Future Cities Conference 2023 | Peter Sloterdijk | The Future of Too Big Cities

(FCL) Future Cities Laboratory
24 Nov 202347:24

Summary

TLDRThe transcript explores the concept of urbanism through the lens of immunity and impossibility, drawing on philosophical quotes and historical examples. It discusses the city as an immune system, the impact of modernity on the environment, and the challenges of urban life. The speaker reflects on the future of cities, suggesting a need for deglobalization and a reevaluation of our relationship with urban spaces to maintain life quality and face the looming challenges with optimism.

Takeaways

  • ๐ŸŒŸ The speaker feels honored to be among eminent thinkers and introduces the concept of transitioning from improbability to impossibility in urbanism.
  • ๐Ÿ™๏ธ Ancient thinker Epicurus' quote about death and cities without walls is used to discuss the inherent vulnerabilities in urban systems.
  • ๐Ÿ  Aristotle's view on architecture is referenced to highlight the idea that cities should be built as nature would, but nature does not create cities, which are spaces where improbability meets impossibility.
  • ๐Ÿง—โ€โ™‚๏ธ Richard Dawkins' concept of evolution as climbing Mount Improbable is discussed, emphasizing the dynamic and ever-changing nature of challenges in urban development.
  • ๐ŸŒฒ The modern activity of 'burning the subterranean forest' is seen as a fatal discovery leading to the end of the current urban era.
  • ๐Ÿ”‘ Key terms from the lecture such as 'immune system', 'impossibility', 'immersion', and 'embedding' are introduced for further exploration.
  • ๐Ÿ›๏ธ Paul Valรฉry's essay on tragical urbanism and the failure of cities to provide immunity to their inhabitants, particularly during the Black Death in Florence, is highlighted.
  • ๐ŸŽจ The importance of the artificial sublime in modern aesthetics is discussed, drawing parallels between architecture and the total artwork.
  • ๐Ÿ›‹๏ธ The 20th century saw a shift in focus from collective to individual immersion in living spaces, with interior design becoming a significant industry.
  • ๐ŸŒ The challenges of big cities, including overpopulation and the deterioration of their immune system qualities, are outlined, suggesting a need for intelligent deglobalization and deurbanization.
  • ๐Ÿ”„ The conclusion posits an optimistic view of human capability to address urban challenges, predicting a reduction in the heights of 'Mount Improbable', allowing for continued progress within the big city culture.

Q & A

  • What is the central theme of the lecture?

    -The central theme of the lecture is the exploration of the concepts of unprobability and impossibility in the context of urbanism, architecture, and the human condition, particularly focusing on how cities and human constructs address or fail to address challenges such as death, natural growth, and the evolution of societies.

  • How does the speaker introduce the idea of 'tragic urbanism'?

    -The speaker introduces 'tragic urbanism' by referencing the ancient thinker Epicurus, who noted that while humans can take preventive actions against many things, death is inevitable. This concept is extended to cities, which, despite being designed as protective entities, ultimately cannot prevent the inevitable, thus embodying a form of tragic urbanism.

  • What is the significance of the quote by Aristotle regarding architecture?

    -Aristotle's quote emphasizes the idea that a good architect should build in harmony with nature. The speaker uses this to illustrate the concept that if cities were to grow as nature intended, they would be in perfect harmony with their inhabitants' needs. However, the reality is that cities often become places where the improbable becomes almost impossible, thus failing to meet Aristotle's ideal.

  • What does Richard Dawkins' concept of evolution contribute to the lecture's theme?

    -Richard Dawkins' concept of evolution, described as climbing Mount Improbable, adds to the lecture's theme by illustrating the dynamic and ever-changing nature of challenges faced by societies and cities. The speaker uses this metaphor to discuss how cities and human constructs are continually evolving and adapting, but sometimes face insurmountable odds that were once considered merely improbable.

  • How does the speaker relate the concept of an 'immune system' to cities and human constructs?

    -The speaker relates the concept of an 'immune system' to cities by suggesting that a well-constructed city should anticipate and protect against potential damages, much like how an immune system prepares the body to fend off infections. However, when cities fail to deliver this protection, they lose their function as a collective immune system for their inhabitants.

  • What is the significance of the term 'embedding' in the context of the lecture?

    -The term 'embedding' in the context of the lecture refers to the idea of being fully integrated or immersed within an environment. The speaker discusses how both nature and human-made structures aim to create a sense of embedding, providing a sense of belonging and security. However, when these structures fail to provide this sense of immersion, they contribute to the challenges faced by modern urban societies.

  • How does the speaker view the future of big cities?

    -The speaker views the future of big cities as facing significant challenges due to their inability to manage the influx of inhabitants and the subsequent deterioration of their immune system qualities. The speaker suggests that cities will need to rethink their role and find intelligent methods of deglobalization, disembedding, and deurbanization to maintain life quality.

  • What is the concept of 'deurbanization' as discussed in the lecture?

    -The concept of 'deurbanization' discussed in the lecture refers to the trend of people moving away from large cities to smaller, commuter cities or rural areas. This is seen as a response to the challenges faced by big cities and a desire for a more balanced lifestyle that still offers the advantages of urban living without the associated disadvantages.

  • How does the speaker connect the idea of 'burning the subterranean forest' to modernity?

    -The speaker connects the idea of 'burning the subterranean forest' to modernity by using it as a metaphor for the extensive use of fossil fuels and the resulting environmental impact. This concept is seen as a defining characteristic of modernity, representing a shift from sustainable practices to ones that have long-term, potentially catastrophic consequences.

  • What role does the speaker believe leadership plays in addressing urban challenges?

    -The speaker believes that leadership plays a crucial role in addressing urban challenges by setting goals and developing methods to transform seemingly impossible scenarios into more manageable probabilities. Effective leadership is seen as necessary for guiding cities and societies through complex issues and towards sustainable solutions.

  • How does the speaker use the term 'Mount Improbable' to describe the challenges faced by societies?

    -The speaker uses the term 'Mount Improbable' to describe the challenges faced by societies as dynamic and ever-changing, yet not entirely insurmountable. The height of this metaphorical mountain represents the level of difficulty or improbability of addressing certain issues. The speaker suggests that with time, effort, and intelligent approaches, these challenges can be made more reachable and manageable.

Outlines

00:00

๐ŸŒŸ Introduction and Themes of Urbanism

The speaker begins by expressing honor and pleasure at being among distinguished thinkers. They introduce the theme of their talk, which is the transition from unprobability to impossibility. The speaker uses three quotations to set the stage for their discussion. The first quote from Epicurus discusses human inability to prevent death, likening it to living in a city without walls. The second quote from Aristotle emphasizes the importance of building houses in harmony with nature, and the third from Richard Dawkins uses the metaphor of climbing Mount Improbable to describe evolution. The speaker then transitions into a discussion about the tragic nature of cities and their rapid growth over the past 250 years, highlighting the unsustainable practice of burning the 'subterranean forest'.

05:01

๐Ÿ™๏ธ Urban Challenges and the Immune System Metaphor

The speaker delves deeper into the concept of cities as immune systems, suggesting that cities should be designed to naturally accommodate their inhabitants, much like how nature would grow houses. They argue that modern cities, however, are places where the improbable becomes almost impossible. The speaker discusses the idea of 'embedding' or immersion in the city environment and contrasts it with the concept of a city's ability to provide a collective immune system for its inhabitants. They reference the work of Paul Valรฉry, who wrote about the art of building temples that create a sense of completeness and grandeur, emphasizing the importance of artificial sublime in modern aesthetics.

10:04

๐Ÿ›๏ธ The Role of Art and Aesthetics in Urban Spaces

The speaker explores the impact of art and aesthetics on urban spaces, using the example of a temple to illustrate how human-made environments can be both sublime and artificial. They discuss the concept of being 'enslaved' by the environment, suggesting that this is not necessarily negative but rather a form of aesthetic engagement. The speaker also touches on the idea of 'embedding' in relation to music and how it can create a sense of being enclosed and transformed by the environment. They argue that the design of immersive environments has become a key aspect of modern living, with interior design and architecture playing a crucial role in shaping our experiences of space.

15:06

๐ŸŽฅ Reflections on Mass Culture and Design

The speaker reflects on the early 20th century's mass culture and its impact on urban design. They discuss the evolution of movies as a medium that provided immersive experiences, and how design has shifted towards creating integral experiences of the environment. The speaker notes the influence of totalitarian aesthetics on urban spaces and the depoliticization of the concept of embedding after World War II. They also mention the rise of interior design as a therapeutic maxim and the development of an entire industry around it, suggesting that the message of embedding has been commercialized and individualized.

20:10

๐ŸŒ The Future of Cities and the Immune System

The speaker discusses the future of cities, focusing on the concept of the immune system as it relates to urban environments. They argue that modern houses and complexes should embody the qualities of an immune system, protecting inhabitants from various 'diseases'. The speaker suggests that the architecture of modernism should reflect the debate on the right definition of immune space. They conclude by addressing the contradictions inherent in big city living, noting that cities attract more people than they can manage, thus deteriorating their immune system qualities. The speaker advocates for intelligent methods of deglobalization and deurbanization to save life quality.

25:13

๐Ÿ“š Concluding Thoughts and Q&A

The speaker concludes their talk by reiterating the dynamic trust in humanity's ability to climb Mount Improbable and the optimism that we will not face absolutely unsolvable problems. They express the belief that the height of impossibility will diminish as human efforts reach the possible peak. The speaker then engages in a Q&A session, where they discuss the concepts of the impossible and the improbable, and the need to redefine these terms for the future of the city. They also touch on the topic of deurbanization, suggesting that it is a natural progression as cities become unsustainable, and that the 21st century will be characterized by large-scale deagrarianization and migration within nation states.

Mindmap

Keywords

๐Ÿ’กTragical Urbanism

The term 'Tragical Urbanism' refers to the concept that cities, while being hubs of human activity and progress, are also spaces where the most profound human experiences, such as death and disaster, are confronted. In the video, it is used to illustrate the inherent vulnerability of urban spaces, especially in the face of challenges like the plague mentioned in the context of Florence in 1348, where the city's immune system failed, leading to massive loss of life.

๐Ÿ’กImmune System

In the context of the video, an 'Immune System' metaphorically represents the protective mechanisms that a city or built environment should have to safeguard its inhabitants from various threats, both natural and man-made. The speaker uses this concept to argue that well-constructed cities should be prepared for potential damages and provide the necessary systems for inhabitants to feel secure and immersed in their environment.

๐Ÿ’กEmbedding

The term 'Embedding' in the video refers to the concept of integrating or immersing oneself within an environment, particularly in the context of living spaces. It speaks to the idea that a well-designed city or dwelling should allow its inhabitants to feel a sense of belonging and security, as if they are 'embedded' within the fabric of their surroundings.

๐Ÿ’กImprobability

In the video, 'Improbability' is used to describe the unlikely or unexpected events or conditions that cities and their inhabitants must confront. It is a concept that is explored in relation to the challenges faced by urban environments, such as the evolution of cities and the unforeseen problems that arise from their growth.

๐Ÿ’กImpossibility

The term 'Impossibility' in the video signifies the extreme or insurmountable challenges that cities may face, which are beyond the capacity of their immune systems or protective mechanisms to handle. It is used to highlight the limits of what urban environments can manage or control, such as the inevitability of death or the overwhelming scale of modern city life.

๐Ÿ’กAesthetics

In the video, 'Aesthetics' refers to the sensory or emotional experiences associated with the built environment, particularly how the design of spaces can evoke feelings of immersion, beauty, or discomfort. It is discussed in the context of how urban spaces and architecture can either enhance or detract from the quality of life for their inhabitants.

๐Ÿ’กSuburbanization

The term 'Suburbanization' refers to the process of moving populations from urban centers to suburban areas. In the video, it is presented as a trend where city dwellers seek to live in areas that offer the advantages of city life without the disadvantages, such as pollution and overcrowding.

๐Ÿ’กDeglobalization

In the video, 'Deglobalization' is suggested as a strategic approach to address the challenges faced by cities, particularly in terms of overpopulation and resource strain. It implies a retreat from global interconnectedness to a more localized or regional focus, aiming to improve the quality of life and sustainability.

๐Ÿ’กCommunity

The concept of 'Community' in the video relates to the collective of individuals who share a common environment, such as a city or neighborhood. It emphasizes the importance of social connections and mutual support within urban spaces, and how these social structures contribute to the overall health and resilience of the community.

๐Ÿ’กModernity

The term 'Modernity' in the video encompasses the social, cultural, and technological changes associated with the modern era, particularly those that have led to the development and growth of cities. It is often characterized by the shift from agrarian to urban lifestyles and the complexities that come with it.

Highlights

The concept of cities as immune systems and their role in protecting inhabitants from various adversities, including death.

The idea of tragical urbanism, drawing parallels between the inevitability of death and the vulnerabilities of city living.

The architectural philosophy of building structures, including cities, in harmony with nature's principles.

The metaphor of climbing Mount Improbable, representing the dynamic challenge of evolving and adapting within urban environments.

The historical perspective on the rapid growth of cities and their potential future decline.

The impact of modernity and the burning of the 'subterranean forest', symbolizing the exploitation of natural resources.

The discussion on the role of architects and urban planners in creating cities that align with the concept of an immune system.

The exploration of the term 'impossibility' in the context of urban development and the challenges faced by cities.

The importance of rethinking and relearning in the face of urban challenges and the potential for deurbanization.

The philosophical and aesthetic considerations of living within human-made environments and their impact on society.

The historical account of the plague in Florence and the failure of the city to act as an effective immune system.

The notion of embedding in sociological context and its relation to the quality of living in cities.

The influence of mass culture and the evolution of interior design as a means of personal and collective immersion.

The potential future of urban living, including the possibility of deglobalization and the redefinition of community and immunity.

The optimistic view that human efforts can reach the peak of 'improbability' and diminish the heights of 'impossibility'.

The call for a reevaluation of the relationship between immunity and community in the context of modern residential and business practices.

The reflection on the role of leadership in transforming perceived impossibilities into probabilities through goal setting and action.

Transcripts

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the only thing I can add to this is that

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I'm really

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feel honored and I feel also real

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pleasure to to to be here among eminent

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thinkers in this

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field

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um I have chosen

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a somewhat strange title for my tesis

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here I will talk about the movement from

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unpr

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probability to

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impossibility and let me start with

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three

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quotations more or less well

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known the first one goes

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back to the ancient thinker

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epicuros uh to him there is a sentence

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attributed that would lead us directly

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into a field that you would call A

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tragical

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urbanism because what he says is that

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that human beings are able to take

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preventive actions against most things

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in the world but with regard to death we

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all are living in a city Without

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Walls so if a city is an IM immune

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system in the most important case uh uh

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in which immunity is required it does

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not

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work so we have to to keep that in mind

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if I introduce you to the basic

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vocabulary uh of the next

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minutes which does not mean that I

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necessarily do the work I deliver the

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concepts and I would suggest you make

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your own

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conference uh two of these uh Concepts

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have already been uh

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named unpr

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probability

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and

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impossibility the term of

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immunity or IM immune

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systems is already

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here and the second quotation I I would

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like to uh put forward poverty uh under

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pretext of an

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introduction uh goes back to a famous

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saying of

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Aristotle uh he said an a good

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architect has to build houses in such a

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way as nature would create them if

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nature or

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physic would make

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grow houses

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so you just have to shake a little bit

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the tree of houses and houses will fall

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down if they fulfill the the perfect

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definition of what a house is meant to

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to be it is it is it is meant to be a

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place of

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immersion where you can dive into into

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into this the secrecy and the Sheltering

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qualities of of of that place

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especially during during night time time

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times uh and to Pro

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protect a a a a

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given Unity of Co cohabitation which is

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usly a

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family and now imagine what arot would

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have said with regard to

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cities he would address almost the same

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sentence with with regard to to

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urbanists or city Architects build

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cities in such a way as nature would

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have built them if nature would make

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grow cities but nature is not U silly

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enough to

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create cities because cities are are

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places where uh the

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improbable old almost reaches the height

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of the

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impossible and my third quotation will

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be from Richard Dawkins a general

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formula for what he calls Evolution and

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he has found a very nice very po popular

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and very poetic description it was to

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participate in evolution means to climb

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Mount

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improbable and the strange thing is now

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that this mountain probably is is not a

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given

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Mountain because it grows while you are

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climbing this is it is a perverse

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mountain or a paradox Mountain uh the

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height of which depends on the energy of

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the

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climber so is a

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cusion between clim fishing climbing and

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and growing peaks of improb

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probability and that is uh what I meant

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if I call uh my

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lecture from improbability to impos

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impossibility because we are all well

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conscious of the fact that there is a

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that something tragical and and

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something unable about the con

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construction of of big cities they did

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not

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exist until 250 years and they will

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probably not exist from now on in in

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years so when the the peak period span

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of time of our main activity in our

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lifetime will be gone and our main

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activity in our life lifetime is called

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burning the sub Subterranean

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Forest that's what modern modernity

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finally is is is all about

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yeah we have made this this fatal

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Discovery said One log of of of

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wood uh canot only be burnt

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once as our forefathers and ancestors

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believed we have

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discovered uh

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that dangerous secret how to burn one

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piece of wood millions of

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times and this Panic activity is very

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Ence of modern times and we and we

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already know very well that we are

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living in the end game phase of of this

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uh game called burning the subterranian

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forest

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um

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now it's that's your task you may you

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have the key the key

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terms and you produce your

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conference immune system

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immunity

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impossibility IM immersion

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or embedding

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procedes and what is the result in the

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me in while you

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uh elaborating your conference uh I

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deliver one version uh one possible

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version of uh of the task I gave I gave

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you and one possible answer to the

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question has been delivered by Paul

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Valerie in his uh wellknown

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uh

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essay uh written in the uh early uh 20s

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of the last last century o

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Pinos was the

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architect so in in every text book for

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AR architectur students this should be

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on one of the first articles you read

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just as uh when when it comes to the

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question of of tragical urbanism the

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introduction of jaani Voos the

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camaron should should be read and ReRe

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because this is uh the description of

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what can happen if a big city is no

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longer able to fulfill its function as a

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a collective immune system for its

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inhabitants and he described what

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happened in his natal City Florance when

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the plague arrived in 13

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48 in in a couple of few months 100,000

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people

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died due to to the C's

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incapacity to deliver what it should

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deliver to to its citizens that is a

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higher level of immunity but what

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happens is exactly the contrary nowhere

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life is that

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endangered when the the city as a

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spatialite immune system does no longer

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work but let me just add one remark

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about the aristot Alan task uh of of

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city building it is a virtual task he

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never really explained how nature would

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have done

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it but from the constructive point of

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view one thing is clear the nature if

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she really would uh build cities she

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would uh seek for the uh per perfect uh

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equivalent Al a balance between

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immersive qualities of living in the

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city that's something that is also

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discussed under the term of embedding in

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in modern sociological context and on

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the other side of of immunity where

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immunity uh can can be delivered at the

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same time as

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a so effectful form of uh IM emusion

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structure then the uh nature as

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architect of the city would would be

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satisfied but let me add one uh

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definition for what immune system in a

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general in general meaning

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implies we all know that immune systems

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are called as they are called since the

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late 19th century when German and French

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biologists

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borrowed uh from Roman laws the concept

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of imun immunity the term immun immune

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system is is not a biological

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expression uh it is a chical term uh

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that which is Bor borrowed from from

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Roman law and Roman law is based on the

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on the on the inside that all human uh

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life is under the risk of being damaged

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and everything that is

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can be done to prevent damage in the

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future belongs to the system of of

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immunities that's also one of the

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reasons why Roman law only has one uh

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great problem H how

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to uh

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restore injuries after after after

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damages yeah we have you have uh inj

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injuries and reparations yeah

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and an immune system is an in

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Incorporated structure that anticipates

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F damage in the

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future same thing if you're

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vaccinated from the moment of the

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vaccination on your body is

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prepared to encounter the in Invasions

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of certain

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microbes but at the very moment you you

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you uh build a house you and your family

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are are

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prepared uh to um silent night

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night because the house is

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such anticipate the

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disturbance uh of of of of your of your

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nightly

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life and everything that uh incarnates

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the expectation of the future damage can

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can be called an immune system that that

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is very important and that also belongs

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to the definition of this of the city a

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well constructed city has to be prepared

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for certain typ typical

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damages and has to

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deliver uh that kind of uh immersion

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systems that people really uh do

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require

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and Paul Valerie writes the following

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sentences it ceases not to Spur me

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to develop a couple of ideas on the art

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a painting my dear

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fos

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Socrates addresses to his favorite

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student de fos covers a mere surface

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such as a panel or a wall but a temple

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along with its precincts or again the

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interior of this temples forms for us a

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sort of complete greatness whichin which

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we live we are we move we live inside

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the work of man we are CAU and mastered

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within the proportions he has chosen we

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cannot Escape

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it and this reflection places the

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emphasis is on two different elements

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the first is it insists that in the

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present case the surroundings are

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Sublime this we are speaking of of a of

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a

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temple and the second is stresses that

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the surroundings are

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artificial and needless to say I do not

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mean the dynamic Sublime in the Canon

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sense of the word but say artificial

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Sublime through the omnip presence of

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which a human work can be experienced as

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a Sublime

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surrounding Al so valer Socrates leaps

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with one sentence straight to the heart

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of modern

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Aesthetics because the letter and uh it

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squares directly to the Enigma of the

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total artwork because the letter in

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keeping with the aong guard's Ambitions

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GRS the environments as a whole and the

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beholder can no longer absorb it from

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the Bourgeois vantage point of standing

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opposite it in view of the temple in

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which I stand being in the world

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precisely means being in the work of

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another and indeed it even means being

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consumed by the artistic greatness and

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is it is a coincidence that Socrates

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makes use of the expressions that are

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reminiscent of the speech of the former

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Tent Maker Apostle Paul you remember

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this this famous speech on the Aro Park

play17:08

where he's talking about a God in whom

play17:11

we live move and

play17:14

are in Lutheran

play17:16

translation the words are a God in M Le

play17:24

on I do not know if the swingly and

play17:27

traditional laws

play17:28

Lutheran qu

play17:31

quotations uh but the the the qualiity

play17:35

almost Ho Holy quality of of immersion

play17:40

is very well evoked

play17:42

here and and Paul made

play17:47

here a kind act of pirate

play17:52

hermeneutics when he talked from the

play17:55

from this altar of the unknown God

play17:59

uh in essence and pretended that this

play18:03

altar was already prepared for the

play18:07

arrival of Christ

play18:11

yeah and Val knows very well what he's

play18:15

what he is

play18:17

quoting and the same cancer what we said

play18:20

of second uh AR name namely music then

play18:25

being inside the work of man as fishes

play18:27

are in the see being entirely immersed

play18:30

in it living in it and belonging to it

play18:34

did you not live in a mobile edifice

play18:37

incessantly renewed and reconstructed

play18:40

within itself and entirely dedicated to

play18:44

the

play18:45

transformations of a soul none other

play18:48

than the soul of the extensional itself

play18:51

and did not those moments and their

play18:53

ornaments and those dances without

play18:55

dancers and those statues bodyless and

play18:59

featureless seem to surround you slave

play19:03

you as you were of the general presence

play19:06

of Music were you not enclosed along

play19:09

with it now forcibly locked up like a p

play19:14

in her chamber of

play19:16

vapors and the explication of dwelling

play19:19

by the theory of the surrounding art

play19:21

World thus leads directly to an

play19:25

elaboration of an Aesthetics

play19:29

totalitarianism or the voluntary

play19:32

submission to the man-made

play19:34

environment and in both the reference to

play19:37

the Aesthetics of the sublime comes

play19:40

immediately to Bear there are also two

play19:43

arts in which enclose man in

play19:46

man one in stone and in air and each of

play19:50

them fills our knowledge and our space

play19:53

with artificial

play19:55

truth and modernity what is it in this

play19:59

respect other than an experiment

play20:02

conducted to prove that it is but one

play20:05

step from the sublime to the uh everyday

play20:09

experience to banality then at the same

play20:12

time when Valerie was jotting down these

play20:15

observations the movie the main medium

play20:18

of the nation mass culture that was to

play20:22

unfold as an overwhelming medium was

play20:25

still in its infancy we right here

play20:29

1921 but it was purposefully working to

play20:32

provide the arrangement for Mass

play20:35

consumable immersive Daydream

play20:38

experiences it was working to enslave

play20:41

the eye and transform the organ of

play20:44

distanced observation into one of

play20:47

immersion in a quasi tactile

play20:50

mure and at the same time in the bow

play20:53

house in VMA people had started under

play20:56

the banner of design to negotiate an

play20:59

integral manner of accessing the

play21:02

environment in which the everyday uh

play21:05

life is lived and not only music as is a

play21:09

do domic demonic domain as Thomas man

play21:12

had remarked but spatial design also

play21:16

refers like architecture to that trivial

play21:21

uncanniness of permanent or occasional

play21:25

belonging to an environment thoroughly

play21:28

show by man and these Arts explicate the

play21:32

dwelling at places by means of immersion

play21:36

plans that are nothing other than

play21:39

enslavement proposals for the consumers

play21:42

of the total situation and through them

play21:45

habitation is seen as a welcome

play21:49

subjection to the

play21:51

ambient and to the extent to which

play21:54

apartments are installations or

play21:56

assembled immersion plants they explain

play21:59

existence as a threedimensional

play22:01

task installations like towns and

play22:05

apartments are the aesthetic explication

play22:08

of

play22:09

embedding and other

play22:11

things participate in the two basic

play22:14

value of aesthetic judgment one say of

play22:18

embeddings in the pleasant and Bal that

play22:21

they are beautiful or homely and

play22:24

embedding in the awful and The Uncanny

play22:27

that they are sublime or

play22:31

uncomfortable and in the course of the

play22:33

20th century these explications of

play22:36

dwelling became productive to the extent

play22:40

that the design of

play22:43

immersion Alia interior design was

play22:47

limited to The Living Spaces of

play22:49

individuals and the few families and

play22:53

cooperatives but the immeasurable and

play22:56

constantly burgeoning volume volum of

play22:58

popular literature on interior

play23:01

decorations on living with style on

play23:05

modernizing Old buildings on luxury

play23:08

kitchens and bathrooms on air

play23:11

conditioning on the culture of lightning

play23:14

furniture and the design of Holiday

play23:17

Homes indicates across how broad a front

play23:22

the message of embedding in a self

play23:24

chosen micro Mur as a

play23:28

actual therapeutic maxim of the second

play23:31

half of the 20th century found in

play23:34

audience and an entire interior industry

play23:38

is at hand to trigger such needs and

play23:42

differentiate such standards and telling

play23:45

this awareness of embedding was suddenly

play23:49

depoliticized post

play23:51

1945 and withdrew from the sublime

play23:55

collectivist thees as if people no

play23:58

longer wanted to hear that they are Arts

play24:03

that enclose man within

play24:06

man it is as if the collective memory

play24:10

has

play24:11

preserved the intuitive Insight that the

play24:15

greater the

play24:17

entities comprised through immersion in

play24:19

the Common Ground the more powerful the

play24:24

totalitarian

play24:26

Temptation and even if individual arches

play24:29

continue to experiment with dwelling in

play24:32

the sublime by surrounding themselves

play24:36

with with stability and horror their

play24:39

exercises now remain limited to a

play24:43

private domain or the best to a

play24:48

subculture if one day

play24:52

someday someone is able to

play24:55

reconstruct how the Demons of the the

play24:57

20th century were

play25:00

unlashed then the stress will be put on

play25:04

the efforts of the totalitarian leaders

play25:08

to expand the embedding situations of

play25:12

Apartments to

play25:14

cover the entire situations of the

play25:17

people and the collective and classical

play25:21

totalitarianism was a synthesis of

play25:25

apartment and gazam

play25:28

imposed from above and the state usurped

play25:32

by a click imposes itself as a total

play25:37

installation and demands of the citizens

play25:40

their unreserved

play25:43

immersion and in the East the party

play25:46

functioned as a transitional quantity

play25:49

for these ambes of the whole while in

play25:54

Germany it was the army that performed

play25:57

the task they gave birth to the super

play26:01

flat shes that were staged as Nazi or

play26:04

socialist

play26:06

Collective but after this this solution

play26:09

the customary form of residential

play26:14

totalitarianism join forces with liberal

play26:16

mass culture and it is now to be seen in

play26:19

the trend of blanket do it yourself

play26:22

stores set Force anyone doing their own

play26:26

living space to choose from the same

play26:29

color ranges of tiles and shelves and

play26:31

switches and mattresses and the do it

play26:34

yourself stor are the main suppliers of

play26:37

Western post

play26:40

totalitarianism and with a clear message

play26:42

do not live with the whole outfit your

play26:47

own interior alone with a few others but

play26:52

remain

play26:53

recognizable and behave

play26:56

similarly and the fact fact that you are

play26:58

then surrounded Everywhere by furniture

play27:02

that is as good as

play27:04

interchangeable seems to be the Lesser

play27:07

evil for those

play27:11

involved I will not go on to deliver the

play27:15

dynamic definition of the apartment as a

play27:18

spatial IM immune system I think uh it

play27:22

can be

play27:23

understood U Already now but let me let

play27:27

me uh go go

play27:30

down

play27:31

uh to

play27:33

my

play27:38

conclusions if

play27:40

houses of the modern times are formed in

play27:43

which the immunizing quality of housing

play27:46

complexes are

play27:49

explicated then should we not expect

play27:53

that the architecture of modernism

play27:55

manifests the debate of the right

play27:58

definition of immune space do houses in

play28:02

our age not have to morph into material

play28:06

symbols of the battle between isolation

play28:09

interests and demands for integration of

play28:13

the apartments of our age then not the

play28:16

evidence of a civilizing project that

play28:19

places the reformatting of humid of

play28:24

immunity and integral spaces on the

play28:28

and all we can be sure of is that the

play28:32

linkage of immunity and

play28:34

Community needs to be

play28:37

rethought since

play28:39

residential and business relations seek

play28:42

to ensure the liberation of single

play28:45

persons living alone and just as life in

play28:49

the age of naked life could be defined

play28:54

as a successful face the success

play28:57

uccessful face of a immune system of a

play29:01

biochemical immune system so the

play29:04

existence of man now describes the

play29:08

successful phase of a single person

play29:12

household yeah but what we call people

play29:15

or

play29:17

societies they also have to be defined

play29:21

as success successful forms of of urban

play29:26

life

play29:28

so I come to my uh conclusions that and

play29:34

they

play29:35

uh have to do with the inner

play29:39

contradiction of big city dwellings big

play29:43

cities and Wealthy

play29:45

Nations share one problem they attract

play29:49

more arrivals than they virtually can

play29:54

manage and in doing so they deterior

play29:57

iate their immune system

play30:00

qualities and they will have to learn to

play30:03

play a sensible role in the drama of the

play30:06

future to save life quality by

play30:10

intelligent meths of deglobalization

play30:13

of

play30:15

disembedding and de de deurbanization

play30:21

I think that the impossibility will take

play30:24

the lead with regard to the

play30:28

improbability but

play30:31

nevertheless uh we will remain within

play30:37

the big city culture

play30:42

because the trust of climbing Mount

play30:47

improbably is a dynamic TR trust that

play30:51

and that

play30:52

means uh

play30:56

the

play30:58

height of the

play31:01

impossible

play31:03

will be

play31:05

diminished as much as the highest peak

play31:10

of

play31:11

improbability will be will

play31:15

require so and this is as strange as it

play31:19

might sound an optimistic argument that

play31:22

we shall not be confronted with with

play31:26

absolutely

play31:27

uh

play31:28

unsolvable problems because the the

play31:32

height of the impro

play31:35

probability uh will will almost in in

play31:39

the reach of of human efforts uh to to

play31:44

reach the

play31:46

possible Peak so uh there are still good

play31:51

reason uh in our ability to climb Mount

play31:59

improbable under the condition that that

play32:03

mount improbable as such will no longer

play32:07

reach s such Heights of impossibility

play32:11

that we believe to see right now yeah

play32:16

but take 100 years more time for

play32:19

planning and you will see that that

play32:22

these

play32:23

Peaks uh will be flattening and see

play32:27

capacity of

play32:28

climbing will be at the height of the

play32:34

necessary in the meantime you are ready

play32:37

with your own conference

play32:39

uh and you uh you're free to make a

play32:43

contribution by a written

play32:46

essay uh address to the

play32:50

organizer thank

play32:56

you

play33:02

don't you can stay here you can stay

play33:03

here for a minute yeah you got to stay

play33:05

right here for just a second

play33:07

so um

play33:10

Sasha you need a you need a handheld or

play33:13

something here we got a handheld for you

play33:15

does this work no you have to use this

play33:17

one he'll he'll he'll make it work for

play33:21

you so we have time to take one or two

play33:25

questions if you're

play33:28

capable I'm still trying to think of the

play33:30

impossible and the

play33:32

improbable and which is which and where

play33:34

I'm climbing and where I'm

play33:36

sliding because I'm not sure where I'm

play33:38

heading with that but I'm going to let

play33:40

Sasha have a comment on this one because

play33:43

you you can deal with this one

play33:46

I'm little bit out of my

play33:49

league thank you thank you so much Peter

play33:52

slik We Are

play33:55

Climbing at the moment the

play33:58

impossible and I don't know if we if we

play34:01

know where we are going but we try to

play34:06

give some hints to develop some

play34:10

methods maybe

play34:13

methodologies and aristoteles was clear

play34:18

at the

play34:19

time and nature is stronger than we

play34:25

are and say

play34:28

this I'm on my way to climb to

play34:33

Impossible with the with the team

play34:38

anyhow thank you so much for your

play34:42

contribution and we are really proud

play34:45

that you have been

play34:46

here and I know it was not so easy even

play34:50

the travel from what was it Berlin to

play34:54

Zurich can be also kind of impossible as

play34:58

I understood yesterday

play35:00

yeah so anyhow we're coming to an end of

play35:05

uh this first

play35:07

day and

play35:09

uh I'm struck a little bit fatigued you

play35:14

can say on the other side I think you

play35:16

feel the

play35:18

same

play35:20

and yeah is it is it positive what we're

play35:24

doing is it negative where are we going

play35:26

through

play35:27

still so many questions open at the

play35:30

moment and I hope our younger generation

play35:35

tomorrow will give us some insights huh

play35:39

tomorrow's day open some

play35:42

windows

play35:44

and they climb the impossible they do

play35:50

it in that

play35:52

sense my battery is

play35:55

empty but just for the moment I'm

play35:58

recharging quickly thank you so much for

play36:01

attending and we're not done yet we're

play36:04

not done yet we're not done yet sorry

play36:05

you you do that I'm going to do that

play36:07

really fast okay faster than I do nope

play36:10

I'll be slower than you but you can hang

play36:12

out for a second so um I also want to

play36:14

thank you very much for the mountain

play36:16

problem Mountain possible and a few

play36:17

things which I would like to reflect

play36:18

very quickly which was on the day which

play36:21

I heard beginning with our leaders and

play36:23

hear a few words respect rethinking

play36:28

relearning also for me just this last

play36:30

one rethinking relearning about

play36:33

impossible what's improbable and how we

play36:35

have to for ourselves Define what we

play36:38

think's improbable and what's impossible

play36:41

when we talk about the future of the

play36:42

city and this is what I think when I

play36:44

think of the work you were doing as

play36:46

mayor I'm sure many thought it was

play36:50

impossible became improbable as you set

play36:52

those goals with leadership and I think

play36:55

that's for me was also a really

play36:57

important lesson to take away which is

play36:59

also the

play37:00

leadership and the leadership we have

play37:02

here in the room and the leadership but

play37:04

it's intellectual emotional

play37:08

political the leadership and the

play37:11

thoughtful leadership I would have a

play37:13

question oh no for you one one I gave

play37:16

him a moment to think that's always

play37:18

dangerous yes I have a I have a little

play37:21

questions because I

play37:24

heard a new topic

play37:27

deurbanization

play38:01

I in most situations when it comes to

play38:03

question of

play38:06

modernization modern cities and

play38:09

especially big cities uh I I quote a

play38:12

book that

play38:14

appeared a decade ago approximatively

play38:17

from an I think an American Australian

play38:21

author whose name is dog Sanders you

play38:24

might know it

play38:27

the name of the title of the book is a

play38:29

rival City and it's the best description

play38:33

of of the modern the modern tragedy of

play38:38

of the city because uh do

play38:41

Sanders uh was successful in a point

play38:47

when OS Spangler failed bangler came up

play38:52

with the promise to be

play38:54

able uh to write the history of the

play38:58

future in

play39:00

advance uh which was obviously a failure

play39:05

because he uh uh because he was not able

play39:09

to uh to find the distinction between

play39:12

gen modernization by technology in

play39:16

general and the end game of the fan

play39:20

culture he he he committed a huge

play39:24

confusion and took something

play39:27

which is a general process on on a

play39:29

earthwide scale just for the the last

play39:34

days of the of the fan soul that was a

play39:39

major error and that is why

play39:43

u historiography in in advance remained

play39:46

on uh

play39:48

uncapable but D Sanders did something

play39:52

much more plausible he described the the

play39:56

Europe European Evolution between 1800

play39:59

and

play40:00

1950 and what he

play40:02

observed was simply the deag rization of

play40:06

the western

play40:08

civilization in gtis times 1800 let's

play40:12

say when when when Gerty was

play40:14

51 uh this a nice date of

play40:18

reference when Gerty was 51

play40:21

82

play40:23

83% of German population were still

play40:26

living in a

play40:28

agrarian uh conditions uh and very often

play40:33

directly uh from

play40:36

agriculture 1950 in Germany there was

play40:38

still

play40:40

5% left in the in this original

play40:44

conditions and his prognosis was very

play40:48

clear that what happened in in the

play40:50

western

play40:52

civilization through the possibilities

play40:55

opened up by our beginning of burning

play40:59

the Subterranean

play41:02

Forest uh that is something that is

play41:06

repeating itself with a fatal or

play41:10

irresistible Force every everywhere else

play41:14

in the world and so the the the huge

play41:19

political theme of

play41:21

migration is is mitigated for us by the

play41:25

fact that most migrations do not

play41:29

happen uh Beyond

play41:32

borders between nation states but

play41:36

within Modern Nation States the biggest

play41:40

migration is in in

play41:42

China the second uh huge migration is is

play41:47

in India in in in

play41:50

Indonesia which is a a

play41:53

fantastically artificial Construction

play41:56

yeah uh it was by the way the pattern uh

play42:00

to uh that helped Benedict Anderson to

play42:03

to to forge uh his concept uh as as as

play42:10

as of the nation as a as a fictional

play42:13

entity because he has that before his

play42:16

eyes 300 different people all of a

play42:19

sudden integrated in in one common

play42:23

political project yeah

play42:26

1900 4

play42:29

45 under the guidance uh of an

play42:33

artificial religion a little bit of

play42:36

humanism a little bit socialism a little

play42:39

bit of of Buddhism and and and and and

play42:42

and

play42:43

Hinduism right it it it was a perfect KU

play42:50

you uh but who knows if it will still

play42:53

work in in 20 years in 50 years and and

play42:57

so on this uh I quote the case of

play43:00

Indonesia because it's also one of these

play43:03

uh in

play43:05

migration countries which help us to

play43:09

reduce the dimensions uh of migration as

play43:14

internal phenomenon as long as the most

play43:17

biggest part of migrations happens

play43:19

inside nation states know uh our uh

play43:24

Asylum system uh

play43:26

will not be over that much over

play43:29

stretched that it it would would happen

play43:32

if all these migrations were

play43:36

transnational Al so dark Sanders uh made

play43:41

this

play43:43

prognosis uh that the the whole 21st

play43:46

century will will belong to a dynamics

play43:50

of of that

play43:52

kind and we shall observe de

play43:55

aggravations on a on a large large scale

play43:59

and we shall see uh the the fact that

play44:04

modern cities which are cities without

play44:06

City walls will be unable uh to stop

play44:12

their own pool

play44:15

function that that is uh the second

play44:18

chapter of the tragic Urban urbanism we

play44:22

we are not only uh um

play44:26

living in cities without a

play44:29

wall against death but also against

play44:35

these kind of migrations caused by Inner

play44:40

de

play44:41

agiz and in that context uh this

play44:46

U um a little bit scandalous sound

play44:50

scandalously sounding word of

play44:52

deurbanization

play44:54

U is is to to be

play44:56

defined in in the western world we are

play44:59

living already in a in a in a cycle of

play45:03

what you could call the second

play45:09

green the first green was aarian world

play45:13

now we live in a where many uh City

play45:16

dwellers

play45:18

decide uh to turn their backs to to

play45:21

cities uh and to to live in uh uh

play45:26

commuter cities that means in a in a one

play45:30

hours or two hours distance from the

play45:34

megal from the megalopolis that's what I

play45:37

call the second Queen outside you find

play45:40

in the meantime you have you find the

play45:42

the

play45:43

same uh

play45:45

advantages uh you have as a as a city

play45:49

city

play45:50

dweller uh but no longer the

play45:52

disadvantage that's what I I meant uh

play45:56

when I uh use the term of deag

play45:59

rization yeah but let let us assume that

play46:03

Marco poloo came to PO

play46:07

bot yeah after his

play46:10

return uh to Venice he would have

play46:13

pretended that not only he had seen the

play46:17

cities of several million

play46:19

inhabitants that's why the the the

play46:22

people in Venice called him Mesa million

play46:29

yeah he he would have come back as a

play46:31

Mion from from

play46:34

bot but but also as someone who uh

play46:39

reported something from the from the uh

play46:43

peak of

play46:45

impossibility turned into into simple

play46:50

improbability and maybe a May is a

play46:54

difference

play46:58

thank

play47:00

you so with that Peter Sasha thank you

play47:03

so very much for sharing your thoughts

play47:07

with us and I hope you'll be able to

play47:09

stand out with us and have a glass of

play47:11

wine yeah at the Swiss AO all right we

play47:13

heard that excellent so let us thank

play47:17

Peter and for really

play47:23

again

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Related Tags
Urban PhilosophyArchitectural ThoughtHuman ConditionTragic UrbanismImmune SystemsEvolutionary ClimbCultural CritiqueModern City ChallengesImmersion & EmbeddingDeurbanization