Adele Carpool Karaoke

The Late Late Show with James Corden
13 Jan 201614:52

Summary

TLDRIn this lively and heartfelt interview, Adele opens up about her personal journey, music, and life experiences. She shares anecdotes about her recent nights out, her love for drumming, and her admiration for the 'Girl Power' era of the Spice Girls, which had a profound impact on her. Adele also discusses her evolving style and the challenges of fame, including the humorous difficulties of making reservations under her own name. The conversation is interspersed with her performing hits like 'Hello' and 'Someone Like You,' showcasing her incredible talent and the warmth of her personality.

Takeaways

  • πŸ˜€ The conversation begins with a playful and nostalgic tone, reminiscing about past experiences.
  • 🎀 Adele expresses her love for her hairline and discusses her hair choices, showing her humorous side.
  • 🌧️ There's a humorous exchange about England's weather and how it might affect perceptions of the country.
  • 🎢 Adele performs 'Hello' and 'Someone Like You', showcasing her powerful vocals and emotional connection to her songs.
  • πŸ₯ She reveals her talent for playing the drums, adding a new dimension to her musical abilities.
  • 😲 James Corden compares Adele to Phil Collins, highlighting her versatility as a musician.
  • πŸ˜‚ Adele shares a personal anecdote about a night out that led to a mix-up with another family's email address.
  • 🍷 She talks about her recent experience of getting drunk for the first time in months, leading to funny and relatable stories.
  • πŸŽ‰ The conversation touches on Adele's friendships with other celebrities, emphasizing her grounded nature despite fame.
  • πŸ† Adele discusses her desire to continue her musical journey with her fans and the significance of naming her album after her age.
  • 🎭 James Corden playfully suggests Adele should aim for an EGOT, but she humorously dismisses the idea of a Tony Award.

Q & A

  • What is the opening line of the conversation in the script?

    -The opening line is 'HELLO?, IT'S ME., I WAS WONDERING IF AFTER ALL THESE YEARS YOU'D LIKE TO MEET., JUST HAVE A DRIVE AROUND.'

  • What song does James sing a part of during the conversation?

    -James sings a part of the song 'Hello' by Adele.

  • What musical instrument does the guest play in the performance mentioned in the script?

    -The guest plays the drums in the performance.

  • How does James describe the guest's drumming skills?

    -James describes the guest's drumming skills as 'shredding on the drums' and compares her to Phil Collins.

  • What is the topic of discussion when the guest talks about being drunk two nights in a row?

    -The topic is about the guest's experience of waiting for a friend at a restaurant and then having drinks, leading to her being drunk.

  • What is the significance of the song 'Someone Like You' in the script?

    -The song 'Someone Like You' is performed by the guest and is used as an example of her music, with James discussing its meaning and connection to her life.

  • What is the guest's reaction to the idea of having her own 'squad' like Taylor Swift?

    -The guest mentions that she already has a squad, referring to Laura Daniel, and jokes about being tall like the members of Taylor Swift's squad.

  • What does the guest reveal about her ability to rap?

    -The guest reveals that she can spit some lyrics and has some rhymes, but she does not consider herself very talented at it on her own.

  • What is the significance of the number '77' in the script?

    -James jokingly suggests that the guest should continue naming her albums after her age until she reaches 77, as a reference to the song '77' by Katy Perry.

  • What is the guest's response to the idea of writing a musical?

    -The guest dismisses the idea of writing a musical, stating that she doesn't have time for it and is focused on her music and life journey.

  • What is the humorous situation described by James involving making a restaurant reservation?

    -James humorously describes a situation where the guest cannot get a table at a restaurant under her own name, Adele, and has to get someone else to call.

Outlines

00:00

🎀 Adele's Reunion and Performance

The script opens with a dramatic phone call and segues into a warm reunion between the host, James, and his guest, Adele. They share laughter and compliments, with James admiring Adele's appearance and hairstyle. Adele discusses her hair care routine and the dilemma of choosing between a wig or weave. They bond over music, with Adele performing a snippet of 'Hello' on the drums, impressing James. Adele is likened to Phil Collins, and there's playful banter about her stage presence and talent. The segment concludes with Adele sharing a personal anecdote about a drunken encounter and a humorous misunderstanding at a restaurant.

05:01

🎼 Adele's Musical Influences and Personal Reflections

In this segment, Adele and James delve into her musical preferences and early influences, highlighting the significance of 'Girl Power' and the Spice Girls during a pivotal period in her life. Adele reminisces about her past, including her love for hosting parties and her role-playing as Geri Halliwell. The conversation touches on her emotional response to Geri leaving the band and the inspiration behind her song 'Someone Like You'. They also discuss her songwriting process and the evolution of her music, with Adele expressing her desire for her fans to accompany her on a musical journey, evident in her album titles reflecting her age at the time of release.

10:03

πŸ† Adele's Ambitions and Rap Skills

The final paragraph showcases a lighter side of Adele, revealing her rapping skills with a spontaneous performance that surprises James. They discuss the possibility of Adele achieving an EGOT by winning an Emmy or Tony, which she dismisses as unlikely due to her lack of time and interest in writing a musical. The conversation includes playful exchanges about the challenges of being a celebrity and the need to use a pseudonym when making reservations. James proposes a dynamic stage performance idea for Adele, which culminates in an energetic sing-along and audience interaction, highlighting the chemistry between the host and the guest.

Mindmap

Keywords

πŸ’‘Hello

The term 'Hello' is a common greeting used to initiate a conversation. In the context of the video, it serves as a song title and a recurring theme, symbolizing a reconnection or an attempt to reach out. The script mentions 'HELLO?, IT'S ME.' which could imply a desire to rekindle a relationship or a conversation.

πŸ’‘Outside

'Outside' refers to the physical space beyond the confines of an interior. In the script, 'HELLO FROM THE OUTSIDE' suggests a change in perspective or a shift in the speaker's situation, possibly indicating a new phase in life or a fresh start.

πŸ’‘Manageable

The word 'manageable' implies something that can be easily controlled or handled. In the video script, it is used to describe a hairstyle that is easier to maintain, indicating a preference for simplicity and practicality over complexity.

πŸ’‘Wig

A 'wig' is a head covering made from human hair, animal hair, or synthetic fiber, which is worn to change one's appearance. In the script, the discussion about whether to 'WEAR A WIG' or 'HAVE A WEAVE' reflects the character's contemplation of their image and identity.

πŸ’‘Phil Collins

Phil Collins is an English musician, singer, and songwriter known for his distinctive drumming style and solo career. The script refers to a guest as 'THE FEMALE, PHIL COLINS' due to her drumming skills, drawing a parallel between her talent and that of the famous musician.

πŸ’‘Heartbroken

To be 'heartbroken' means to experience deep emotional pain due to a romantic loss or disappointment. The script mentions 'IT WAS THE FIRST TIME I WAS TRULY HEARTBROKEN' when discussing the departure of a band member, indicating a significant emotional impact.

πŸ’‘Girl Power

'Girl Power' is a movement and slogan that promotes female empowerment and self-confidence. The script refers to 'GIRL POWER, FIVE ORDINARY GIRLS' as a pivotal moment in the character's life, highlighting the influence of female role models and the importance of self-empowerment.

πŸ’‘Squad

A 'squad' is a group of friends who regularly hang out together. In the script, the concept of a 'squad' is discussed in the context of celebrity friendships, with the mention of Taylor Swift's 'SQUAD', indicating the social dynamics and support networks among famous individuals.

πŸ’‘Rapper

A 'rapper' is a person who performs rap music, a genre characterized by rhythmic speech. The script humorously suggests that the character is 'QUITE THE RAPPER', indicating a playful side to their personality and a potential for creative expression beyond singing.

πŸ’‘Grammy

A 'Grammy' is an award presented by the Recording Academy to recognize excellence in the music industry. The script mentions the character's 'GRAMMY', signifying their professional achievements and recognition in the music field.

πŸ’‘Emmy

An 'Emmy' is an award that recognizes excellence in the television industry. The script discusses the possibility of the character pursuing an 'EMMY', suggesting aspirations for success in television, in addition to their existing accomplishments.

Highlights

Adele expresses her desire to meet after all these years and go for a drive.

James Corden and Adele share a warm welcome and appreciation for each other's presence.

Adele jokes about her hair and whether to wear a wig or have a weave, seeking James' advice.

Adele and James discuss the weather in England and its stereotypes.

Adele performs an impressive rendition of 'Hello' while playing the drums.

James Corden dubs Adele as the female Phil Collins for her drumming skills.

Adele shares an anecdote about being drunk and accidentally collecting an email address from a family.

Adele reveals her past as a fan of the Spice Girls and the impact of 'Girl Power' on her life.

James and Adele reminisce about her past partying days and her role as Geri in their games.

Adele discusses the inspiration behind her song 'Someone Like You' and its connection to heartbreak.

Adele performs 'Never Mind' with a heartfelt delivery, receiving applause from James.

James and Adele talk about her music preferences and her past as a huge fan of a particular band.

Adele raps, showing off her hidden talent and surprising James with her rhymes.

James suggests Adele could achieve an EGOT with a Tony possibly in the future.

Adele discusses the naming of her album after her age and what it represents.

James and Adele joke about the challenges of being recognized and making reservations under their own names.

Adele performs 'Rolling in the Deep' with James encouraging audience participation.

James thanks Adele for the drive and the enjoyable conversation, highlighting the pleasure of their time together.

Transcripts

play00:03

HELLO?

play00:04

IT'S ME.

play00:07

I WAS WONDERING IF AFTER ALL THESE YEARS YOU'D LIKE TO MEET.

play00:11

JUST HAVE A DRIVE AROUND.

play00:16

HELLO?

play00:17

HELLO FROM THE OUTSIDE.

play00:20

ALL RIGHT, SEE YOU IN A MINUTE.

play00:25

GREAT.

play00:27

>> HELLO.

play00:28

(CHEERS AND APPLAUSE).

play00:28

>> James: OH, THANK YOU.

play00:30

I APPRECIATE IT IT'S GOING TO BE FUN.

play00:32

>> GREAT.

play00:33

>> James: YOU ARE LOOKING FINE RIGHT NOW.

play00:34

>> THANK YOU VERY MUCH, JAMES.

play00:36

>> James: LOVING THIS BOB.

play00:38

>> OH, THANKS, THANKS, VERY MUCH.

play00:41

>> James: A TRIUMPH.

play00:43

>> DON'T I LOOK LIKE A MUM.

play00:44

>> James: I DON'T THINK SO.

play00:45

IT IS MORE MANAGEABLE.

play00:47

>> IT DRIES QUICKLY.

play00:48

>> James: THAN THE LIFE, YOU KNOW.

play00:50

>> I AM GOING TO USE MY HAIRLINE.

play00:52

I CAN'T WORK OUT IF I SHOULD WEAR A WIG WIG OR HAVE A WEAVE.

play00:58

>> James: I MEAN, WHAT I LIKE IS THAT YOU ARE COMING TO ME FOR

play01:02

THIS ADVICE.

play01:03

(LAUGHTER).

play01:03

>> James: DO YOU MIND IF WE LISTEN TO MUSIC.

play01:06

>> YES, IT'S SUCH A SHAME IT'S RAININGMENT I FEEL LIKE AMERICAS

play01:09

ARE GOING TO ASSUME THAT ENGLAND IS RUBBISH.

play01:14

>> James: β™ͺ HELLO β™ͺ β™ͺ DHEERS PLAWS TOAT I'M IN CALIFORNIA

play01:21

DREAMING β™ͺ β™ͺ OF ABOUT WHO WE USED TO BE β™ͺ β™ͺ IT'S NO SECRET β™ͺ

play01:29

β™ͺ THAT THE BOTH OF US β™ͺ β™ͺ ARE RUNNING OUT OF TIME β™ͺ β™ͺ.

play01:37

>> THAT WAS AMAZING.

play01:38

SO HELLO FROM THE OUTSIDE β™ͺ β™ͺ AT LEAST I CAN SEE THAT I'M TRYING

play01:50

β™ͺ β™ͺ TO TELL YOU I'M SORRY β™ͺ β™ͺ FOR BREAKING YOUR HEART β™ͺ β™ͺ BUT

play01:59

IT'S CLEARLY DOESN'T TEAR YOU APART β™ͺ β™ͺ ANY MORE β™ͺ β™ͺ β™ͺ β™ͺ ANY

play02:08

MORE β™ͺ β™ͺ β™ͺ β™ͺ ANY MORE β™ͺ β™ͺ NO β™ͺ β™ͺ COME ON β™ͺ β™ͺ

play02:19

>> James: YOU PLAYING THE DRUMS.

play02:21

>> I PLAY THE DRUMS IN THIS.

play02:22

>> James: NO WAY!

play02:23

>> YES, YES.

play02:24

>> James: YOU'RE SHREDDING ON THE DRUMS.

play02:26

YOU ARE.

play02:28

YOU-- THAT IS WHAT I HAVE ALWAYS SAID IS THAT YOU ARE THE FEMALE

play02:31

PHIL COLINS.

play02:32

>> OH MY GOSH.

play02:33

>> James: NO, NO, OH NO.

play02:35

>> I'VE GOT A NEW-- .

play02:39

>> YOU ARE DRIEFG, WHAT DO YOU SAY.

play02:40

>> James: I CAN HOLD IT WHILE YOU WIPE DOWN.

play02:43

>> I'M ALL RIGHT, I'M ALL RIGHT.

play02:44

>> James: NO ONE IS GOING TO SEE IT.

play02:50

(LAUGHTER) >> .

play02:56

>> James: YOU USED TO BE.

play02:59

>> I HAVE BEEN DRUNK TWO NIGHTS IN A ROW RECENTLY.

play03:01

>> James: NO.

play03:01

>> IT'S CHRISTMAS.

play03:02

THE OTHER DAY I WENT WITH MY BEST FRIEND, I'M NOT GOING TO

play03:06

SEE HIM BEFORE CHRISTMAS.

play03:07

I GOT THERE 7:45 AND I'M SITTING THERE, IT'S LIKE-- WHERE IS HE.

play03:12

NORMALLY PUNK ACTUAL, I CALL HIM, WHERE ARE YOU, HE SAID

play03:15

8:45.

play03:15

SO I'M SITTING HERE FOR AN HOUR ON MY OWN LOOKING LIKE SUCH A

play03:20

LOSER.

play03:20

SO I ORDERED A WINE AND THEN I HAVE NEVER GLASS OF WINE AND I

play03:23

SPOT A FAMILY, I WHEN OVER, A BIT DRUNK.

play03:26

DID YOU CALL MY NAME, EARLIER?

play03:30

I HAD MY SECURITY WITH ME, SORRY, BEING PROTECHIVE,

play03:34

WHATEVER.

play03:34

I DID HEAR-- LET ME GET A-- GET YOUR MEAL FOR YOU.

play03:39

AN I HAD ANOTHER GLASS OF WINE, AND MY FRIEND ARRIVED, HI TWO

play03:42

MORE GLASSES OF WINE, BEAR IN MIND I HAVEN'T HAD A DRINK IN

play03:45

EIGHT MONTHS.

play03:46

AND THE NEXT DAY, IN THE PARK WITH MY KID.

play03:50

AND I FIND THIS E-MAIL ADDRESS IN MY POCKET OF ANOTHER FAMILY

play03:54

FROM NASHVILLE WHO OBVIOUSLY TOLD ME IT WAS SOLD OUT SO

play03:58

MANAGED TO GET THEM TICKETS TO NASHVILLE.

play04:02

>> WHAT HAPPENS WHEN I'M DRUNK.

play04:04

ONE MORE GLASS OF WINE.

play04:05

>> James: JUST LIKE-- LIKE-- GUYS,-- TAKE ME BACK TO

play04:12

THE START.

play04:14

NEVER MIND β™ͺ β™ͺ I'LL FIND SOMEONE LIKE YOU β™ͺ β™ͺ I WISH NOTHING BUT

play04:21

THE BEST FOR YOU β™ͺ β™ͺ DON'T FORGET ME β™ͺ β™ͺ I BEG YOU β™ͺ β™ͺ I

play04:31

REMEMBER YOU SAID β™ͺ β™ͺ SOMETIMES IT LASTS IN LOVE β™ͺ β™ͺ AND

play04:36

SOMETIMES IT HURTS INSTEAD β™ͺ β™ͺ NOTHING COMPARES β™ͺ β™ͺ NO WORRIES

play04:43

OR CARES β™ͺ β™ͺ REGRETS AND MISTAKES β™ͺ β™ͺ THEY'RE MEMORIES

play04:48

MADE β™ͺ β™ͺ WHO WOULD HAVE KNOWN β™ͺ β™ͺ HOW BITTERSWEET THIS WAS β™ͺ β™ͺ

play05:00

(CHEERS AND APPLAUSE) β™ͺ NEVER MIND β™ͺ β™ͺ I'LL FIND

play05:03

SOMEONE LIKE YOU β™ͺ β™ͺ I WISH NOTHING BUT THE BEST β™ͺ β™ͺ FOR YOU

play05:11

β™ͺ β™ͺ DON'T FORGET ME β™ͺ β™ͺ I BEG β™ͺ β™ͺ I REMEMBER YOU SAID β™ͺ β™ͺ

play05:21

SOMETIMES IT LASTS IN LOVE β™ͺ β™ͺ AND SOMETIMES IT HURTS INSTEAD β™ͺ

play05:28

(CHEERS AND APPLAUSE).

play05:29

>> James: WHAT DO YOU LISTEN TO IN THE CAR.

play05:31

>> I JUST PUT THE RADIO ON.

play05:33

I MEAN-- .

play05:33

>> James: BUT YOU USED TO BE A HUGE-- FAN.

play05:37

>> BUT THE OTHER DAY, IT WAS A TAPE.

play05:41

>> James: NO, YOU WERE GENUINE.

play05:43

>> A HUGE MOMENT IN MY LIFE WHEN THEY CAME OUT.

play05:45

GIRL POWER, FIVE ORDINARY GIRLS WHO JUST, LIKE, DID SO WELL AND

play05:50

JUST GOT OUT O, I WANT TO GET OUT.

play05:53

I JUST WANT TO GET OUT, AND IT WAS A REALLY IMPORTANT PERIOD OF

play05:57

MY LIFE.

play05:57

>> James: DIDN'T YOU USED TO HAVE-- PARTY.

play06:02

>> ON MY OWN.

play06:04

WITH FIVE GIRLS BUT I USED TO DO-- .

play06:07

>> James: WHO WERE YOU.

play06:07

>> I WAS ALWAYS GERI.

play06:08

>> James: REALLY?

play06:09

>> I LOVE THAT AND THEN SHE LEFT.

play06:11

>> James: SHE LEFT THE BAND.

play06:13

>> IT WAS THE FIRST TIME I WAS TRULY HEART BROCKEN.

play06:15

>> James: WHEN SHE LEFT.

play06:17

>> YEAH.

play06:17

>> James: IS THAT WHAT SOMEONE LIKE YOU IS ABOUT?

play06:19

(LAUGHTER) β™ͺ REALLY, REALLY WANT β™ͺ β™ͺ TELL

play06:21

ME WHAT YOU WANT β™ͺ β™ͺ WHAT YOU REALLY, REALLY, REALLY WANT WANT

play06:24

SO TELL ME WHAT YOU WANT β™ͺ β™ͺ WHAT YOU REALLY, REALLY WANT β™ͺ I

play06:28

WANT A WANT A WANT β™ͺ β™ͺ A IF YOU WANT PIE FUTURE β™ͺ β™ͺ FORGET MY

play06:35

PAST β™ͺ β™ͺ IF YOU WANT TO GET WITH ME β™ͺ β™ͺ BETTER MAKE IT FAST β™ͺ β™ͺ

play06:40

NOW DON'T GO WASTING β™ͺ β™ͺ MY PRECIOUS TIME β™ͺ β™ͺ GET YOUR ACT

play06:45

TOGETHER β™ͺ β™ͺ WE CAN BE JUST FINE β™ͺ β™ͺ HERE IS A STORY FROM A TO Z

play06:50

β™ͺ β™ͺ HOW TO GET TO ME LISTEN CAREFULLY β™ͺ β™ͺ I'M IN A PLACE,

play06:54

YOU GOT TO-- β™ͺ β™ͺ COME FOR FREE β™ͺ β™ͺ TELL ME WHAT YOU WANT β™ͺ β™ͺ

play07:08

[BLEEP] (LAUGHTER)

play07:10

IF YOU WANT TO BE MY LOVER β™ͺ β™ͺ >> James: YOU ARE FROM A

play07:16

DIFFERENT PLACE NOW, A HAPPIER PLACE.

play07:17

>> YEAH.

play07:18

>> James: DOES IT WORRY YOU YOU WON'T BE ABLE TO WRITE THE

play07:21

HITS.

play07:21

>> I WAS WORRIED ABOUT THAT, FOR SURE.

play07:25

AND I-- PART OF, YOU KNOW, I WANT-- I WANT MY FANS TO COME ON

play07:30

LIKE A JOURNEY WITH ME.

play07:32

AND IT IS ONE OF THE REASONS I NAMED MY ALBUM AFTER MY AGE AS

play07:37

WELL.

play07:37

IT'S SORT OF POLAROIDS, ALMOST, OF MY LIFE AT THAT TIME.

play07:40

>> James: I MEAN WHERE DO YOU THINK WILL YOU STOP.

play07:42

>> THIS IS THE LAST ALBUM AFTER MY AGE.

play07:44

>> James: NO.

play07:44

>> I BELIEVE IN TRIPPITY.

play07:46

>> James: NO.

play07:49

>> YEAH.

play07:50

>> James: I WANT IT TO BE LIKE 77 [BLEEP]

play07:56

(LAUGHTER).

play07:56

>> James: LEAVE ME ALONE.

play07:57

>> OH MY GOD.

play07:58

I WILL STILL DO THAT.

play08:00

>> James: JUST ME AND MY CAT.

play08:04

>> BAG LADY, AREN'T I.

play08:09

β™ͺ BE LIKE YOU DO β™ͺ β™ͺ β™ͺ β™ͺ TELL ME WHO DO I DO β™ͺ β™ͺ GIVE ME WITHIN I

play08:25

KNOW β™ͺ β™ͺ THERE IS-- ALL I ASK β™ͺ β™ͺ THIS IS MY LIFE β™ͺ β™ͺ NOW β™ͺ β™ͺ

play08:40

WITH YOU β™ͺ β™ͺ HOLD ME LIKE-- GIVE ME A MEMORY β™ͺ β™ͺ.

play08:56

>> REALLY GOOD β™ͺ β™ͺ TAKE ME BY THE HAND β™ͺ β™ͺ OH WE DO β™ͺ β™ͺ IT

play09:07

MATTERS YEAH β™ͺ β™ͺ BUT IF I NEVER-- β™ͺ β™ͺ

play09:20

(CHEERS AND APPLAUSE).

play09:23

>> James: YOU PROPERLY HANG OUT WITH LIKE-- YOU KNOW, YOU

play09:26

HANG WITH BEYONCE.

play09:28

>> I WOULDN'T SAY HANG OUT.

play09:29

>> James: BUT YOU ARE FRIENDS.

play09:31

>> WE ARE VERY FRIENDLY WHEN WE SEE EACH OTHER.

play09:34

>> James: BUT HAVE YOU EVER THOUGHT ABOUT GETTING YOUR OWN

play09:37

SQUAD LIKE TAYLOR SWIFT HAS A SQUAD.

play09:40

>> I HAVE A SQUAD, LAURA DANIEL.

play09:43

>> James: MY HUNCH IS IF YOU PUT TOGETHER A SQUAD WHICH WAS

play09:46

LIKE YOU, BEYONCE, JENNIFER LAWRENCE, SHE WOULD BRING AMY

play09:52

SCHUMER, AND THEN LIKE EMMA STONE, TAYLOR SWIFT'S SQUAD

play09:58

WOULD [BLEEP] THEMSELVES.

play10:02

>> BUT THEY'RE AMAZONIAN, I'M ALSO TALL.

play10:08

>> James: YOU GOT-- I HEARD A RUMOR, THAT YOU, THIS MAY BE

play10:18

SURPRISING SOME FANS, ARE QUITE THE RAPPER.

play10:22

YOU CAN SPIT SOME RHYME.

play10:25

>> I'M NOT THAT TALENTED ON ME OWN.

play10:27

>> James: BUT YOU CAN SPIT SOME LYRICS.

play10:29

YOU'VE GOT SOME RHYMES IN YOUR LOCKER.

play10:36

β™ͺ β™ͺ YEAH β™ͺ β™ͺ WILY WONKA SNROAT β™ͺ YOU CAN BE THE KING β™ͺ β™ͺ BUT THE

play10:42

QUEN CONQUERS β™ͺ β™ͺ FIRST THINGS FIRST, I EAT β™ͺ β™ͺ AND THAT'S WHAT

play10:47

I [BLEEP] TO DO β™ͺ β™ͺ FROM THE LAND THE MONSTER DO β™ͺ β™ͺ THE

play10:53

MONSTER IS YOU β™ͺ β™ͺ YOUR MONEY AND THE MONSTER CREW β™ͺ β™ͺ I'M

play10:58

ALLA ALL AU UP IN THE BANG WITH THE FUNNY FACE β™ͺ β™ͺ REALLY, I

play11:03

DON'T GIVE [BLEEP] β™ͺ β™ͺ FORGET BARBIE β™ͺ β™ͺ I WILL SAY β™ͺ β™ͺ TO BE

play11:12

CHILD PLAY β™ͺ β™ͺ KILL ANOTHER CAREER β™ͺ β™ͺ IT'S A MILD DAY β™ͺ β™ͺ

play11:17

GIVING WHIPLASH β™ͺ β™ͺ THIS IS WHAT YOU LIVE FOR β™ͺ β™ͺ [BLEEP]

play11:28

>> James: SO NOW YOUR GRAMMY, YOUR OSCAR, ALL YOU NEED IS AN

play11:33

EMMY AND A TONY.

play11:35

>> THE TONY IS PRETTY UNLIKELY.

play11:37

WHAT AM I GOING TO BE DOING.

play11:38

>> James: WRITING A HUGE MUSICAL.

play11:40

>> I HAVEN'T GOT TIME FOR THAT.

play11:41

>> James: NOT RIGHT NOW BUT AT SOME POINT.

play11:43

>> WHAT IF I WANT KIDS-- .

play11:45

>> James: SHUT THE FRONT DOOR.

play11:47

THE SOONER YOU REALIZE THAT YOU ARE ADELE-- HOW DO YOU DO THAT.

play11:53

>> I SAY MY LIFE, IT'S ME, ADELE.

play11:58

>> James: BOOKING RESTAURANTS, DO YOU HAVE TO GO AND THEY GO

play12:02

AND UNDER WHAT NAME AND YOU GO ADELE.

play12:06

THE ADELE.

play12:09

>> NO,-- .

play12:09

>> James: AND ARE THEY LIKE SORRY, NO TABLES.

play12:11

AND YOU GO -- BUT WHEN I SAY I'M ADELE.

play12:15

>> THEN I HAVE TO GET SOMEONE ELSE TO CALLK I CAN'T DROP ME

play12:18

OWN NAME.

play12:18

>> James: THAT'S MY POINT.

play12:19

I CALL OUT THE PHRASE, DROPPING THE A BOMB, THAT IS WHAT I CALL

play12:24

IT.

play12:24

THAT IS WHAT I QUITE LIKE.

play12:26

>> YOU HAVE TO DO THE J BOMB SOMETIMES, DON'T YOU.

play12:30

>> James: NOT SUCH A BIG DEAL, ODDLY.

play12:36

JAMES.

play12:36

THE JAMES.

play12:38

NO, NOT THAT ONE.

play12:41

NO-- YEAH, NO.

play12:42

>> NOT THAT ONE EITHER.

play12:43

>> James: IT DOESN'T WORK QUITE AS WELL FOR ME AS IT DOES

play12:45

FOR YOU.

play12:47

WE COULD HAVE HAD IT ALL β™ͺ β™ͺ ROLLING IN THE DEEP β™ͺ β™ͺ YOU HAD

play12:57

MY HEART AND SOUL β™ͺ β™ͺ IN YOUR HANDS β™ͺ β™ͺ NEVER HAD MET ME β™ͺ β™ͺ

play13:02

AND YOU PLAYED IT β™ͺ β™ͺ TO THE BEAT β™ͺ β™ͺ

play13:08

>> James: I'VE BEEN THINKING ABOUT IT, AND I THINK, AND

play13:13

LISTEN, YOU CAN SAY NO TO THIS OR JUST HAVE A THINK ABOUT IT.

play13:16

>> RIGHT.

play13:17

>> James: I THINK YOU NEED LIKE A-- YOU WILL BE OUTNMED,

play13:24

BECAUSE IT IS AN EMOTIONAL NIGHT.

play13:27

A LOT OF PEOPLE.

play13:28

I'M JUST SAYING, DURING THE UP NUMBERS, WHAT ABOUT-- A FRONT

play13:35

MAN.

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THEN I COME UP.

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>> OH β™ͺ YOU PLAY IT TO THE BEAT β™ͺ β™ͺ AND EVERYBODY GO β™ͺ β™ͺ WHAT,

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WHAT, WHAT β™ͺ β™ͺ (CHEERS AND APPLAUSE).

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>> James: GET YOUR HANDS UP β™ͺ β™ͺ OH, OH, OH β™ͺ β™ͺ β™ͺ I WAS

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SHOOTING FOR β™ͺ β™ͺ TO THE EO, E β™ͺ β™ͺ GET YOUR HANDS UP, EVERYBODY β™ͺ

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β™ͺ WHAT, WHAT, WHAT β™ͺ β™ͺ EVERYBODY PUT YOUR FIST IN THE AIR NOW β™ͺ β™ͺ

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YOU COULD HAVE HAD IT ALL β™ͺ β™ͺ YOU COULD HAVE HAD IT ALL β™ͺ β™ͺ β™ͺ

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COME ON, FRONT TO THE LEFT β™ͺ β™ͺ KEEP YOUR HANDS INSIDE THE CAR β™ͺ

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β™ͺ WE COULD HAVE HAD IT ALL β™ͺ β™ͺ WE'RE ROLLING IN THE DEEP β™ͺ β™ͺ

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(CHEERS AND APPLAUSE).

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>> James: THANK YOU SO MUCH FOR DRIVING AROUND WITH ME.

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>> OH, THANK YOU.

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>> James: IT GENUINELY IS A PLEASURE.

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>> OH, GOOD.

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I ABSOLUTELY LOVED IT.

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