Why do horn players have TERRIBLE rhythm? | Q+A

Summary

In this video, the host explores the rhythmic complexity of triplets and quintuplets, discusses the late timing of horn sections, and the potential reasons behind it. They also touch on the presence of beatboxing in the New York music scene, offer tips for making guitar solos sound unique, and delve into advanced music theory with a discussion on resolving complex chords. The host shares personal anecdotes, including their channel's growth and the decision between living in LA or New York for a musical career. They also address the perception of video game music, the challenges of playing music with a hand injury, and the impact of digital audio workstations on music accessibility.

Takeaways

• 🎶 The logic behind the 'super fast q and a' song is the superimposition of triplets against quintuplets, creating a unique rhythmic feel.
• 🎷 Horn sections often play behind the beat due to a focus on improvisation over rhythm, and possibly due to their training in following visual cues in school band programs.
• 🗣️ Beatboxing as a solo art has a presence in the New York music scene, with artists like Jean Shinozaki incorporating it into orchestral settings.
• 🎸 To make guitar solos sound less like guitar solos, try playing on a single string to break away from typical guitar licks and muscle memory.
• 🎵 The favorite contemporary composer of the 21st century mentioned is Louis Cole, highlighting the appreciation for modern musical innovation.
• 🏙️ The discussion on whether to stay in New York for the music scene or move to LA for industry opportunities reflects the balance between artistic community and career advancement.
• 🍗 A humorous aside about Peruvian chicken and Inca Kola adds a personal touch, showing the speaker's cultural interests beyond music.
• 🎹 Christian Lee is praised for his unique approach to harmony and piano playing, demonstrating the value of individuality in music.
• 🔍 The 'alphabetical rule' in music notation explains the use of double sharps and double flats, providing insight into the logic behind Western music theory.
• 🎮 Video game music is discussed as a legitimate art form, with creators working to canonize it alongside traditional musical genres.

Q & A

What is the main concept behind the super fast Q and A song?

The main concept is superimposing triplets against quintuplets, creating a rhythmic interplay where the vocal rhythm is in triplets and the groove and bassline are in quintuplets.

Why do horn sections often sound slightly behind the beat?

Horn players tend to focus more on improvisation than rhythm, which can lead to a laid-back feel. Additionally, horn players often start in school band programs where they follow visual cues rather than dictating the groove.

How does beatboxing fit into the New York music scene?

Beatboxing has a strong presence in New York City, with groups like the Beatbox House performing at venues like Rockwood Music Hall, creating a full band sound with just vocal percussion.

What is one way to make guitar solos sound less like traditional guitar solos?

Focusing on the vertical side of the instrument by playing solos on a single string can lead to a different, more un-guitaristic feel, as suggested by the exercise in 'The Advancing Guitarist' by Mick Goodrick.

Who is a favorite contemporary composer mentioned in the script?

Louis Cole is mentioned as a favorite contemporary composer, known for his unique approach to harmony and emotion in music.

How can a musician resolve a complex chord like A6 sharp 5 sharp 9 11?

To resolve a dissonant chord like A6 sharp 5 sharp 9 11, one can resolve all the voices within the chord by a half step, creating a new chord that follows the cadential patterns of the western harmonic canon.

What is the 'alphabetical rule' in western music notation?

The alphabetical rule states that for every seven-note scale, each note must be named in alphabetical order, leading to the use of double sharps and other unusual note names to maintain this sequence.

What advice is given for musicians who want to pursue a career in music but are based in LA?

While New York has a vibrant music scene, LA is the center of the music industry with more job opportunities. It's suggested that LA is where the industry is, making it a better place for career advancement.

How does the script address the perception of video game music as not 'real music'?

The script suggests that the perception of video game music as not 'real music' is similar to the historical view of film music. It points out that it takes time for new art forms to be accepted and that platforms like YouTube are helping to canonize and celebrate video game music.

What is the significance of the alphabetical rule in naming notes in western music?

The alphabetical rule ensures that note names are consistent and predictable, which is crucial for reading and writing music. However, it can lead to unusual note names like double sharps and has implications for naming chords and scales.

Outlines

00:00

📢 CuriosityStream and Nebula Promotion

The video opens with a promotion for CuriosityStream, encouraging viewers to sign up using the link in the description. Subscribers also get access to Nebula, the creator’s own streaming service, for free. The ad highlights the benefits of both platforms for educational content and documentaries.

05:01

🎶 Polyrhythmic Q&A: Triplets vs. Quintuplets

The speaker explains the logic behind a 'super fast Q&A' song, focusing on the use of triplets in the vocal rhythm superimposed against quintuplets in the bassline. This creates a five-against-three rhythmic feel that the speaker finds particularly appealing. The discussion highlights the unique interplay of polyrhythms in music composition.

10:04

🎷 Why Are Horn Players Often Late?

In response to a question about horn players’ tendency to play behind the beat, the speaker consults a friend, Brian Ploutz, who offers insights. Horn players may focus more on improvisation than rhythm or follow visual cues from conductors in band programs, leading to this delay. These factors may contribute to horn players' perceived rhythmic deficiencies.

15:04

🥁 Beatboxing in New York's Music Scene

The speaker discusses beatboxing as an art form in New York, mentioning a prominent beatboxer named Jean Shinozaki and his group, Beatbox House. They frequently perform at venues like Rockwood Music Hall, blending beatboxing with orchestral and classical elements in settings like Apartment Sessions, showing how beatboxing is gaining recognition in the music community.

🎸 Guitar Solos Without Sounding 'Guitaristic'

The speaker shares an exercise from Mick Goodrick's book, *The Advancing Guitarist*, that helps guitarists avoid relying on muscle memory by playing solos on a single string. This forces players to think vertically rather than horizontally, resulting in a sound that feels less 'guitaristic' and more like a sitar or other instruments.

🎼 The Complexities of a Dissonant Chord

A detailed explanation of how to resolve a complex chord, an A6 with a sharp 5, sharp 9, and 11. The speaker breaks down the theory, showing how resolving dissonant notes by half-steps creates a more consonant structure. This discussion leads to insights into musical intervals and the speaker's preference for perfect fifths and minor ninths.

🎶 LA vs. NYC: Where to Build a Music Career?

The speaker weighs the pros and cons of pursuing a music career in Los Angeles versus New York City. LA is seen as the hub of the music industry, particularly for pop and film scoring, while NYC offers a rich musical scene but fewer financial opportunities. Ultimately, LA is recommended for those looking to work in the broader music industry.

🍗 Peruvian Chicken and Inca Kola

In a humorous aside, the speaker shares their love for Peruvian chicken, especially pollo a la brasa, and Inca Kola, which they describe as tasting like pure sugar and smelling like cotton candy. This tangent adds a personal touch unrelated to music but shows a quirky aspect of the speaker's personality.

🎹 Christian Lee: A Master of Emotion in Music

The speaker praises Christian Lee, the touring keyboard player for Sungazer, highlighting his unique ability to evoke deep emotions through harmony and piano playing. Lee’s improvisational style is compared to microtonality, showcasing his exceptional skill in voice leading and his visceral connection to music.

🎵 The Alphabetical Rule in Music Notation

An explanation of the often-overlooked 'alphabetical rule' in Western music notation, which dictates that notes must follow alphabetical order. This rule can lead to confusing situations like double sharps and flats, particularly in scales like octatonic or diminished chords. The speaker describes the quirks of Western notation as a result of its long, complex history.

🎸 Resolutions in Music: F Major 7 Over G

The speaker delves into why an F major 7 over G chord resolves so nicely, likening it to a G sus triad. The chord’s dominant function makes it naturally resolve to a tonic chord, following the classical 5-1 cadential pattern of Western music. This technical breakdown offers insights into harmonic resolution.

🎮 Why Video Game Music Isn't Seen as 'Real' Music

The speaker reflects on why some people don’t view video game music as legitimate, tying it to the historical dismissal of film music. However, the rise of creators like Charlie Rosen and the 8-Bit Big Band is helping video game music gain recognition as a legitimate art form, slowly becoming accepted by wider audiences.

🎧 Making Music with Physical Limitations

The speaker shares stories of musicians who have adapted to physical challenges, such as Django Reinhardt and Bill Clements. They emphasize the power of digital audio workstations (DAWs), which have made music creation accessible to everyone, regardless of physical ability. DAWs open up a wide array of possibilities for music-making.

🐍 Hera vs. Viper: A Fan's Perspective

The speaker briefly mentions their enjoyment of Hera’s performance in the Battle for Africa but ultimately favors 'the snake'—a playful nickname, likely for another player. This lighthearted comparison hints at the competitive nature of the scene they’re discussing.

🎥 Dealing with Jealousy as a Musician

Reflecting on their early days learning bass, the speaker talks about the toxic jealousy they once felt toward successful musicians like Mark Hoppus. They advise against jealousy, emphasizing that everyone’s career has its own path. Instead, focusing on improving one’s own skills and enjoying music leads to a healthier mindset.

🌐 Nebula and CuriosityStream: An Alternative to YouTube

The video concludes with a reflection on how platforms like Nebula and CuriosityStream provide an alternative to YouTube, particularly for avoiding demonetization and algorithm issues. Nebula supports educational creators and offers ad-free, thoughtful content, while CuriosityStream focuses on documentaries, providing value to both creators and viewers.

Keywords

💡Superimposing

Superimposing in music refers to the technique of layering two or more musical elements, such as rhythms or melodies, on top of each other to create a more complex texture. In the video, the artist discusses how superimposing triplets against quintuplets creates an interesting rhythmic interplay. This concept is central to the creation of the theme song for the video, demonstrating how different rhythmic structures can be combined to produce unique musical effects.

💡Triplets

Triplets are a musical rhythmic grouping consisting of three notes played in the time normally allotted for two. They are used in the video's theme song to create a specific vocal rhythm. The artist mentions that the vocal rhythm is all in triplets, which contributes to the fast-paced and lively feel of the song. This is a key element in the song's structure, highlighting the interplay between different rhythmic patterns.

💡Quintuplets

Quintuplets are a rhythmic grouping of five notes to be played in the time normally occupied by four. In the video, quintuplets are used in the groove and bassline of the theme song. The artist appreciates the feel created when quintuplets are superimposed against triplets, which results in a 'five against three' rhythmic feel. This technique is used to give the song its distinctive character.

💡Polyrhythm

Polyrhythm refers to the simultaneous use of two or more different rhythmic patterns. The video discusses the artist's preference for polyrhythmic combinations, particularly the superimposition of triplets against quintuplets. This concept is integral to the theme song's creation, showcasing how combining different rhythmic structures can lead to rich and engaging musical textures.

💡Horn Section

A horn section typically consists of brass instruments such as trumpets, trombones, and saxophones, and plays a significant role in jazz and popular music. The video mentions that horn players often play 'behind the beat,' which is a common stylistic choice to create a laid-back feel. The artist explores this concept by discussing it with a friend, Brian Ploutz, who leads the band Aberdeen, and provides insights into the rhythmic tendencies of horn players.

💡Beatboxing

Beatboxing is a form of vocal percussion where artists use their mouths, lips, and voices to create beats, rhythms, and sounds that mimic drum machines and turntables. The video discusses beatboxing's presence in the New York music scene and mentions Jean Shinozaki, a beatboxer who has worked to incorporate beatboxing into more orchestral settings. This showcases the versatility and creativity of beatboxing as an art form.

💡Apartment Sessions

Apartment Sessions are a concept where musicians are brought together in a small, intimate space, such as an apartment, to perform. The video describes how these sessions were a melting pot for different musicians and styles, creating unique musical experiences. This concept is used as a backdrop to discuss how beatboxing was incorporated into these sessions, adding a new dimension to the performances.

💡Guitar Solos

Guitar solos are instrumental passages performed by a guitarist, often showcasing their technical skill and musical expression. The video addresses how to make guitar solos sound less like traditional guitar solos by focusing on the vertical aspect of the instrument, such as playing solos on a single string. This approach can lead to a more experimental and less conventional sound, as demonstrated by the artist's suggestion to use the exercise from 'The Advancing Guitarist' by Mick Goodrick.

💡Chord Progression

A chord progression is a sequence of chords played one after another, creating harmonic movement in a piece of music. The video touches on resolving complex chord progressions, such as an A6 sharp 5 sharp 9 11 chord. The artist explains how to resolve such dissonant structures by moving each voice within the chord by a half step, resulting in a more consonant sound. This discussion illustrates the complexity and creativity involved in harmonic progression and resolution.

💡Interval

In music, an interval is the difference in pitch between two notes. The video mentions the artist's preference for certain intervals, such as perfect fifths and minor ninths, which are known for their pleasing and expressive qualities. The artist's fondness for stacking perfect fifths high illustrates how intervals can be used to create rich harmonic textures and emotional impact in music.

💡Music Industry

The music industry encompasses the businesses and organizations involved in the production, distribution, and sale of music. The video discusses the contrast between the music scenes in New York and Los Angeles, with LA being the hub for the music industry due to its concentration of jobs and industry professionals. This part of the video provides insight into the practical considerations for musicians pursuing careers in different locations.

Highlights

Superimposing triplets against quintuplets creates a unique rhythmic feel.

Horn sections often play behind the beat due to a focus on improvisation over rhythm.

Beatboxing as a solo art has a presence in New York City, with groups like the Beatbox House.

Making guitar solos sound less like guitar solos can be achieved by focusing on vertical playing.

Resolving complex chords can be done by resolving all voices within the dissonance structure.

Perfect fifths and minor ninths are favored intervals for their stacking capabilities.

The choice between LA and New York for a music career depends on the focus on industry or scene.

Christian Lee's unique approach to harmony and piano playing evokes visceral emotions.

Double sharps and double flats are used to maintain alphabetical order in musical notation.

Video game music is gaining recognition as a legitimate art form, especially among younger musicians.

Digital audio workstations have made music more accessible, even for those with physical limitations.

Jealousy in music can be overcome by focusing on personal growth and recognizing others' talents.

Platforms like Nebula and CuriosityStream offer alternatives to YouTube for content creators.

CuriosityStream赞助了本视频，提供了一个观看纪录片的好地方，并且通过链接注册还能获得Nebula的免费订阅。

音乐理论视频有时会涉及争议性话题，如音乐理论和白人至上主义的关系。

通过CuriosityStream和Nebula的订阅，观众不仅能支持本频道，还能支持YouTube上的整个教育社区。

Transcripts

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[Music]

can you explain the logic for the super

fast q and a song please

sure it was all about superimposing

triplets against quintuplets

the vocal rhythm is all in triplets

superfast instagram qna but the groove

and the bassline are all in this

quintuplet swing

i really like when triplets superimpose

against

quintuplets which create this five

against three kind of feel

there's something about that that feels

really nice that

i don't really get from other kind of

polyrhythmic combinations

but that was the main idea with the

theme song theme song

introduction is this like a sitcom why

are horn sections often a little bit

too late yeah horn players often play

really behind the beat don't they

almost to the point where it's too late

i'm gonna ask my friend brian ploutz who

leads the band aberdeen why

horn players are just so rhythmically

deficient hey

hello why do horn players suck short

answer

i don't know long answer probably

many reasons great so i think a lot of

horn players

focus heavily on improvisation more so

than rhythm section players

like that's their primary focus or at

least people in my community

i was looking at artists like dexter

gordon who like

has this really laid back feel so then

when i started doing horn section work

i had to kind of unlearn some of the

things that i was learning for my

rhythmic feel

while improvising and then also

something i thought of was maybe

a lot of horn players started by

um just like doing their school band

programs

and in band programs you're following

the director and you're like following

visual cues

so i wonder if maybe that's a factor

where

porn players more often than maybe

drummer is their basis

maybe this is very general may have

certain band programs where they're like

relying on following more than dictating

where the groove is and maybe

anticipating so that might be a factor

does beatboxing as a solo art have a

space in the new york music scene

i don't know a whole lot specifically

about it but of course the beatboxer

that i know and have worked with before

is a guy by the name of

jean shinozaki he has a group of

beatboxers that call themselves the

beatbox

house and the reason why i know him is

because he's worked a lot with apartment

sessions

the idea of course behind apartment

sessions is to cram a bunch of musicians

into a tiny cramped space a small

brooklyn apartment

and that concept has not aged very well

in the past six months but back when it

was happening it was a lot of fun

the idea was that it would kind of be a

melting pot for different musicians and

styles

in this kind of chamber orchestra

setting and whenever gene joined that

setting it was very interesting

hearing how he incorporated vocal

percussion

into a more orchestral and classical

[Music]

setting

[Music]

i don't think too many composers have

really done that before and really

explored what

vocal percussion in the tradition of

beatboxing can really

add to an ensemble but beyond that yes i

think that beatboxing has a very strong

presence here in new york city

i've seen beatbox house perform at

rockwood music hall

and it's an amazing experience a beatbox

crew sounds like a

full band it sounds like a dj set it's

incredible how do i make my guitar solos

sound less like guitar solos

okay you're going to make me play guitar

now i see

uh great oh why does anybody play this

stupid instrument

just look at it just

[Music]

how can anybody hear that and think this

is what i want to do with my life

you know what forget it uh just we're

not we're not gonna do it we're gonna

answer this question with me on bass as

god intended so obviously don't play

guitar

but if you have to play a guitar it's a

great book called the advancing

guitarist by mick goodrick

and there's an exercise in the beginning

that he calls the science of

the unitar essentially what that is is

playing a solo

just on one string and when you do that

you don't have any of the licks and any

of the muscle memory that you've

developed as a guitar player over your

entire guitar playing career

again don't know why you'd have it but

so you're focused more on the vertical

side of the instrument rather than the

horizontal side of the instrument

vertical

horizontal you get the picture so if i

were to play like

an e minor 9 on the g string

[Music]

i have to think very carefully about

where my hand is moving up and down the

neck

you can kind of do this fun call and

response thing by playing notes

up high on the neck and then jumping

down on the string

and that sliding up and down feels very

un-guitaristic

that's a word it feels more

sitaristic

[Music]

something to that effect favorite

contemporary composer of the 21st

century

louis cole did you ever expect your

channel to be this big

god no and it is terrifying how would

you resolve

an a6 sharp 5 sharp 9 11

chord uh okay that is a hell of a chord

let's try it

let's talk about this chord shall we so

the sharp five the sharp nine and the

eleven of this a6 chord

form what's looks like a g sus

triad what's god's favorite chord g suss

on the bottom there's a normal a6 chord

which is very consonant but there's a

lot of interval

clashing occurring on top with this g

sus

one thing you can do whenever you have a

really dissonant structure is resolve

all the voices within that dissonance

structure by a half step so if we have a

g

a c and a d in this chord the d could

resolve up to d

sharp the c could resolve down to b and

the g could resolve down

to f sharp giving us

kind of an a 6 9 sharp 11.

kind of creepy i like it though

what's your favorite interval i like

perfect fifths

because you can stack them really high

and they sound really pretty when

they're stacked on top of one another

and also minor knights

live in la and want to pursue musical

career stay

la where have a network or study in new

york it's actually a really great

question because

that's something that i think about all

the time living in new york city do i

stay here in new york and have this

musical scene around me or

do i move to la whenever i visited la

for

functions like namm or the entire

industry gets together in one location

the thing that's very apparent to me is

that la is where the music

industry is that's where the money is

that's where the jobs are

there are many many more people who work

in the music industry than just the

musicians themselves

and so that's where the pop industry is

that's where the film scoring industry

is there's so much

industry there new york has a fantastic

musical scene but there is just

really no money to be made specifically

in new york unless you're doing weddings

most of the money is just musicians

giving each other 50

bills after gigs studying in new york

city though i think is a wonderful

experience for young musicians being

exposed to jazz or at least

that's how it used to be in the before

times but i think things will definitely

start to kick up again

this spring the before times i like

people are saying that so

unironically now it's actually getting

kind of scary

anyway new york is a great place if you

want to be a musician but la is where

the industry is brazil

so yeah peruvian chicken give me some

polio alabrasa with some inca cola

and i i'm set man i love this stuff if

you don't know what inca cola is by the

way don't worry

i am also gringo but it smells kind of

like

cotton candy but tastes like pure sugar

it's amazing it goes very well with

peruvian chicken this has nothing to do

with music by the way

but it's something that you should

really know about me thoughts on

christian lee

yeah christian lee is an amazing

keyboard player he's touring keyboard

player

for sungazer he also plays with

childless japes occasionally

just a great musician i always learn a

lot whenever i

get the chance to play with christian

lee he always has a

unique approach to evoking a particular

feeling and a particular emotion like a

visceral

bodily emotion with his harmony and with

his piano playing and i've never really

heard or seen anything like it when we

were touring he always used to play this

outro to our tune

drunk and there is something about how

he played

the outro which made it feel almost

micro tonal

even though he was just playing on a

regular 12 tone equal tempered keyboard

the way he was able to improvise voice

leading the same way that we voice led

that g sus chord earlier had a very

particular feeling to it and he was very

good

at tapping into that feeling and i think

that is an important thing for any

improviser is to tap

in to the feeling of whatever notes

you're playing it seems like it's an

obvious thing but honestly when we get

so bogged down into all the harmonic

language that we

learn and we use as jazz musicians we

sometimes forget

what music feels like what are double

sharp

double flats used for so there's a rule

that music teachers very rarely teach

you when you're first learning the

basics of western music notation

and it's actually very important i'm not

sure if it even has a technical name but

i'm going to call it the

alphabetical rule because it involves

notes in alphabetical order for every

seven note scale

you must name each note in alphabetical

order so any scale starting on an a

whether it's a flat or a sharp or

whatever

will read a b c d e f g

no matter what this will never change

some form of b will always follow from

some form of a

so say we take the hypothetical key of a

sharp major we start on an

a sharp and the next note in the scale

would be a

c right except we can't call it a c

because of the alphabetical rule it has

to be some form of b

so we have to call this note which looks

like a c a

b sharp

so what comes after b sharp well it

looks like a d on the piano

but because of the alphabetical rule it

has to be some form of c

so it's not going to be c sharp it's

going to be c double

sharp yes the double sharp sign looks

very strange it looks like a

weird x or a weird cross i could not

tell you why it looks that way maybe

just because two sharps in a row

might look a little too messy i think it

looks pretty cool

but there we go now this alphabetical

rule has some pretty profound

ramifications once you start getting

into certain note names

and chord symbols and other things

diminished seventh chords for example

can be a

complete mess when you're trying to name

things the correct way

also octatonic scales scales which have

eight notes or more

don't follow this alphabetical rule they

can't because there are only seven note

names and these scales have eight notes

so

how could you only have one version of

each note name anyway the more you work

with western notation

the more you realize that it's just kind

of all thrown together in this

melting pot this hodgepodge of all these

ideas that have just kind of accumulated

over the thousand years of development

the one

thing though that remains relatively

stable throughout all of that

is this alphabetical rule the note names

must be in alphabetical order

and because of that you get these fairly

strange situations where you have things

like

double sharps add dumb sorry parentheses

we've reached peak humor here guys peak

humor

what's up dog never mind never mind that

was not p humor

this is peak humor behold why does a

chord like f major seven over g resolve

so nicely do you see

heart smiley face emoji thing well that

f major seven over g

is kind of like a replacement for a

g sus triad and because of that it has

the tendency to have a dominant

function and dominant function chords

want to resolve

in the western canon to tonic function

chords in that case a c

so this f major 7 over g resolves nicely

to c

because it follows the 5 1 cadential

patterns

of the western canon otherwise known as

the harmonic styles of 18th century

european musicians

call back to last week's video we'll

talk more about that later why do you

think some people see video game music

as

not real music well i think it's very

much tied to how traditionally

film music was not even considered real

music but even recently a certain crowd

has been

incredibly reluctant to accept film

music as true music there was recently a

review of john williams conducting his

own film scores with the vienna

philharmonic orchestra

that gave the recording a zero star

review

so even the broader acceptance of film

music in certain circles is a long way

off never mind

video game music i think it takes

generations literally

dying off before certain art forms

are actually accepted in the general

popular sphere as being

quote unquote legitimate it sucks but i

think one of the things that is really

awesome about spaces like youtube is

that you have

a group of young musicians who are doing

a lot to really

canonize and categorize and celebrate

video game music in a way

where future generations will be able to

look at video game music as a canon

and as something worth preserving you

got people like charlie rosen

and the 8-bit big band you also have of

course carlos from an insane and the

rain music

and many other musicians who are doing

their best to elevate video game music

to

a real body of work it's gonna be a

while but things are already starting to

change from this niche little musical

genre in this musical world

to a broader accepted musical art form

how to do music when your hand is

damaged and haven't been able to play

for two years

i'm very sorry to hear that i hope that

you have been enriching your life with

music in as many ways as you can

there is a long history of people who

are not able-bodied who have been able

to

do great things in music of course

there's django reinhardt

who only famously had two fingers in his

left hand there's a bass player by the

name of bill clements who famously

only has use of his left hand and so

he's able to play bass

simply by tapping with his left hand and

it's pretty incredible to watch him play

because he's developed a style

that you simply can't really do with

both hands it's

unique to him it's awesome there's a

famous concerto that the composer

maurice revell

composed called concerto for the left

hand that was composed by an austrian

pianist by the name of paul wittgenstein

who lost his right hand

in world war one so there are definitely

creative ways of working within a

physical limitation

but one of the best things to happen to

modern musicianship

is the invention of a digital audio

workstation digital audio workstations

are probably the best thing to happen to

music accessibility

probably ever because there's such an

infrastructure right now for

accessibility and interfacing with

computers that it really doesn't matter

what your accessibility needs are

they're probably going to be met so bust

open garage band bust open ableton live

start inputting notes start making beats

i know it might not be what you got into

music for originally

but there's such a wide palette to work

with does make it easy to

do music no matter who you are and where

you're coming from

is hera better than the viper well i do

really enjoy harris playing and i think

that am winning the battle for africa

was

very good for the whole scene i have to

say that i am a big fan of the snake who

is the most creative person on the

interwebs

probably ben levin i think his stuff

constantly pushes the envelope of what

it means to be a youtuber and what it

means to create

social media art whatever that is how do

you deal with jealousy

as an artist performer so back when i

was first learning how to play bass

i learned how to read tabs from a

website called mxtabs.com.net

something like that the forums there

really hated

mark hoppus of blink182 they thought he

was a complete hack

he didn't deserve to have the fame and

success that he did i'm not really quite

sure

why there was such a hatred from mark

hoppus then it's not really in vogue to

hate mark hoppus now but

trust me back then mark hoppus was the

worst human being

on the planet if you're at mxtaps.com i

think later it was pete wentz of fallout

boy

anyway i never really understood that

hatred to be honest i mean i didn't

think he was a great bass player but

honestly

i felt that kind of toxic hatred and

toxic jealousy of somebody

even back then when i was first starting

out kind of defeated

the point it didn't really make music

fun this jealousy i feel like is always

coming from a place of well why do they

have the success

that i don't have yet and

i think it's important to consider that

there's always a reason just or

otherwise why somebody is where they are

in their career they might have gotten

lucky in one way or another

you might not be recognizing what their

talents are whether or not it's

songwriting or performing

or just in general being a good hang and

the more

you let go of your jealousy of others

and other success

the more room you have in your own life

in your own career to focus

really just on making yourself the best

musician and

best human you can be so mark hoppus

wherever you are

i'm so sorry for whatever dumb forum

post i made when i was 15 years old

railing against you and your band i

think blink 182 is awesome

sorry are platforms like nebula slash

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watch an extended version of this video

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where i address some of the controversy

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my most recent video on music theory

and white supremacy and there is of

course quite a bit of controversy around

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way thanks for watching everybody and

remember

jesus loves you

that's not a funny joke