24 Hidden Photoshop Tricks Every Pro Must Know!

PiXimperfect
24 Jan 202427:53

Summary

TLDRThe video script is an engaging walkthrough of 24 essential Photoshop tricks that professionals should be aware of. It begins with a tip on locking layers to prevent accidental movement, followed by a discussion on color grading with gradient maps and controlling tool opacity. The presenter shares an announcement about an upcoming Photoshop workshop in Colorado Springs, emphasizing its benefits for creatives of all skill levels. The script continues with various editing techniques, such as fitting images to the canvas, using smart filters for perspective correction, and the Face Aware Liquify tool for facial adjustments. It also covers advanced retouching with dual windows, frequency separation, and the Clone Stamp tool with Vanishing Point for perspective matching. The video concludes with additional tips on exporting documents, enhancing images with secret Curves sliders, sampling colors from external sources, and creating PDF presentations from open documents. The presenter also highlights the use of layer comps for saving different versions of a project and the convenience of creating shortcuts for repetitive tasks. The script is a valuable resource for anyone looking to enhance their Photoshop skills and efficiency.

Takeaways

  • 🔒 Locking the movement of layers in Photoshop can prevent accidental shifts while editing, by clicking the lock icon in the Layers panel.
  • 🎨 Using a Gradient Map adjustment layer in combination with blending modes and noise can provide a versatile approach to color grading.
  • 📉 The Fade command (Edit > Fade) can be used to reduce the effect of various tools like the Patch Tool, Brush Tool, Sharpen Tool, or Blur Tool after their application.
  • 📚 Photoshop's Scripts > Image Processor feature allows for batch exporting of open documents to JPEG or other formats, saving time on repetitive tasks.
  • 🔍 Holding the Alt/Option key while dragging Curves adjustment sliders can help identify when details start to break, providing more control over tonal adjustments.
  • 🖼 The ability to create a PDF presentation from multiple open documents in Photoshop offers a convenient way to compile and present a series of images.
  • 🚫 If you need to remove an unwanted object from a perspective-transformed image, use the Vanishing Point filter to create a plane that matches the perspective before cloning.
  • 🔄 Photoshop's Transform command with the Shift and Alt/Option keys allows for quick and easy scaling or stretching of images without distorting key elements.
  • 📷 For a more natural dodge and burn effect, use the 'Retouch for me' plugin, which can automatically apply these adjustments and save editing time.
  • 🌈 The 'Colorize' feature in Neural Filters can be used to change the color of existing photos, even when traditional color correction methods fail.
  • 🔧 Utilizing Layer Comps to save different versions of a composition within a single document can be more efficient than relying on the History panel's snapshots.

Q & A

  • What is the purpose of locking the movement in Photoshop while working on blemishes?

    -Locking the movement prevents accidental shifting of the entire image or selection when zooming in and working on specific areas, such as removing blemishes, dodging, or burning.

  • How can you give yourself unlimited color grading options in Photoshop?

    -You can achieve this by creating an adjustment layer and choosing 'Gradient Map'. You can then experiment with different blend modes and adjust the smoothness and randomness of the colors to explore a wide range of grading options.

  • What is the fade command in Photoshop and how can it be used?

    -The fade command allows you to reduce the effect of a tool's action after it has been applied. It works similarly to an undo function but on a slider, enabling you to control the extent of the effect's reduction.

  • What is the benefit of using the 'adapt to selection' feature in the Piximperfect compositing plugin?

    -The 'adapt to selection' feature automatically resizes and fits a lower resolution image to the dimensions of a selected area or the entire canvas with a single click, which is particularly useful for quick and precise image placement.

  • How can you zoom in and out of different layers or elements in Photoshop?

    -You can hold the Alt (Option on Mac) key and click on a layer or group to zoom into that specific element. To zoom out, you can press Ctrl (Command on Mac) and the zero key to fit the canvas to the screen.

  • What is the significance of using smart filters in Photoshop?

    -Smart filters allow for non-destructive editing, meaning you can go back and adjust the filter settings at any time without affecting the original image layer.

  • How can you use the liquify tool for facial adjustments on the canvas?

    -In the liquify tool, you can use the 'Face' aware liquify feature to perform adjustments directly on the canvas, such as changing the smile, making the face appear slimmer, or altering facial expressions.

  • What is the advantage of having two windows for the same document in Photoshop?

    -Having two windows for the same document allows you to view and work on different parts of the image simultaneously. For example, you can zoom in on one window for detailed work while keeping an overview in the other.

  • How can you automatically repeat a transformation in Photoshop?

    -You can repeat a transformation by pressing Ctrl (Command on Mac) + D, which repeats the last transformation. To copy and repeat the transformation, you can use the shortcut Ctrl (Command on Mac) + Alt (Option on Mac) + Shift + T.

  • How can you create a hole in a shape or text layer to allow for later text changes?

    -You can achieve this by double-clicking on the text layer to open its properties, navigating to the 'Knockout' section, and changing the setting to 'Shallow'. This will create a hole in the shape that the text layer punches through.

  • What is the benefit of using the image processor in Photoshop for exporting multiple files?

    -The image processor allows you to batch export multiple open documents to a specified format, such as JPEG, without having to manually export each one individually, saving significant time and effort.

Outlines

00:00

🎨 Photoshop Pro Tricks: Blemish Removal and Color Grading

This paragraph introduces the viewer to 24 hidden Photoshop tricks that professionals should know. It highlights a common issue where accidental movement of an entire image occurs during blemish removal. The solution is using the 'Lock' feature to prevent unwanted movement. It also discusses using a gradient map for color grading, providing unlimited options by adjusting blend modes and opacity. The 'Fade' command is introduced as a tool for controlling the effect of various tools, including the patch tool, brush tool, sharpen tool, and blur tool. The paragraph ends with an announcement about an upcoming Photoshop workshop in Colorado Springs.

05:01

🔍 Zooming Techniques and Perspective Adjustments

This section covers various techniques for zooming in on layers and graphics within Photoshop. It explains how to use the 'Auto Zoom' feature to focus on specific layer elements by holding the Alt or Option key and clicking on them. The 'Perspective Warp' tool is introduced for adjusting the perspective of objects. The paragraph also touches on the 'Face-Aware Liquify' tool for facial adjustments and the 'Reconstruct' feature to undo overdone effects. It concludes with a tip on using two windows for the same document to facilitate retouching and a shortcut for repeating transformations.

10:02

🖼️ Layer Knockouts, Batch Exporting, and Curve Adjustments

The third paragraph discusses how to create a hole in a rectangle layer in the shape of text, allowing for text changes later without affecting the layer underneath. It explains the 'Knockout' feature and how to group layers for targeted knockouts. The paragraph then moves on to batch exporting multiple documents as JPEGs using the 'Image Processor' script. It also covers enhancing image vibrancy using secret sliders in the 'Curves' adjustment and provides a method for sampling colors from outside of Photoshop.

15:04

🌈 Color Correction, Masking, and Dodging and Burning

This section provides a method for rotating the canvas view for easier masking and cleaning up selections. It then recommends a plugin for automatic dodging and burning, 'Retouch for Me,' and demonstrates how to use it. The paragraph also explains manual color correction using a 'Color' layer mode and a brush for sampling good areas to paint over problematic ones. Finally, it describes how to create a PDF presentation from multiple open documents using the 'PDF Presentation' feature.

20:05

📐 Vanishing Point Cloning and Transforming Techniques

The paragraph introduces the 'Vanishing Point' filter for matching perspective when cloning objects in a scene. It explains how to paint in perspective using the Clone Stamp tool within the Vanishing Point interface. The section also covers the importance of the Anchor Point in transformations and provides shortcuts for moving and scaling from specific points. It concludes with a method for removing unwanted adjustments from specific areas of an image using 'Blend If' and a technique for stretching images without distorting subjects using 'Content-Aware Scale.'

25:07

📚 Layer Comps, Smart Filters, and Colorization

This final paragraph discusses the use of 'Layer Comps' for saving different versions of a composition within a PSD file. It contrasts this with the limitations of 'Snapshots' in the History panel. The paragraph also explains how to create a shortcut for converting a layer into a smart object for applying filters non-destructively. It concludes with a demonstration of blending a seagull into a new background using the 'Auto Blend Layers' feature and adjusting colors using the 'Colorize' option in 'Neural Filters,' even in colored photos.

Mindmap

Keywords

💡Photoshop

Photoshop is a widely used software for photo editing and digital image manipulation developed by Adobe Inc. It is the central theme of the video, as the host discusses various tricks and techniques to enhance image editing skills. The video is essentially a tutorial on how to use advanced features of Photoshop for professional work.

💡Blemish Removal

Blemish removal is a common photo retouching technique used to eliminate unwanted marks or spots from a subject's skin. In the video, the host explains how to avoid accidentally moving the entire image while removing blemishes by using the 'Lock' feature in Photoshop, which is crucial for precision editing.

💡Color Grading

Color grading is the process of altering and enhancing the color of a motion picture, video, or still image. The host introduces a hack involving the 'Gradient Map' adjustment layer to provide unlimited color grading options, which is essential for achieving a desired visual aesthetic in a photo or design.

💡Opacity

Opacity in Photoshop refers to the transparency level of layers or tools, where a lower percentage indicates greater transparency. The host emphasizes the importance of opacity control for various tools, such as the patch tool, to adjust the intensity of effects, allowing for subtler and more refined edits.

💡Smart Filters

Smart Filters in Photoshop are a non-destructive way to apply and adjust filters. The host demonstrates how to use smart filters for perspective changes, allowing for easy modification of the filter effect even after it has been applied, which is a significant advantage for precision and flexibility in editing.

💡Frequency Separation

Frequency Separation is an advanced retouching technique used to separate the texture and color information in an image, allowing for more control over skin retouching. The host briefly mentions this technique and its importance in maintaining a natural look while making significant changes to the image.

💡Auto-Blend Layers

Auto-Blend Layers is a feature in Photoshop that automatically blends layers based on their content, which is useful for creating seamless composites. The host uses this feature to blend a seagull into a new background, showcasing its utility in creating a realistic and well-integrated final image.

💡Content-Aware Scaling

Content-Aware Scaling is a feature in Photoshop that intelligently resizes images while maintaining the integrity of important visual elements. The host illustrates how to use this feature to stretch an image for a banner without distorting the people within it, demonstrating its practical application in design tasks.

💡Layer Comps

Layer Comps in Photoshop are used to save different combinations of layer visibilities and positions, allowing for quick toggling between various design versions. The host explains how to use layer comps as an alternative to saving snapshots, which are lost upon saving the document, thus preserving different stages or versions of a project.

💡Neural Filters

Neural Filters are a set of AI-powered tools within Photoshop that use machine learning to perform complex image manipulations. The host discusses using the 'Colorize' feature of Neural Filters to recolor an image, even when traditional color correction methods fail, showcasing the innovative capabilities of modern Photoshop tools.

💡Vanishing Point

Vanishing Point is a tool in Photoshop that allows for perspective-based selections and transformations, which is particularly useful for editing images with complex geometry. The host uses this tool to match the perspective while cloning out a window, highlighting its importance in achieving a realistic edit.

Highlights

Discovering 24 hidden Photoshop tricks essential for professionals.

Learning how to lock the movement of layers to prevent accidental shifts.

Using the gradient map for unlimited color grading options.

Controlling the opacity of various tools with the Edit Fade command.

Announcement of a two-day Photoshop workshop in Colorado Springs.

Fitting low-resolution images to the canvas using a free plugin from Piximperfect.

Zooming into specific layer elements by holding the Alt/Option key and clicking.

Applying smart filters and adjusting the perspective with the Edit > Perspective command.

Utilizing Face Aware Liquify for facial adjustments directly on the canvas.

Having two windows for the same document for more efficient retouching.

Repeating transformations automatically with a secret shortcut (Ctrl/Cmd + Alt/Option + Shift + T).

Punching a hole through a rectangle in the shape of the text for later text changes.

Exporting all open documents as JPEGs using the File > Scripts > Image Processor.

Enhancing image contrast using secret sliders inside the Curves adjustment.

Sampling colors from outside of Photoshop using a Gradient Map.

Rotating the canvas view for more convenient brush strokes with the Rotate View tool.

Automatically dodging and burning with the Retouch for Me plugin.

Creating a PDF presentation from multiple Photoshop documents.

Using the Clone Stamp tool with the Vanishing Point filter to match perspective.

Creating shortcuts for frequently used commands like converting a layer to a smart object.

Blending images automatically with the Auto Blend Layers command.

Recoloring images with the Neural Filters > Colorize option when traditional color correction is not possible.

Transcripts

play00:00

hi there this is UN from pix in perfect

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how you doing I hope you're having a

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great day and making it an incredible

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one today we're going to discover 24

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Hidden Photoshop tricks every Pro must

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know by the way as we go through it and

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have a lot of fun let us talk about how

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many of these you already knew so

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without any further Ado let's get

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started back in the magical world of

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Photoshop and let's say you were

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removing blemishes and in this laay we

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just have the blemishes removed and we

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were using something like the remove

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tool you can use whatever you want that

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is not the point and we removed this

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blemish everything was going fine but

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then once zoomed in I accidentally

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pressed the controller command and moved

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the whole thing I didn't even realize it

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and I continued to remove blemishes here

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and there and then when we zoomed out we

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noticed oh my gosh I have moved

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everything so sometimes it can happen

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while removing blemishes or while

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dodging and burning we can accidentally

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move the entire thing so how do we

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prevent that have a look at the Lock

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section right here you can actually lock

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the movement click on this button to

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activate it now as you are removing

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blemishes everything will be going fine

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now these were not to be removed just

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for an example even if I hold the

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controller command and try to move it it

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won't let me move it even if I select

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the move tool and try to move it it

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won't let me move it unless we click on

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this to remove the lock now sometimes we

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are confused about where to take our

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color grading here's a hack to give you

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unlimited options click on the

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adjustment lay icon and then choose

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gradient map right here let's close it

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for now you can choose whatever blend

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mode you want you can choose normal with

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less opacity you can also choose overlay

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soft light whatever you wish for this

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example we're going to choose soft light

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now doubleclick on the symbol of the

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adjustment lay to open up its properties

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single click right here and inside of

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the type choose noise now this has way

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too many colors so let's increase the

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smoothness in other words decrease the

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roughness so let's set it to about 8%

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that is fine and now click on randomize

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this gives you lots of options you can

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also uncheck restrict colors and

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experiment keep on clicking randomize

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and stop at what you like for example I

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love this one and do not forget whatever

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you like you can stop at that hit okay

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and decrease the opacity opacity is your

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best friend for this example let's set

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it to about 50 I like it subtle and

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Brilliant speaking of opacity as your

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best friend how do we control it for

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different tools so let's say there's a

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lot of shine on the nose I take the

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patch tool right here let's select that

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and we selected that area no worries and

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we moved it to this area now the shine

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is gone but it's absolutely gone so how

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do we reduce the effect of the patch

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tool you can always go to edit fade

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patch selection it's like undo on a

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slider so now you can reduce the effect

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of it maybe I'm going to keep it at

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about 36 hit okay that's a lot better

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control or command D now the fade

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command also works with a bunch of other

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other tools even if you choose the brush

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tool and for example we make a stroke

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like this you can go to edit fade brush

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tool now and then decrease the opacity

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by the way there's also a shortcut for

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it let's go back even if you choose the

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sharpen tool or the blur tool let's go

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with the sharpen tool and I sharpen this

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ey and I've sharpened this way too much

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you can also press control shift F

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command shift F to open up the fade

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command and just fade the effect of it

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or reduce the effect of it before we

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move on to our next step I have a big

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announcement and I'm super grateful to

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actually meet you so I'm heading to

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Colorado Springs for a two-day full day

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Photoshop experience with you two full

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days of Hands-On inperson Photoshop

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Workshop where you learn everything you

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need to know to start using Photoshop in

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your professional workflows and get the

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most of it whether you know nothing

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about Photoshop or you know a lot of it

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this is for everyone and the most

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important part is we all as creatives

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are going to have some amazing

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conversations on day one we will build a

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strong base a solid foundation and my

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only goal for that day is that by the

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end of that day Photoshop will never

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look intimidating to you ever we'll fix

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that once and for all on day two we will

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explore Advanced Photoshop techniques

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especially for photographers to spice up

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their work like compositing retouching

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and color grading I'd love for you to

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make it please check the link in

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description for the passes and I really

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hope to see you there thank you so much

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whenever you drag and drop a lower

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resolution photo onto the canvas it

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doesn't fit to the canvas so how do we

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fit this image to the canvas with one

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click there is no way to do it in

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Photoshop unfortunately so we wrote a

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code for it and and included it in the

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free version of piximperfect compositing

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plug-in you can install it absolutely

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for free I'll have the installation

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instructions in the description so all

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you have to do is to go to Arrangement

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section and this is a free feature by

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the way click on this adapt to selection

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there you go it fits to the canvas and

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by the way it is made for fitting to any

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selection so if I make a selection like

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this and click on adapt to selection

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with that layer selected it fits to that

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selection we created if there is no

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active selection and you you click on it

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it will fit to the canvas perfectly have

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a look at it if I press control or

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command T see it's fitting perfectly the

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next step is for auto zoom let's say

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you're working with a lot of layers and

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this is the layer for the headline if

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you hold the all key or the option key

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and click on it that layer elements will

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be zoomed now let me zoom out by

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pressing control or command zero to fit

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the canvas to the screen now here we

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have the graphic right you want to zoom

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into the graphic hold the ALT key or the

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option key and click on that layer or

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group there you go it zooms perfectly to

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that now even inside of graphic you have

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flowers let's say you want to zoom into

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this flower graphic which is the right

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top hold the alt ke the option key and

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click on it there you go that one is

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zoomed in so now we can work on it more

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precisely now this is a fun one let's

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press controll or command J to make a

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duplicate and before we apply it let's

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go to filter convert for smart filters

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hit okay now let's go to edit

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perspective W you can actually change

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perspective of things to make it happen

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let's close it first let's create a

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plane and align it according to one side

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of the Box let's create another plane

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for the other side and you can actually

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snap it and then just align this one as

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well let's create one more plane you can

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also snap it like this snap this one

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like this and then we have the box

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snapped in now let us click on warp at

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the top and now you can change it

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however you want so cool isn't it and

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once you're done you can always hit

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enter or return by the way now since

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this is a smart filter you can change

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stuff anytime you want so double click

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on perspective W right here you can

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reset the whole thing by clicking on

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this button if you think that you didn't

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put the points right you can go back to

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layout and set it properly and then go

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back to warp also if you want certain

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lines to be absolutely straight no

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matter how you move the points hold the

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shift key see the yellow activation

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light click on it to activate it click

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on it and click on this one now these

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three will be straight no matter what

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you do so I can move this around here

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and there but these three remain

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straight very important tip for portrait

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rouchers and photographers I'm not sure

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if you knew this go to filter liquefy

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now I'm sure you knew about the face

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aware liquify where you can change a lot

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of things like smile make him sad happy

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but here's a more fun tool click on this

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button and it lets you do it on the

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canvas for example you want to lose some

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weight like this there you go you want

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to make the jaw a little more Slimmer

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there you go make him smile a little bit

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so you can do it all on canvas if you

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feel the photo is too wide angle and the

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nose has been captured too big you can

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make it smaller or larger you can do

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everything on the image now there's

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another trick when you're using the

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other liquify tools like this one the

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forward W tool and you have made changes

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like this and if you feel you have done

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too much you can control the overall

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effect of it it's like opacity but

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different let us scroll down and click

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on reconstruct right here it's like

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again undo on a slider here's what it

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was before here's what it is according

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to what we have done so you can choose a

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middle ground because we sometimes tend

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to do too much the next tip is

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indispensable especially if you're into

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retouching and that is having two

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windows for the same document just go to

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window as expected arrange and choose

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new window for whatever document name

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you have let's click on this one and now

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you have two windows for the exact same

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document it is not a duplicate it's not

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a different document now let's go to

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window arrange and do up vertical now we

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have two of them vertically arranged and

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for the right hand side you can just

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zoom out like this and for the left hand

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side we can just zoom in and do our

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retouching whatever changes we make

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right here will be replicated right here

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as well for example right now we are

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doing frequency Separation by the way if

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you want to learn how to do frequency

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separation there are videos on that so

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just above low frequency I'm going to

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create a new layer take the brush and

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decrease the flow to about 2% and just

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start painting right here let us turn

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off high frequency hold the ALT key or

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the option key click to take a sample

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and paint gradually let's improve this

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now as we are doing this you're seeing

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the updates happening right here and the

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secret to good retouching is keeping it

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as natural as possible so now when we

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turn on high frequency have a look at

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the difference here's the before and

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here is the after have a look at the

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forehead before after so you get to see

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the big picture with the smaller image

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and it's easier for you to spot which

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areas we need to work on you can repeat

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a transformation automatically with a

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secret and incredible shortcut so here

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we have a flower petal on top of that we

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have the middle of the flower whatever

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that is called now if we press control

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or command D for transform let's bring

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the Anchor Point right here and if we

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rotate it like this hit enter or return

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if you want to repeat this

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transformation hold the controller

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command shift and press D there you go

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the same transformation we just did will

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be repeated and it will be repeated how

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many other times you press it now if you

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want to copy as you repeat there's

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another shortcut for it let's make a

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copy of this ellipse layer by pressing

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contrl or command J and now let's press

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contrl or command T and rotate it

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accordingly again so we're going to go

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up to this point something like this is

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fine hit enter or return it is the same

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shortcut controll or command shift NT

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but along with that we're going to press

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option or alt so it's controll alt shift

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and then T command option shift and then

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t on a Mac there you go it copies it

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every time it repeats that

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transformation now here we have an image

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on top we have a rectangle and on top of

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that we have some text now let's say you

play10:41

want to punch a hole through this

play10:42

rectangle in the shape of the text so

play10:45

that you can change the text later you

play10:47

have all the flexibility so how do we do

play10:49

that double click on the right hand side

play10:51

of the text layer and then in The

play10:53

Knockout section change that to shallow

play10:57

it is punching a hole but but you cannot

play10:59

see it because the fill opacity is at

play11:02

100% let's decrease it to zero and there

play11:05

you go it is punching a hole not only

play11:08

through that rectangle but also through

play11:10

all of the layers so how do we make it

play11:12

so that it only punches a hole through

play11:14

this rectangle hit okay for now and put

play11:17

both of these in a group select the

play11:19

first one hold the control or command

play11:20

select the second one and then press

play11:22

control or command G now it will only

play11:25

punch a hole through the things that are

play11:27

inside the group that is all and now the

play11:30

great part is you can double click on

play11:32

the T change the text it is still

play11:36

punching a hole often times we have a

play11:38

lot of documents open in Photoshop at

play11:40

the same time and let's say you have

play11:42

tons of these documents and you want to

play11:44

export all of them as a JPEG opening

play11:47

them one by one and exporting each of

play11:49

them as a JPEG will take ages instead of

play11:52

that you can go to file scripts image

play11:55

processor inside of that you have the

play11:57

option to choose chose and use the open

play12:00

files and then you can select where do

play12:02

you want to save these you can save it

play12:04

in the same location or you can select a

play12:06

folder that's up to you I'm going to

play12:08

save it in the same location you can

play12:10

export it as a JPEG also as a pstd also

play12:13

as a tiff I'm going to keep it to jpeg

play12:16

here's the quality you can also resize

play12:18

it if you want you can also run an

play12:20

action on all of these and then click on

play12:22

run it's going to one by one export each

play12:25

one of these open documents now when you

play12:27

open that location you'll have a JPEG

play12:29

folder and inside of that you have

play12:31

everything exported as a JPEG often

play12:34

times we come across images that are a

play12:36

bit dull we can use some secret sliders

play12:38

inside of Curves to make them pop so

play12:40

click on the adjustment lay icon and

play12:42

then choose curves our favorite thing in

play12:44

Photoshop and then have a look at these

play12:45

sliders right here these are not secret

play12:48

yet however if you hold the ALT key or

play12:51

the option key and then when you drag

play12:52

these sliders have a look it will start

play12:54

to show artifacts just when it begins to

play12:57

lose details in those areas so if I'm

play13:00

holding the ALT key or the option key

play13:02

and clicking and dragging this slider at

play13:04

this point we see artifacts here which

play13:07

means that we are losing details in that

play13:09

area and you can stop right there

play13:11

similarly with the left slider keep

play13:13

holding the ALT key or the option key

play13:15

and let's drag it to the right hand side

play13:17

and I don't mind losing a lot of details

play13:20

here that's up to your artistic

play13:22

preference and we're going to stop right

play13:23

here and just by doing that here's the

play13:26

before and here is the after you can

play13:28

also do this per Channel let's reset

play13:30

that and now we can go to for example

play13:33

red Channel hold the ALT key or the

play13:35

option key and do the same thing up to

play13:37

this point up to this point right here

play13:40

similarly with the green Channel but why

play13:43

are we doing this manually you can

play13:45

actually do it automatically let's reset

play13:47

everything by clicking on this button

play13:49

click on this grid right there and go to

play13:51

Auto Options and here you can choose

play13:53

enhance per Channel contrast there we go

play13:56

it does the exact same thing hit okay if

play13:59

you go to every channel it has done it

play14:02

perfectly you have other options too if

play14:04

you go back to Auto Options you can also

play14:06

choose enhance monochromatic contrast

play14:08

you can also choose enhance brightness

play14:10

and contrast that's up to you choose

play14:13

whatever you like and there you go now

play14:15

let's say you were browsing online as I

play14:17

was looking for some Duo tone presets on

play14:19

envato Elements by the way I highly

play14:21

recommend it check out envato elements

play14:23

right here all the details discounts

play14:24

everything linked up in the description

play14:26

let's say you love these colors and you

play14:28

want these colors in your work so how do

play14:31

you sample colors from outside of

play14:32

Photoshop so here we're going to create

play14:34

a gradient map right here and for the

play14:37

colors we can directly sample from here

play14:40

let's single click right here for the

play14:42

right hand side let's click on the right

play14:43

slider single click on color right here

play14:46

and begin to sample from inside of

play14:48

Photoshop and continue dragging to

play14:51

outside of Photoshop and we're going to

play14:53

sample this bright color on him possibly

play14:57

this color hit okay and for the dark

play14:59

side click on this slider click on the

play15:01

color box again or simply double click

play15:03

on this slider the Color Picker will

play15:05

show up start sampling from inside of

play15:07

Photoshop and drag it to the outside

play15:09

we're going to sample this dark color

play15:11

hit okay hit okay again and there you

play15:14

have the color copied now let's say you

play15:16

masked a subject out it is not a perfect

play15:18

mask and you need to zoom in and clean

play15:20

it up with the brush tool just like this

play15:23

but painting in this direction is a bit

play15:24

more difficult than painting in this

play15:26

direction you wish you could do it so

play15:29

how can we rotate our image just

play15:31

temporarily for us to be able to do it

play15:33

with convenience just hold the r key

play15:36

temporarily the rotate view tool will

play15:38

show up rotate it according to your

play15:41

convenience and then release the r key

play15:44

it will get you back to the brush tool

play15:46

and you can resume with painting now

play15:48

it's easier for you to paint in this

play15:51

direction and when you're done you can

play15:53

hold the r key again at the top you'll

play15:55

see an option for reset view click on

play15:57

that and then then release the r key it

play16:00

will get you back to the brush it is

play16:01

just like when we are sketching on a

play16:03

piece of paper and we rotate the paper

play16:05

from time to time according to our

play16:06

convenience this is exactly the same

play16:08

thing we are back to this image and

play16:10

let's say you removed the blemishes and

play16:11

also did some dodging and burning by the

play16:14

way I highly recommend retouch for me

play16:16

plugins for automatic dodging and

play16:17

burning if you want to spend more time

play16:18

shooting and less time editing that is

play16:20

it for example all you have to do is to

play16:22

press contrl alt shift and E create a

play16:25

stamp visible layer at the top and then

play16:27

go to filter retouch for for me and

play16:29

let's say we choose retouch for me Dodge

play16:31

Burn by the way you can try these out

play16:33

absolutely for free I'll also leave

play16:34

instructions in the description on how

play16:36

to get the free trial try it with your

play16:37

images and if you like it you can also

play16:39

consider it here's a discount code also

play16:41

discount codes are in the description so

play16:43

as we control the blend have a look at

play16:44

it no dodging and burning full dodging

play16:47

and burning and more so we can choose an

play16:50

amount that looks good with this image

play16:52

I'm going to go with 174 we can choose

play16:54

to have a soft light layer hit apply and

play16:57

there you go it's a soft light lay

play17:00

change the blend mode from normal to

play17:01

soft light and have a look at it here's

play17:03

the before and here's the after we still

play17:06

need to fix the color issues have a look

play17:08

at the red blotchiness here so how do we

play17:10

fix that by the way there's a retouch

play17:11

from me plugin to do that as well if you

play17:13

want to do it automatically but we need

play17:15

to understand how to do it manually and

play17:17

how it happens so here's how to do it

play17:18

you simply create a new lay by clicking

play17:20

on this button change its splend mode

play17:22

from normal to color so that it only

play17:25

changes the color of things take the

play17:27

brush decrease the flow to about 20% and

play17:31

then make the brush slightly larger hold

play17:33

the ALT key or the option key click to

play17:35

take a sample from the good areas and

play17:37

paint over the red blotchy areas again

play17:40

take a sample and paint around take a

play17:43

sample and paint around that's all take

play17:45

a sample right here and paint on it so

play17:47

this looks good to me here's the before

play17:50

see the redness here here is the after

play17:52

that is now gone did you know that you

play17:54

could also create a PDF not PSD PDF

play17:58

present presentation or slideshow with

play18:00

Photoshop Yes you heard that right let's

play18:02

say you have a bunch of documents open

play18:04

as you can see right here let's go to

play18:06

file automate PDF presentation now here

play18:10

you can add the slides that you want

play18:12

using browse click on browse and import

play18:14

images that you want or documents that

play18:15

you want or add the open files all of

play18:18

them are now added you can choose to

play18:20

have a multi-page document or a

play18:22

presentation that is up to you you can

play18:24

also choose a transition if you want I'm

play18:26

going to keep it none and click on Save

play18:29

let's save it as presentation.pdf click

play18:32

on Save now here you have some

play18:33

additional settings I'm going to leave

play18:35

it the way it is and click on save PDF

play18:37

now if you look at that folder here you

play18:39

have a presentation file let's open that

play18:41

up and the presentation begins and

play18:44

hopefully it will change slides it does

play18:47

change slides now let's say in this

play18:48

image we want to remove this window but

play18:50

we cannot because there's a perspective

play18:51

in place no matter how much we try to

play18:53

align it by choosing the Clone stem tool

play18:56

right here holding the ALT key or the

play18:57

option key clicking to take a sample

play19:00

let's say we line it up properly and

play19:02

then we start to paint it will not match

play19:05

because have a look at the perspective

play19:07

the lines are not going right even if I

play19:09

try to sample from right here and line

play19:11

it up properly

play19:13

see it just will not match have a look

play19:16

at the lines coming in here and the

play19:18

lines coming in there so how do we match

play19:20

the perspective as we use the Clone

play19:21

stamp too simply create a new layer on

play19:23

top and then go to filter vanishing

play19:25

point let's zoom in and let's create a

play19:27

plane around this window like this and

play19:31

show you match the perspective as you do

play19:33

so if the plane is red it means it's not

play19:35

a proper plane and needs tweaking it

play19:37

should be blue of course it was wrong so

play19:40

let's adjust it now it looks pretty much

play19:42

okay let's zoom out and extend it if you

play19:45

want also it's useful if you want to

play19:47

clone other areas too and let's keep it

play19:50

this much this is fine now you can

play19:52

choose the Clone stamp tool right here

play19:53

and by the way you can create planes

play19:55

perpendicular to there's a detailed

play19:57

video on that you can watch it later but

play19:59

for this example now with the Clone stem

play20:01

tool selected hold the ALT key or the

play20:03

option key and take a sample have a look

play20:05

it follows the perspective just line it

play20:07

up and start painting see everything

play20:10

matches and everything happens according

play20:13

to the perspective there you go it's

play20:15

done it okay and now you have that area

play20:17

filled up in this new layer one of the

play20:20

most important tips in all of Photoshop

play20:21

no matter what you do if you press

play20:23

control or command T to transform you

play20:25

all know about the Anchor Point or the

play20:27

reference point if you don't see it you

play20:29

want to make sure that this is checked

play20:30

at the top so that you see it now let's

play20:33

say you want to keep the subject at the

play20:35

same place and you want to scale the

play20:37

overall image for it you can bring the

play20:39

Anchor Point on the subject and then

play20:41

hold the ALT key or the option key and

play20:44

then scale it the subject stays at the

play20:46

same place and the image scales from

play20:49

that point now here's another shortcut

play20:52

instead of moving anchor points here and

play20:54

there you can also hold the ALT key or

play20:56

the option key and click click on an

play20:58

area to bring an Anor point there so

play21:01

that you can scale an image from that

play21:03

point or rotate an image from that point

play21:06

for scaling from that point you can hold

play21:08

the ALT key or the option key again and

play21:09

then scale it so that it scales from

play21:11

that point if you want to rotate from

play21:13

that point it automatically rotates from

play21:15

The Anchor Point you don't have to press

play21:17

anything remember the gradient map color

play21:19

grading we learned about let's say you

play21:21

did the color grading here's the before

play21:23

here's the after but you don't like it

play21:25

on the skin so how do you remove an

play21:27

adjustment mostly from the skin without

play21:29

masking you double click on the right

play21:31

hand side of the lay and here you'll

play21:32

find blend if and the secret to blend if

play21:35

is that you can choose different

play21:37

channels now since the skin is mostly in

play21:39

the red Channel we're going to choose

play21:40

red and take it away from the bright

play21:43

areas of red have a look it goes away

play21:47

from Mostly the skin areas now this is

play21:49

very harsh so hold the ALT key or the

play21:51

option key click on the slider to break

play21:53

it apart and take it apart like this

play21:56

there you go now it looks much better so

play21:58

here you have an image and let's say you

play21:59

want to stretch it a little bit and you

play22:01

want to create a Facebook Banner or a

play22:03

website Banner out of it so press C for

play22:06

the crop tool let's clear everything

play22:08

right here P the ALT key or the option

play22:09

key and expand it like this now if we

play22:12

press controller command T and try to

play22:15

stretch it like this the people are

play22:17

stretched to instead of that first of

play22:20

all you want to make sure this is not a

play22:21

smart object and then go to edit content

play22:24

aware scale and now when you stretch it

play22:26

by the way hold the shift key and the

play22:28

ALT key to stretch it from the center

play22:31

and there you go the people are not

play22:32

being stretched as much only the things

play22:35

that don't look fake when they are

play22:36

stretched pretty cool isn't it now

play22:38

sometimes you want to have different

play22:39

versions of things and you want to save

play22:41

it too for example I was creating a

play22:43

thumbnail for a previous tutorial and

play22:45

this is the text that I chose and let's

play22:47

say you want to have this version you

play22:49

can go to the history panel click on

play22:51

this button to save it as a snapshot and

play22:53

then maybe change this text to something

play22:57

else all right and then save this one as

play23:00

a snapshot but there's a problem with

play23:02

that you can go to those moments in

play23:03

history but once you save this document

play23:06

all of these snapshots will be deleted

play23:09

instead of doing all that use layer

play23:11

comps go to window and choose layer

play23:14

comps now keep in mind you can only

play23:15

store a few things in it like visibility

play23:18

of a layer whether that layer is turned

play23:19

on or turned off or the position of

play23:22

something and a few other things that's

play23:24

it but with snapshots everything is

play23:26

Frozen in Time that is one limitation we

play23:29

need to work with with layer coms anyway

play23:31

click on this plus button and you can

play23:33

choose to store things like visibility

play23:34

and position and you can have a comment

play23:36

right here I'm going to name it best

play23:38

software hit okay now let's create one

play23:41

more version let's turn it off let's

play23:43

turn this one on turn on the arrow click

play23:45

on the plus right here let's name it

play23:47

version two okay now you have two of

play23:50

these saved now we can go to version one

play23:52

which is the best software or we can go

play23:55

to version two now once you save this

play23:57

PSD file and open it back again and go

play23:59

back to layer comps you'll have both the

play24:02

versions here all the time when we

play24:04

applying a filter or an adjustment we

play24:06

always make a copy of the background

play24:08

layer and convert it into a smart object

play24:10

so that whatever filter we apply we can

play24:12

change the values later we go to filter

play24:15

convert for smart filters all the time

play24:18

so why don't we create a shortcut for it

play24:19

let's go to edit keyboard shortcuts at

play24:22

the bottom and right here from the

play24:24

shortcuts choose application menus let's

play24:26

scroll down to F filter there it is

play24:29

let's open that up and inside of that we

play24:31

have convert for smart filters click on

play24:33

this one to create a shortcut for it and

play24:36

I'm just going to keep command shift R

play24:39

now shift command R is already in use

play24:42

and will be removed from lens correction

play24:44

I don't even use it so let's hit accept

play24:47

hit okay and Now command shift R you can

play24:52

choose don't show again you don't have

play24:53

to go to filter convert for smart

play24:55

filters or right click on it and choose

play24:57

convert to Smart object none of that all

play25:00

you do command shift R done so here we

play25:02

have a seagull and we want it in this

play25:04

foro so let's select the lasso tool

play25:06

right here and make a selection around

play25:08

it a rough selection just like this

play25:10

press control or command C to copy it

play25:12

control or command V to paste it and

play25:15

place it right about there how do we

play25:17

automatically blend it select the

play25:18

background L and press contrl or command

play25:20

J to make a copy of it now hold the

play25:22

controller command select both of these

play25:24

layers go to edit auto blend layers

play25:27

select stack images make sure both of

play25:29

them are checked hit

play25:31

okay hit okay and it's done there you go

play25:35

amazingly Blended I might take it a step

play25:37

ahead and create a hug saturation

play25:38

adjustment layer the yellows I think are

play25:40

way too much so let's go to yellows and

play25:43

we want to add all of these so click on

play25:45

the plus ey dropper and you want to make

play25:47

sure everything is added like this and

play25:50

maybe decrease the saturation there you

play25:52

go it matches more now let's say you

play25:55

want to repair the colors here but

play25:56

sometimes it is just not not possible

play25:58

especially when you have colored

play25:59

lighting even if you try it with curves

play26:02

use the gray Point ey dropper click on

play26:04

an area that should have been gray then

play26:06

again the colors are all weird instead

play26:09

of that when the colors are completely

play26:11

unrecoverable you can actually recolor

play26:13

it create a duplicate of this layer by

play26:15

pressing control or command J and let us

play26:17

not forget command shift R control shift

play26:20

R we created this shotcut to convert a

play26:22

layer into a smart object in the

play26:24

previous step let's go to filter neural

play26:26

filters and right in here coloriz is not

play26:29

just for black and white photos you can

play26:31

use it in color photos scroll down and

play26:33

turn on coloriz and just like that have

play26:36

a look at it it might not be accurate

play26:38

hit okay for now and there are some

play26:40

problems here and there and you can

play26:42

easily fix it by creating a new layer

play26:44

take the brush change the blend mode of

play26:46

this layer from normal to color hold the

play26:49

ALT key or the option key to take a

play26:50

sample and paint to fix the colors

play26:54

that's all and that's how easy this

play26:56

thing is so there you go the 24 tricks

play26:58

every probe must know in Photoshop how

play27:00

many of these did you already know let

play27:02

us talk about it in the comments and

play27:04

also just another reminder I'm coming to

play27:05

Colorado Springs for an inperson

play27:08

Hands-On 2-day full day Photoshop

play27:10

workshop and for more details and passes

play27:12

check the links in the description I

play27:13

hope this video helped you and if it did

play27:15

make sure to give us a like and also

play27:16

don't forget to subscribe and not just

play27:18

subscribe ring the bell so that you my

play27:19

friend don't miss any other feature tips

play27:21

tricks or tutorials I would like to take

play27:23

this moment to thank all of these nice

play27:24

and amazing people for supporting pix

play27:26

imperfect on patre and helping keep pix

play27:28

and perfect free for everybody forever

play27:31

thank you so much for watching I'll see

play27:32

you in my next until then stay tuned and

play27:33

make sure that you keep creating we're

play27:36

up here on cloud

play27:38

n and somehow we get it right every time

play27:43

cuz these days we're p in crime and I

play27:47

like it like

play27:51

that

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