit of lavender or something

else with a different texture in but

beyond that I didn't really know what to

do so this is just supposed to be little

sketches tiny studies having fun

exploring a new palette and stretching

my creativity a little bit so I'll move

on and this is when we looked at Eternal

sketching style at the beginning he's an

absolute master of this you can i' I've

I've shared a few messages with him over

Instagram but I've not spoken to him but

you can see from his art he's an

absolute master of knowing when is

enough what's the minimum

or what's the most sensible thing that

we need to do and when do we stop when

is that becoming too much simple

layering of colors simple shapes simple

ideas for details and that is it that is

all you need and I'd really encourage

you to stretch that side of your

creativity the what is enough like when

am I ruining this or making it less good

by trying too hard to add more to it and

simple studies a page full of varied

things like this can look amazing in

your Sketchbook and it won't take you

too much time you'll get to explore all

sorts of different things and it's so

risk-free and there we go hopefully that

was a bit of fun and something a little

bit different really exploring the

Simplicity that can still be really

great art um if you enjoyed it do like

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really happy thanks again