【不動産ミステリー】変な家

雨穴
30 Oct 202021:54

Summary

TLDRこのスクリプトは、日本のお屋敷のレイアウトに不気味な秘密があることを描いた物語です。主人公のウケツは、知人のヤナギオカさんが買おうとしている家の平面図を見て、不思議な空間や二階の子どもの部屋の奇妙な配置に疑問を持ちます。建築家のクリハラさんに相談した結果、その空間が意図的に作られたものであり、子どもの部屋から逃げ道のようなものになっている可能性があることが分かります。さらに、クリハラさんは暗闇の中の殺人事件の可能性を推理し、その家が犯罪の現場だったと推理します。最後には、ヤナギオカさんがその家を買わないことを決め、事件の真相は解明されないままになります。

Takeaways

  • 🏠 脚本描述了一个日本房屋的布局,初看似乎是普通的私人住宅,但细看会发现令人不适的奇怪之处。
  • 🔍 房屋的一楼有一个神秘的空间,位于客厅和厨房之间,没有门,房地产经纪人也不清楚其用途。
  • 🤔 设计师Kurihara先生推测,这个空间可能是故意为之,原本可能用作储藏室或橱柜,但后来可能因为资金问题或设计变更而未完成。
  • 👶 二楼的儿童房设计异常,有两个门,没有窗户,且只能从儿童房进入浴室,给人一种监狱牢房的感觉。
  • 🛏️ 夫妇的卧室与儿童房直接相连,可能是因为他们不想让孩子的存在被人知晓。
  • 🔪 Kurihara先生想象了一个荒诞的故事,这个家可能是一个伪装成普通住宅的杀手工作室,儿童房和浴室是通过一个秘密通道连接的。
  • 🚪 房屋的多个房间都没有窗户,这在设计上是不常见的,可能是为了隐藏某些秘密活动。
  • 🗑️ 房屋可能存在一个用于处理尸体的路线,从浴室通过秘密通道运送到储藏室,然后被丢弃。
  • 🌳 房屋周围有很多自然景观,且靠近车站,这可能是为了在不引起注意的情况下进行秘密活动。
  • 😱 房屋的前主人在销售合同完成后失去了联系,这增加了房屋的神秘性。
  • 🪟 客厅和客房之间有一个小窗户,Kurihara先生没有指出其必要性,其真相仍然不明。

Q & A

  • この日本家のレイアウトに何が問題があるのでしょうか?

    -この家は一見普通の一戸建てに見えますが、いくつかの不快な部分があります。特に1階のリビングルームとキッチンの間に奇妙な空間があり、その理由が不気味に思われます。

  • ヤナギオカさんはなぜこの家を買うことにしましたか?

    -ヤナギオカさんは、初めての子供が生まれるに合わせて家を買うことにしました。彼は東京で自然が豊富で駅から近い美しい二手房を見つけました。

  • この家の特徴的な空間は何ですか?

    -この家の特徴的な空間は、1階のリビングルームとキッチンの間に閉じられた空間です。その空間にはドアがなく、不動産屋がその正体を知りません。

  • クリハラさんはこの空間が何のために必要だと考えましたか?

    -クリハラさんは、この空間は最初は収納スペースやクローゼット、またはキッチンのカップボードのために計画されたと考えました。しかし、途中で計画が変更されたか資金が足りなくなり、ドアを設置する前に放棄されたのではないかと推測しました。

  • 2階の子供の部屋にはどのような不思議な特徴がありますか?

    -子供の部屋には2つのドアがあり、不思議な位置に配置されています。また、この部屋には窓がありません。通常、親は子供の部屋にできるだけ多くの太陽光を入れるために窓を望みますが、窓のない子供の部屋は珍しいです。

  • クリハラさんはこの家についてどうして怖いと感じるのですか?

    -クリハラさんは、子供の部屋が监狱のような雰囲気を醸し出していること、そして家の他の部屋が子供の部屋を隠すように配されたことを理由に、不気味さを感じています。彼はこの家で何かが起こっていたと推測しています。

  • クリハラさんはこの家が何の「工坊」であるか推測しましたか?

    -クリハラさんは、この家が暗殺者の「工坊」である可能性があると推測しました。彼は、この家が暗殺を計画し、実行する場所であり、その活動が外部に気付かれないように設計されていると考えました。

  • この家の不思議な空間がどのように機能するのか、クリハラさんはどのように考えたのですか?

    -クリハラさんは、1階の不思議な空間が2階の子供の部屋と浴室をつなぐ通路である可能性があると考えた。彼は、この空間を通じて子供が浴室に移動し、外部から見られないように設計されていると考えました。

  • ヤナギオカさんは最終的にこの家を買うことはなかったのですか?

    -いいえ、ヤナギオカさんは最終的にこの家を買わなかった。彼は、その家の近くで発見された解体された死体と関連があるかもしれないとの報道を聞いて、不安を感じたため、購入を断念しました。

  • クリハラさんはこの家について最終的にどのような結論を出しましたか?

    -クリハラさんは、この家が暗殺者の工坊であるという推測を立てましたが、彼もそれが真実であるかどうかは確信していません。彼は、自分の考えが仮説的であることを明確にし、真実を確認することはできませんでした。

  • この家にはもう一つの不思議な窓がありますが、それはどこにありますか?

    -この家にはリビングルームと客人在乎う部屋の間に小さな窓があります。この窓の必要性やその背後に見えているものについては、まだ明確ではありません。

Outlines

00:00

🏠 不気味な日本住宅の謎

この段落では、東京に位置する美しい二階建ての日本住宅の平面図が紹介されています。この家は、不思議な空間があり、玄関からリビングルームやキッチンに通じる迷いのスペースがあります。その不気味さは、住宅の過去の居住者とその生活に関連していることが明らかになります。

05:04

🤔 建筑师の推理

第二段落では、主人公の友人である建築家Kuriharaが登場し、不思議な空間の理由を推理します。彼は、キッチンとリビングルームの間の空間が意図的に作られたものであり、最初は収納スペースやクローゼットとして計画されたと推測します。しかし、彼もこの住宅には何か不気味な物語があると感じています。

10:07

👦 子供の部屋と秘密の空間

この段落では、子供の部屋が窓なしで、トイレに入るためには子供の部屋からのみアクセスできることが明らかになります。Kuriharaは、この部屋が监狱のようなものに見えると指摘し、住宅の過去の居住者がどのような状況だったか推測します。また、子供の部屋と浴室の間に隠された通路がある可能性についても論じます。

15:11

🔪 想像力に富んだ仮説

Kuriharaは、住宅の不気味な過去と子供の部屋の秘密の通路について、非常に想像力に富んだ仮説を立てます。彼は、この家が暗殺者の工房であり、子供が大人を浴室で殺害し、体を細かく切って処分したと推理します。この仮説は、住宅の奇妙な設計と、以前の居住者の生活パターンを考慮して立てられました。

20:17

🚨 突然の現実と結末

最後の段落では、Yanagiokaがその家を買わないことを決めたことが明らかになります。その理由は、近くの森でバラバラにされた死体が発見されたことであり、その犠牲者は以前その家に泊まっていたとされていました。Kuriharaの推理が現実に近かった可能性があることが示されます。

💡 残された謎

最終段落では、Kuriharaが住宅の設計に気付いた細かい詳細が紹介されます。リビングルームと客間の間には小窓があり、その必要性やその窓越しに見られていたものについては謎が残されています。

Mindmap

Keywords

💡家屋のレイアウト

このキーワードは、話の中心となる日本家庭の家の特徴を指すものです。家屋のレイアウトは、不気味な空間や不可解な設計が散在していることが明らかにされ、それが最終的に恐ろしい事実につながるというストーリーの核心です。

💡不気味な空間

不気味な空間とは、この家屋のレイアウトに含まれる奇妙な、不安を引き起こす空間を指します。この空間は、突然の展開につながり、物語の緊張感を高める役割を果たしています。

💡神秘的な空間

神秘的な空間は、家屋の1階のリビングルームとキッチンの間に存在する、ドアがない空間を指します。この空間は物語の謎の鍵となり、建築家が推理する上で重要な役割を果たしています。

💡建築家の推理

建築家の推理とは、物語の進行で建築家が家屋の不思議な設計と過去の事件との関係を推理することを指します。この推理は、物語の謎を解明する上で、重要な手がかりを提供します。

💡子供の部屋

子供の部屋は、家屋の2階に位置する部屋で、窓がないことや奇妙なドアの配置など、物語の重要な場面で使用される不気味な要素が含まれています。この部屋のレイアウトは、物語の衝撃的な結末につながる伏線となります。

💡犯罪の現場

犯罪の現場とは、物語で想像される家屋の中で起こるであろう犯罪行為の場所を指します。このキーワードは、物語の緊張感を高めるとともに、建築家が推理する犯罪の可能性を示しています。

💡隠蔽された実態

隠蔽された実態とは、家屋の外見やレイアウトが見ている人にはわからない、家屋の実際の目的や過去の出来事を指します。このキーワードは、物語の謎や秘密を引き出す上で、重要な役割を果たしています。

💡逃げ道

逃げ道とは、家屋の中で犯罪を行った者が逃げられるように設計された隠し通路を指します。このキーワードは、物語の推理部分で、建築家が考える犯罪者の動線に関連しています。

💡浴室

浴室は、物語で暗殺者が利用した場所として描かれています。このキーワードは、犯罪の現場として、血を洗うための理想的な場所とされています。

💡窓がない

窓がないとは、家屋の子供の部屋や浴室に窓がないことを指します。これは、外部から室内を見られないように意図的に設計されたと推理されており、物語の秘密や犯罪の隠蔽に関与しています。

💡最後の章

最後の章とは、物語の最終展開を描く部分を指します。このキーワードは、物語の謎が解明され、主人公が最終的な結論に至る過程を示しています。

Highlights

Japanese house layout analysis

Strange feeling of discomfort throughout the house

Mysterious space between living room and kitchen on the first floor

Mr. Yanagioka's concerns about buying the house

Consultation with designer Mr. Kurihara

Intentional creation of the mysterious space

The unusual layout of the second floor

Children's room with double doors and no windows

The children's room resembles a prison cell

Connection between rooms and the mysterious space

Previous owner's family situation

The unusual bathroom and bedroom layout

Speculation about the house's true purpose

The house as a potential hitman's workshop

The psychological trick of an open-curtain facade

The discovery of a dismembered body near the house

Mr. Kurihara's theory on the house's design

The small window between the living room and visitor's room

Transcripts

play00:01

This is a house layout of a Japanese house.

play00:03

Do you understand what's wrong with this house?

play00:07

Perhaps at first glance, it looks like a very ordinary private house.

play00:12

However, if you look carefully throughout the house, you will notice that there is a strange feeling of discomfort here and there throughout the house.

play00:20

The discomfort eventually led to one horrifying and unbelievable fact.

play00:27

Please look again.

play00:29

Do you understand what's wrong with this house?

play00:32

Chapter 1, "Consultation with an Acquaintance."

play00:33

Hello my name is Uketsu.

play00:36

I have an acquaintance named Mr. Yanagioka, and the other day he asked me for some advice.

play00:43

Yanagioka is expecting his first child soon, and he has decided to buy a house to coincide with the birth of his first child.

play00:50

He went around to real estate agencies and found a nice house in Tokyo.

play00:54

He says the house is quite beautiful, although it is used, with a lot of nature in the neighborhood while being close to the station.

play01:02

One thing, however, was puzzling about the floor plan.

play01:06

There is a mysterious space between the first floor living room and the kitchen.

play01:11

There is no door so people can't get in and when he asked the realtor he was not sure.

play01:17

He is wondering if he should buy this house because it is not inconvenient to live in but it is kind of creepy.

play01:24

Coincidentally, I have an acquaintance named Mr. Kurihara who is a designer, so I decided to consult with him.

play01:34

Hello, is this Mr. Kurihara?

play01:36

Oh, it's been a while.

play01:38

This is Uketsu.

play01:41

I told him about the situation and he said he would like to see the floor plan once, so I sent him a copy of the drawings and promised to call him again later.

play01:49

A few days later.

play01:58

Hello.

play02:00

Hello, I'm Kurihara.

play02:02

Oh, Mr. Kurihara.

play02:04

I just received the floor plan, how is it? Is this a good time?

play02:10

Yes.

play02:11

Chapter 2, "The Architect's Reasoning."

play02:13

Well, there is a mysterious space without a door on the first floor, what do you think this is?

play02:22

It's hard to say, but one thing's for sure: this was deliberately created.

play02:28

This space was created intentionally.

play02:31

Yes see the drawings.

play02:34

This space is created by two walls bordering the kitchen.

play02:39

Without these walls, the space would not be created and the kitchen would be larger.

play02:45

The fact that they went to the trouble of putting up a wall here to squeeze in the kitchen means that this space was necessary.

play02:53

I see.

play02:54

What was it needed for?

play02:57

Hmmm...maybe they initially planned to use this as a storage space or something.

play03:05

For example, if you put a door on the living room side, it can be used as a closet, and if you build it in the kitchen, it can be used as a cupboard.

play03:13

Oh sure.

play03:15

But I think they changed their minds halfway through or ran out of money and gave up before putting the doors on.

play03:24

I think construction was already underway by then and they couldn't change the floor plan and were left with "empty space" or something like that.

play03:34

I see.

play03:36

So it's not like a scary story then?

play03:40

Yes, it is.

play03:43

Just ...... By the way, this house is a used property, right?

play03:49

What were the previous occupants like?

play03:52

Let's see, he was a man in his thirties, I believe, with a wife and one child.

play03:59

Was this house built by him?

play04:02

Yes, it appears so.

play04:04

By the way, do you know what he was working on?

play04:08

No, I wouldn't go that far... so what?

play04:13

When I first saw this floor plan, I thought, "This is a very strange house.

play04:20

Is that right?

play04:21

I didn't particularly care about it except for the mysterious space.

play04:26

What I thought was odd was the layout of the upstairs.

play04:31

The floor plan of the second floor.

play04:33

Please look at children's room.

play04:35

Don't you feel something strange like this?

play04:42

Huh? There are two doors.

play04:45

Double door...?

play04:47

Yes, it is.

play04:48

And the door is in the strange position.

play04:51

For example, if you come upstairs for a meeting, you have to go a very long way to get into the children's room.

play04:58

Why make such a cumbersome design when you can just put one door in the hallway?

play05:04

It sure is odd.

play05:06

And this room...it doesn't have a single window.

play05:12

Oh really.

play05:14

The window symbols are not written.

play05:17

Most parents want their children's rooms to get as much sun as possible, but I've never seen a children's room without a window.

play05:31

Huh? Um, I just realized that you can only enter this toilet from the children's room.

play05:39

Maybe you mean "the toilet in the children's room".

play05:44

Room with toilet with double doors with no windows......

play05:49

It looks more like a prison cell than a child's room.

play05:53

So the child was locked in this room?

play05:59

That's what I'm saying, based on what you've said so far.

play06:03

At the same time, you could say that the parents didn't want anyone to see their children.

play06:09

All the rooms are arranged as if they were covering the children's rooms.

play06:14

No one will be able to hear childlen's voice from the outside.

play06:19

I think there must have been some circumstance that prevented people from knowing about the child.

play06:25

Circumstances under which the child's existence should not be known.

play06:28

By the way, any room directly connected to a child's room...

play06:33

It's probably the couple's bedroom because of the double bed.

play06:38

I'm a little concerned about this room as well.

play06:42

Eh?

play06:43

If there is a shower room here, I think the Western-style room next door doubles as a changing room, but then the changing room is in full view from the bedroom, right?

play06:54

I don't think people would want to see us after taking a bath, no matter how married they are.

play07:00

Well, maybe I'm overthinking it, but there's something mentally foreign about this.

play07:10

Huh? There's a shower room here and a bathroom over here.

play07:17

Isn't this unusual?

play07:20

Well, it's not nothing, but I don't see it very often.

play07:24

By the way, this bathroom doesn't have a window either.

play07:28

A bathroom without a window.

play07:31

The house is quite strange, including those parts.

play07:36

How about if we do that?

play07:39

Should Mr.Yanaoka buy this house?

play07:43

Well, I can't say based on the floor plan alone, but I wouldn't buy it.

play07:49

Okay.

play07:51

Thank you very much for your time.

play07:54

No, no, no, see you later if you need anything else.

play07:57

Yes, excuse me.

play08:05

Children's room, bathroom, bedroom, mystery space.

play08:12

Is this really storage space?

play08:20

Could this be a location?

play08:27

Huh?

play08:29

Chapter 3, "Mysterious Space"

play08:34

Hello,This is Kurihara .

play08:36

Oh, I'm sorry to keep coming back to you.

play08:39

Oh, Uketsu, what's wrong?

play08:42

I was thinking about the floor plan you mentioned earlier, and I was wondering about the space on the first floor.

play08:50

I was thinking that maybe it had something to do with the layout of the second floor, so I put a layer of paper over it.

play08:58

And then the space on the first floor overlapped exactly the corner of the upstairs nursery and the bathroom.

play09:07

It was kind of like a bridge between the two rooms.

play09:12

Oh, yes, it fits perfectly.

play09:15

So, I was just thinking that maybe the space on the first floor is a passageway.

play09:25

A passageway?

play09:27

For example.

play09:28

Suppose there is a loophole in the floor of the children's room and bathroom that leads to the first floor.

play09:34

Then this loophole leads to the first floor space.

play09:39

If so, I think you can go back and forth between the children's room and the bathroom through the first floor space.

play09:46

The parents didn't want their children to be seen from the outside.

play09:50

But when parents bathe their child, they really have to go through the hallway with the window, right?

play09:57

So I thought maybe this way they created a back route to bathe their child without being seen from the outside.

play10:07

So I thought maybe this shelf in the child's room was put there to hide the loophole, what do you think?

play10:19

Well, I think it is a very unique idea.

play10:24

Just go to ......

play10:26

It is still not realistic.

play10:28

Um, sorry, it's just an idea, so don't worry about it.

play10:35

Then this room on the first floor.

play10:38

Um, Mr. Kurihara? Is there something wrong?

play10:42

Mr. Uketsu.

play10:44

Now you are talking maybe close to the right answer.

play10:49

Yes?

play10:50

By the way, I'm going to ask you again, the previous owner of this house had a wife and one child.

play10:57

Yes.

play10:58

So the parents sleep upstairs in the bedrooms and the kids sleep in the nursery.

play11:04

If so, who owns this bedroom on the first floor?

play11:10

Uh, yes.

play11:15

Like a guest who came to visit this house .......

play11:19

Well, I guess that's about it.

play11:21

I don't know who it was, but at least we can assume that there were frequent visitors to the blade above this.

play11:28

Visitors, children's rooms, bathrooms, and the "passageway" we were talking about earlier.

play11:36

So, if you take everything that we've done so far and put it all together, you can see one story.

play11:41

Story?

play11:43

Well, I know it's a very unrealistic and ridiculous story, but just think of it as my fantasy and listen to it.

play11:52

Chapter 4: "Delusions"

play11:53

A family of three once lived in this house.

play11:56

The couple kept their children locked up in the children's room for a certain purpose.

play12:02

The couple often invited guests to their home.

play12:05

I don't know what kind of relationship they have, but they are people of a certain social status.

play12:10

Let's assume it's someone with a certain amount of influence, for example, a company executive or the president of a small business.

play12:19

They chat in the living room and serve dinner in the dining room.

play12:23

Husband offers drinks to guests.

play12:25

Guest is in a good mood, drinks and gets drunk.

play12:29

Then the wife says to the guest

play12:32

Why don't you stay at our house today?

play12:35

There is a bedroom there and the bath will be ready soon, so please come in.

play12:44

Guests are led upstairs to a windowless bathroom.

play12:48

After confirming that the guests have bathed, the wife signals to the children's room.

play12:54

The child then takes something and enters the bathroom through a loophole in the floor and through a passageway on the first floor.

play13:02

He then thrusts a knife into a guest's back.

play13:06

Eh? Why are we suddenly talking about that?

play13:10

No, this is just my imagination.

play13:13

I'm just saying that you can think that way.

play13:16

Huh.

play13:17

Suddenly the guest is stabbed in the back and can't understand what it's about and can't resist.

play13:22

He's naked, he's drunk, he's in a daze.

play13:27

He don't stand a chance, even against a child.

play13:31

A child repeatedly drives a blade into a guest's body.

play13:35

A great deal of blood is spilled and eventually the customer collapses to the floor, unable to comprehend anything, and pas● away.

play13:43

The couple confirms this and calls somewhere to report that the "job" is over.

play13:50

So the house is a hitm●n's workshop disguised as an ordinary house.

play14:00

A hit m●n?

play14:02

If there were hitm●n in modern Japan, it means that they might be living around us in this way without a care in the world.

play14:11

I read in a mystery novel once that the bathroom is the perfect murd●r scene because there is no escape and the blood can be washed away in the shower.

play14:21

This bathroom was built for that purpose in the first place.

play14:25

The couple used their children to ki●l a number of people in this bathroom without getting their hands dirty.

play14:33

That's no way to show a child to people.

play14:37

What do you think?

play14:39

…………I can't believe that……

play14:42

Well, it's just my imagination.

play14:45

Huh.

play14:46

By the way, you mentioned earlier that they put the shelf in the nursery to hide the loophole, but there's another shelf in the nursery.

play14:57

Yes.

play14:58

Then wouldn't you think "there is another loophole under this shelf"?

play15:03

Yes, I think so.

play15:06

Where does the other loophole lead to?

play15:10

Uh, storage room.

play15:17

Storage room?

play15:18

Then I can say that there is also a route for disposal of the body in this house.

play15:24

Eh?

play15:26

I go back to what I said earlier.

play15:28

The de●d body of a guest is lying in the bathroom.

play15:31

Of course they can't leave it as it is.

play15:34

It needs to be handled without being seen from the outside.

play15:38

So They use the loophole again.

play15:41

They carry the body through the loophole.

play15:44

The problem here, however, is the size of the hole.

play15:48

Based on the scale, the hole is roughly 40~50cm in diameter.

play15:55

A slender child can pass through, but an adult's body will not fit.

play15:59

So the couple uses a saw or something to cut the body just large enough to fit through the loophole.

play16:07

The couple throws the dismemb●red body into the bathroom hole.

play16:11

Here the hard labor of the child begins again.

play16:15

One by one, the child spends hours carrying the body pieces into his room and then dropping them into another loophole.

play16:25

This is how the body is transported from the bathroom to the storage room.

play16:30

The couple packs it into the trunk of a car that would have been parked in the garage.

play16:35

And then they go straight to a nearby mountain or forest to dump it.

play16:39

Now the disposal of the co●pse is complete.

play16:42

I believe you said there's a lot of nature in the neighborhood near the station.

play16:49

This whole sequence of events would take place in a room with no windows.

play16:55

So the mu●der can take place without being seen from the outside at all.

play17:00

What do you think?

play17:02

haha I think it certainly makes sense.

play17:08

Is there something that is bothering you?

play17:11

Um, even if everything that has been said so far is true, why is it necessary to make such an elaborate contrivance?

play17:20

If they don't want people to see them from the outside, why not just close the curtains all over the house?

play17:27

That's the point.

play17:29

Usually people close the curtains when they do something they don't want people to see.

play17:34

Even more so when it comes to ”mu●der”.

play17:37

On the other hand, no one would think that a mu●der is taking place in a house with the curtains open.

play17:44

Look at the floor plan.

play17:46

This house has a lot of windows.

play17:49

There are three in the kitchen.

play17:52

It's as if they're saying, "Look from the outside.

play17:56

I think that's so-called camouflage to divert attention from the "rooms that should never be seen".

play18:04

Is it a psychological trick?

play18:07

Yes. Anything else of interest?

play18:11

Let's see, you mentioned earlier about "carrying the body from the bathroom to the shed through a loophole," but I think if they build the bathroom directly above the shed in the first place, they don't have to go through all that trouble.

play18:28

Why didn't they do that?

play18:31

Hum.

play18:33

Look at the floor plan of the first floor.

play18:35

Given the orientation of the entrance and garage, this house probably faces the street on the north and west.

play18:43

The bathroom would then be located at the far end of the house.

play18:48

It's natural for a hunter's mind to track his prey to the back of the house.

play18:54

Huh. Is that how it is?

play18:58

Um, Mr. Kurihara, are you a detective as well?

play19:05

Eh? Haha, no way.

play19:09

Well, everything we've talked about so far has been hypothetical, so don't take it seriously.

play19:15

I don't want to believe it either.

play19:18

Well, perhaps there were other circumstances.

play19:21

I'm sorry I'm just going along with your nonsense.

play19:24

No, no,. Thank you very much for taking the time to do that.

play19:28

If there's anything else I can do for you.

play19:30

Yes, excuse me.

play19:36

Final chapter, "Suspicion"

play19:45

Hello.

play19:46

Hi, this is Yanagioka.

play19:48

Oh, Yanagioka-san, it has been a long time.

play19:51

Actually, I was just talking to Kurihara-san, the architect, just now.

play19:55

So, what should I let go of?

play19:59

Oh, about that, I have to apologize a little bit to you, but I actually decided not to buy that house after all.

play20:08

What? Why did you...

play20:10

Well, I'm sure you know, Uketsu-san, but after something like that kind of thing.

play20:16

"That kind of thing"?

play20:18

Huh? Didn't you see the news this morning?

play20:20

Something about a dismemb●red body found in a wooded area near that house.

play20:28

I heard from someone that the victim had stayed at that house before, and I don't think it's related, but it's kind of weird.

play20:39

So I turned down today.

play20:41

And what did the architect's type say?

play20:44

Eh? Uh, no, nothing in particular.

play20:52

Okay.

play20:53

By the way, just out of curiosity, do you know where the owner of that house lives now?

play21:02

I asked the realtor the other day.

play21:05

I heard that as soon as the sales contract was done, they lost contact with them.

play21:10

I see.

play21:13

No really, I'm sorry for the trouble I caused.

play21:15

I'll see you next time for dinner.

play21:20

I don't know what happened to that house after that.

play21:23

I have no way of knowing whether Mr. Kurihara's theory was correct.

play21:30

The only thing I noticed is something that Mr. Kurihara did not point out.

play21:36

For some reason, there is a small window between the living room and the room to accommodate visitors.

play21:43

The truth about why this window was necessary and what they was seeing through it is still in the dark.

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