Canon EF 70-200 F4 NON IS Lens REVIEW
Summary
TLDRIn this video, James Mathis reviews the Canon 70-200mm f/4 non-IS lens, explaining why it's his favorite budget-friendly telephoto lens for full-frame cameras. He highlights its affordability, sharp image quality, and versatility, especially for portraits and outdoor shots. Despite being f/4, it still produces impressive background blur at 200mm. Mathis also offers tips on using this lens, including maintaining a high shutter speed to avoid shake. He praises the lens for both photography and its potential in future video projects, recommending it to photographers on a budget.
Takeaways
- 📸 The video discusses the Canon 70-200mm f/4L non-IS lens and its benefits for photographers on a budget.
- 💰 The lens is affordable, costing around $500, making it a great option for full-frame camera users who need a telephoto lens.
- ⚡️ Even though it’s f/4 and lacks image stabilization (IS), it still performs well, especially on full-frame cameras, where ISO isn't as much of a concern.
- 🔍 The lens is incredibly sharp, and at 200mm, it can blur backgrounds almost like an f/1.8 lens, making it suitable for portraits.
- 🔄 Zoom lenses are a new and appreciated change for the speaker, who typically uses prime lenses.
- 💼 The speaker emphasizes the lens's practicality for photographers with limited budgets who need longer focal lengths without splurging on expensive gear.
- 📷 Fast autofocus makes it ideal for photography, although the speaker hasn’t tested its performance for video due to the lack of IS.
- 🚀 One key shooting tip is to keep the shutter speed at least as fast as the focal length (1/200 for 200mm) to avoid handshake and blurry images.
- 🌟 This lens works best with full-frame cameras, as crop sensors increase the focal length and ISO sensitivity, making it less versatile.
- 🎥 The speaker plans to use this lens for future photography jobs and praises its professional look and quality at an affordable price.
Q & A
Why did the speaker choose the Canon 70-200mm f/4 L lens over other options?
-The speaker chose this lens because it is affordable, sharp, and versatile for their needs. They also acquired it through a trade, which made it easier to obtain.
What concerns might arise from using an f/4 lens for telephoto photography?
-The main concern with an f/4 lens is its limitation in low-light situations. However, the speaker mentions that shooting with a full-frame camera mitigates this issue by allowing higher ISO settings.
How does the speaker handle high ISO settings with this lens?
-The speaker is comfortable shooting at ISO 6400 and even up to 12,800 on their Canon 6D Mark II. They rely on post-processing tools like Lightroom to reduce noise using luminance adjustments.
What is the primary reason the speaker needed a telephoto lens?
-The speaker needed a telephoto lens because their longest lens before this was 85mm, which limited the types of shots they could capture.
How does the sharpness of the Canon 70-200mm f/4 L lens compare to other lenses?
-The speaker emphasizes that the sharpness of the lens is incredible, describing it as ‘insanely sharp’ and highly capable of producing professional-quality images.
What does the speaker recommend regarding shutter speed for telephoto shots?
-The speaker advises keeping the shutter speed at least at 1/200th of a second when shooting at 200mm to avoid motion blur caused by camera shake.
Why is the f/4 aperture not as much of a disadvantage as it might seem?
-Even though it’s f/4, at 200mm, the speaker can still achieve significant background blur, similar to that of an f/1.8 lens, making it a good option for portrait photography.
What are the speaker's thoughts on the Canon 70-200mm f/4 L lens for video work?
-The speaker hasn't tested the lens extensively for video due to its lack of image stabilization (IS), but they plan to use it on a tripod or gimbal in future projects.
What is the main downside of using this lens on a crop sensor camera?
-On a crop sensor camera, the focal length increases by 1.6x, and the f/4 aperture requires a higher ISO, making it less practical for low-light photography.
What is the speaker’s overall opinion of the Canon 70-200mm f/4 L lens?
-The speaker is highly satisfied with the lens, especially for photographers on a budget. They recommend it for its sharpness, versatility, and affordability, particularly for full-frame users.
Outlines
📸 Introduction to a New Lens Discovery
The speaker introduces themselves as James Mathis and expresses excitement about reviewing a 70-200mm f/4 L lens without image stabilization (IS). While addressing potential concerns about choosing a non-IS lens, they emphasize the lens’s affordability for those on a budget and its suitability for full-frame cameras. Despite the f/4 aperture, the speaker insists it is still highly versatile and shares their enthusiasm about the quality of the photos captured with the lens.
🔍 Exploring the Advantages of the Lens
James dives into the reasons for purchasing the lens, beginning with the fact that they previously lacked a telephoto option, limiting their shot range. The affordable price point of the lens, around $500, makes it a more accessible choice compared to pricier alternatives. Additionally, the sharpness of the lens is a key selling point. They demonstrate how the lens can achieve excellent background blur at 200mm, similar to wider apertures, making it an ideal option for portrait photography while offering the flexibility of zoom.
💡 Reasons for Choosing the Lens
The third reason for choosing this lens is its practicality for various photography jobs where a longer focal length is necessary. James highlights the need for budget-conscious options, as they cannot afford more expensive lenses like the 70-200mm f/2.8 IS models. They mention that while the autofocus is fast for photos, the lack of IS requires using a tripod or gimbal for video, which they plan to experiment with in the future. The lens is strongly recommended for budget photographers using full-frame cameras.
📏 Shooting Tips with Telephoto Lenses
James offers advice for using telephoto lenses, particularly regarding shutter speed to avoid handshake. They explain how they initially struggled with blurry images until learning to maintain a shutter speed of at least 1/200th of a second for a 200mm focal length. They also caution against using the lens on crop-sensor cameras, as the ISO may need to be raised too high due to the f/4 aperture. However, they reinforce that the lens is perfect for full-frame cameras and emphasizes its professional appearance.
🎥 Upcoming Projects and Final Thoughts
James closes by discussing upcoming photography projects where they plan to use the lens. They humorously mention that the lens's aesthetic makes them look like a professional due to its recognizable white body and red ring. With an upcoming event on November 10th, the lens will be the primary choice for telephoto shots. James shares their appreciation for budget-friendly gear and expresses gratitude to their audience for the support on recent videos. Finally, they encourage viewers to like, comment, and subscribe for more content.
Mindmap
Keywords
💡Telephoto lens
💡f/4 aperture
💡Full-frame camera
💡Sharpness
💡Budget
💡Compression
💡Autofocus
💡ISO
💡Non-IS lens
💡Focal length
Highlights
Introduction to the 70-200mm f/4 L non-IS telephoto lens and discussion on why it's an affordable option for budget photographers.
Reason 1: The photographer didn’t have a telephoto lens, and this one offered an affordable way to capture shots requiring longer focal lengths.
Affordability: You can get this lens for around $500 on Amazon, which is much cheaper compared to other L lenses.
Sharpness: The lens delivers incredibly sharp photos, even at f/4.
At 200mm, the lens can blow out the background to create compression that mimics the look of a 1.8 aperture lens.
Reason 2: Versatility—the lens can zoom in and out, offering precise framing compared to prime lenses.
The lens is described as great for both portraits and telephoto shots, making it highly versatile.
Reason 3: The photographer needed a longer lens for various jobs, but didn’t have $1,500 to spend on higher-end models.
The lens is an ideal choice for photographers on a budget who still need a reliable telephoto lens.
Autofocus performance: The autofocus is extremely fast and reliable for photos.
Video limitation: The lens lacks image stabilization (IS), making it necessary to use a tripod or gimbal for video work.
The lens is best suited for full-frame cameras, allowing lower ISO settings, even in low light conditions.
For telephoto shooting, it's important to maintain a shutter speed equivalent to or faster than the focal length (e.g., 1/200s at 200mm) to avoid shake.
The lens can make a photographer appear more professional due to its large, impressive appearance with the red ring.
Closing comments: The lens is highly recommended for full-frame users on a budget who want sharpness, versatility, and the ability to shoot both portraits and telephoto scenes.
Transcripts
[Music]
so I did a thing
[Music]
what's up guys welcome to that creative
laugh it's me James Mathis and today
we're gonna talk about this behemoth
this massive massive lens it is a 70 to
200 L lens is the f/4 not is version I
know what you're thinking why why would
you get a non is telephoto lens that's
f/4 that makes no sense why would you do
that
well this lens is quite affordable and
so if you're on a budget and you have a
full-frame camera and you need a good
telephoto lens right here you go I know
you're thinking but if it's f/4
you're basically gonna be stuck shooting
outside and that's not entirely true if
you're on a full-frame cameras so we're
gonna talk about that we're gonna talk
about why this is my new favorite lens
holy crap the photos I have gotten from
at are astounding and I'm gonna let you
take a look at them now and as you can
see the photo quality's unbelievable as
sharp everything looks great I mean as
just a killer lens and if you're
shooting a full-frame ISO becomes less
of an issue and so with my 6d mark - I
feel comfortable shooting up to 6400
occasionally I'll even dive all the way
up to 12,000 800 as long as you're
shooting raw then you can go into
Lightroom and then use luminous T noise
and there you go you're set and so why
did I get this lens and so there are
gonna be three big reasons why I got
this lens and we're gonna talk about it
number one is I didn't have a telephoto
lens so the longest thing I have was 85
millimeters and there's a lot of shots
that I wanted to get that I couldn't
because I didn't have anything longer
and so this being as affordable as it
was and I didn't even pay for it I
traded for it which is a whole different
thing but it made it a lot easier to get
my hands on this and you can get these
on Amazon for like 500 bucks which is a
heck of a lot cheaper and just about any
other L ends you're gonna be looking at
so that's the first reason that's just
so number two is the sharpness if you
look at the sharpness of those lens it
is insane how sharp it is and it's f4
which I know you're probably thinking
you can't get a whole lot of compression
it before can you well let's throw up a
picture that I took today and it kind of
looks like it was shot on a problem so
let's throw it up there now as you can
see when you're at 200 millimeters you
can completely blow out the background
just like if it was a 1.8 and it's
fantastic for that because this can be a
portrait lens and because it's so
versatile you can zoom in and out and
get the exact framing that you want I'm
used to using proms so zoom lenses are a
very nice change of pace for me and so
number two is that I mean pretty
self-explanatory and last but not least
number three the reason why I wanted
this so I have a lot of jobs that I
needed a longer lens for and I'm sorry I
don't have $1500 to blow on that 70 to
200 2.8 is blah blah blah it can make
you a cup of coffee I can't afford that
I'm a working photographer I have a day
job I have another day job
I have several ways that I try to make a
living and so I can't go below $1500 on
a lens like a lot of people can and so
this is an excellent excellent excellent
choice if you're on a tight budget and
the autofocus for photos is super super
fast and everything on this lens is
fantastic as far as that goes and as far
as the video goes I haven't actually
tried it out for a video because it's
not is and you basically have to have it
set up on the tripod or on a gimbal but
that's coming so don't you worry it will
happen at some point I will have it on
200 and I will have it on my gimbal and
we'll do some awesome shots and see how
it looks like that but I just wanted to
make this video saying how amazing this
lens is if you're on a budget and you
have a full-frame camera get it I'm
telling you you will thank me for it as
long as you can keep that shutter at
what you know this is something that I
had to learn because I've not shot
telephoto before I have to keep it at
least one 200th of a second if you're
shooting at 200 millimeter
you never want to go below what your
focal length is because that's when you
get handshake and lord knows I'm a shaky
individual just it's just how I am so if
you do get a long zoom or if you've been
struggling with your long zoom that is
one more piece of advice I can throw
your way because I didn't know that
nobody told me that
so trying to shoot one fiftieth of a
second and everything is like super
blurry and I finally figured out why so
the Canon f4 f4 72 209 is ellen's is
fantastic if you are on a budget you
need a telephoto lens and you're
shooting a full frame why do I keep
saying full frame because if you put
this on a crop sensor you got times
everything about one point six and then
70 is already pretty telephoto granted
you can have more reach if you're on 200
because you times that by one point six
but the issue comes in with the ISO
because it is a four you do have to run
your ISO a little bit hotter than you
normally would so it doesn't really work
as a crop since your lens but if you're
on full frame get it get it get it get
it and it's got the lens hood and so
then you know when you're out taking
photos you actually look like you're a
professional because you got one of the
big long white lenses with the red ring
which is what everybody wants now ain't
it I mean come on now that just it looks
like you know what you're doing and not
gonna lie appearances or big thing for
photographers and so yeah I like having
that because it makes me look legit so
when I photographed the US has a lot
coming up November 10th and don't worry
there will be video of that that's gonna
be the lens I'm going to use nine times
out of ten and then when I need the wine
wide-angle with you I'll just go on the
wide-angle lens and I'm good to go I
mean it's really just kind of the
perfect setup you have a wide angle you
have telephoto there you go I still have
all the problems but honestly since I've
got this thing I've not really touched
them because that thing's amazing other
than course right now because I always
shoot these studio videos with the Canon
51.80 50 it's just thing all our lens on
a budget and because I'm poor I like
things on a budget so I love you guys
thank you for sticking around thank you
for showing me so much love on the last
video y'all have
killed a hundred and eight views in less
than 48 hours come on now that's crazy
for me that's yeah I like it
I like it a lot but thank you if you
like this video drop a like down below
leave a comment let me know what you
think have you tried this lens
do you hate this lens do you love this
lens let me know I'm kind of curious to
see what your thoughts are and and if
you're not subscribed you've totally
should because you're gonna miss out on
awesome videos coming up come on now I
love you guys don't forget to live that
creative life I'll see you next time
[Music]
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