How To Edit Documentaries Like James Jani

Summary

このスクリプトは、ドキュメンタリー映画製作者であるJames Johnnyの手法を紹介しています。彼は、非線形な編集技術を用いて、視聴者に情绪に沿った旅程を提供し、映画的な品質でストーリーを語ります。また、音楽を用いて編集を導く方法や、モーショングラフィックチームと協力してYouTubeで最高の映像を生成する方法も説明されています。

Takeaways

• 🎥 動画制作において、感情や不快感を引き出すことに重点を置くことが重要である。
• 🕵️ 詹姆斯・ジョニーは、調査的な感じや陰謀の要素を取り入れた動画を作成している。
• 🎬 ジャンルを超えたシネマティックな品質を持つ動画をNetflixに映せるほどの作品を制作している。
• 🎞 非線形な編集技法を用いて、視聴者に感情的ジャーニーを提供する。
• 🎵 音楽を用いて編集を導く方法と、視聴者の期待を玩弄する方法。
• 💡 動画制作プロセスでは、ストーリーを通じて人々の注意を引き、興味を持続させる。
• 🧩 ビデオ制作では、謎や問題解決の要素を取り入れることで、視聴者にストーリーを引き込む。
• 📈 時間の経過と重要な瞬間を伴うカウントダウンを使って、物語の緊張感を高める。
• 🎥 動画制作において、最高のクオリティを目指すことが、視聴者への敬意とプロフェッショナリズムの表現である。
• 👥 ドキュメンタリーでは、物語の核心にある人間の感情を引き出すことが重要である。
• 🚀 完璧主義は品質向上を阻害し、70％の満足度で進むことが時には必要である。
• 🤝 チームビルディングとサポートは、創造的なプロセスにおいて、ストレスと負担を軽減する上で役立つ。

Q & A

James Johnnyのドキュメンタリー作品の特徴は何ですか？

James Johnnyのドキュメンタリー作品は、感情や不快感を引き出すことで知られています。彼は表面的な美しさの裏にある真実を探求し、視聴者に興味深いストーリーと驚くべき発見を提供します。

Jamesはどのようにして視聴者を引き込み、興味を持たせますか？

Jamesは、非線形な編集手法や映画的なモチーフを使い、視聴者をそのエモーショナルな旅に連れて行きます。また、音楽やモーショングラフィックを巧みに使用して、視聴者の期待をプレイし、興味を維持します。

Sam Bankman-Friedの物語がどのようにドキュメンタリーに取り上げられましたか？

Sam Bankman-Friedの物語は、初期の成功と富とその後の破綻を描いたものとして取り上げられました。Jamesは、Samの人格やFTXの軌跡を追いながら、視聴者に不審な感じを与えるような要素を取り入れ、物語を展開します。

Jamesはどのようにして自分の動画のクオリティを向上させたのですか？

Jamesは、編集过程中で音楽を活用し、それを通じてペースを合わせることでクオリティを向上させました。また、ストーリーの核心を捉え、人間的な感情を描き出すことで、視聴者との共感を促しました。

Jamesの動画制作において、音楽はどのような役割を果たしていますか？

音楽はJamesの動画において、シーンのリズムや感情を伝えるために使用されます。音楽の選択は、編集のペースや感情に大きな影響を与えるため、重要な要素となっています。

Jamesはどのようにして自分の動画の編集プロセスを改善しましたか？

Jamesは、ストーリーボードを使って編集プロセスを計画し、音楽を利用してペースを調整することで編集プロセスを改善しました。また、チームを構築して助けを求めることで、完成度の高い動画を作成することができました。

Jamesはどのようにして視聴者を興味を持たせ続けますか？

Jamesは、不確実性や問題を引き出すことで視聴者の興味を引き続けます。また、過去と現在を行き来する編集手法を使って、視聴者が徐々に全てを理解するように導きます。

Jamesはどのようにしてドキュメンタリーのストーリーを構築するのですか？

Jamesは、ドキュメンタリーのストーリーを構築する際には、事件や問題の裏にある真実を明らかにするために、深く掘り下げます。また、視聴者にとって興味深いと感じられるストーリーを選び、その中にある人間的な要素を取り入れることで、共感を促します。

Jamesはどのようにして自分の動画で情報を正確に伝えるのですか？

Jamesは、信頼できる情報源から情報を収集し、その情報を基に動画を作成します。また、ストーリーを通じて情報を伝える際には、バランスの取れた視点や様々な意見を含めることで、視聴者に正確な情報を提供します。

Jamesはどのようにして自分の動画のクオリティを維持するのですか？

Jamesは、編集プロセスで細部に注意を払い、音楽やモーショングラフィックなどの要素を巧みに使用することで、動画のクオリティを維持します。また、チームと協力し、フィードバックを取り入れることで、クオリティを向上させています。

Jamesはどのようにして自分の動画で視聴者と共感を促すのですか？

Jamesは、ストーリーの核心にある感情や人間的な要素を強調することで、視聴者と共感を促します。また、視聴者が関係感到るような状況や問題を描くことで、共感を促進します。

Jamesはどのようにして自分の動画で興味深いストーリーを作り出すのですか？

Jamesは、表面的な情報の裏にある真実を探求し、その中で興味深いストーリーを見つけ出します。また、視聴者の予想外の展開や、驚くべき発見を提供することで、興味深いストーリーを作り出します。

Outlines

00:00

🌿 ドキュメンタリー作品の感性とストーリーテリング

この段落では、ドキュメンタリー製作者のジェームズ・ジョニーが、作品で表現する感情と感性について語ています。彼は、作品がまるで美しい庭園のように、人々がその木から素晴らしい苹果を食べているかのような雰囲気を出したいと考えています。しかし、ジェームズがその場面を観察すると、木が死体で養われていることが判明し、その驚愕感を映像で表現しています。また、彼は作品で謎めいたストーリーを提供し、視聴者に興味深く魅力的な世界を提示します。

05:00

🧩 編集技術と叙事の巧みさ

この段落では、ジェームズがどのようにしてエピソードを構成し、視聴者を引き込みながら叙事を進めているかについて説明しています。彼は非線形的な編集手法を用いて、時間を行き来させ、叙事の進行と共に謎を解き始めます。また、音楽を用いて叙事を導き、モチベーションを高め、視覚効果のチームと協力して、YouTubeで見られるべき品質の視覚を生み出しています。

10:02

🎶 音楽と編集の相乗効果

この段落では、音楽が編集プロセスにどのように影響を与え、叙事のリズムや感情を表現する役割を持っているかが説明されています。ジェームズは、音楽を選定する際に、ストーリーと共鳴し、ペースを合わせる必要性に重点を置いています。また、音楽の選択が視聴者の感情に影響を与えるため、重要な役割を果たしていると強調しています。

15:03

👤 ドキュメンタリーの心臓部

この段落では、ドキュメンタリーの制作において、物語の核心となる感情や人間要素を見つけることが重要であることが述べられています。FTX崩壊の犠牲者のインタビューを取り入れ、その物語を人間味を持ち、共感を促すことが重要だとジェームズは述べています。また、彼は作品の最後に、犠牲者の声を引き合いに取ることで、物語の感情的な結末を強調しています。

20:03

🚀 完璧主義と創作プロセス

この段落では、ジェームズが完璧主義と創作プロセスとの掻い合いについて語っています。彼は、作品の完璧さにこだわることが、ストレスや疲労の原因になるとも言及しています。完璧主義を抑えることと、70％の満足度で進むことのバランスを見つけることの重要性についても話しています。そして、創作の自由を与えることを勧め、最初の動画を公開する前に自分に許容できる範囲を設定し、それを超えることを許容するようにアドバイスしています。

Keywords

💡ドキュメンタリー

ドキュメンタリーとは、実際の出来事を基にした映画やテレビ番組のジャンルです。このビデオでは、YouTubeの有名なドキュメンタリー製作者であるJames Johnnyが、実際に起こっている出来事を追及し、深い意味を探る様子が描かれています。

💡エモーショナルジャーニー

エモーショナルジャーニーとは、観る者に感情的な体験を与えるストーリーテリングの手法です。このビデオでは、Jamesがどのようにして視聴者にエモーショナルな体験を提供するかが説明されています。

💡編集技術

編集技術とは、映像や音声を編集する際に使用される技術や方法論のことを指します。このビデオでは、Jamesが非線形的編集など、特殊な編集技術を用いて、視聴者を引き込み、興味を持たせることが強調されています。

💡阴谋

阴谋とは、秘密裏に行われる計画や陰謀のことを指します。このビデオでは、Jamesが実際に起こっている出来事を追及し、その裏にある可能な阴谋を探求する様子が描かれています。

💡サム・バンクマンフリード

サム・バンクマンフリードは、FTXという暗号通貨取引所の創業者であり、若くして世界的に有名な金融テクノロジー企業家です。このビデオでは、彼のビジネスとその影響力について取り上げられています。

💡暗号通貨

暗号通貨とは、デジタルな通貨で、暗号化技術を用いて取引や所有権を管理されるものです。このビデオでは、FTXという暗号通貨取引所とその崩壊に関する話題が中心となっています。

💡繰り返しのパターン

繰り返しのパターンとは、同じようなストーリーやシーンが何度も出てくる構成のことを指します。このビデオでは、繰り返しのパターンを使って、視聴者の興味を引き続ける手法が使用されています。

💡音楽

音楽は、映像に感情や雰囲気を与えるために使用されるアートの形式です。このビデオでは、音楽がどのようにして編集と組み合わせられ、視聴者に特定の感情を与えるかが説明されています。

💡モチベーション

モチベーションとは、人間の行動や思考を動機づける内面的な力のことを指します。このビデオでは、Jamesがどのようにして自分自身や視聴者を動機づけ、興味を持たせたかが重要です。

💡倒计时

倒计时は、将来の予定やイベントに至るまでの時間をカウントダウン表示することで、緊張感や期待感を高める手法です。このビデオでは、FTXの崩壊までの残り時間を倒计时で表現し、視聴者に急がしさを与えています。

💡人間の要素

人間の要素とは、物語やコンテンツの中で、人間の感情や経験が関与することを指します。このビデオでは、FTXの崩壊という大きな出来事背后にある人々の痛みや苦悩が、人間の要素として強調されています。

Highlights

James Johnny's documentary filmmaking style emphasizes creating a captivating emotional journey for the audience.

The filmmaker uses nonlinear editing techniques to build an emotional narrative, similar to a conspiracy-themed video.

James's creative process involves guiding the edit with music and directing motion graphics to produce polished visuals.

The documentary on Sam Bankman-Fried explores the rapid downfall of his $32 billion company, FTX.

The storytelling approach involves presenting a mystery first, followed by contrasting moments that create unease and intrigue.

The use of puzzle pieces as a cinematic motif helps the audience understand the gradual buildup to FTX's collapse.

The video's structure includes a mix of past and present events, allowing the audience to piece together the story alongside the filmmaker.

The narrative is designed to make viewers feel they are part of the investigation, discovering the truth behind the headlines.

The documentary uses retention editing techniques, such as dopamine hits and countdowns, to keep viewers engaged and looking forward to the climax.

The filmmaker's process includes a detailed storyboard with script on one side and direction for motion graphics and b-roll on the other.

Music plays a significant role in dictating the pacing and shaping the scenes in the video.

The filmmaker collaborates with a motion graphics team, providing detailed creative briefs for the visual elements of the video.

AI is utilized in the creative process, assisting with concept ideas for motion graphics and enhancing the storytelling.

The documentary humanizes the story of FTX's collapse through an interview with a victim, adding emotional depth to the narrative.

The filmmaker emphasizes the importance of including the human element to make the story relatable and impactful.

Despite perfectionism, the filmmaker recognizes the need to be satisfied with a certain level of quality and avoid overextending oneself.

The process of creating a documentary involves a balance between achieving high quality and managing the emotional and physical toll of perfectionism.

The filmmaker's advice for aspiring creators is to give themselves permission to be bad, acknowledging that not everything will be perfect.

Transcripts

you can't go too far down the list of

YouTube's best documentary filmmakers

without getting to James Johnny that

feeling is really what I love having in

the videos and it should feel like it's

a beautiful garden and there's a bunch

of people eating from this tree that has

amazing apples on it and in comes James

who's sort of watching this all and

going okay on what's what's going on

here and so I would start digging around

the tree to find that the thing that's

fueling this tree are dead

bodies whoa whoa whoa Rel like hold on

everyone like this is what's happening

underneath the surface James's video

Builds on that feeling of unease I've

doubled down on more of like the

investigative almost that feeling of

like a conspiracy sort of video but how

does James tell a story that anyone

could tell but with a cinematic quality

that should be on Netflix in this

episode we break down how James uses

crazy editing techniques like editing in

a nonlinear way to bring his audience on

his emotional Journey as a filmmaker how

James uses cinematic motifs to play with

his audience expectations and keep them

watching and we get an inside look at

James's creative process how he guides

the edit with music and how he directs

his Motion Graphics team to generate

some of the most polished visuals on

YouTube this is the editing podcast and

this interview was recorded with

Riverside the all-in-one video

podcasting tool if you're new here

please

subscribe I'm very excited to introduce

you to Sam bankman freed the wealthiest

person under 30 in the world sleeping on

a bean bag in his office you build these

people up to be these really interesting

people but you know that their entire

world their entire Foundation is about

to crumble from a 32 billion doll

company to bankruptcy in a matter of

Just 4 days or so many out there who

believe he's just a pathological liar I

feel like that comes down to just the

stories that you pick like inherently

are just interesting and I think that is

a really good analogy I think for what

I'm trying to do with the videos is to

give you first like a mystery something

that's intriguing that has almost again

that essence of I think a community

around it like with both mega churches

cryptocurrencies even FTX and especially

this this new video that I'm working on

there's this element of like there are a

bunch of people that surround this thing

um that there has a lot of attention

around it but there's a sense of

something isn't quite right uh and I

think I'm just naturally hooked to

stories like that uh which is why I

usually gravitate in that direction when

I pick ideas how do you make us feel

that cuz yeah you can show us hey look

how great Sam bman freed is but I don't

trust him already how did you make us

feel that with the context in mind that

you're watching a video titled the fake

genius there's already a feeling of

unease with that I think in the hook of

that video there was a really important

um sort of contrasting moment that I

wanted to get where you start off the

video with this very exciting music the

wealthiest person under 30 in the

[Music]

world almost too overly optimistic where

you sort of hear me saying there's this

guy everybody loves a story about an

underdog and a genius and then you hear

like s m mfri he's sleeping on bean bags

and he's rich and he wants to give all

of his money away and then you

eventually have the switch which is like

literally me going you know the

equivalent of I'm not like other girls

like this isn't like this isn't one of

those stories he wanted to dedicate his

life to doing good for the

world this is not one of those

stories and then that launches us into

the next segment which is where we sort

of the shifts there's a bit of a darker

theme and we get this Mark cot's tweet

appear which is just literally the words

FTX is a problem after having a whole

segment of how great this guy is and how

amazing he is just having that moment of

someone tweeting FTX as a problem is

like okay like all right what's what's

happening like let me dig into this and

so in the case of the video there was

this common Motif that we used which was

these puzzle pieces kind of coming

together puzzle that had managed to fool

so many but what I found was a story

that left people brok

throughout the video you start to see

how these puzzle pieces happen as we go

to the past or go to the present and

we're starting to see slowly as an

audience you're getting a a picture of

okay so I see like this thing is

important this thing is important I'm

starting to understand how all of this

is going to lead up to this big collapse

moment um and it's almost like when you

when you have those moments you can feel

what it's like to be me in that in the

sort of story of trying to piece

together what is going on taking the

audience through the same Journey that

you essentially took it brings in a very

interesting narrative it's like by

throwing us backwards and forwards in

time in the same way that you are

discovering it yourself in that sense

making us Discover it in that probably

same way every single time a significant

moment happened it was then bookended

with cutting towards the puzzle pieces

but if you tell someone that there is a

box that they can put their money into

and that box will return back tfold what

you gave it how could you not be tempted

from the years of 2020 to 202

the world of cryptocurrencies had become

that box for regular people the puzzle

pieces though it was a really satisfying

I was a retention moment of like I am

now understanding the story so much more

I'm seeing it being built but I think

the really really cheeky part of it all

is at the start of the video you started

with those puzzle pieces and you broke

them away yeah and I was like I was like

wait no I wanted to see what that was

but then you started building it back up

in the retention editing language that

became my dopamine hit you know like oh

this is working I I am now getting uh

the signal of chapters of like getting

that sense of progression there's a very

cheeky retention uh storytelling

technique but it works very well in this

context this interview was recorded with

Riverside the all-in-one video

podcasting tool so we've been using

Riverside for over a year now and it's

simply because they've been a great

supporter in making sure that our show

gets made not all of our guests can be

in person so to make sure that we can

still make our show we've been using

Riverside for our remote podcast

interviews and the video quality is

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we've mentioned multiple times before

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recording system and now Riverside has

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off the countdown that then being

another sense of progression another

sense of time of what of something for

us to then look forward to towards that

moment why was the countdown so

important for you in this story yeah the

countdown thing was it was interesting

because that was never in the kind of

like original sort of first draft of the

video it only became a concept after um

in the second draft especially when I

committed to the idea of not telling

this story in a linear way and when I

went and looked at the first draft and

this sort of back and forth it kind of

felt jarring like something just felt

wrong or that it was missing and I think

it was just naturally through the

scripting process like what if I just

add in like a countdown of like 10

months left and immediately it was like

oh my God like that that works perfectly

because it kind of accompanies even the

puzzle pieces element where so not only

are you looking in the past and you're

piecing together this puzzle you're

constantly reminded that this thing is

going to collapse that something is

going to fall and it keeps reminding you

why you're building those puzzle pieces

it's because you know things are about

to end and you want to find out what

what the hell is happening cuz

constantly in the story you're told how

great this person is how amazing the

business is and you're piecing together

the puzzle but then you're always

reminded every single time there's 10 10

months left there's 5 years left in that

retention tactic sort of world like that

again acts as a moment for someone to be

like I'm I'm here because I want to see

how this ends and how this eventually um

yeah how this all sort of collapses I

love it it's it's it's it's a very

really effective way just knowing the

end is coming there's a fantastic

feeling about uh the

pre-apocalypse right yes you know that

the world's about to end and then that

feeling that you can create and then

just that countdown of like this is when

the apocalypse is going to happen s bman

freed is the devil he is the devil in

crypto this guy's literally trying to

ruin crypto permanently and you know

what he says oh that's not what I'm

doing you liar you lie s bman

[Music]

fre

so James the Polish of your videos is

excellent quality this is the things

that we would see on network television

or some of the biggest streaming sites

the thing that I'm definitely curious of

is of course the journey to get to that

point so I'm curious what does the V1

version of this look like the assembly

cut I's say you've recorded everything

you've got it and what I have is

somewhat of a storyboard before we jump

into the edit and the storyboard will

literally be like script is kind of on

the left side on the right hand side

you'll have somewhat of a direction

whether it's motion graphic here b-roll

of this thing here etc etc gives you

some sense of what the edit could look

like once you get into the edit you drop

in your a-roll your face cam Miner

rating footage cut it all up any

mistakes and stuff so that you've just

got the things that you know you're

going to include after that's done you

know that there's going to be bits of

kind of essential b-roll is what I call

it we know that there's going to be a

footage of this thing happening here or

this interview here because it's

literally in the script and it says so

so we start to put in the essential

footage in there what happens next is

where things get a little bit more

interesting it's where you kind of go

into this process of back and forth and

it will be now the moment where you

start to implement some music and music

like I mentioned is a big part in my

videos and what I do so as soon as I

drop a song in that can dictate a lot of

about how the footage is going to roll

and how everything is going to be paced

again we have a sense of and it's

something I'm still trying to get better

at is having a sense of pacing before

you even do that um because that's going

to help you with your music selection

and everything else and now we're like

okay as you like watch through the video

there should be a sense and again you

can use a storyboard as an example we

know that okay we got to get a bunch of

Clips here of people praising Sam

bankman freed but now with the context

of the music in there you can start to

be able to shape the Clips in a way that

it makes sense with the music one of the

greatest quarterbacks in football

history well he's not only an ambassador

for FTX now he's also given equity in

the company and the same goes for the

Brazilian fashion model and Brady's wife

at the time bun the entirety of Major

League at this point as well again in

the story board you'll have a sense of

where Motion Graphics is going to be

which in the timeline uh in Premier Pro

is what I use the timeline is literally

just going to be a black screen that

says insert Motion Graphics of whatever

here once you've got a good sense of we

know the music is right we have a decent

amount of footage um an archive footage

that we we know we're going to use maybe

there's some like polishing that needs

to be done with it but whatever we have

a very good sense of what all of that is

going to be for a lot of them so I I

have a lot of what I call internet

sequences in my videos which is just

anything where it's like clicking on an

article or searching someone's name on

Google um it's a very kind of specific

thing that I have a lot of the time in

my videos I've got a whole creative

brief page that instructs like how to go

about making those internet sequences

from the effects used including like

after effects templates all of this

stuff and I will generally give that to

uh my Motion Graphics editors we had

this detective board thing that appeared

um is what we called it where we showed

kind of the piece of uh the individuals

who are important in the kind of sand

bankman free team or FTX in a circle

those ones require a bit more

storyboarding screen record me really

badly but still somewhat helpful in a

paint uh in an MS paint uh document and

just like drawing what I'm like looking

to have happen uh with the Motion

Graphics once they're done with the

Motion Graphics there might be a little

bit of back and forth but once they've

finally locked it in we just plug it

into the sequence and then yeah mixing

and and mastering kind of happens

afterwards which I'm I'm very terrible

at interestingly enough um conversation

around like AI kind of used mid journey

to help with some concept ideas which I

have found like AI to be helpful when it

comes to like figuring out concepts for

stuff like with the detective board uh

shots of this video I knew I wanted

something that looked a bit neon and and

kind of with this orange and blue theme

run it through mid Journey got some

really cool results fed it back to my

Motion Graphics guy and we kind of

played around with ideas and eventually

you know we got we got what we were we

were happy with in One Moment In the FTX

video we had this uh point in time where

it's we're kind of towards the end of

the story where customers are trying to

withdraw their funds from FTX and

there's this big moment where we talk

about how um imagine being a customer on

FTX when you're hearing all of this bad

news and you you want to withdraw your

money and we initially wanted to do we

we saw it we were like we have a big

Motion Graphics bit here can we just

like can we just record something can we

get like some some actual footage like

of this and we tried we we did like a

day we tried to to you know film

something and it didn't work we did we

didn't manage to find a good way of

doing it so we went back to the drawing

board and was like okay let's just

actually go and have an animation that

is mimicking what it'd be like as a as a

person on their computer so the

animation themselves is like being in a

browser clicking and seeing the article

then clicking to the tweet and seeing CZ

it's very like not it's kind of on the

nose it's very obvious but it was a

moment like okay cool this is fine like

let's move on um and yeah you'll get

moments like that I try and avoid it but

uh that that generally is how sort of

directional Motion Graphics will work

hey hold up let's take a quick music

break

this is nice isn't it music is such a

key source of inspiration for me lots of

times I put music on and I just sit and

I think and I listen I'm like is this

going to work for a scene on my next

project is this going to work in this

YouTube video and doing that research

ahead of time is a big deal and when I

find something that I know I'm going to

want to use in a scene I get pretty stok

bro I it's kind of exciting music bed is

that source of inspiration for me and

recently I have made the switch to music

bed for my music needs the reason why

like to use Music bed as opposed to

anybody else is that their curation

level is absolutely ridiculous I've

heard that they literally only let 1% of

the music submitted to them on their

service if it's not a Bop it's not a cop

if you know what you know what I'm

saying they have any kind of genre any

kind of mood and the producing quality

is absolutely ridiculous like off the

charts it sounds so Pro So Pro that you

might even find artists that you already

like on Spotify and you could use them

in your next video with music bit so

make the switch to music bed today and

experience what is only on music bed

check the link in our description and

get a 14-day free trial right now back

to the conversation what are some of the

small moments that are really important

for you to pull off in this documentary

when I do the videos there's always an

element of like you want to find what

the heart of the story is like what's

kind of the thing that actually brings

the human emotion into it because Sam

bankman freed is this very like know

Larger than Life type of character um

you know you just hear big headlines

about how much money he's worth and how

much money the FTX collapse caus and all

of this stuff it's very hard to relate

to it maybe on a human and emotional

level so one of the important things

that I really wanted to have was this uh

interview that I had with one of the

victims of the FTX collapse um who had a

really like powerful story which I think

humanized everything that was going on I

was following the situation uh quite

well after all of this and I was

horrifying that it's it's fun to see a

countdown it's fun to see you know oh my

God like this guy is not as what people

seem and all of those elements are

interesting to watch but then I think

the the thing that I constantly wanted

to have uh was this interview running

with uh like Martin who was the the

victim and to have him constantly go

through his experience and have this

moment at the end where I knew I wanted

to end kind of the main video on just

his own comments and his own thoughts on

the whole thing which I felt would have

been the real way to close it out is

yeah you hear the story about s m free

but you're finally reminded at the end

of it that there is someone who you know

is at the heart of it the ones who did

lose money and had real consequences

happened and Martin you know had this

really powerful moment where he's

talking about you know this is like

watching all your Christmas bonuses all

your checks everything you've worked

hard to like seeing it sort of thrown

into the wind it felt like everything I

worked up to this point in my life has

been just like there were different

memories flashing in my head of all the

raises you get at work of all the money

you get Christmas bonuses it would be

all the same if I just took those checks

and burned them and thrown them into the

wind or whatever and then this moment

where I kind of I includ in the

interview where I asked him you know

what what would you say to Sam bankman

freed if if he would you know if you

could talk to him uh and him just saying

you know just try make it right if he

has any Humanity left I think that was a

really big moment to emphasize that it

wasn't just about this bankman freed

character that everyone spoke about that

there were real losses uh at the end of

it all um and that I think was like kind

of the heartbeat of the story which I

think was really important to include

otherwise it becomes this funny roller

coaster story of rich man who you know

is so great and good and turns out he's

not spectacle is fun it can be

entertaining but spectacle doesn't hit

until you can bring in that human

element towards it how are you able to

allow yourself to be in a place where

you don't care how long it is between

uploads or you're making sure that you

are working on the video Until It's

actually done I funly enough I do care

quite bit about the upflow time it's

kind of it's been my um biggest kind of

pet peeve at the moment in terms of not

being able to consistently upload I

think again part of the issue is I still

have those areas of perfectionism which

makes me want to continue to draw things

out slowly as I've started to begin

developing out a team or people to help

me um like with this FTX video we hit um

a point you know weeks before the actual

release where I'm looking at my um my

creative producer and I'm saying to him

you like bro I don't think I don't think

this is ready like there's so much more

that I want to add into this like the

video is bad it's terrible I can't put

this out and he's like look we had a

conversation about it we're like we need

to be happy with 70% of this thing being

good and continue and move on from there

because truthfully that perfectionism

wanted me to pursue the the best

possible video in lie of like the

emotional like stress and and mental

like fatigue and and physical fatigue

that would it take to like get that last

bit completed um and I think it was

helpful having again like want to

actually again fundamentally different

to what it was before prior to burning

out where I brought on a team and

thought I had to come with the answers

this was a moment where I got to sit

down and be like okay here's how I'm

feeling and and we ended up you know

figuring out the solution in there what

we've been coming to realize uh amongst

a lot of these conversations is that

that last 30 to 20% of details barely a

100 people will really notice that

detail yeah and then but then that's

where you then start breaking your mind

on that detail that 99.9% of the

audiences won't care about and as you

gain the audience and you gain the

pressure of like a reputation of being

someone that uploads like high quality

content is you you I started to lose

this principle which is really important

I think to me which is giving yourself

permission to be bad um that was like I

I wouldn't have even uploaded my first

video if I didn't like drill that into

my head because you know when I was

making the first video as I'm recording

in my head the only thought was this is

the worst thing I this is going to be so

bad but it was always like give yourself

permission to be bad it's going to be

okay it was it and bear in mind like I

didn't have much of like I didn't have

any editing experience really prior to

starting this channel the only way I

slowly improved on that and understood a

lot of like what I was doing was again

going this video there were good moments

couple moments where I think I could

have improved let's move on to the next

[Music]

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