Canon EF 70-200 F4 NON IS Lens REVIEW

James Mathis Jr
19 Oct 201808:03

Summary

TLDRIn this video, James Mathis reviews the Canon 70-200mm f/4 non-IS lens, explaining why it's his favorite budget-friendly telephoto lens for full-frame cameras. He highlights its affordability, sharp image quality, and versatility, especially for portraits and outdoor shots. Despite being f/4, it still produces impressive background blur at 200mm. Mathis also offers tips on using this lens, including maintaining a high shutter speed to avoid shake. He praises the lens for both photography and its potential in future video projects, recommending it to photographers on a budget.

Takeaways

  • 📸 The video discusses the Canon 70-200mm f/4L non-IS lens and its benefits for photographers on a budget.
  • 💰 The lens is affordable, costing around $500, making it a great option for full-frame camera users who need a telephoto lens.
  • ⚡️ Even though it’s f/4 and lacks image stabilization (IS), it still performs well, especially on full-frame cameras, where ISO isn't as much of a concern.
  • 🔍 The lens is incredibly sharp, and at 200mm, it can blur backgrounds almost like an f/1.8 lens, making it suitable for portraits.
  • 🔄 Zoom lenses are a new and appreciated change for the speaker, who typically uses prime lenses.
  • 💼 The speaker emphasizes the lens's practicality for photographers with limited budgets who need longer focal lengths without splurging on expensive gear.
  • 📷 Fast autofocus makes it ideal for photography, although the speaker hasn’t tested its performance for video due to the lack of IS.
  • 🚀 One key shooting tip is to keep the shutter speed at least as fast as the focal length (1/200 for 200mm) to avoid handshake and blurry images.
  • 🌟 This lens works best with full-frame cameras, as crop sensors increase the focal length and ISO sensitivity, making it less versatile.
  • 🎥 The speaker plans to use this lens for future photography jobs and praises its professional look and quality at an affordable price.

Q & A

  • Why did the speaker choose the Canon 70-200mm f/4 L lens over other options?

    -The speaker chose this lens because it is affordable, sharp, and versatile for their needs. They also acquired it through a trade, which made it easier to obtain.

  • What concerns might arise from using an f/4 lens for telephoto photography?

    -The main concern with an f/4 lens is its limitation in low-light situations. However, the speaker mentions that shooting with a full-frame camera mitigates this issue by allowing higher ISO settings.

  • How does the speaker handle high ISO settings with this lens?

    -The speaker is comfortable shooting at ISO 6400 and even up to 12,800 on their Canon 6D Mark II. They rely on post-processing tools like Lightroom to reduce noise using luminance adjustments.

  • What is the primary reason the speaker needed a telephoto lens?

    -The speaker needed a telephoto lens because their longest lens before this was 85mm, which limited the types of shots they could capture.

  • How does the sharpness of the Canon 70-200mm f/4 L lens compare to other lenses?

    -The speaker emphasizes that the sharpness of the lens is incredible, describing it as ‘insanely sharp’ and highly capable of producing professional-quality images.

  • What does the speaker recommend regarding shutter speed for telephoto shots?

    -The speaker advises keeping the shutter speed at least at 1/200th of a second when shooting at 200mm to avoid motion blur caused by camera shake.

  • Why is the f/4 aperture not as much of a disadvantage as it might seem?

    -Even though it’s f/4, at 200mm, the speaker can still achieve significant background blur, similar to that of an f/1.8 lens, making it a good option for portrait photography.

  • What are the speaker's thoughts on the Canon 70-200mm f/4 L lens for video work?

    -The speaker hasn't tested the lens extensively for video due to its lack of image stabilization (IS), but they plan to use it on a tripod or gimbal in future projects.

  • What is the main downside of using this lens on a crop sensor camera?

    -On a crop sensor camera, the focal length increases by 1.6x, and the f/4 aperture requires a higher ISO, making it less practical for low-light photography.

  • What is the speaker’s overall opinion of the Canon 70-200mm f/4 L lens?

    -The speaker is highly satisfied with the lens, especially for photographers on a budget. They recommend it for its sharpness, versatility, and affordability, particularly for full-frame users.

Outlines

00:00

📸 Introduction to a New Lens Discovery

The speaker introduces themselves as James Mathis and expresses excitement about reviewing a 70-200mm f/4 L lens without image stabilization (IS). While addressing potential concerns about choosing a non-IS lens, they emphasize the lens’s affordability for those on a budget and its suitability for full-frame cameras. Despite the f/4 aperture, the speaker insists it is still highly versatile and shares their enthusiasm about the quality of the photos captured with the lens.

05:01

🔍 Exploring the Advantages of the Lens

James dives into the reasons for purchasing the lens, beginning with the fact that they previously lacked a telephoto option, limiting their shot range. The affordable price point of the lens, around $500, makes it a more accessible choice compared to pricier alternatives. Additionally, the sharpness of the lens is a key selling point. They demonstrate how the lens can achieve excellent background blur at 200mm, similar to wider apertures, making it an ideal option for portrait photography while offering the flexibility of zoom.

💡 Reasons for Choosing the Lens

The third reason for choosing this lens is its practicality for various photography jobs where a longer focal length is necessary. James highlights the need for budget-conscious options, as they cannot afford more expensive lenses like the 70-200mm f/2.8 IS models. They mention that while the autofocus is fast for photos, the lack of IS requires using a tripod or gimbal for video, which they plan to experiment with in the future. The lens is strongly recommended for budget photographers using full-frame cameras.

📏 Shooting Tips with Telephoto Lenses

James offers advice for using telephoto lenses, particularly regarding shutter speed to avoid handshake. They explain how they initially struggled with blurry images until learning to maintain a shutter speed of at least 1/200th of a second for a 200mm focal length. They also caution against using the lens on crop-sensor cameras, as the ISO may need to be raised too high due to the f/4 aperture. However, they reinforce that the lens is perfect for full-frame cameras and emphasizes its professional appearance.

🎥 Upcoming Projects and Final Thoughts

James closes by discussing upcoming photography projects where they plan to use the lens. They humorously mention that the lens's aesthetic makes them look like a professional due to its recognizable white body and red ring. With an upcoming event on November 10th, the lens will be the primary choice for telephoto shots. James shares their appreciation for budget-friendly gear and expresses gratitude to their audience for the support on recent videos. Finally, they encourage viewers to like, comment, and subscribe for more content.

Mindmap

Keywords

💡Telephoto lens

A telephoto lens is a type of camera lens designed to capture distant subjects by magnifying them, commonly used for sports or wildlife photography. In the video, the presenter discusses the Canon 70-200mm f/4 lens, which falls under this category, emphasizing its affordability and versatility for full-frame cameras.

💡f/4 aperture

The aperture is the opening in a camera lens through which light passes to enter the camera. The f/4 aperture setting refers to the size of this opening. In the video, the presenter talks about how, despite f/4 being a smaller aperture than f/2.8, the lens still produces excellent results, particularly in outdoor settings.

💡Full-frame camera

A full-frame camera has a sensor that is equivalent in size to a 35mm film frame. This larger sensor offers better image quality and improved low-light performance. In the video, the presenter highlights that using a full-frame camera with this lens allows them to shoot in various lighting conditions while minimizing issues with ISO.

💡Sharpness

Sharpness refers to the clarity of detail in an image. In the video, the presenter is impressed by the sharpness of the Canon 70-200mm f/4 lens, even at longer focal lengths, noting that this is one of the key reasons they chose the lens for professional photography.

💡Budget

A budget in this context refers to the affordability of camera equipment. The presenter emphasizes that the Canon 70-200mm f/4 lens is a cost-effective alternative to more expensive lenses like the f/2.8 version, making it an attractive option for photographers with limited financial resources.

💡Compression

Lens compression refers to the effect a telephoto lens has on the background and foreground, making distant objects appear closer together. The presenter notes that despite the f/4 aperture, the 200mm focal length can still create a pleasing compression effect, which is important for portrait photography.

💡Autofocus

Autofocus is the feature of a camera or lens that automatically adjusts the focus on the subject. The presenter praises the autofocus speed of the Canon 70-200mm f/4 lens, especially for photography, which allows them to capture sharp images quickly in various scenarios.

💡ISO

ISO measures the camera sensor’s sensitivity to light. A higher ISO setting allows for shooting in low-light conditions but can introduce noise or grain into the image. The presenter explains how they are comfortable raising the ISO on their full-frame camera to 6400 or higher while using this lens without sacrificing image quality.

💡Non-IS lens

A non-IS (Image Stabilization) lens lacks the feature that compensates for camera shake, making it harder to use for handheld shooting, especially with slower shutter speeds. In the video, the presenter mentions that the Canon 70-200mm f/4 lens is a non-IS version, meaning it’s best used on a tripod or gimbal for video work.

💡Focal length

Focal length is the distance between the lens and the image sensor, determining how 'zoomed in' an image appears. The Canon 70-200mm lens offers variable focal lengths, with the presenter explaining how this range allows for both wide and tight shots, making it versatile for different types of photography.

Highlights

Introduction to the 70-200mm f/4 L non-IS telephoto lens and discussion on why it's an affordable option for budget photographers.

Reason 1: The photographer didn’t have a telephoto lens, and this one offered an affordable way to capture shots requiring longer focal lengths.

Affordability: You can get this lens for around $500 on Amazon, which is much cheaper compared to other L lenses.

Sharpness: The lens delivers incredibly sharp photos, even at f/4.

At 200mm, the lens can blow out the background to create compression that mimics the look of a 1.8 aperture lens.

Reason 2: Versatility—the lens can zoom in and out, offering precise framing compared to prime lenses.

The lens is described as great for both portraits and telephoto shots, making it highly versatile.

Reason 3: The photographer needed a longer lens for various jobs, but didn’t have $1,500 to spend on higher-end models.

The lens is an ideal choice for photographers on a budget who still need a reliable telephoto lens.

Autofocus performance: The autofocus is extremely fast and reliable for photos.

Video limitation: The lens lacks image stabilization (IS), making it necessary to use a tripod or gimbal for video work.

The lens is best suited for full-frame cameras, allowing lower ISO settings, even in low light conditions.

For telephoto shooting, it's important to maintain a shutter speed equivalent to or faster than the focal length (e.g., 1/200s at 200mm) to avoid shake.

The lens can make a photographer appear more professional due to its large, impressive appearance with the red ring.

Closing comments: The lens is highly recommended for full-frame users on a budget who want sharpness, versatility, and the ability to shoot both portraits and telephoto scenes.

Transcripts

play00:12

[Music]

play00:18

so I did a thing

play00:23

[Music]

play00:30

what's up guys welcome to that creative

play00:33

laugh it's me James Mathis and today

play00:35

we're gonna talk about this behemoth

play00:37

this massive massive lens it is a 70 to

play00:41

200 L lens is the f/4 not is version I

play00:46

know what you're thinking why why would

play00:49

you get a non is telephoto lens that's

play00:52

f/4 that makes no sense why would you do

play00:54

that

play00:55

well this lens is quite affordable and

play00:58

so if you're on a budget and you have a

play01:01

full-frame camera and you need a good

play01:02

telephoto lens right here you go I know

play01:06

you're thinking but if it's f/4

play01:08

you're basically gonna be stuck shooting

play01:10

outside and that's not entirely true if

play01:12

you're on a full-frame cameras so we're

play01:15

gonna talk about that we're gonna talk

play01:16

about why this is my new favorite lens

play01:18

holy crap the photos I have gotten from

play01:21

at are astounding and I'm gonna let you

play01:23

take a look at them now and as you can

play01:34

see the photo quality's unbelievable as

play01:37

sharp everything looks great I mean as

play01:40

just a killer lens and if you're

play01:43

shooting a full-frame ISO becomes less

play01:45

of an issue and so with my 6d mark - I

play01:49

feel comfortable shooting up to 6400

play01:51

occasionally I'll even dive all the way

play01:54

up to 12,000 800 as long as you're

play01:57

shooting raw then you can go into

play01:58

Lightroom and then use luminous T noise

play02:00

and there you go you're set and so why

play02:03

did I get this lens and so there are

play02:06

gonna be three big reasons why I got

play02:08

this lens and we're gonna talk about it

play02:10

number one is I didn't have a telephoto

play02:13

lens so the longest thing I have was 85

play02:15

millimeters and there's a lot of shots

play02:16

that I wanted to get that I couldn't

play02:17

because I didn't have anything longer

play02:19

and so this being as affordable as it

play02:23

was and I didn't even pay for it I

play02:25

traded for it which is a whole different

play02:27

thing but it made it a lot easier to get

play02:30

my hands on this and you can get these

play02:32

on Amazon for like 500 bucks which is a

play02:35

heck of a lot cheaper and just about any

play02:37

other L ends you're gonna be looking at

play02:38

so that's the first reason that's just

play02:41

so number two is the sharpness if you

play02:44

look at the sharpness of those lens it

play02:46

is insane how sharp it is and it's f4

play02:48

which I know you're probably thinking

play02:51

you can't get a whole lot of compression

play02:53

it before can you well let's throw up a

play02:57

picture that I took today and it kind of

play02:59

looks like it was shot on a problem so

play03:00

let's throw it up there now as you can

play03:04

see when you're at 200 millimeters you

play03:06

can completely blow out the background

play03:07

just like if it was a 1.8 and it's

play03:10

fantastic for that because this can be a

play03:12

portrait lens and because it's so

play03:14

versatile you can zoom in and out and

play03:16

get the exact framing that you want I'm

play03:18

used to using proms so zoom lenses are a

play03:21

very nice change of pace for me and so

play03:25

number two is that I mean pretty

play03:27

self-explanatory and last but not least

play03:30

number three the reason why I wanted

play03:32

this so I have a lot of jobs that I

play03:35

needed a longer lens for and I'm sorry I

play03:38

don't have $1500 to blow on that 70 to

play03:40

200 2.8 is blah blah blah it can make

play03:44

you a cup of coffee I can't afford that

play03:46

I'm a working photographer I have a day

play03:50

job I have another day job

play03:52

I have several ways that I try to make a

play03:54

living and so I can't go below $1500 on

play03:58

a lens like a lot of people can and so

play04:00

this is an excellent excellent excellent

play04:03

choice if you're on a tight budget and

play04:07

the autofocus for photos is super super

play04:11

fast and everything on this lens is

play04:13

fantastic as far as that goes and as far

play04:15

as the video goes I haven't actually

play04:16

tried it out for a video because it's

play04:18

not is and you basically have to have it

play04:20

set up on the tripod or on a gimbal but

play04:23

that's coming so don't you worry it will

play04:25

happen at some point I will have it on

play04:27

200 and I will have it on my gimbal and

play04:29

we'll do some awesome shots and see how

play04:31

it looks like that but I just wanted to

play04:34

make this video saying how amazing this

play04:36

lens is if you're on a budget and you

play04:37

have a full-frame camera get it I'm

play04:41

telling you you will thank me for it as

play04:43

long as you can keep that shutter at

play04:45

what you know this is something that I

play04:47

had to learn because I've not shot

play04:49

telephoto before I have to keep it at

play04:51

least one 200th of a second if you're

play04:53

shooting at 200 millimeter

play04:54

you never want to go below what your

play04:56

focal length is because that's when you

play04:58

get handshake and lord knows I'm a shaky

play05:01

individual just it's just how I am so if

play05:04

you do get a long zoom or if you've been

play05:06

struggling with your long zoom that is

play05:08

one more piece of advice I can throw

play05:09

your way because I didn't know that

play05:11

nobody told me that

play05:12

so trying to shoot one fiftieth of a

play05:15

second and everything is like super

play05:16

blurry and I finally figured out why so

play05:19

the Canon f4 f4 72 209 is ellen's is

play05:29

fantastic if you are on a budget you

play05:31

need a telephoto lens and you're

play05:32

shooting a full frame why do I keep

play05:34

saying full frame because if you put

play05:35

this on a crop sensor you got times

play05:37

everything about one point six and then

play05:39

70 is already pretty telephoto granted

play05:43

you can have more reach if you're on 200

play05:47

because you times that by one point six

play05:48

but the issue comes in with the ISO

play05:50

because it is a four you do have to run

play05:53

your ISO a little bit hotter than you

play05:54

normally would so it doesn't really work

play05:57

as a crop since your lens but if you're

play05:59

on full frame get it get it get it get

play06:01

it and it's got the lens hood and so

play06:03

then you know when you're out taking

play06:04

photos you actually look like you're a

play06:06

professional because you got one of the

play06:07

big long white lenses with the red ring

play06:09

which is what everybody wants now ain't

play06:11

it I mean come on now that just it looks

play06:14

like you know what you're doing and not

play06:16

gonna lie appearances or big thing for

play06:18

photographers and so yeah I like having

play06:20

that because it makes me look legit so

play06:22

when I photographed the US has a lot

play06:25

coming up November 10th and don't worry

play06:26

there will be video of that that's gonna

play06:29

be the lens I'm going to use nine times

play06:30

out of ten and then when I need the wine

play06:32

wide-angle with you I'll just go on the

play06:34

wide-angle lens and I'm good to go I

play06:36

mean it's really just kind of the

play06:38

perfect setup you have a wide angle you

play06:39

have telephoto there you go I still have

play06:42

all the problems but honestly since I've

play06:45

got this thing I've not really touched

play06:46

them because that thing's amazing other

play06:49

than course right now because I always

play06:51

shoot these studio videos with the Canon

play06:55

51.80 50 it's just thing all our lens on

play06:58

a budget and because I'm poor I like

play07:00

things on a budget so I love you guys

play07:03

thank you for sticking around thank you

play07:05

for showing me so much love on the last

play07:07

video y'all have

play07:08

killed a hundred and eight views in less

play07:09

than 48 hours come on now that's crazy

play07:12

for me that's yeah I like it

play07:15

I like it a lot but thank you if you

play07:18

like this video drop a like down below

play07:20

leave a comment let me know what you

play07:21

think have you tried this lens

play07:23

do you hate this lens do you love this

play07:25

lens let me know I'm kind of curious to

play07:27

see what your thoughts are and and if

play07:30

you're not subscribed you've totally

play07:32

should because you're gonna miss out on

play07:34

awesome videos coming up come on now I

play07:36

love you guys don't forget to live that

play07:39

creative life I'll see you next time

play07:53

[Music]

Rate This

5.0 / 5 (0 votes)

Related Tags
PhotographyCanon LensTelephotoBudget GearFull-Frame CameraSharpnessPortrait PhotographyLens ReviewCamera TipsAutofocus