Reaccion a lo que paso con Burna Boy en tarima

Chente Ydrach Clips
13 Mar 202408:11

Summary

TLDRThe transcript discusses a situation at a concert where an artist, referred to as 'bernabo', is about to throw away a jacket, a move that is seen as either a gesture of gratitude towards fans or a moment of euphoria. The conversation revolves around the potential value of the jacket and the role of the stylist, who may be concerned about the loss of a unique piece, possibly created by an artist or designer. The dialogue explores the dynamics between the artist's performance, the stylist's investment in the wardrobe, and the fan's excitement in receiving the thrown item. It also touches on the broader fashion industry, where clothes are sometimes rented or not yet released to the public, adding to the complexity of the situation.

Takeaways

  • 🎤 The conversation revolves around an incident at a concert where an artist throws a jacket into the crowd.
  • 👕 The act of throwing merchandise, like shirts or jackets, is common among artists as a sign of appreciation or during moments of euphoria.
  • 👔 The jacket in question is caught by a stylist, indicating that it might have been a valuable or unique piece.
  • 💭 There's a debate about whether the artist's action was a genuine gesture or a spontaneous act driven by excitement.
  • 🎩 The stylist's role is highlighted, emphasizing the care and consideration that goes into selecting and maintaining an artist's wardrobe.
  • 💰 The potential financial value of the jacket is discussed, with speculation about whether it was custom-made or one-of-a-kind.
  • 🔄 The conversation touches on the possibility of the jacket being used for promotional purposes without actually being released for sale.
  • 👗 The issue of租借 (renting) versus owning fashion items is mentioned, with a focus on the implications for both the artist and the stylist.
  • 🤔 The stylist's dilemma is explored, balancing the desire to keep unique pieces and the reality of managing wardrobe for public appearances.
  • 📈 The script includes a discussion on the fashion industry's behind-the-scenes workings, including the creation and distribution of exclusive pieces.
  • 🌐 A mention of a list of suppliers and the challenge of finding specific pieces, hinting at the complexity of the fashion supply chain.

Q & A

  • What is the main event being discussed in the transcript?

    -The main event discussed is an incident at a concert where an artist, referred to as 'Bernabo', throws his jacket into the crowd, and a stylist catches it, leading to a discussion about the value and implications of this action.

  • Why is the artist's act of throwing his jacket considered significant?

    -The act is considered significant because it could be seen as a gesture of gratitude towards fans or a moment of euphoria. Additionally, it raises questions about the value of the jacket and the potential consequences for the stylist who catches it.

  • What is the role of the person who catches the jacket?

    -The person who catches the jacket is identified as the artist's stylist, suggesting that they are responsible for the wardrobe and potentially the cost of the items.

  • What is the concern of the stylist regarding the jacket?

    -The stylist is concerned about the potential value of the jacket, whether it was custom-made or one-of-a-kind, and the responsibility of returning it if it was not intended to be kept by the person who caught it.

  • How does the conversation imply the complexity of the situation?

    -The conversation implies complexity by discussing various factors such as the jacket's value, the designer's intentions, the stylist's responsibilities, and the unpredictability of the artist's actions during a performance.

  • What is the reference to 'la fábrica de tornillos'?

    -The phrase 'la fábrica de tornillos' (the bolt factory) is used metaphorically to refer to a place where many items, possibly clothes, are being produced or assembled, indicating a high volume of production.

  • Why is the stylist's reaction to catching the jacket important?

    -The stylist's reaction is important because it shows their awareness of the jacket's value and their professional responsibility to manage the artist's wardrobe, including potential costs and the future use of the item.

  • What is the potential issue with the jacket being thrown to the public?

    -The potential issue is that the jacket may be a unique or expensive piece that the designer or stylist does not intend to be permanently given away, and its loss could mean financial or creative repercussions.

  • How does the discussion reflect on the fashion industry's practices?

    -The discussion reflects on practices such as lending or borrowing pieces for events, the value placed on designer items, and the sometimes blurred lines between the artist's spontaneous actions and the professionals' responsibilities.

  • What is the relevance of the mention of 'Apple' and 'factories' in the conversation?

    -The mention of 'Apple' and 'factories' serves as a comparison to the fashion industry, highlighting the secrecy and high stakes involved in the production of exclusive items, whether in technology or fashion.

  • What does the transcript suggest about the relationship between artists and their stylists?

    -The transcript suggests a dynamic relationship where stylists are responsible for managing the wardrobe and potential costs, while artists may act spontaneously during performances, creating unexpected challenges.

Outlines

00:00

🎤 Artistic Expression and Wardrobe Malfunction

This paragraph discusses an incident at a concert where an artist's wardrobe choices lead to a situation where a jacket is thrown into the crowd. The conversation revolves around the artist's stylist's perspective, the value of the clothing, and the potential for it to be a one-of-a-kind piece. The stylist's dilemma of whether to retrieve the jacket or let it go is highlighted, as well as the artist's lack of concern for the value of the item once it's been thrown. The narrative touches on the dynamics between the artist, the stylist, and the audience, emphasizing the spontaneous nature of live performances and the emotional attachment that can develop towards clothing items.

05:01

👔 The Aftermath of a Fashion Fiasco

The second paragraph continues the discussion on the wardrobe mishap, focusing on the aftermath and the potential consequences. It explores the stylist's responsibility for the clothing, the artist's public image, and the value of the piece in question. The narrative delves into the possibility of the clothing being a custom-made, unreleased design, and the stylist's concern for its loss. The conversation also touches on the unpredictability of fashion and the entertainment industry, with references to the manufacturing process and the role of designers and stylists in creating and preserving unique pieces.

Mindmap

Keywords

💡Concert

A concert refers to a live music performance in front of an audience, typically featuring one or more artists or bands. In the context of the video, the concert is the setting where the main event unfolds, with artists interacting with the audience by throwing merchandise such as shirts and sneakers as a form of engagement and appreciation.

💡Stylist

A stylist is a professional who specializes in fashion design and helps individuals or celebrities with their clothing choices, image, and overall look. In the video, the stylist is responsible for the artist's outfit and is concerned about the value and future use of the jacket that the artist is about to throw away.

💡Euphoria

Euphoria refers to a state of intense excitement and happiness, often experienced during moments of great joy or triumph. In the video, the artist's act of throwing items during the concert could be seen as a moment of euphoria, where the artist is caught up in the energy of the performance and shares it with the audience.

💡Jacket

A jacket is a garment designed to be worn on the upper body, typically with sleeves and a front opening. In the video, the jacket is a significant item of clothing that the artist is about to throw away, which causes concern for the stylist due to its potential value and future use.

💡Designer

A designer is a professional who creates and plans the look and function of clothing, accessories, or other products. In the context of the video, the designer is the creator of the jacket and may have specific plans for its future use, such as presenting it in a future fashion show or selling it to a client.

💡Fashion Show

A fashion show is an event where designers showcase their latest collections through live models walking down a runway. In the video, the fashion show is implied as a potential platform where the jacket could be presented, indicating its importance and the stylist's concern about its potential loss.

💡Value

Value in this context refers to the worth or importance of an item, particularly the jacket, both in terms of monetary cost and its potential use in the fashion industry. The stylist is concerned about the jacket's value and the implications of it being thrown away.

💡Random

Random in this context refers to an individual who is not specifically known or chosen for a particular reason. The stylist is worried that the jacket, which has significant value and was carefully designed, might end up with someone random who may not appreciate its worth.

💡Public

The public refers to the general audience or community, especially those who attend events or engage with media. In the video, the public is the audience at the concert who might receive the thrown items as a form of interaction and appreciation from the artist.

💡Performance

A performance refers to the act of presenting a form of art, such as music or theater, in front of an audience. In the video, the performance is the concert where the artist is engaging with the public through their actions, including the act of throwing items.

💡Appreciation

Appreciation in this context refers to the recognition and enjoyment of the value of something or someone's actions. The artist's act of throwing merchandise during the concert can be seen as a gesture of appreciation towards the fans who support and attend their performances.

Highlights

Discussion on the phenomenon of artists throwing items during concerts as a form of fan appreciation or moment of euphoria.

Mention of a specific incident where an artist removes their jacket and a stylist catches it, indicating a pre-planned action.

Debate on whether the stylist's action of catching the jacket is due to the item's value or the artist's intention to gift it to the fan.

Reflection on the stylist's dilemma of balancing the artist's desire to give away the item and the potential cost and value of the piece.

Hypothesis that the jacket might have been custom-made by an artist, adding to its unique value.

Discussion on the potential for the item to be used in future runway presentations, indicating its significance in fashion.

Concerns raised by the stylist about the loss of the item's exclusivity once it's thrown into the crowd.

Musing on the possible reactions of the crowd and the stylist's decision-making process during the concert.

Speculation on the stylist's role in managing the artist's wardrobe and the pressure to maintain the value of each piece.

Anecdote about a stylist's experience with a high-profile client and the challenges of dealing with borrowed or custom-made items.

Discussion on the fashion industry's practices of lending pieces for photoshoots and the expectations of return.

Comparison of the treatment of fashion items with the handling of technological products, drawing parallels between the two industries.

Reflection on the emotional impact of an item being thrown away, especially if it was not yet released to the public.

Discussion on the potential for the item to be sold or gifted, and the implications for the artist and the stylist.

Debate on the ethics and practicalities of artists gifting high-value items to random fans during performances.

Insight into the behind-the-scenes preparations and considerations that go into an artist's wardrobe for a concert.

Musing on the unpredictability of live performances and the spontaneous decisions that can be made on stage.

Discussion on the role of social media and public opinion in shaping the artist's and stylist's actions.

Reflection on the personal and professional stakes involved for the stylist when dealing with high-value fashion items.

Transcripts

play00:00

y qué es esto de bern

play00:02

boyo cabrón pues aquí que pueden opinar

play00:06

la gente también y nosotros vamos a

play00:07

opinar está en un concierto sabes que

play00:10

ahora los artistas pues a veces tiran

play00:12

ropa tiran su camisas tiran las tenis O

play00:16

como que pues no sé si es en modo

play00:18

agradecimiento hace su fan o es un

play00:20

momento de de euforia pero aquí pasa

play00:22

algo que pues hay dos dos puntos y es

play00:26

que bn se va a quitarle se quita su yae

play00:28

y lo va a tirar y una persona la aguanta

play00:31

el Jacket pero la persona se nota que lo

play00:34

está viendo ya desde antes es como queo

play00:36

no puede pasar aguanta y y lo tira esa

play00:41

persona es su estilista Okay vamos a ver

play00:44

el video y sigue la

play00:54

historia hij [ __ ] cabrón yo puedo

play00:58

entender lo que no sé es cómo [ __ ]

play01:01

carón esa mi pensar para el tipo

play01:05

atreverse en Moca está la fábrica de

play01:08

tornillos

play01:11

de aj diue yo lo que digo es cabrón yo

play01:16

Si yo fuera estilista para yo meterme

play01:18

así y tener esa preocupación es porque

play01:20

esa pieza tiene que tener un valor bien

play01:22

cabrón de que a lo mejor te lo hizo un

play01:24

artista bien hijo de [ __ ] que una de una

play01:25

y te dijo Mira tambi la USA bu y que sé

play01:28

yo pero me la tienes que devolver al

play01:29

menos que es lo que para que la gente

play01:30

entienda Al menos que el artista le

play01:32

guste tanto que tú como estilista tienes

play01:34

que decir Okay pues la pieza cuesta

play01:36

tanto de este diseñador y tú la compras

play01:38

que pues en este cabrón eso tiene pinta

play01:40

de que fue exactamente lo que estaba

play01:41

pasando entonces puede ser que Bun ahora

play01:45

la lo malo es el que el tipo entra

play01:47

aguantarle y siento que eso te da

play01:49

problema que él te vote si le da la gana

play01:50

de como que cabrón me matate un [ __ ] si

play01:52

yo lo tiraba para allá tú me dices

play01:53

cuánto es yo lo tengo que pagar

play01:55

entiendes se supone que pero el

play01:57

estilista el tral porque se está volendo

play01:59

que la vas a tirar y aguantarla pienso

play02:01

que ahí pues le da un fasto la borna voy

play02:04

de mandarte para el [ __ ] si le da la

play02:05

gana porque le está interrumpiendo el

play02:06

show pero también entiendo el pana que

play02:08

es como que cabrón esa ese ya que tenía

play02:10

que tener un valor bien cabrón para él

play02:11

decir tiempo Espérate Espérate Espérate

play02:14

yo no puedo dejar que este cabrón la

play02:15

tire Ah fuck Ah va la tiró como quiera

play02:18

so Yo pienso que Pero hay un comen por

play02:21

ahí de una tienda diciendo Ah bu vo nos

play02:23

debe no sé cuántos chavos de yo no sé

play02:25

qué [ __ ] era aestado Era a prestado no

play02:28

cabrón mucha ropa mucha ropa alquilada

play02:31

cabrón es como que que ni sab para este

play02:33

me viste esta persona esa persona se

play02:35

encarga de vestirte bien cabrón y a lo

play02:36

mejor hay unas piezas ahí que una que

play02:38

una de una que le hizo ese pana y a lo

play02:40

mejor el diseñador no la quiere ni

play02:41

vender qué es lo que puede pasar él dijo

play02:42

el tipo le dijo Mira se la va a poner

play02:44

pero eso me lo devuelve eso algo que a

play02:46

lo mejor no había ni salido que a lo

play02:48

mejor é lo va a presentar en una

play02:49

pasarela futura entiendes que hay muchos

play02:51

factores el cual ahora C A lo mejor esa

play02:54

chaqueta le costó hacerle a la persona

play02:56

un montón de tiempo y ahora la tiene

play02:58

alguien cabrón pero cabrón los [ __ ]

play03:00

de O sea la la preocupación que tenía

play03:02

ese estilista en la mente para deir no

play03:04

puedo

play03:05

perdir eso tiene que ser papi que esa

play03:07

pieza era eso que es como que una de una

play03:09

que no ha salido que el diseñador la va

play03:10

a presentar porque un ejemplo las fotos

play03:12

que yo me tiré para el Shooting a mí me

play03:14

dieron unos jackets de gas que eso no

play03:16

había salido es como que mira Okay

play03:18

úsalos para el Shooting Y eso te da

play03:20

promo de cierta manera pero tú no lo has

play03:21

sacado no no has hecho pasara con hecho

play03:23

no has hecho nada Eso es una pieza tuya

play03:25

que tú eventualmente la vas a presentar

play03:27

y no No todavía no la quieres poner a la

play03:28

venta ni nada la cuestión aquí es que no

play03:32

sé cómo se siente el diseñador de que Ah

play03:34

ya lo vern hoy regalo mi pieza que a lo

play03:37

mejor le estaba valorada en no sé cuánto

play03:39

y la tiene ahora alguien Random que a lo

play03:42

mejor no le importa ni la moda no le

play03:43

importa nada porque este tipo la tiró

play03:46

entiendes lo vende para verdad o lo

play03:48

vende ahora cabrón Yo no yo lo vine a

play03:50

ver ahora cuando lo vi Aquí sabes tú me

play03:53

contaste Antes de antes de verdad

play03:56

comenzar el po dije lo voy a ver allí yo

play03:58

me imaginaba que que había habido una

play04:00

perreta de parte de mam [ __ ] lo voy a

play04:02

tirar pero en verdad actuó sí no é está

play04:04

como que pero o sea

play04:07

Mira él viene así como queo [ __ ] tengo

play04:10

que hacer esto tengo que hacer esto

play04:11

cabrón para hacer eso había algo con la

play04:13

chaqueta cabrón tú él está perdiendo su

play04:17

cabrón male ese tipo dijo si esto se va

play04:19

al público mejor más cabrón que se

play04:22

tirara para el público tamb no crees que

play04:23

haya ido a

play04:26

asistirlo a quitarse la chaqueta pleno

play04:30

show no por cabrón hay veces que que

play04:33

okay uno como rman y y uno se queda

play04:35

atrás y él está performando y tienes el

play04:38

mal tienes esto y vas a llegar a

play04:41

quitártelo tengo que llegar a donde ti o

play04:42

tú llegas a donde mí algún momento de la

play04:44

tarima Para yo poder asistirte y

play04:46

quitártelo y y así quedarme con la pieza

play04:49

Pero si llegas el eso bernab se lo

play04:51

hubiera dejado bernab no la va a fuerz

play04:53

la que dama acá cabrón pero ahora ya

play04:55

estoy pensando esto es montado pero ve

play04:59

está en ese de esto de que me estoy

play05:01

quitando y ya el cachó okay Voy por ahí

play05:03

as no se ve que el tipo vio que la iba a

play05:05

tirar el tipo lo que dijo fue mira como

play05:07

entra así este carón va a tirar eso

play05:09

porque si no no iba a ha fuerza es más

play05:12

la tiraba al piso que pasa mucho también

play05:14

la deja Así que ahí ya está drag en el

play05:18

piso Ah está drag en el piso la tier en

play05:21

la mano yba la intención de

play05:26

tirarla cogió otra

play05:28

cosa

play05:34

Ah Pero es verdad coge algo del abo otra

play05:38

pieza Sí pero cabrón

play05:40

vamos para que no se la va a dejar si es

play05:43

para

play05:45

llevás como que bien entiendo tu lógica

play05:48

pero cabón si bu está quiero soltar esto

play05:51

voy dejar ahí con los otros que tiran el

play05:54

piso lo cogió lo que a m me sorprende es

play05:56

que lo cogen en el momento de de que lo

play05:58

va a tirar mismo porv cabrón cabrón

play06:03

arranca para el [ __ ] para allá atrás

play06:05

cuántas piezas tenía encima ese cabrón

play06:07

bueno quizás Ten una pieza del iPhone

play06:09

que hicieron aquí tenía pega Ajá cabrón

play06:13

pega tornillo en las Bueno ahí lo tien

play06:16

señoras y señores eh papi quién tú crees

play06:18

que tiene la razón Carlito o Chente

play06:21

Chente Chente normal Okay Estoy aquí

play06:25

estoy aquí mira Porque alguien dijo

play06:28

búscate la lista de suplidores de bué

play06:31

también y voy por la página 22 de 25 y

play06:36

todavía lo más cerca que he visto es c

play06:39

no en orden no está en orden alfabético

play06:41

nosotros estamos en la página 51 y ya

play06:44

llegué al final en la página 51 por lo

play06:47

menos no lo vi Aquí cabrón que pues

play06:50

Maybe sea real pero Queremos

play06:54

saber qué pieza hacen Oye tú de Puerto

play06:57

Rico que cabrón si tú eres de aquí tú es

play06:58

este podcast Ajá Dinos Queremos saber

play07:01

qué pieza están haciendo allí de Apple

play07:03

tú te imaginas que ahora mismo estén

play07:04

viendo el Live en la fábrica diciendo

play07:06

somos nosotros lo puede que lo estén

play07:09

haciendo allá en el campito para las

play07:10

Marías para de fábricas tecnológic Hay

play07:14

un montón de fábricas cabrón es paso que

play07:16

uno no tiene la menor [ __ ] idea No aquí

play07:20

eso está bien loco mira pero hay un

play07:21

comentario bien cabrón de Bob de builder

play07:24

ya sabemos ya sabemos por qué paga tanto

play07:25

chavo yo soy estilista personal para un

play07:28

jugador de la NBA y todos el de

play07:30

Industria tenemos un servicio que nos

play07:31

presta piezas si me hicieron lo que lo

play07:34

que hizo bernabo tengo que pagar por la

play07:35

pieza

play07:37

completamente hab cobra Berna

play07:41

y Pero hay veces que no hay veces que

play07:43

escuchaba el bochinche de que papi el

play07:45

artista cabrón es bien loco este mundo

play07:48

entrevistando diseñadores me doy cuenta

play07:50

papi ve que ni les pagan las piezas por

play07:52

mese cabrón acho pero ese B builder me

play07:55

despi yo pensab que yo lo iba a traer

play07:56

para acá que nos construyera el estudio

play07:59

cambiara Ah tú pensabas que era y es un

play08:01

estilista el Cab te podes construir el

play08:02

Flow y al se lleva el chiste más malo

play08:08

de comandando La Brea

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