akbar jaipuri note and tashree

Pir Shabir
18 Jun 202108:17

Summary

TLDRThe script is a poetic tribute to Andre Gee, a beloved figure known as Akbar Jaypurie, who was born in October 1928 in Jaipur, Rajasthan. A man of letters, he was deeply involved in the 20th-century literary scene, particularly in Urdu poetry. The narrative delves into his life, his passion for poetry, and his observations on society's contrasts, from the struggles of the poor to the indulgences of the wealthy. It also touches on themes of love, desire, and the human condition, reflecting on the poet's experiences and the world around him.

Takeaways

  • ЁЯУЬ The script is a narrative about a person named Mohammad Akbar Jaypuri, who is also known as Akbar, and his life and works.
  • ЁЯОУ Born in October 1928 in Jaypur, Rajasthan, Akbar Jaypuri was a prominent figure in the literary and cultural scene, particularly in the 20th century.
  • ЁЯУЪ He was a romantic poet, with a significant body of work that includes poetry and essays, reflecting his deep connection with his roots and the society around him.
  • ЁЯПЫя╕П The script mentions his experiences and observations of the rich and the poor, highlighting the stark contrasts in their lives and the societal divide.
  • ЁЯМК It discusses the theme of water scarcity and its impact on the lives of the underprivileged, while the affluent live in luxury and abundance.
  • ЁЯП░ The narrative touches upon the historical significance of the land, mentioning how many great emperors and warriors have found their final resting place in it.
  • ЁЯУЦ There is a critique of the educational system and the societal norms that seem to perpetuate the cycle of poverty and ignorance.
  • ЁЯМР The script also reflects on the broader issues of peace and war, and the hypocrisy of those who preach peace but engage in violence and destruction.
  • ЁЯПЩя╕П It provides a vivid description of the urban landscape, contrasting the opulence of palaces with the squalor of slums, and the people's struggle for survival.
  • ЁЯМ▒ The narrative ends with a call for change, a search for a solution to uplift the living conditions of the marginalized and to bridge the gap between the rich and the poor.

Q & A

  • Who is the person referred to as 'Akbar' in the script?

    -The person referred to as 'Akbar' in the script is Mohammad Akbar Jaypuri, a prominent Urdu poet known for his work in the 20th century.

  • What is the significance of the name 'Akbar' in the context of the script?

    -The name 'Akbar' is significant as it is used to refer to the historical Mughal Emperor Akbar, and in the script, it is also the name of the poet who is discussing various societal issues.

  • What is the poet's stance on the concept of 'Aman' (peace) as depicted in the script?

    -The poet critiques the superficial understanding of 'Aman' by some people who claim to wave the flag of peace but are actually involved in spreading violence and discord.

  • What does the poet imply about the condition of the poor in the script?

    -The poet implies that the poor are struggling for basic necessities like water, while the wealthy indulge in luxury and excess, highlighting the stark contrast in living conditions.

  • What is the poet's view on the hypocrisy of those who claim to be pious?

    -The poet criticizes the hypocrisy of those who claim to be pious but are actually involved in corrupt practices and do not genuinely care for the well-being of others.

  • What does the poet suggest about the value of education in the script?

    -The poet suggests that education is a pathway to empowerment and a means to uplift oneself and others from the cycle of poverty and ignorance.

  • What is the poet's message regarding the importance of water?

    -The poet emphasizes the importance of water by highlighting how the poor struggle for every drop, while the rich take it for granted, indicating a call for awareness and conservation.

  • What does the poet mean by 'the city of gold' in the script?

    -The term 'the city of gold' is used metaphorically to describe a place of wealth and opulence, contrasting it with the harsh realities of poverty and the struggle for survival.

  • What is the poet's perspective on the concept of 'love' as mentioned in the script?

    -The poet discusses love in a broader sense, suggesting that true love and compassion are lacking, and people are more focused on their own desires and materialistic pursuits.

  • How does the poet describe the impact of alcohol and intoxication on society?

    -The poet describes the negative impact of alcohol and intoxication, suggesting that it leads to a loss of reason and contributes to the moral decay of society.

  • What is the poet's call to action regarding the state of the world as depicted in the script?

    -The poet calls for a change in the way people perceive and interact with the world, urging them to be more compassionate, empathetic, and to work towards a more just and equitable society.

Outlines

00:00

ЁЯОУ Life and Works of Andre GeeM

The first paragraph introduces Andre GeeM, a significant figure in the cultural and educational landscape of Jaipur, Rajasthan. Born in October 1928, Andre GeeM is known for his contributions to literature and poetry, particularly his romantic verses. He is recognized for his work in the 20th century, with a focus on his early life and education in Kashmir before moving to Jaipur. The paragraph delves into his passion for poetry from a young age, his journey as a poet, and his observations on the lives of people around him. It also touches upon his thoughts on the disparity between the rich and the poor, and the impact of this on society. The narrative is rich with cultural references and personal anecdotes, painting a vivid picture of Andre GeeM's life and the era he lived in.

05:01

ЁЯП░ The Dichotomy of Peace and Discord

The second paragraph explores the theme of peace and conflict, contrasting the outward appearance of harmony with the underlying reality of violence and deceit. It discusses the actions of certain individuals who, while preaching peace and brotherhood, engage in destructive behaviors. The narrative criticizes the hypocrisy of such people, who carry hidden agendas and spread discord wherever they go. The paragraph also reflects on the speaker's personal experiences, searching for a solution to uplift the people living in poverty and improve their conditions. It ends with a call for genuine peace and an end to the facade of harmony that masks the true nature of conflict.

Mindmap

Keywords

ЁЯТбAkbar Jaypurie

Akbar Jaypurie appears to be a central figure in the video script, possibly a poet or a historical figure. The name is mentioned multiple times, suggesting that the video might be about his life, works, or the impact he had on society. The script refers to him as 'Akbar Jaypurie' and 'Agni Halcon', indicating a significant role in the narrative.

ЁЯТбShaam

The term 'Shaam' translates to 'evening' in English. It is used in the script to set a particular time of day, which might be significant for the events or mood being described. Evening often symbolizes a time of reflection or transition, which could be relevant to the themes of the video.

ЁЯТбShayari

Shayari refers to a form of Urdu poetry that is often recited and performed. The script mentions a 'majmooa' (collection) of 'Shayari', indicating that poetry plays a crucial role in the video. It could be a showcase of Akbar Jaypurie's poetic works or a discussion about the art of Urdu poetry.

ЁЯТбBachpan

Bachpan translates to 'childhood' in English. The script mentions a fondness for poetry from childhood, suggesting a lifelong passion for the art. This could be a biographical detail about Akbar Jaypurie or a reflection on the importance of early influences in shaping one's interests and talents.

ЁЯТбGhazal

A Ghazal is a poetic form consisting of couplets that often express themes of love, loss, and longing. The script mentions 'Ghazal', which could imply that the video includes performances or discussions of this poetic form, possibly in relation to Akbar Jaypurie's work.

ЁЯТбSikandar

Sikandar is a name that appears in the script, likely referring to Alexander the Great, who is known for his military conquests and cultural impact. The mention of Sikandar might be used to draw a parallel or contrast with the life or achievements of Akbar Jaypurie or to discuss historical figures more broadly.

ЁЯТбAman

Aman translates to 'peace' in English. The script discusses 'Aman' in the context of flags and spreading peace, suggesting a theme of harmony and the pursuit of peaceful coexistence. This could be a central message of the video, advocating for peace and understanding.

ЁЯТбKhanjari

Khanjari refers to a type of knife, often used metaphorically to symbolize conflict or violence. The script mentions 'Khanjari' in the context of hiding it, which could imply a message about the futility of violence or the importance of peace over conflict.

ЁЯТбBasti

Basti translates to 'slum' or 'settlement' in English. The script talks about 'Basti' and the search for a 'rehnuma' (guide) to help people escape from it. This suggests a focus on social issues, possibly poverty and the struggle for a better life, which might be a significant theme in the video.

ЁЯТбShahjahan

Shahjahan is the name of a Mughal emperor known for his architectural contributions, most famously the Taj Mahal. The mention of Shahjahan in the script could be a reference to historical grandeur or a comparison to the cultural significance of Akbar Jaypurie's work.

ЁЯТбParso

Parso seems to be a name or a term used in the script, possibly referring to a person or a concept. Without further context, it's challenging to define its exact meaning, but it could be a nickname, a title, or a term of endearment used within the narrative of the video.

Highlights

Introduction of Andre Geim, a notable figure, and beginning with 'Bismillah-ir-Rahman-ir-Rahim'.

Reference to a close movie 'Motu' and Akbar Jaipuri, highlighting his life and poetry.

Akbar Jaipuri's birth in October 1928, in Jaipur, Rajasthan, and his education background.

His early inclination towards poetry, beginning his work before moving to Kashmir.

Akbar Jaipuri's work spans various themes, but primarily focused on romantic poetry.

His significant collections include poetry dedicated to both children and adults.

Akbar Jaipuri passed away in 1998, in Srinagar, Kashmir, highlighting the end of a significant poetic journey.

Emphasis on Akbar Jaipuri's expression of deep personal sorrow and heartache in his poetry.

A reflection on the impermanence of life, referencing how many people have passed without being remembered.

Symbolism of thirst and longing, as metaphors for deeper emotional and existential struggles.

A critique of societal divisions, highlighting the disparity between the rich and the poor.

The deceptive nature of peace brought by some people, who often hide ulterior motives of violence.

Akbar Jaipuri's search for guidance in a world filled with turmoil and unrest.

An expression of disillusionment with the world, especially regarding the lack of peace.

The poet's continued advocacy for peace, despite being ignored or dismissed by society.

Transcripts

play00:00

рдХреЛ рдЙрдЬрд▓рд╛ рдпреВрдирд┐рд╡рд░реНрд╕рд┐рдЯреА рдЖрдВрджреНрд░реЗ рдЬреАрдо

play00:02

рдмрд┐рд╕реНрдорд┐рд▓реНрд▓рд╛рд╣рд┐рд░реНрд░рд╣рдорд╛рдирд┐рд░реНрд░рд╣реАрдо

play00:05

рдХрд▓ рд╢рд╛рдо рдмрд┐рд▓рдХреБрд▓ рдкрд╛рд╕ рдкреНрдпрд╛рд░реЗ рдмрдЪреНрдЪреЛрдВ

play00:09

рдХрд┐ рдореМрдЬреВрджрд╛ рдореВрд╡реА рдореЛрдЯреВ рд╣реИ рдЕрдХрдмрд░ рдЬрдпрдкреБрд░реА рд╣реИ

play00:13

рдЬреЛ рд╣рдорд╛рд░реА рдЬрд╝рд┐рдВрджрдЧреА рдкреНрд░рдореБрдЦ рд╕рдиреЛрдб рдФрд░ рдЕрд╢рдЖрд░ рдХреА

play00:18

рддрд╕реНрд╡реАрд░ рдЖ

play00:21

рдореИрдВ рдЖрдкрдХреЛ рдирд╛рдо рд╢реЗрдпрд░ рдореЛрд╣рдореНрдордж рдЕрдХрдмрд░ рдФрд░

play00:24

рддрдЦрд╝рд▓реНрд▓реБрд╕ рдЕрдХрдмрд░ рд╣реИ рдЕрдЧреНрдирд┐ рд╣рд▓рдХреЛрдВ рдореЗрдВ рдЕрдХрдмрд░

play00:28

рдЬрдпрдкреБрд░реА рдХреЗ рдирд╛рдо рд╕реЗ рдЬрд╛рдиреЗ рдЬрд╛рддреЗ рд╣реИрдВ рдЖрдк рдХреА

play00:32

рд╡рд┐рд▓рд╛рджрдд

play00:33

рдореЗрдВ рдкреНрд░рд╡реЗрд╢ рдЕрдХреНрдЯреВрдмрд░ 1928 рдЗрд╕ рд╡рд┐рдзрд┐ рдХреЛ рдЬрдпрдкреБрд░

play00:37

рд░рд╛рдЬрд╕реНрдерд╛рди рдореЗрдВ рд╣реБрдИ рдереА рд╡рд╣ рдХреЙрд▓реЗрдЬ рдХрд╛ рдирд╛рдо рдЖрдЧрд╛

play00:41

рд╕реИрдпрдж рдЕрд▓реА рднреА рдЖрдзреА рдерд╛ рдЕрдХрдмрд░ рдЬрдпрдкреБрд░реА рдИрдПрд╕ рдкреЗрд╢реЗ

play00:46

рд╕реЗ рдореЙрдбрд▓ рдЗрди рдереЗ рдЖрдкрдХрд╛ рдЖрджрдореА рд╕рдлрд░ рдмреАрд╕рд╡реАрдВ рд╕рджреА

play00:50

рдХреА рдЪреМрдереА рддрд┐рдорд╛рд╣реА рдореЗрдВ рдЙрдирдХреЗ рд╡рд╛рд░реНрдб рдХрд╢реНрдореАрд░

play00:54

рд╣реЛрдиреЗ рд╕реЗ рдкрд╣рд▓реЗ рд╣реА рд╢реБрд░реВ рд╣реБрдЖ рдерд╛

play00:58

рдореЗрдВ рд░реВрдЪрд┐ рдЕрд▓рд╛рд╡рд╛ рдЕрдХрдмрд░ рдЬрдпрдкреБрд░реА рдиреЗ рд╣рдордж рдирд╛рде

play01:02

рдорддрджрд╛рддрд╛

play01:04

рд╣реИ рдФрд░ рдЕрд╕рд╛рдЗрдирд╕ рдореЗрдВ рднреА рд▓рд┐рдЦреА рд╣реИрдВ рдмреБрдирд┐рдпрд╛рджреА

play01:09

рддреМрд░ рдкрд░ рд╡рд╣ рд░реВрдорд╛рдиреА рд╢рд╛рдпрд░ рдереЗ

play01:14

рдЗрд╕ рд╕рдордп рдХрд░реЛ рдЬрд╣рд╛рдВ рд╢реБрдн рдП рд╡рддрди рд╕реНрд╡рдЪреНрдЫрддрд╛ рдЦреНрдпрд╛рд▓

play01:22

рд▓реБрдЯ рдлрди рдЖрдк рдХреЗ рд╢рд╛рдпрд╛рдВ рд╕реБрд╡рд┐рдзрд╛ рд╢рд╛рдпрд░реА рдордЬрдореВрдП рд╣реА

play01:28

рдЪрдорди 1000 рдФрд░ рдмрдЪреНрдЪреЛрдВ рдХреЗ рд▓рд┐рдП рдирдЬрд░реЛрдВ рдХрд╛ рдордЬрдореВрдЖ

play01:34

рд╢реБрд░реВ рд╕реЗ рдЙрдирдХреА рдореБрд▓рд╛рдХрд╛рдд рдХреЗ рдмрд╛рдж рд╢рд╛рдпрдХ рдХрд┐рдП рдЧрдП

play01:38

рд╣реИрдВ

play01:41

рдЕрдм рдЖрдк 4 рдореМрд░реНрдп 1998 рдЗрд╕ рд╡рд┐рдзрд┐ рдХреЛ рд╢реНрд░реАрдирдЧрд░ рдХреЗ

play01:45

рд╣рдВрд╕рдирд╛ рдмреБрдз рдЗрдирдХрд╛ рдмрд╛рд╣рд░реА рдЗрд▓рд╛рдХреЗ рдореЗрдВ рдЕрд▓реНрд▓рд╛рд╣ рдХреЛ

play01:49

рдкреНрдпрд╛рд░реЗ рд╣реЛ рдЧрдИ рд╣реИ

play01:50

рдореИрдВ рдЖрдкрдХреЛ рдмрдЪрдкрди рд╕реЗ рд╣реА рд╢рд╛рдпрд░реА рдХрд╛ рд╢реМрдХ рдерд╛ рдЖрдкрдХреА

play01:57

рдЧрд╝рдЬрд╝рд▓реЛрдВ рдореЗрдВ рдкрд╕рд░реА рдХрд░рдм рдХреА рддрд╕реНрд╡реАрд░ рди рдорд╛рдпрд╛ рдереА

play02:01

рдореАрдгрд╛ рджрд░рдЕрд╕рд▓ рдЖрдкрдХреЗ рд╕реАрдиреЗ рдореЗрдВ рдПрдХ рджрд░реНрдж рджрд░реНрдж

play02:05

рдордВрджрд┐рд▓ рдерд╛ рддреЛ рдЧрд░реНрд▓ рдирдВрдмрд░

play02:11

рдХрд┐ рд╕реНрдХреВрд▓ рдХрд╛ рдкрд╣рд▓рд╛ рдкреНрдпрд╛рд░ рдХрд┐рд╕рдХреЛ рдорд╛рд▓реВрдо рдорд┐рд▓реЗ

play02:15

рдЦрд╛рдХ рдореЗрдВ рдордВрдЬрд░ рдХрд┐рддрдиреЗ рдЕрдкрдиреЗ рдЖрдИ рдиреЗрдо рдЫреБрдкрд╛рдП рд╣реИрдВ

play02:21

рд╕рд┐рдХрдВрджрд░ рдХрд┐рддрдиреЗ

play02:24

рдХреЛ рдЦрд╛ рдХрдорд╛рдиреЗ рдореАрдареА

play02:26

рдЕрд░реЗ рдпрд╛рд░ рдСрдлрд┐рд╕ рдХреЛ рдХрд╣реЗрдВрдЧреЗ рдордЧрд░ рдХрдорд╛рд▓ рд╣реИ рдирдЬрд╛рд░рд╛

play02:29

рдпрд╛ рдирдЬрд░ рдХреА рдЬрдорд╛ рд╣реИ рдирдЬрд░ рдЖрдИ рдирд╛ рдЬрд╛рдиреЗ рджреЗрдЦрдиреЗ рдХрд╛

play02:35

рд╢реАрд╢рд╛ рдпрд╛ рджрд░реНрдкрдг рдХрд┐рд╕рдХреЛ рдХрд╣реЗрдВрдЧреЗ

play02:39

рдХрд┐ рдЗрд╕ рд╢рд╣рд░ рдореЗрдВ рдЕрдХрдмрд░ рдЬрдпрдкреБрд░реА рдХрд╣рддреЗ рд╣реИрдВ рдпрд╣

play02:42

рдмрд╛рдд рдХрд┐рд╕реА рдХреЛ рдорд╛рд▓реВрдо рдирд╣реАрдВ рд╣реИ рдХрд┐ рдЖрдЬ рддрдХ рдХрд┐рддрдиреЗ

play02:46

рд▓реЛрдЧ рдЬрдореАрди рдХреЗ рдЕрдВрджрд░ рд╕реЛ рдЪреБрдХреЗ рд╣реИрдВ рдпрд╛рдиреА рджрдлрди

play02:50

рдХрд┐рдП рдЧрдП рд╣реИрдВ рдФрд░ рди рдХрд┐рд╕реА рдХреЛ рдпрд╣ рдорд╛рд▓реВрдо рд╣реИ рдХрд┐

play02:54

рд╕рд┐рдХрдВрджрд░-рдП-рдЖрдЬрд╝рдо рдЬреИрд╕реЗ рдХрд┐рддрдиреЗ рдмрд╣рд╛рджрд░ рдФрд░ рдЙрд╡рдВ

play02:59

рдмрд╛рджрд╢рд╛рд╣ рдЗрд╕ рдЬрдореАрди рдореЗрдВ рдЕрдкрдиреА рдорд┐рдЯреНрдЯреА рдореЗрдВ рдорд┐рд▓рд╛

play03:02

рджрд┐рдП рд╣реИрдВ

play03:04

рдХрд╛ рд╕реНрд╡рд░реНрдг рдмреБрджреНрдзреВ

play03:07

рдП рдкрд░реНрд╕рдирд▓ рдЕрд╡рддрд░ рдкреНрд░рд╢реНрди рд▓рд╡ рддрд░рд╕рд╛ рдХреЗ

play03:14

рд╣реИ рддреЛ рдЙрд╕рдиреЗ рд▓рд╡ рддрд░рд╕рд╛ рдХреА рд╣реИ рдкреНрдпрд╛рд╕ рд▓рд┐рдП рдЖрдВрдЦреЛрдВ

play03:18

рдореЗрдВ рдФрд░ рдорд╣рд▓реЛрдВ рдореЗрдВ рдЪрд▓ рдЕрдкрдиреЗ рд░рд╣реЗ рд╕рд╛рдЧрд░ рдХрд┐рддрдиреЗ

play03:23

рд╣реИрдВ

play03:24

рд╣реИ рддреЛ рдЙрд╕рдиреЗ рд▓рд╛рдн рдХрдорд╛рдиреЗ рд╣реИ рдирд┐рд╣рд╛рдИ рд╣реА рдкреНрдпрд╛рд╕рд╛

play03:27

рдХрд┐рдпрд╛ рдирд╛рдХрд╛рдо рддрд░рд╕рдирд╛ рдХрдорд╛рдиреЗ рд╣реИ рдЦреНрд╡рд╛рд╣рд┐рд╢рдордВрдж

play03:31

рд╣реЛрдирд╛ рдХрд┐рд╕реА рдЪреАрдЬ рдХрд╛ рднреВрдЦрд╛ рд╣реЛрдирд╛ рдЕ

play03:36

рдХреА рдкреНрдпрд╛рд╕ рдХрдорд╛рдиреЗ рд╣реИ рдкрд╛рдиреА рдкреАрдиреЗ рдХреА рдЦреНрд╡рд╛рдЗрд╢

play03:39

рддрдордиреНрдирд╛ рдХрдорд╛рдиреЗ рд╣реИ рдФрд░ рдЗрд╕ рдмреБрдЦрд╛рд░ рдорд╣рд▓ рдХрдорд╛рдиреЗ рд╣реИ

play03:43

рдЖрд▓реАрд╢рд╛рди рдШрд░ рд╕реЗ рд▓рд┐рдЦрдирд╛ рдХрдорд╛рдиреЗ рд╣реИ рдкрд╛рдиреА рдХрд╛

play03:46

рдЧрд┐рд░рдирд╛ рд╕рд╛рдЧрд░ рдХрд╛ рдорд╛рди рд╣реИ рдЬрд╣рд╛рдВ рдпрд╣рд╛рдВ рд╢рд░рд╛рдм рдХрд╛

play03:50

рдкреНрдпрд╛рд▓рд╛ рдЗрд╕ 4 рдореЗрдВ рдЕрдЧрд╡рдд рдЬрдпрдкреБрд░реА рдХрд╣рддреЗ рд╣реИрдВ рдХрд┐

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рдЧрд░реАрдм рд▓реЛрдЧ рджреБрдирд┐рдпрд╛ рдореЗрдВ рдкрд╛рдиреА рдХреА рдПрдХ-рдПрдХ рдмреВрдВрдж

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рдХреЗ рд▓рд┐рдП рддрд░рд╕рддреЗ рд░рд╣рддреЗ рд╣реИрдВ рдФрд░ рдкрд╛рдиреА рдХреА рдЖрд╕ рдореЗрдВ

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рд╣реА рдЬрд╛рди рджреЗ рджреЗрддреЗ рд╣реИрдВ рдЬрдмрдХрд┐ рдЙрдирдХреЗ рд╡рд░реНрдХрд░реНрд╕

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рдорд╣рд▓реЛрдВ рдореЗрдВ рд░рд╣рдиреЗ рд╡рд╛рд▓реЛрдВ рдХреЛ рд╣рд░ рдХрд┐рд╕реНрдо рдХрд╛ рд╕реБрдЦ

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рдФрд░ рдПрд╕ рдореЗрдВ рдЕрд╕рд░ рд╣реЛрддрд╛ рд╣реИ рдФрд░ рд╡рд╣ рд╢рд░рд╛рдм рдФрд░ рд╢рдмрд╛рдм

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рдХреА

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рд╡реЛ рдорд╕реНрддреА рдореЗрдВ рдЬрд┐рдВрджрдЧреА рдЧреБрдЬрд╛рд░рддреЗ рд╣реИрдВ рдФрд░ рд╣рд░

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рдХрд┐рд╕реНрдо рдХреЗ рднреЗрд╖ рдореЗрдВ рдЕрдкрдиреА рдЬрд┐рдВрджрдЧреА рдмрд╕рд░ рдХрд░рддреЗ

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рд╣реИрдВ

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14 рдирдВрдмрд░ рддреАрди рдкрд░ рдЪрдорди рд▓рд┐рдП рдлрд┐рд░рддреЗ рд╣реИрдВ

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рд╢рд╣рд░реЛрдВ-рд╢рд╣рд░реЛрдВ рдЖрд╕реНрддреАрдиреЛрдВ рдореЗрдВ рдЫреБрдкрд╛рдП рд╣реБрдП рдЦрдВрдЬрд░

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рдХрд┐рддрдиреЗ рдкреНрд░рдердо рдХрдорд╛рдиреЗ рдХрд╛ рдЭрдВрдбрд╛ рдЕрдорди рдХрдорд╛рди рд╣реИ

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рдкрдирд╛ рдпрд╛ рдЪреИрди рдЕрд╕реНрддреЗрдВрджреНрд░

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рдХрд┐ рдХрдорд╛рдиреЗ рд╣реИ рдХреБрд░реНрддреЗ рдХрдореАрдЬ рд╡рдЧреИрд░рд╣ рдХреА рдмрд╣рди рдЬреА

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рд╣рд╛рдВ рдЦрдВрдЬрд░ рдХрдорд╛рди рд╣реИ рдПрдЬреБрдХреЗрд╢рди рдХрд╛ рдЫреЛрд░рд╛ рд╣реВрдВ

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рд╣рд╛рдЙ рдЯреЛ рд╣рд┐рд╕рд╛рд░ рдореЗрдВ рдЕрдХрдмрд░ рдЬрдпрдкреБрд░ рднреА рдХрд╣рддреЗ рд╣реИрдВ

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рдХрд┐ рдХреМрди рджреБрд╢реНрдорди рдФрд░ рдмрд░рдорд╕рд░ рдЕрдорди рдХреА рдкрд░рдЪрдо рд▓рд┐рдП

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рд╢рд╣рд░-рд╢рд╣рд░ рдФрд░ рдЧрд╛рдВрд╡-рдЧрд╛рдВрд╡ рдЬрд╛рддреЗ рд░рд╣рддреЗ рд╣реИрдВ рд╡рд╣

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рдЬрд╡рд╛рдиреА рдХрд╣рддреЗ рд░рд╣рддреЗ рд╣реИрдВ рдХрд┐ рд╣рдо рдЕрдорди рддрд┐рде рдФрд░

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рд░рд╡рд╛рджрд╛рд░реА рдХреЗ рдЖрдЦрд┐рд░реА рд╣рд╛рдВ рд╣реИ рд▓реЗрдХрд┐рди рдЕрд╕рд▓ рдореЗрдВ

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рдпрд╣реА рд▓реЛрдЧ рдЦреВрди рдЦрд░рд╛рдмрд╛ рдХрд░рддреЗ рд╣реИрдВ рдФрд░ рд╡рд░реНрддрдиреА

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рдлреИрд▓рд╛рддреЗ рд░рд╣рддреЗ рд╣реИрдВ

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рдХрд┐ рд╡рд╣ рдЬрд╣рд╛рдВ рднреА рдЬрд╛рддреЗ рд╣реИрдВ рдЕрдкрдиреА рдЖрд╕реНрддреАрдиреЛрдВ рдореЗрдВ

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рдЦрдВрдЬрд░ рдЫреБрдкрд╛рдП рд╣реБрдП рд╢рд░реНрддреЗрдВ рд╣реИрдВ рдФрд░ рдЪреЗрддрдирд╛ рд╡

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рдлрд╕рд╛рдж рднрдбрд╝рдХрд╛рддреЗ рд░рд╣рддреЗ рд╣реИрдВ

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рдХрд┐ рдЗрд╕ рдкрд░ рдЖрдЧреЗ рдЗрд╕ рдЪреВрд░реНрдг 24 рд╣реИ рдЗрд╕рдХрд╛ рдХрд┐рд╕ рддрд░рд╣

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рджреЗрддрд╛ рд╕рджрд╛ рдореБрдЭ рдХреЛ рдкрддрд╛ рдпрд╛рд░ рди рдерд╛ рдпреВрдВ рддреЛ

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рдмрд╕реНрддреА рдореЗрдВ рдирдЬрд░ рдЖрдП рдЦреБрд▓реЗ рджреНрд╡рд╛рд░ рдХрд┐рддрдиреЗ

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рдореИрдВ рд╕рджрд╛ рдХрдорд╛рдиреЗ рд╣реИ рдЖрд╡рд╛рдЬ рдпрд╛ рднрдЯреНрда рд╣реИ

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рдХрд╛ рдкрддреНрддрд╛ рдХрдорд╛рдиреЗ рдард┐рдХрд╛рдирд╛ рдпрд╛ рдирд┐рд╢рд╛рди рдпрд╛ рд╕реБрд░рд╛рдЧ

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рдмрд╕реНрддреА рдХрд╛ рдорд╛рди рд╣реИ рдЖрд╡рд╛рдЬ рдЬрдЧрд╣ рджрд░ рдХрд╛ рдЕрдиреБрдорд╛рди рд╣реИ

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рджрд░рд╡рд╛рдЬрд╛ рд╣реИ

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рд╣реИрдВ рддреЛ рдЗрд╕ 4 рдореЗрдВ

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рдХрд┐ рдЕрдХрдмрд░ рдЬрдпрдкреБрд░реА рдХрд╣рддреЗ рд╣реИрдВ рдХрд┐ рдореИрдВ рдЧрд▓реА-рдЧрд▓реА

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рддрд▓рд╛рд╢ рдХрд░ рд░рд╣рд╛ рдерд╛ рдХрд┐ рдореБрдЭреЗ рдХреЛрдИ рд░рд╣ рдмрдврд╝рд┐рдпрд╛

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рд░рд╣рдиреБрдорд╛ рдорд┐рд▓ рд╕рдХреЗ рдЬреЛ рдЗрд╕ рдмрд╕реНрддреА рдХреЗ рд▓реЛрдЧреЛрдВ рдХреЛ

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рдкрд░рд╕реНрддреА рд╕реЗ рдирд┐рдХрд╛рд▓ рджреЗ рдФрд░ рдЬрд┐рддрдирд╛ рдХреНрд░реЙрдк рдХреА

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рдлрд┐рддрдирд╛ рдЕрдВрдЧреНрд░реЗрдЬ рд╕рд┐рд░реНрдл рдЗрддрдирд╛ рдкреВрд░реНрд╡ рдкреНрд░рд╢рд┐рдХреНрд╖рдг

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рдФрд░ рдФрд░ рдЗрддрдирд╛ рдкрд░рд┐рд╡рд╛рд░реЛрдВ рдХреА рдлрд┐рддрдирд╛ рдЕрдВрдЧреНрд░реЗрдЬреЛрдВ

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рд╕реЗ рдирд┐рдЬрд╛рдд рджрд┐рд▓рд╛ рд╕рдХреЗ рдореИрдВ рдЙрд╕рдХреЛ рдвреВрдВрдврддрд╛ рд░рд╣рд╛

play06:48

рдордЧрд░ рдореБрдЭреЗ рдЙрд╕рдХрд╛ рдкрддрд╛ рдорд╛рд▓реВрдо рдирд╣реАрдВ рдерд╛ рддреЛ рдЖрд╡рд╛рдЬ

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рджреЗрддрд╛ рддреЛ рдЗрд╕рдХреЛ рджреЗрддрд╛ рдЕрдЧрд░ рдЬрд┐рдо рдореИрдВрдиреЗ рдЗрд╕ рдмрд╕реНрддреА

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рдореЗрдВ рдХрдИ рджрд░рд╡рд╛рдЬреЗ рдЦреБрд▓реЗ рджреЗрдЦреЗрдВ рдордЧрд░ рдореИрдВ рдЗрд╕рдХреЛ рдкрд╛

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рди рд╕рдХрд╛ рдФрд░ рдирд╛ рдХрд┐рд╕реА рдиреЗ рдореЗрд░реА рдЖрд╡рд╛рдЬ рджрдпрд╛рдирдВрдж

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рдореЗрд░реА рдЖрд╡рд╛рдЬ рдХреА рддрд░рдл рдзреНрдпрд╛рди рджрд┐рдпрд╛

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рд╣реИ рддреЛ рдЙрд╕рдХреЗ рдмрд╛рдж рджреВрд╕рд░рд╛ рд╢рд╣рд░ рд╣реИ рдЖрдЦрд┐рд░ рд╢рд╣рд░

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рджреЗрдЦрдХрд░ рджрдХреНрд╖рд┐рдгрд╛ рд▓рдЧреА рдореЗрд░реА рддрд╛рдЬреНрдЬреБрдм рди рдХрд░реЛ

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рдореИрдВрдиреЗ рд╕рд╣рд░рд╛рдУрдВ рдХреЛ рдЕрдХреНрд╖рдп рдиреЗ рд╕рдордВрджрд░ рдХрд┐рддрдиреЗ

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рд╣реИ рддреВ рдкрд░реНрд╕рдирд▓ рднреА рд╕реЗ рдорд╛рдиреЗ рд╣реИ рдиреЗрд╣рд╛ рдиреЗ

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рдкреНрдпрд╛рд╕рд╛ рдорд╛рдпреВрд╕ рддрд╛рдЬ рдЙрдкрдХрдорд╛рди рд╣реИ рдЕрдиреЛрдЦрд╛рдкрди рдЪреЗрд╣рд░рд╛

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рдХрдорд╛рдиреЗ рдпрд╣ рд░реЗрдЧрд┐рд╕реНрддрд╛рди рдпрд╣ рджреВрд╕рд░рд╛ рдорд╛рдиреЗ рдЗрд╕рдХрд╛ рд╣реИ

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рдмрд╛рдмрд╛ рдЗрд╕ рд╢рд╣рд░ рдореЗрдВ рдЕрдХрдмрд░ рдХрд╣рддреЗ рд╣реИрдВ рдХрд┐ рдореЗрд░реА рдЗрд╕

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рдирджреА рдХреЛ рджреЗрдЦрдХрд░ рдЖрдк рд▓реЛрдЧ рд╣реИрд░рд╛рди рд╣реЛ рдФрд░ рдЗрд╕ рдмрд╛рдд

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рдкрд░ рддрд╛рдЬреНрдЬреБрдм рдирд╛ рдХрд░реЛ рдХреНрдпреЛрдВрдХрд┐ рдореИрдВрдиреЗ рдХрд╣реАрдВ

play07:52

рд╡реЗрд░рд╛рди рдПрдХ рд╕реНрдерд╛рдиреЛрдВ рдХреЛ рдкрд╛рдиреА рд╕реЗ рдЪреЗрд╣рд░рд╛ рдХрд┐рдпрд╛

play07:56

рд╣реИ рдпрд╣ рдиреЗ рдореИрдВ рд╣рдореЗрд╢рд╛ рдЕрдордиреЛ рдЕрдорд╛рди рдХрд╛ рд╣рд╛рдореА рд░рд╣рд╛

play08:00

рд▓реЗрдХрд┐рди рдХреЛрдИ рднреА рд╢рдХрд╕ рдореЗрд░реА рдмрд╛рдд рд╕реБрдирдиреЗ рдХреЗ рд▓рд┐рдП

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рддреИрдпрд╛рд░ рди рдерд╛ рд▓реЗрдХрд┐рди рдлрд┐рд░ рдлрд┐рд░ рднреА рдореИрдВрдиреЗ рдЕрдордиреЛ

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рдЕрдорд╛рди рдХрд╛ рдкреНрд░рдЪрд╛рд░ рдХрд┐рдпрд╛ рд╣реИ

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рд╣реБрдЖ рдерд╛

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