Interfacings & Stabilizers Recommended for Bag Making

Summary

このビデオスクリプトでは、バッグ制作初心者が編み込みインタフェースとスタイリザの違いについて混乱している場合の解決策を提供します。スピーカーは、バッグ制作でよく使われる編み込みインタフェースとスタイリザの種類について説明し、それらをquilting cottonとMarine vinylに貼り付けたサンプルを紹介します。彼らはまた、編み込みインタフェースとスタイリザの使い方、どのような素材に適しているか、そしてどのように貼り付けるかについても説明しています。さらに、彼らは自分が過去20年間で作ったバッグの例を交えて、それぞれの材料の利点を詳細に説明します。

Takeaways

• 📌 編み付け初心者がバグマキングの基礎を理解するための説明。
• 🧵 編み地張りとスタイリザの違いと使用タイミングの解説。
• 🔍 編み地張りはキルトコットンに使用され、伸びを排除し、重さを与える。
• 🛠️ 編み地張りは継手余分に切り取らず、端にまで付けることができる。
• 💡 編み地張りは地元の大型量販店やオンラインで購入可能。
• 🌟 軽量スタイリザとしてペロン98-7Fフusableフリースを使用する場合。
• 🏷️ フusableフリースは構造を提供するが、編み地張りよりも力が弱い。
• 📦 スタイリザはバッグの形、構造を定め、自立させる。
• 🥇 作者の推奨スタイリザ：デカボライトで、使いやすく、手作りのバッグに好評。
• 🔧 デカビルヘビーはバッグの底部に使用され、フusableフーズと比較して柔らかく。
• 🔨 ペロン・ペルテックス71Fは非常に硬いスタイリザで、鉄棒のように扱いが難しい。
• 🗑️ 残りのインタフェースやスタイリザを保管し、小規模なプロジェクトで使用する。

Q & A

編み付け初心者がバギングに取り組んでいる場合、どのような素材の違いについて理解すべきですか？

初心者は編み付け用綿布とstabilizers（安定材）の違いについて理解する必要があります。編み付け用綿布には編み付け用インターフェースを使用し、一方のストレッチを除去して安定性を与えます。しかし、構造を提供するのではなく、バグの構造を求める場合はstabilizersを使用する必要があります。

編み付け用インターフェースは何の時に使用されますか？

編み付け用綿布を使用する場合には、編み付け用インターフェースを使用します。これは一方のストレッチを除去し、Fabricsに安定性と重さを与えますが、構造を提供することはありません。

stabilizersはどのようにバギングに影響を与えるのですか？

stabilizersはバギングに形、構造、そして立ち上がりを与えます。これにより、バグは自立可能であり、形を保ちます。

デカの軽量stabilizers（軽いstabilizers）の利点は何ですか？

軽量stabilizersはバギングの柔らかさと安定性を提供し、形を保ちます。しかし、編み付け用綿布に比べてより構造がありません。

デカの軽量stabilizersの欠点は何ですか？

デカの軽量stabilizersの欠点は、アイロンオン時fabricsが皺じることがあるため、巴戈の見た目が損なわれる可能性があることです。

デカの軽量stabilizersの代わりにどのようなstabilizersを使用することができますか？

デカの軽量stabilizersの代わりに、手缝いのみの Foam stabilizersを使用することができます。これはアイロンオンによる皺の問題がなく、fabricsについているように圧着糸で固定します。

デカのlightは何ですか？

デカのlightは、バギングに使いやすいと評価されているstabilizersで、構造を与えつつもfabricsに透けることができます。これは最も一般的なstabilizersの1つであり、多くのバギングに使われています。

デカのheavyはどのような用途に使われますか？

デカのheavyは主にバギングの底部に使われ、底部に構造を与え、バッグが垂れ下がることを防ぎます。また、フレープクロージアにも使われ、それらに構造を与えます。

ペロンのpelltex 71fはどのようなstabilizersですか？

ペロンのpelltex 71fは非常に堅牢なstabilizersで、バッグの底部やフレープクロージアに構造を与えます。しかし、バイロンにアイロンオンするのが難しいため、スプレーアドヘシブを使用して固定する必要があります。

stabilizersをアイロンオンする方法について教えてください。

stabilizersをアイロンオンするには、まずテフロン紙を作業台上に置き、织物を誤解して上に配置します。次に、インターフェースまたはstabilizersを接着剤面を下にして织物の誤解に置きます。もう一枚のテフロン紙を重ねて、アイロンで固定します。テフロン紙は作業台とアイロンを保護し、接着剤が転移することを防ぎます。

heat pressを使用してstabilizersを固定する方法について教えてください。

heat pressを使用する場合、約3秒間pressを閉じて、「1 one thousand to one thousand three one thousand」を数えてから開けます。stabilizersが固定されているか確認し、必要に応じて冷却させ、プロセスを繰り返します。

Outlines

00:00

📚 初心者のためのバッグ制作基礎知識

この段落では、織物インターフェースとスタイリザの違いについて説明し、バッグ制作においてどのように使用されるかを解説しています。オーバヘッドカメラを用いて視覚的に理解しやすくし、サンプルを使ってインターフェースとスタイリザを縫い付ける方法や、quilting cottonにインターフェースを貼り付けた様子、そしてその効果を示しています。また、インターフェースが提供する安定性と重さの増加についても触れています。

05:01

🛠️ スタイリザの種類と使い方

この段落では、スタイリザがバッグにどのように形状と構造を与えるかについて説明しています。様々なスタイリザの種類（フusableフロム、デカボライト、デカビルヘビーなど）とそれぞれの特徴や使用時の特徴を詳細に解説しています。また、スタイリザの貼り付け方法や、素材に応じた注意点についても言及しており、デカボライトを推奨する理由や、その効果を示すバッグの例も紹介しています。

10:01

🔧 フusableインターフェースとスタイリザの貼り付けコツ

最後の段落では、フusableインターフェースやスタイリザを貼り付ける際のコツを紹介しています。テフロン紙を使用してアイロンを保護する方法や、フusableインターフェースを貼り付ける際の注意点について説明しています。また、ヒートプレスを使用した貼り付けの効率性や、ペルテックスなどの難しい材質についてのアドバイスも含まれています。最後に、残りのインターフェースやスタイリザのスクラップを保存し、小分けのプロジェクトで活用することを提案しています。

Keywords

💡woven interfacing

Woven interfacingは、バッグ制作においてきわめて一般的で、キルト棉布を使用する際に使われます。この素材は、キルト棉布の一方方向のストレッチを除去し、より安定した素材表面を提供します。ただし、構造を提供することはできませんので、バッグの構造を求める場合は、スタイリザを使用する必要があります。Woven interfacingは、継手余分に取り除かれずに、素材の端まで使用できます。

💡stabilizers

スタイリザは、バッグに形、構造、及び自立性を与えるために使用されます。スタイリザは、バッグが空の場合でも形を保ち、自立することができるように設計されています。スタイリザの種類には、フューザブルフリース、フューザブルフォム、デカボライトなどがあります。それぞれのスタイリザは、素材やデザインによって異なる効果を与え、バッグの外観と使いやすさを向上させます。

💡quilting cotton

キルト棉布は、バッグ制作によく使用される素材で、細かい模様や色が織り込まれた布です。キルト棉布は柔らかく、手織り感が強く、バッグの表面に魅力的なデザインを提供します。しかし、キルト棉布は一方方向にストレッチがあり、そのためwoven interfacingを使用してこのストレッチを除去し、より安定した素材表面を作ることが推奨されています。

💡fusible fleece

フューザブルフリースは、素材の裏面に接着剤が付いているスタイリザで、アイロンやホットプレスを用いて素材に接着させることができます。フューザブルフリースは、バッグに軽い構造を与え、柔らかい感触を提供します。しかし、フューザブルフリースを使用する際には、素材に皺が生じることがあるため、注意が必要です。

💡fusible foam

フューザブルフォムは、素材に接着させることで、バッグに形と構造を与えるスタイリザです。フューザブルフォムは、フューザブルフリースと同様に、アイロンやホットプレスで接着させることができます。フューザブルフォムは、より安定した外観を提供し、バッグが自立することができるようにします。ただし、アイロンをかけることで皺が生じることがあるため、注意が必要です。

💡DecoBonde

デカボンドは、バッグ制作において愛用されているスタイリザの1つで、素材に接着剤が付いています。デカボンドは、軽量で柔軟性があり、バッグの形を保ちつつ、自立させることができます。デカボンドは、特にバッグの底部やフロントパネルなどに使用され、バッグが重い物品を入れても形を保ちやすくなります。

💡Pellon Peltex 71F

Pellon Peltex 71Fは、比較的硬いスタイリザで、バッグの底部やフロントパネルなどに使用されます。このスタイリザは、より安定した構造を提供し、バッグが自立することができるようにします。しかし、Pellon Peltex 71Fは、素材に接着させる際にアイロンを使用するのではなく、スプレー接着剤を使用することが推奨されています。

💡ironing

アイロンは、フューザブルインターフェイシングやスタイリザを素材に接着させるために使用されます。アイロンを使用する際には、適切な温度と時間を設定することが重要です。アイロンを使用することで、素材の表面に接着剤が活性化され、素材に接着することができます。ただし、過度な熱量によって素材が熔融するリスクがあるため、注意が必要です。

💡heat press

ホットプレスは、フューザブルインターフェイシングやスタイリザを素材に接着させる際に使用される工具です。ホットプレスは、より均一な熱を供給し、接着剤を効果的に活性化することができます。ホットプレスを使用することで、アイロンよりも効率的で迅速に接着処理を行うことができます。

💡sew-in foam

セウインフォムは、スタイリザの一種で、素材に直接缝合することで使用されます。セウインフォムは、フューザブルタイプのスタイリザとは異なり、接着剤が付いていないため、アイロンを使用するのではなく、直接縫い付けます。この方法は、素材に皺が生じるリスクを減らし、より流線型な外観を作ることができます。

💡bag making

バッグ制作は、キルト棉布やビニールなどの素材を使用して、バッグを作成する技術です。バッグ制作では、デザイン、素材選択、カット、缝合、スタイリザの使用など、多岐にわたるステップがあります。このビデオでは、バッグ制作においてwoven interfacingやstabilizersなどの素材の選択と使用方法について解説しています。

💡Marine vinyl

マリンビニールは、水や汚れを防ぐための表面処理が施されているシミproofなビニール素材です。バッグ制作においては、外布としても使用され、特に耐久性や水濡れに強く求められる場合に適しています。このビデオでは、マリンビニールにデカボンドを使用することで、素材により多くの構造を与える方法が紹介されています。

Highlights

Introduction to woven interfacing and stabilizers in bag making, suitable for beginners.

Woven interfacing is used with quilting cotton fabric to add stability and remove one-way stretch.

Stabilizers provide structure and help handbags stand up on their own.

Woven interfacing does not need to be trimmed away from seam allowances.

Fusible interfacing and stabilizers can be purchased from local stores or online.

Pellon 987F fusible fleece is a lightweight stabilizer good for adding weight and stability to bags.

Fusible fleece interfacing is recommended for soft, slouchy handbags.

One-sided fusible foam stabilizer is used for bags with a more rigid structure but can cause fabric wrinkling.

Sew-in foam stabilizer can be sewn onto fabric to avoid wrinkles from fusible foam.

DecoBonde Light is a preferred stabilizer for easy workability and good handbag outcomes.

DecoBonde Heavy is used for the bottoms of handbags to prevent sagging.

Pellon Peltex 71F is a rigid stabilizer suitable for bottom structures but can be difficult to iron onto vinyl.

Teflon paper is used to protect the workspace and iron when ironing fusible interfacings and stabilizers.

A heat press is recommended for efficient and quick securing of interfacings and stabilizers.

Care must be taken when pressing stabilizers to vinyl to avoid melting.

Spray adhesive can be used as an alternative to ironing for attaching certain stabilizers to fabric.

Usable scraps of interfacing and stabilizers should be kept for smaller projects.

Tips and tricks for ironing on fusible interfacings and stabilizers are shared for better results.

Transcripts

are you brand new to bag making it and

you're completely confused between the

difference of woven interfacing

stabilizers or that there's even a

difference between the two well stick

around and I'll go over some of the most

commonly used woven interfacings and

stabilizers in bag making I've prepared

some samples today for us so that we can

take a look at what the woven

interfacing and the stabilizers look

like ironed onto some quilting cotton as

well as some Marine vinyl we'll be

switching intermittently over to the

overhead camera so that way you can get

a closer look of those all right we're

going to go ahead and start by talking

about woven interfacing when is woven

interfacing used in bag making well

basically anytime you're using quilting

cotton fabric you want to go ahead and

use woven interfacing on it so let me

pull my sample here for you of the

quilting cotton that I have woven

interfacing ironed onto it so here is

that sample and here's a sample of just

quilting cotton with no interfacing on

it so you can see that it's got a little

bit more stability to it but what it

really does for your quilting cotton

Fabrics is it removes that one-way

stretch that you can find in your

quilting cotton

so now there is no longer a stretch in

here so it gives it a little bit more

weight but it's not providing any

structure for your bag for the most part

so you want to go ahead and use some

sort of stabilizer if you're looking for

some structure in your handbags woven

interfacing does not need to be trimmed

away from your seam allowance so you can

see in this sample right here I have the

woven interfacing going right up to the

edge of the cut fabric

whereas with this piece of deck of a

light I have removed it from the seam

allowance so if my seam allowance was 3

8 of an inch I made sure that it was 3 8

of an inch smaller on all of the four

sides woven interfacing can be purchased

from any local Big Box store such as

Walmart and Joanne Fabrics however you

can go ahead and Sport a small online

business by purchasing their version of

a woven interfacing I personally carry

woven interfacing on my website now this

is my so woven fusible interfacing and

this is what it looks like but it's not

ironed on to anything so it basically

looks like a piece of white quilting

cotton but the back side of the woven

interfacing has glue on it that allows

you to iron it on or use a heat press to

secure it to the wrong side of your

Fabrics so you can go ahead and purchase

this in five yard increments on my

website at sellers.com if you're

interested I want to talk about one

other form of interfacing the

manufacturer refers to this as an

interfacing however I would actually

call it a lightweight stabilizer and

that is the Pelon 98 7f fusible fleece

this is a one-sided fusible fleece

interfacing

and here is a sample of it so you can

take a look at it

and just like with the woven interfacing

there is glue on one side of it so you

can iron it on to the wrong side of your

fabric

and here is my sample of some quilting

cotton with the fusible fleece iron to

the back side

and you can see it has a lot more

structure than it does with the woven

interfacing I began my bag making

Journey about 20 years ago and this was

long before on YouTube so I didn't

really like to read the store-bought

patterns so I just self drafted my

patterns and I knew that I needed

something to give my bags a little bit

more weight and stability but I had no

clue about interfacing and stabilizers

at that time so I just went to Joanne

Fabrics I asked the sales associate and

she pointed me to the fusible fleece so

for the next 10 years that's what I used

on all of my handbags so let's go ahead

and take a look at a handbag I've made

with some fusible fleece interfacing

here is the Cali crossbody this is a

pattern available on my website at

soyours.com and you can see it's a

slouchy plush bag now this is a

lightweight vinyl for the exterior and

then for the lining I went with quilting

cotton and I did use woven interfacing

on the quilting cotton as well

and here's a look what is what she looks

like on my shoulder so you can see again

it's a soft slouchy bag so if that's the

look you're going for for your handbag I

recommend fusible fleece all right let's

go ahead and talk about stabilizers now

stabilizers are what give our handbags

shape structure and allow them to stand

up on their own now after I graduated

from using the fusible fleece

interfacing I started to use one-sided

fusible foam stabilizer and I've really

liked the look that the fusible foam

gave me so let me show you a couple of

samples of some bags that I made with

the fusible foam

so here is my Martini crossover bag and

as you can see here there is no wrinkles

it stands up on its own no problem and

I'm pushing down on it and it's really

holding its shape so a lot different

than the fusible fleece this one was

made with a lightweight Denim and a

quilting cotton for the exterior and

then the lining quilts and cotton I used

woven interfacing like I always do on

all of my quilting cotton pieces so

we've just got the one-sided fusible

foam on this bag

now there is one disadvantage that I

would say with fusible foam and that is

because

um sometimes you'll experience your

fabric wrinkling when you're trying to

iron on onto your fusible foam and that

can be very frustrating and kind of ruin

the look of your bag that you're making

so that's why I've kind of geared away

from using fusible foam myself but let

me show you some samples here so here's

some quilting cotton again and I've got

the one-sided fusible foam ironed onto

it and you can see here it holds up just

fine on its own with stabilizers you

want to make sure that you're always

keeping them outside of your seam

allowances like I've done on this sample

right here but there is one type of foam

stabilizer that is a sew in only version

which I do like to use because you don't

get the wrinkles like you do with the

fusible foam and I've got a little trick

for you on that so what you can do is

you cut down your foam to the size that

you need it to take that over to your

sewing machine with a zigzag Stitch and

you're going to go ahead and run the

zigzag Stitch along the outside edge of

your piece and then you're going to base

Stitch that onto your fabric likewise if

you have a serger like I have right here

you could take that over to your serger

and go around the outside edges and then

baste it to your fabric like I've done

right here and that's going to compress

down that foam so that it's not so bulky

in your seams next let's go ahead and

talk about deck of a light which I would

say is probably one of the most widely

used to stabilizer in bag making and it

is actually now my preferred stabilizer

of choice I find it's the easiest to

work with and I love the outcome of my

handbags when I'm using deck of a light

so here is that sample I showed you

earlier with a deck of a light out of

the seam allowances on quilting cotton

and you can see it's holding its shape

pretty well

here is Marine vinyl with nothing on it

and here is Marine vinyl with deck of a

light on it so you can see it's got a

lot more structure than the vinyl by

itself

now decavo light is costly and that's

kind of why I avoided it for a while I

just thought it was quite pricey I just

didn't understand why I would spend that

much money on something that I'm using

inside of my handbags but it was on sale

one time I tried it out and I got hooked

so now that's all I use I basically wait

until Joanne's has her 50 off sale and

then I go ahead and stock up on their

deck of a light let me go ahead and show

you a handbag that I've made with deck

of a light

foreign so here is my duplicity handbag

another pattern on my website that you

can purchase I've used the White Marine

vinyl for the exterior with a deck of a

light on it I used quilting cotton with

the woven interfacing on it

and you can see here that it's got good

structure to it it's holding up on its

own and let me let me lift it so that

you can see it so it's holding up on its

own nice substantial bag this is really

similar to what you're going to find at

any retailer selling handbags so I

really like the look that deck of a

light gives to your handbags okay let's

talk about Deckerville heavy next now

decafel heavy is primarily used in the

bottoms of handbags it's going to give a

little bit extra structure to the base

of your bag so that way they're not

sagging so here I have a piece of marine

vinyl with decaville heavy on it and let

me show you in comparison to the deck of

a light so these are the same fabrics

and bouncing them around here so you can

really see it this one is a little bit

more floppier than the one with deck of

a heavy on it so use your deck of a

heavy and the bottoms of your handbags

sometimes you might want to use them in

flap closures it gives it a little bit

more structure as well so the last

stabilizer that I wanted to talk about

today was the pellon peltex 71f now this

is a stabilizer that I don't use very

often but I thought it was worth

mentioning since I do have a sample of

it for you and I did use it in one of my

most recent patterns so let me show you

the Deckerville heavy again with the

Marine vinyl and here is the Pelon on

peltex with the Marine vinyl so they're

almost the same but you're going to get

a little bit more stability with the

pellon peltex it's a pretty rigid

stabilizer the downfall with that is I

find it's quite difficult to actually

iron on to the vinyl because you're kind

of playing around with the length of

time that you're trying to iron it on

you're trying to get that glue activated

but yet you don't want to melt your

vinyl itself and you can see right here

I've tried several times to get this to

iron on to the vinyl and it's still

pulling away so that is one downside you

could go ahead and leave it in your seam

allowances and base Stitch it on if you

wanted to but I wouldn't recommend it

myself so you're really going to have to

play around with the length of time that

you want to press that onto your fabric

without melting your fabric itself

alternatively you could go ahead and use

some spray adhesive to keep that in to

place and secure it onto your fabric

itself so let me show you the zip and

grip which I used the pellon peltex on

so here is the latest sewing pattern

that's on my website and the bottom

panel which wraps around the back to the

bottom of the bag right here I went

ahead and used some of the peltex on it

so you can see it's nice and rigid

whereas the front panel and the top

panel right here I used the deck of a

light so I just wanted a little bit more

stability for this particular piece so

that way it has a lot more structure to

it and I really like how it came out the

other ways that you would use the Pelon

peltex basically is a bottom of your

bags again so for instance this isn't

the perfect example but for the bottom

of this particular handbag you would

just cut a piece that is outside of your

seam allowances and you're going to iron

it onto your bottom panel right here and

that'll prevent your handbags from

sagging Whenever there is items inside

of it I recommend keeping all of your

usable scraps of interfacing and

stabilizers I keep mine in these Cubbies

right here perfect for smaller projects

here's a couple of tricks for how I iron

on my fusible interfacings and

stabilizers I always like to start with

a sheet of Teflon on my workstation I

place the fabric wrong side up and then

I place the interfacing or stabilizer

glue side down to the wrong side of the

fabric and then I top that off with

another sheet of Teflon paper and then I

go ahead and use my iron to press it

into place it's always going to depend

on the Fabrics that I'm using or the

interfacing set I'm using for us how

long I need to go ahead and iron it

generally I like to go ahead and press

it a little bit and check to see if it

is securing into place

now the reason that I use the Teflon is

that it protects my workspace as well as

my iron from any glue transferring over

now I personally love to use my heat

press for securing interfacings and

stabilizers to my Fabrics I find that

it's much quicker and more efficient to

do it in that manner I recently picked

up the singer heat press from Facebook

Marketplace and I don't know how I went

without it it's been a game changer it

saved me so much time and if you have

the room for a heat press I highly

recommend that you go ahead and pick one

up yourself I'll go ahead and leave a

link in the description box below to the

Teflon paper as well as a similar model

of my singer heat press that you can go

ahead and purchase on Amazon if you'd

like when ironing or pressing stabilizer

to vinyl you want to be very careful not

to melt your vinyl so you really have to

make sure that you're not pressing too

long when I use my heat press I give it

about three seconds so I close the lid

then I count one one thousand to one

thousand three one thousand and then I

go ahead and open it back up I check to

see if the stabilizer is secured to the

vinyl I also check the right side of

title to make sure that no melting is

occurring and then if everything is good

it's secured into place I'm finished but

if it's not I usually like to let it

cool down just a little bit and then I

repeat that process and see if it is

then secured into place which generally

the second time around it definitely is

now like I said earlier in the video

peltex can take a lot longer and

sometimes you just have to revert to

using some sort of spray adhesive to

keep it into place so that's all I've

got for you today I hope that this video

was helpful for you if you have any

questions go ahead and leave them in the

comments box below and I'll get back to

you as soon as I can if you have any

tips or tricks to offer to other bag

makers also go ahead and leave them in

the comments box below so we can help

each other out thank you so much for

watching and until next time bye-bye