Going to the Heart of an Emotion

Rupert Spira
7 May 201313:41

Summary

TLDRThe transcript explores the concept of 'I' or self in response to hurtful words. It delves into the nature of awareness, distinguishing it from the physical body and thoughts. The speaker guides listeners to examine the source of upset, challenging the existence of a separate, upset self. The dialogue suggests that when one cannot identify this 'I', the upset loses its foundation, leading to a natural dissipation of negative emotions. The conversation promotes self-reflection, aiming to shift one's identity from a reactive self to pure awareness, fostering responses rooted in wisdom and love.

Takeaways

  • 🧘 Awareness is described as an open, empty space that is sensitive and receptive to all experiences without resistance.
  • πŸ˜” The feeling of being upset arises when there is a reaction to words or events, indicating a sense of 'I' that is separate and distinct from pure awareness.
  • πŸ€” The 'I' that feels hurt or upset is not the body, thoughts, or awareness itself, but rather a narrative or story we tell ourselves.
  • πŸ” When one investigates the nature of this 'I', it is often found to be non-existent or fictional, a construct of the mind rather than a tangible entity.
  • 🌟 The process of self-inquiry involves looking for the 'I' that is upset and realizing its non-existence, which can lead to the dissipation of upset feelings.
  • 🌱 Once the illusory nature of the 'I' is recognized, the body's sensations related to upset may remain but are no longer tied to a sense of personal identity.
  • 🌈 The body's natural state is one of openness and sensitivity, which can be restored by recognizing the non-existence of a separate, upset self.
  • πŸ’‘ Responding from a place of awareness rather than reactivity leads to actions that are wise, loving, and understanding, rather than defensive or aggressive.
  • 🎢 There is a qualitative difference between reactions that stem from a place of love and truth versus those that are driven by self-defense or ego.
  • 🌟 The recognition of one's true nature as awareness can lead to a transformation in how one interacts with the world, with responses guided by wisdom and compassion.

Q & A

  • What is the primary difference between hearing pleasant words and hurtful words according to the script?

    -The primary difference lies in the response they elicit. Pleasant words like 'what a beautiful afternoon' are heard by awareness without causing any reaction, while hurtful words trigger a response of upset, indicating that something within reacts to the words.

  • What does the script suggest about the nature of awareness?

    -Awareness is described as an empty space, akin to the space in a room, which is pure sensitivity without resistance. It hears words but does not get upset because it is open to everything without judgment or reaction.

  • Why does the script argue that awareness cannot be upset?

    -Awareness cannot be upset because it is likened to an empty space that allows words to flow through without resistance. It lacks the capacity to form judgments or feelings of being wronged, which are necessary for upset to occur.

  • What is the 'I' that gets upset when someone says something hurtful, as per the script?

    -The 'I' that gets upset is not the physical body, a thought, or awareness itself. It is a sense of self that arises in response to hurtful words, but it is not a tangible entity. It is more of an imaginary construct that we identify with.

  • Why does the script suggest that the 'I' feeling upset is a story we tell ourselves?

    -The script suggests that the 'I' feeling upset is a story because it is a narrative constructed by our minds to give meaning to our experiences. This story is based on an 'I' that is separate and distinct, which is not a factual representation of our true nature.

  • What happens to the feeling of upset when one cannot find the 'I' that is upset, according to the script?

    -When one cannot find the 'I' that is upset, the script suggests that the upset loses its basis and begins to dissipate. Without the 'I' to support the feeling, it transforms from an emotional upset to a mere physical sensation.

  • How does the script propose that one should react to situations after realizing the non-existence of the separate 'I'?

    -After realizing the non-existence of the separate 'I', the script proposes that one should react with wisdom, love, and understanding. Reactions are no longer defensive or self-aggrandizing but come from a place of truth and loving response.

  • What is the role of the body in the experience of being upset, as described in the script?

    -The body experiences physical sensations like tightness in the chest or stomach as a result of being upset. However, the body itself is not upset by the words; these sensations are the echo of the emotional upset.

  • Why does the script encourage exploring the 'I' that is upset?

    -Exploring the 'I' that is upset helps in realizing that this 'I' is not a solid, existing entity but a fictional self. This realization can lead to a release of the grip that the upset feeling has on us, allowing us to return to a natural state of openness and sensitivity.

  • What is the significance of the script's discussion on the nature of the 'I' and awareness?

    -The significance lies in understanding that our reactions and emotional states are often based on a false sense of self. By recognizing this, we can shift our identity from the reactive 'I' to the open, empty awareness, leading to more enlightened and less self-centered responses to life's experiences.

Outlines

00:00

πŸ§˜β€β™‚οΈ The Nature of Awareness and the 'I'

This paragraph explores the concept of awareness and the 'I' or self in response to hurtful words. It posits that awareness, like an empty space, merely registers words without judgment or emotional response. The 'I' that feels upset is not the awareness itself but a separate entity that reacts to the words. The speaker encourages the listener to introspect and question the nature of this 'I', suggesting that it might be a story or narrative constructed by the mind rather than a tangible entity. The discussion highlights the distinction between awareness, which is passive and receptive, and the 'I', which is active and reactive, leading to emotional responses.

05:01

πŸ€” The Illusion of the Upset 'I'

The second paragraph delves deeper into the idea that the 'I' which feels upset is not the physical body, thoughts, or awareness but a perceived self that arises in response to external stimuli. It suggests that the physical sensations of upset, such as tightness in the chest or stomach, are consequences of the emotional response rather than the cause. The speaker guides the listener to recognize that the 'I' that is upset is not a concrete entity but a fiction, an imaginary self that we create and identify with. The paragraph emphasizes the importance of questioning the existence of this 'I' and the realization that when one cannot find a solid identity for this 'I', the emotional upset loses its foundation and begins to dissipate.

10:03

🌟 Dissolving the Reactive Self and Embracing Awareness

The final paragraph discusses the process of recognizing the reactive self as a construct and embracing one's true nature as awareness. It explains that when the illusory self is seen as non-existent, the sensations in the body that were supporting this separate self become redundant and gradually dissipate. The speaker encourages the listener to repeatedly explore and question the existence of the upset 'I', leading to a realization of the open, empty, and peaceful nature of awareness. This realization allows for responses to situations that are not reactive but stem from wisdom, love, and understanding. The paragraph concludes with the idea that recognizing the source of one's responses as love and truth, rather than reactivity, leads to a more authentic and harmonious way of being.

Mindmap

Keywords

πŸ’‘Awareness

Awareness in the script refers to the conscious perception of one's surroundings and internal states without judgment or reaction. It is likened to an empty space, open and receptive to all experiences. The speaker uses the concept of awareness to differentiate it from the reactive 'I' or ego, suggesting that true awareness does not get upset by external stimuli. For instance, when someone says something hurtful, it is not awareness that gets upset, but rather the ego that rises in response.

πŸ’‘Upset

Upset in the script is used to describe an emotional reaction to something perceived as hurtful or offensive. The speaker explores the nature of being upset, suggesting that it is not the awareness itself that is upset, but rather the ego or 'I' that identifies with the hurtful words. The script uses the example of hearing hurtful words versus pleasant words to illustrate how the same awareness hears both, but only reacts to the hurtful ones, indicating the role of the ego in the experience of being upset.

πŸ’‘Ego

Ego, as discussed in the script, represents the sense of self that is often reactive and defensive. It is the part of us that gets upset when faced with challenges or criticism. The speaker encourages the audience to question the existence of this 'I' or ego, suggesting that it is a fictional construct that we mistakenly attribute our feelings and reactions to. The script implies that when we look for this 'I', we often find that it is not a solid entity but rather a collection of thoughts and feelings.

πŸ’‘Reactivity

Reactivity in the script is the automatic response that arises from the ego when it perceives a threat or challenge. It is contrasted with responses that come from a place of awareness and wisdom. The speaker uses the example of feeling upset by someone's words, which triggers a reactive 'I' that wants to defend or assert itself. The script suggests that true awareness does not react in this way, but rather observes without judgment, leading to more thoughtful and less ego-driven responses.

πŸ’‘Identification

Identification in the script refers to the process of attributing experiences and emotions to a sense of self or 'I'. The speaker points out that we often identify with our thoughts, feelings, and bodily sensations, mistaking them for our true selves. The script challenges this identification, suggesting that when we look for the 'I' that is upset, we find that it is not a concrete entity but rather a narrative we tell ourselves.

πŸ’‘Non-existence

Non-existence, as used in the script, refers to the realization that the ego or 'I' that we believe to be the center of our identity does not actually exist as a separate, solid entity. The speaker guides the audience to explore this concept by looking for the 'I' that feels upset and finding that it is not there. This realization can lead to a shift in identity from the reactive ego to the open, aware space of consciousness.

πŸ’‘Fictitious Self

The fictitious self in the script is the imagined identity that we believe to be the core of our being. It is the 'I' that we think, feel, and act on behalf of. The speaker argues that this self is not real but a construct of our thoughts and emotions. The script suggests that when we investigate this self, we find that it lacks substance and is not the true source of our being.

πŸ’‘Sensitivity

Sensitivity in the script is associated with the pure, open state of awareness that is receptive to all experiences without resistance. It is contrasted with the reactive nature of the ego. The speaker describes awareness as a kind of sensitivity that is not upset by external events but simply perceives them. This sensitivity is seen as the true nature of our being, as opposed to the defensive and reactive sensitivity of the ego.

πŸ’‘Empty Space

Empty space in the script is used as a metaphor for the open, unoccupied state of awareness. It is described as a space that is not filled with thoughts, emotions, or a sense of self, and therefore, it does not react to stimuli. The speaker uses this metaphor to illustrate how awareness hears words without being upset, just as an empty room does not resist a ball passing through it.

πŸ’‘Response vs. Reaction

The script distinguishes between response and reaction. A response is a thoughtful, considered reaction that comes from a place of awareness and wisdom, while a reaction is an automatic, often ego-driven response to a perceived threat or challenge. The speaker suggests that when we realize the non-existence of the ego, our reactions to situations become more like responses, guided by a deeper understanding and love, rather than by a need to defend or assert the self.

πŸ’‘Natural State

The natural state in the script refers to the inherent condition of being that is free from the disturbances of the ego and reactive emotions. It is described as a state of openness, sensitivity, and peace. The speaker suggests that when we let go of the fictitious self and return to this natural state, we experience a sense of well-being and are better able to respond to life's challenges with wisdom and love.

Highlights

The concept of 'I' being upset is explored through the example of hurtful words.

Awareness is likened to an empty space, unaffected by words, unlike the 'I' that feels upset.

The 'I' that is upset is not the body, as physical reactions are a result of emotional upset, not the cause.

The 'I' is not a thought, as thoughts themselves cannot be upset.

Awareness is described as open and empty, unlike the 'I' that reacts to hurtful words.

The search for the 'I' that is upset leads to the realization that it is a fictional construct.

The 'I' is not found upon introspection, suggesting it is an imaginary self.

The feeling of being upset is tied to the existence of a separate self, which is not real.

When the non-existence of the upset 'I' is realized, the upset feeling loses its reason to persist.

The physical sensations of upset, like tightness in the chest, are acknowledged as separate from the 'I'.

The residual physical sensations of upset will dissipate once the 'I' is recognized as non-existent.

The process of repeatedly exploring the 'I' leads to a transformation in identity to awareness.

Reactions from a place of awareness are characterized as wise and loving, not reactive.

The recognition of responses coming from love or truth is compared to a musician playing the right note.

The dialogue concludes with the understanding that responses are no longer from a place of reactivity but from a place of truth and love.

Transcripts

play00:00

looking for the I when you have those

play00:03

really strong actions come on yes how do

play00:06

you okay how do you look for the I okay

play00:17

let's take an example when somebody says

play00:23

something to you which is hurtful and

play00:26

you feel upset so what is it that is

play00:33

upset that someone has said something to

play00:37

you've heard some words and the words

play00:42

are heard by awareness you're aware of

play00:47

the words you hear them it's no

play00:57

for instance if someone was to say

play01:02

something like what a beautiful

play01:04

afternoon it is that wouldn't upset you

play01:10

okay two minutes later somebody somebody

play01:14

says something which is hurtful

play01:15

upsetting so what's the difference my

play01:21

story like okay usually like I would be

play01:24

they shouldn't have done that okay so

play01:26

but what is saying that because whatever

play01:30

it is that hears the words what a

play01:33

beautiful afternoon those words are

play01:36

heard yes this heard and there's no

play01:38

response they just heard yeah now then

play01:43

somebody says something which hurts you

play01:45

and there is a response I'm upset by

play01:49

that now what is it that is upset is

play01:53

whatever it is that heard the words

play01:55

upset

play02:01

in other words is is awareness you know

play02:05

it I understand what I mean by awareness

play02:08

it is awareness upset no I mean can

play02:14

aware awareness is like an empty space

play02:16

yes it's imagine awareness like the

play02:17

space of this room it's just pure

play02:20

sensitivity it can't be upset

play02:23

why not it's because it's empty there's

play02:25

no there's no resistance in it in order

play02:28

to be upset something has to rise up and

play02:30

say no I don't like what's been said but

play02:33

in the absence of this something the

play02:36

words just flow through like if someone

play02:39

was to throw a ball through this space

play02:42

it would just flow through it wouldn't

play02:44

meet with any resistance so awareness is

play02:47

like that it hears the words the words

play02:49

just pass through like the words what a

play02:52

lovely afternoon it is it just flows

play02:55

through and it doesn't leave a trace in

play02:57

awareness it doesn't leave a trace in

play02:58

you yes he doesn't Skye you it doesn't

play03:01

hurt you now when you hear the hurtful

play03:04

words something in you rises up and say

play03:08

and meets the words the words are

play03:10

floating through you something rises up

play03:13

and clashes with the words and says I

play03:18

don't like that what I is that the I

play03:23

that doesn't like these words it's not

play03:27

the eye of awareness yes because

play03:30

awareness is like an empty space of what

play03:33

I is it

play03:41

but

play03:47

I think it's the eye you think you are

play03:50

okay but now go to that I try to find

play03:52

that I what I exactly is that where is

play03:59

it what's it made of

play04:02

I mean you're feeling on its behalf you

play04:07

call it I so you must know it where is

play04:11

it what is it

play04:23

what do you find when you go towards it

play04:34

I guess I see it as like that story of I

play04:38

don't know it's a story yeah kind of

play04:41

story be upset

play04:48

then it's I guess the story that that

play04:52

something's wrong gets upset yes and on

play04:56

whose behalf is that story being told

play04:58

who is the central character in that

play05:00

story me and wee bit me your point point

play05:07

to your body but is your body upset by

play05:10

by these words I mean he kind of kind of

play05:15

upset so I get tightness in my stomach

play05:17

and tightness in my chest yes yes but

play05:20

but your body has not been upset by the

play05:22

words the tightness in your chest or

play05:24

your stomach is the result of being

play05:27

upset yeah it's the echo of the upset in

play05:31

your body but it's not the body itself

play05:33

your cheek or your nose or your ear

play05:35

doesn't get upset when you hear the

play05:38

words yeah there may be an effect on

play05:42

your body so but leave the after effect

play05:45

could be going to the actual feeling

play05:49

itself so now go back who is the one the

play05:53

central character of this story the eye

play05:55

that is so hurt and upset

play06:03

what do you find when you go back when

play06:05

you go towards yourself like a thing I

play06:08

just find

play06:18

I guess that's what identify as me that

play06:21

somehow I've been wrong okay but what is

play06:25

that I that has been wronged

play06:27

we'vewe've it's not your body yes we've

play06:31

already discovered it come it's not your

play06:32

body it's not a thought

play06:35

you can't wrong a thought yes a thought

play06:40

you can't upset a thought yeah so it's

play06:44

not your thought that has been upset

play06:46

it's not your body that has been upset

play06:48

and it's not awareness the one that

play06:51

hears the words because that's just an

play06:52

open empty space that is open to

play06:55

everything so it's like some sense of

play06:58

myself okay what is that it's not your

play07:02

mind it's not your body and it's not

play07:04

awareness what is it is that you go but

play07:08

you don't know what it is no but your

play07:11

feeling on its behalf you don't know

play07:16

what it is but you spend much of your

play07:17

life thinking right feeling on its

play07:19

behalf you tell me you're the one that

play07:25

is claiming the existence of this one

play07:35

perfect you're quite right

play07:37

why can't you identify it doesn't exist

play07:41

it's not there it's not there it feels

play07:44

like it is it's not there it's it's a

play07:46

fictional I an imaginary self on whose

play07:51

behalf we spend most of our lives

play07:53

thinking feeling acting and relating and

play07:57

yet when we just pause like we do now

play08:00

and say okay what exactly is this I

play08:03

let's be really specific and scientific

play08:06

what is this I on whose behalf I spend

play08:12

so much time thinking and feeling it's

play08:15

not my body your body is not upset by

play08:18

some words you can't upset a thought or

play08:21

an image it's not my mind that is upset

play08:24

all of them I can express

play08:28

and it's not awareness because awareness

play08:29

is open and empty what else is there in

play08:35

your experience there isn't anything

play08:38

else it's a fictitious I it's the ghost

play08:41

in the system that is not really there

play08:44

on whose behalf we spend most of our

play08:47

lives thinking and feeling now

play08:51

when you discover that when you go to

play08:53

the I you're feeling upset and instead

play08:56

of getting mad with the person that did

play08:59

whatever they did you say okay I'm just

play09:01

going to go to find go towards this I

play09:04

that is upset now when you don't find it

play09:06

when you can't find the one on whose

play09:09

behalf the upset is taking place what

play09:12

happens to the upset I assume it will

play09:18

just go away because there's no shoulds

play09:22

anymore there's no reason to be upset

play09:24

perfect

play09:25

I don't have to fix it or do anything no

play09:27

court you don't have to fix it because

play09:29

because you've seen that the character

play09:32

upon whom the upset feeling depends has

play09:37

been discovered to be non-existent when

play09:43

that happens that the bottom drops out

play09:45

of the story of the upset what you will

play09:49

be left with is a wave because as you

play09:51

rightly said this feeling of upset has

play09:54

an impact on the body a feeling in your

play09:57

chest or your belly that will remain but

play10:00

it's no longer a feeling of being upset

play10:03

it's just a sensation and because that

play10:07

sensation has no functional purpose by

play10:10

functional purpose your there's a

play10:12

sensation you're holding the the mic

play10:14

here there's a sensation there that

play10:15

sensation has a functional purpose its

play10:17

therefore it's there the sensation that

play10:21

the residue of upset in the body has no

play10:24

other purpose other than to support the

play10:28

separate self that was upset it's a kind

play10:33

of a lie in the body of the separate

play10:35

self now that this separate upset self

play10:38

has been seemed to be non-existent

play10:41

that this sensation in the body no

play10:45

longer has a job it's redundant

play10:46

and it will just be gradually dissipate

play10:50

out of the body as a result because it's

play10:52

not required any longer and the body

play10:55

will be washed clean of this tension and

play10:57

will be returned to its natural state of

play11:00

openness and sensitivity and then the

play11:08

next time the feeling comes up you do

play11:10

the same thing again you explore the eye

play11:12

around whom it revolves and you go back

play11:15

again and again and again and again and

play11:19

you experience for yourself over and

play11:22

over again that this eye this separate

play11:24

eye on whose behalf you have been

play11:27

thinking and feeling for so long is not

play11:29

there when you look for this eye you

play11:31

find the eye of awareness open empty at

play11:35

peace and this gradually becomes your

play11:40

your identity you begin to take your

play11:45

stand as that awareness not as the

play11:50

reactive upset self and then from that

play11:55

place you would actually react with

play11:59

wisdom it is its eggs you still have

play12:02

reactions but the reactions are no

play12:04

longer on behalf of a self that is

play12:06

always trying to defend itself or

play12:08

aggrandize itself through reactivity and

play12:12

relationship they'll still be a response

play12:15

to a situation you don't become a stone

play12:18

on the country you become very sensitive

play12:20

but but your your reactions your

play12:23

responses will be responses as you say

play12:26

of wisdom of love of understanding into

play12:31

you then you would also recognize that

play12:33

that's where it was from and not from a

play12:35

place of reactivity when you got to that

play12:38

point yes yes you would here's upon

play12:41

layers you would know in a response you

play12:43

would feel if you responded to a

play12:45

situation you would know there's a kind

play12:47

of you recognize that your response

play12:53

came from love you just know somehow you

play12:57

recognize it it's when it's like if

play13:01

you're a musician you play the right

play13:02

note you just you just know it's right

play13:06

it's somehow you if your response has

play13:08

been a loving response and an

play13:10

intelligent response even if it was a

play13:12

firm one something in you knows I know

play13:15

that came from truth I know that was a

play13:17

loving response it wasn't I wasn't

play13:19

trying to defend myself I wasn't trying

play13:21

to put the other person down I wasn't

play13:23

trying to have Brandeis myself

play13:39

thank you

Rate This
β˜…
β˜…
β˜…
β˜…
β˜…

5.0 / 5 (0 votes)

Related Tags
Self-AwarenessEmotional HealingMindfulnessExistential InquiryPsychological InsightSpiritual GrowthEmotional IntelligenceInner PeaceSelf-ExplorationConsciousness