Adele Carpool Karaoke
Summary
TLDRIn this lively and heartfelt interview, Adele opens up about her personal journey, music, and life experiences. She shares anecdotes about her recent nights out, her love for drumming, and her admiration for the 'Girl Power' era of the Spice Girls, which had a profound impact on her. Adele also discusses her evolving style and the challenges of fame, including the humorous difficulties of making reservations under her own name. The conversation is interspersed with her performing hits like 'Hello' and 'Someone Like You,' showcasing her incredible talent and the warmth of her personality.
Takeaways
- π The conversation begins with a playful and nostalgic tone, reminiscing about past experiences.
- π€ Adele expresses her love for her hairline and discusses her hair choices, showing her humorous side.
- π§οΈ There's a humorous exchange about England's weather and how it might affect perceptions of the country.
- πΆ Adele performs 'Hello' and 'Someone Like You', showcasing her powerful vocals and emotional connection to her songs.
- π₯ She reveals her talent for playing the drums, adding a new dimension to her musical abilities.
- π² James Corden compares Adele to Phil Collins, highlighting her versatility as a musician.
- π Adele shares a personal anecdote about a night out that led to a mix-up with another family's email address.
- π· She talks about her recent experience of getting drunk for the first time in months, leading to funny and relatable stories.
- π The conversation touches on Adele's friendships with other celebrities, emphasizing her grounded nature despite fame.
- π Adele discusses her desire to continue her musical journey with her fans and the significance of naming her album after her age.
- π James Corden playfully suggests Adele should aim for an EGOT, but she humorously dismisses the idea of a Tony Award.
Q & A
What is the opening line of the conversation in the script?
-The opening line is 'HELLO?, IT'S ME., I WAS WONDERING IF AFTER ALL THESE YEARS YOU'D LIKE TO MEET., JUST HAVE A DRIVE AROUND.'
What song does James sing a part of during the conversation?
-James sings a part of the song 'Hello' by Adele.
What musical instrument does the guest play in the performance mentioned in the script?
-The guest plays the drums in the performance.
How does James describe the guest's drumming skills?
-James describes the guest's drumming skills as 'shredding on the drums' and compares her to Phil Collins.
What is the topic of discussion when the guest talks about being drunk two nights in a row?
-The topic is about the guest's experience of waiting for a friend at a restaurant and then having drinks, leading to her being drunk.
What is the significance of the song 'Someone Like You' in the script?
-The song 'Someone Like You' is performed by the guest and is used as an example of her music, with James discussing its meaning and connection to her life.
What is the guest's reaction to the idea of having her own 'squad' like Taylor Swift?
-The guest mentions that she already has a squad, referring to Laura Daniel, and jokes about being tall like the members of Taylor Swift's squad.
What does the guest reveal about her ability to rap?
-The guest reveals that she can spit some lyrics and has some rhymes, but she does not consider herself very talented at it on her own.
What is the significance of the number '77' in the script?
-James jokingly suggests that the guest should continue naming her albums after her age until she reaches 77, as a reference to the song '77' by Katy Perry.
What is the guest's response to the idea of writing a musical?
-The guest dismisses the idea of writing a musical, stating that she doesn't have time for it and is focused on her music and life journey.
What is the humorous situation described by James involving making a restaurant reservation?
-James humorously describes a situation where the guest cannot get a table at a restaurant under her own name, Adele, and has to get someone else to call.
Outlines
π€ Adele's Reunion and Performance
The script opens with a dramatic phone call and segues into a warm reunion between the host, James, and his guest, Adele. They share laughter and compliments, with James admiring Adele's appearance and hairstyle. Adele discusses her hair care routine and the dilemma of choosing between a wig or weave. They bond over music, with Adele performing a snippet of 'Hello' on the drums, impressing James. Adele is likened to Phil Collins, and there's playful banter about her stage presence and talent. The segment concludes with Adele sharing a personal anecdote about a drunken encounter and a humorous misunderstanding at a restaurant.
πΌ Adele's Musical Influences and Personal Reflections
In this segment, Adele and James delve into her musical preferences and early influences, highlighting the significance of 'Girl Power' and the Spice Girls during a pivotal period in her life. Adele reminisces about her past, including her love for hosting parties and her role-playing as Geri Halliwell. The conversation touches on her emotional response to Geri leaving the band and the inspiration behind her song 'Someone Like You'. They also discuss her songwriting process and the evolution of her music, with Adele expressing her desire for her fans to accompany her on a musical journey, evident in her album titles reflecting her age at the time of release.
π Adele's Ambitions and Rap Skills
The final paragraph showcases a lighter side of Adele, revealing her rapping skills with a spontaneous performance that surprises James. They discuss the possibility of Adele achieving an EGOT by winning an Emmy or Tony, which she dismisses as unlikely due to her lack of time and interest in writing a musical. The conversation includes playful exchanges about the challenges of being a celebrity and the need to use a pseudonym when making reservations. James proposes a dynamic stage performance idea for Adele, which culminates in an energetic sing-along and audience interaction, highlighting the chemistry between the host and the guest.
Mindmap
Keywords
π‘Hello
π‘Outside
π‘Manageable
π‘Wig
π‘Phil Collins
π‘Heartbroken
π‘Girl Power
π‘Squad
π‘Rapper
π‘Grammy
π‘Emmy
Highlights
Adele expresses her desire to meet after all these years and go for a drive.
James Corden and Adele share a warm welcome and appreciation for each other's presence.
Adele jokes about her hair and whether to wear a wig or have a weave, seeking James' advice.
Adele and James discuss the weather in England and its stereotypes.
Adele performs an impressive rendition of 'Hello' while playing the drums.
James Corden dubs Adele as the female Phil Collins for her drumming skills.
Adele shares an anecdote about being drunk and accidentally collecting an email address from a family.
Adele reveals her past as a fan of the Spice Girls and the impact of 'Girl Power' on her life.
James and Adele reminisce about her past partying days and her role as Geri in their games.
Adele discusses the inspiration behind her song 'Someone Like You' and its connection to heartbreak.
Adele performs 'Never Mind' with a heartfelt delivery, receiving applause from James.
James and Adele talk about her music preferences and her past as a huge fan of a particular band.
Adele raps, showing off her hidden talent and surprising James with her rhymes.
James suggests Adele could achieve an EGOT with a Tony possibly in the future.
Adele discusses the naming of her album after her age and what it represents.
James and Adele joke about the challenges of being recognized and making reservations under their own names.
Adele performs 'Rolling in the Deep' with James encouraging audience participation.
James thanks Adele for the drive and the enjoyable conversation, highlighting the pleasure of their time together.
Transcripts
HELLO?
IT'S ME.
I WAS WONDERING IF AFTER ALL THESE YEARS YOU'D LIKE TO MEET.
JUST HAVE A DRIVE AROUND.
HELLO?
HELLO FROM THE OUTSIDE.
ALL RIGHT, SEE YOU IN A MINUTE.
GREAT.
>> HELLO.
(CHEERS AND APPLAUSE).
>> James: OH, THANK YOU.
I APPRECIATE IT IT'S GOING TO BE FUN.
>> GREAT.
>> James: YOU ARE LOOKING FINE RIGHT NOW.
>> THANK YOU VERY MUCH, JAMES.
>> James: LOVING THIS BOB.
>> OH, THANKS, THANKS, VERY MUCH.
>> James: A TRIUMPH.
>> DON'T I LOOK LIKE A MUM.
>> James: I DON'T THINK SO.
IT IS MORE MANAGEABLE.
>> IT DRIES QUICKLY.
>> James: THAN THE LIFE, YOU KNOW.
>> I AM GOING TO USE MY HAIRLINE.
I CAN'T WORK OUT IF I SHOULD WEAR A WIG WIG OR HAVE A WEAVE.
>> James: I MEAN, WHAT I LIKE IS THAT YOU ARE COMING TO ME FOR
THIS ADVICE.
(LAUGHTER).
>> James: DO YOU MIND IF WE LISTEN TO MUSIC.
>> YES, IT'S SUCH A SHAME IT'S RAININGMENT I FEEL LIKE AMERICAS
ARE GOING TO ASSUME THAT ENGLAND IS RUBBISH.
>> James: βͺ HELLO βͺ βͺ DHEERS PLAWS TOAT I'M IN CALIFORNIA
DREAMING βͺ βͺ OF ABOUT WHO WE USED TO BE βͺ βͺ IT'S NO SECRET βͺ
βͺ THAT THE BOTH OF US βͺ βͺ ARE RUNNING OUT OF TIME βͺ βͺ.
>> THAT WAS AMAZING.
SO HELLO FROM THE OUTSIDE βͺ βͺ AT LEAST I CAN SEE THAT I'M TRYING
βͺ βͺ TO TELL YOU I'M SORRY βͺ βͺ FOR BREAKING YOUR HEART βͺ βͺ BUT
IT'S CLEARLY DOESN'T TEAR YOU APART βͺ βͺ ANY MORE βͺ βͺ βͺ βͺ ANY
MORE βͺ βͺ βͺ βͺ ANY MORE βͺ βͺ NO βͺ βͺ COME ON βͺ βͺ
>> James: YOU PLAYING THE DRUMS.
>> I PLAY THE DRUMS IN THIS.
>> James: NO WAY!
>> YES, YES.
>> James: YOU'RE SHREDDING ON THE DRUMS.
YOU ARE.
YOU-- THAT IS WHAT I HAVE ALWAYS SAID IS THAT YOU ARE THE FEMALE
PHIL COLINS.
>> OH MY GOSH.
>> James: NO, NO, OH NO.
>> I'VE GOT A NEW-- .
>> YOU ARE DRIEFG, WHAT DO YOU SAY.
>> James: I CAN HOLD IT WHILE YOU WIPE DOWN.
>> I'M ALL RIGHT, I'M ALL RIGHT.
>> James: NO ONE IS GOING TO SEE IT.
(LAUGHTER) >> .
>> James: YOU USED TO BE.
>> I HAVE BEEN DRUNK TWO NIGHTS IN A ROW RECENTLY.
>> James: NO.
>> IT'S CHRISTMAS.
THE OTHER DAY I WENT WITH MY BEST FRIEND, I'M NOT GOING TO
SEE HIM BEFORE CHRISTMAS.
I GOT THERE 7:45 AND I'M SITTING THERE, IT'S LIKE-- WHERE IS HE.
NORMALLY PUNK ACTUAL, I CALL HIM, WHERE ARE YOU, HE SAID
8:45.
SO I'M SITTING HERE FOR AN HOUR ON MY OWN LOOKING LIKE SUCH A
LOSER.
SO I ORDERED A WINE AND THEN I HAVE NEVER GLASS OF WINE AND I
SPOT A FAMILY, I WHEN OVER, A BIT DRUNK.
DID YOU CALL MY NAME, EARLIER?
I HAD MY SECURITY WITH ME, SORRY, BEING PROTECHIVE,
WHATEVER.
I DID HEAR-- LET ME GET A-- GET YOUR MEAL FOR YOU.
AN I HAD ANOTHER GLASS OF WINE, AND MY FRIEND ARRIVED, HI TWO
MORE GLASSES OF WINE, BEAR IN MIND I HAVEN'T HAD A DRINK IN
EIGHT MONTHS.
AND THE NEXT DAY, IN THE PARK WITH MY KID.
AND I FIND THIS E-MAIL ADDRESS IN MY POCKET OF ANOTHER FAMILY
FROM NASHVILLE WHO OBVIOUSLY TOLD ME IT WAS SOLD OUT SO
MANAGED TO GET THEM TICKETS TO NASHVILLE.
>> WHAT HAPPENS WHEN I'M DRUNK.
ONE MORE GLASS OF WINE.
>> James: JUST LIKE-- LIKE-- GUYS,-- TAKE ME BACK TO
THE START.
NEVER MIND βͺ βͺ I'LL FIND SOMEONE LIKE YOU βͺ βͺ I WISH NOTHING BUT
THE BEST FOR YOU βͺ βͺ DON'T FORGET ME βͺ βͺ I BEG YOU βͺ βͺ I
REMEMBER YOU SAID βͺ βͺ SOMETIMES IT LASTS IN LOVE βͺ βͺ AND
SOMETIMES IT HURTS INSTEAD βͺ βͺ NOTHING COMPARES βͺ βͺ NO WORRIES
OR CARES βͺ βͺ REGRETS AND MISTAKES βͺ βͺ THEY'RE MEMORIES
MADE βͺ βͺ WHO WOULD HAVE KNOWN βͺ βͺ HOW BITTERSWEET THIS WAS βͺ βͺ
(CHEERS AND APPLAUSE) βͺ NEVER MIND βͺ βͺ I'LL FIND
SOMEONE LIKE YOU βͺ βͺ I WISH NOTHING BUT THE BEST βͺ βͺ FOR YOU
βͺ βͺ DON'T FORGET ME βͺ βͺ I BEG βͺ βͺ I REMEMBER YOU SAID βͺ βͺ
SOMETIMES IT LASTS IN LOVE βͺ βͺ AND SOMETIMES IT HURTS INSTEAD βͺ
(CHEERS AND APPLAUSE).
>> James: WHAT DO YOU LISTEN TO IN THE CAR.
>> I JUST PUT THE RADIO ON.
I MEAN-- .
>> James: BUT YOU USED TO BE A HUGE-- FAN.
>> BUT THE OTHER DAY, IT WAS A TAPE.
>> James: NO, YOU WERE GENUINE.
>> A HUGE MOMENT IN MY LIFE WHEN THEY CAME OUT.
GIRL POWER, FIVE ORDINARY GIRLS WHO JUST, LIKE, DID SO WELL AND
JUST GOT OUT O, I WANT TO GET OUT.
I JUST WANT TO GET OUT, AND IT WAS A REALLY IMPORTANT PERIOD OF
MY LIFE.
>> James: DIDN'T YOU USED TO HAVE-- PARTY.
>> ON MY OWN.
WITH FIVE GIRLS BUT I USED TO DO-- .
>> James: WHO WERE YOU.
>> I WAS ALWAYS GERI.
>> James: REALLY?
>> I LOVE THAT AND THEN SHE LEFT.
>> James: SHE LEFT THE BAND.
>> IT WAS THE FIRST TIME I WAS TRULY HEART BROCKEN.
>> James: WHEN SHE LEFT.
>> YEAH.
>> James: IS THAT WHAT SOMEONE LIKE YOU IS ABOUT?
(LAUGHTER) βͺ REALLY, REALLY WANT βͺ βͺ TELL
ME WHAT YOU WANT βͺ βͺ WHAT YOU REALLY, REALLY, REALLY WANT WANT
SO TELL ME WHAT YOU WANT βͺ βͺ WHAT YOU REALLY, REALLY WANT βͺ I
WANT A WANT A WANT βͺ βͺ A IF YOU WANT PIE FUTURE βͺ βͺ FORGET MY
PAST βͺ βͺ IF YOU WANT TO GET WITH ME βͺ βͺ BETTER MAKE IT FAST βͺ βͺ
NOW DON'T GO WASTING βͺ βͺ MY PRECIOUS TIME βͺ βͺ GET YOUR ACT
TOGETHER βͺ βͺ WE CAN BE JUST FINE βͺ βͺ HERE IS A STORY FROM A TO Z
βͺ βͺ HOW TO GET TO ME LISTEN CAREFULLY βͺ βͺ I'M IN A PLACE,
YOU GOT TO-- βͺ βͺ COME FOR FREE βͺ βͺ TELL ME WHAT YOU WANT βͺ βͺ
[BLEEP] (LAUGHTER)
IF YOU WANT TO BE MY LOVER βͺ βͺ >> James: YOU ARE FROM A
DIFFERENT PLACE NOW, A HAPPIER PLACE.
>> YEAH.
>> James: DOES IT WORRY YOU YOU WON'T BE ABLE TO WRITE THE
HITS.
>> I WAS WORRIED ABOUT THAT, FOR SURE.
AND I-- PART OF, YOU KNOW, I WANT-- I WANT MY FANS TO COME ON
LIKE A JOURNEY WITH ME.
AND IT IS ONE OF THE REASONS I NAMED MY ALBUM AFTER MY AGE AS
WELL.
IT'S SORT OF POLAROIDS, ALMOST, OF MY LIFE AT THAT TIME.
>> James: I MEAN WHERE DO YOU THINK WILL YOU STOP.
>> THIS IS THE LAST ALBUM AFTER MY AGE.
>> James: NO.
>> I BELIEVE IN TRIPPITY.
>> James: NO.
>> YEAH.
>> James: I WANT IT TO BE LIKE 77 [BLEEP]
(LAUGHTER).
>> James: LEAVE ME ALONE.
>> OH MY GOD.
I WILL STILL DO THAT.
>> James: JUST ME AND MY CAT.
>> BAG LADY, AREN'T I.
βͺ BE LIKE YOU DO βͺ βͺ βͺ βͺ TELL ME WHO DO I DO βͺ βͺ GIVE ME WITHIN I
KNOW βͺ βͺ THERE IS-- ALL I ASK βͺ βͺ THIS IS MY LIFE βͺ βͺ NOW βͺ βͺ
WITH YOU βͺ βͺ HOLD ME LIKE-- GIVE ME A MEMORY βͺ βͺ.
>> REALLY GOOD βͺ βͺ TAKE ME BY THE HAND βͺ βͺ OH WE DO βͺ βͺ IT
MATTERS YEAH βͺ βͺ BUT IF I NEVER-- βͺ βͺ
(CHEERS AND APPLAUSE).
>> James: YOU PROPERLY HANG OUT WITH LIKE-- YOU KNOW, YOU
HANG WITH BEYONCE.
>> I WOULDN'T SAY HANG OUT.
>> James: BUT YOU ARE FRIENDS.
>> WE ARE VERY FRIENDLY WHEN WE SEE EACH OTHER.
>> James: BUT HAVE YOU EVER THOUGHT ABOUT GETTING YOUR OWN
SQUAD LIKE TAYLOR SWIFT HAS A SQUAD.
>> I HAVE A SQUAD, LAURA DANIEL.
>> James: MY HUNCH IS IF YOU PUT TOGETHER A SQUAD WHICH WAS
LIKE YOU, BEYONCE, JENNIFER LAWRENCE, SHE WOULD BRING AMY
SCHUMER, AND THEN LIKE EMMA STONE, TAYLOR SWIFT'S SQUAD
WOULD [BLEEP] THEMSELVES.
>> BUT THEY'RE AMAZONIAN, I'M ALSO TALL.
>> James: YOU GOT-- I HEARD A RUMOR, THAT YOU, THIS MAY BE
SURPRISING SOME FANS, ARE QUITE THE RAPPER.
YOU CAN SPIT SOME RHYME.
>> I'M NOT THAT TALENTED ON ME OWN.
>> James: BUT YOU CAN SPIT SOME LYRICS.
YOU'VE GOT SOME RHYMES IN YOUR LOCKER.
βͺ βͺ YEAH βͺ βͺ WILY WONKA SNROAT βͺ YOU CAN BE THE KING βͺ βͺ BUT THE
QUEN CONQUERS βͺ βͺ FIRST THINGS FIRST, I EAT βͺ βͺ AND THAT'S WHAT
I [BLEEP] TO DO βͺ βͺ FROM THE LAND THE MONSTER DO βͺ βͺ THE
MONSTER IS YOU βͺ βͺ YOUR MONEY AND THE MONSTER CREW βͺ βͺ I'M
ALLA ALL AU UP IN THE BANG WITH THE FUNNY FACE βͺ βͺ REALLY, I
DON'T GIVE [BLEEP] βͺ βͺ FORGET BARBIE βͺ βͺ I WILL SAY βͺ βͺ TO BE
CHILD PLAY βͺ βͺ KILL ANOTHER CAREER βͺ βͺ IT'S A MILD DAY βͺ βͺ
GIVING WHIPLASH βͺ βͺ THIS IS WHAT YOU LIVE FOR βͺ βͺ [BLEEP]
>> James: SO NOW YOUR GRAMMY, YOUR OSCAR, ALL YOU NEED IS AN
EMMY AND A TONY.
>> THE TONY IS PRETTY UNLIKELY.
WHAT AM I GOING TO BE DOING.
>> James: WRITING A HUGE MUSICAL.
>> I HAVEN'T GOT TIME FOR THAT.
>> James: NOT RIGHT NOW BUT AT SOME POINT.
>> WHAT IF I WANT KIDS-- .
>> James: SHUT THE FRONT DOOR.
THE SOONER YOU REALIZE THAT YOU ARE ADELE-- HOW DO YOU DO THAT.
>> I SAY MY LIFE, IT'S ME, ADELE.
>> James: BOOKING RESTAURANTS, DO YOU HAVE TO GO AND THEY GO
AND UNDER WHAT NAME AND YOU GO ADELE.
THE ADELE.
>> NO,-- .
>> James: AND ARE THEY LIKE SORRY, NO TABLES.
AND YOU GO -- BUT WHEN I SAY I'M ADELE.
>> THEN I HAVE TO GET SOMEONE ELSE TO CALLK I CAN'T DROP ME
OWN NAME.
>> James: THAT'S MY POINT.
I CALL OUT THE PHRASE, DROPPING THE A BOMB, THAT IS WHAT I CALL
IT.
THAT IS WHAT I QUITE LIKE.
>> YOU HAVE TO DO THE J BOMB SOMETIMES, DON'T YOU.
>> James: NOT SUCH A BIG DEAL, ODDLY.
JAMES.
THE JAMES.
NO, NOT THAT ONE.
NO-- YEAH, NO.
>> NOT THAT ONE EITHER.
>> James: IT DOESN'T WORK QUITE AS WELL FOR ME AS IT DOES
FOR YOU.
WE COULD HAVE HAD IT ALL βͺ βͺ ROLLING IN THE DEEP βͺ βͺ YOU HAD
MY HEART AND SOUL βͺ βͺ IN YOUR HANDS βͺ βͺ NEVER HAD MET ME βͺ βͺ
AND YOU PLAYED IT βͺ βͺ TO THE BEAT βͺ βͺ
>> James: I'VE BEEN THINKING ABOUT IT, AND I THINK, AND
LISTEN, YOU CAN SAY NO TO THIS OR JUST HAVE A THINK ABOUT IT.
>> RIGHT.
>> James: I THINK YOU NEED LIKE A-- YOU WILL BE OUTNMED,
BECAUSE IT IS AN EMOTIONAL NIGHT.
A LOT OF PEOPLE.
I'M JUST SAYING, DURING THE UP NUMBERS, WHAT ABOUT-- A FRONT
MAN.
THEN I COME UP.
>> OH βͺ YOU PLAY IT TO THE BEAT βͺ βͺ AND EVERYBODY GO βͺ βͺ WHAT,
WHAT, WHAT βͺ βͺ (CHEERS AND APPLAUSE).
>> James: GET YOUR HANDS UP βͺ βͺ OH, OH, OH βͺ βͺ βͺ I WAS
SHOOTING FOR βͺ βͺ TO THE EO, E βͺ βͺ GET YOUR HANDS UP, EVERYBODY βͺ
βͺ WHAT, WHAT, WHAT βͺ βͺ EVERYBODY PUT YOUR FIST IN THE AIR NOW βͺ βͺ
YOU COULD HAVE HAD IT ALL βͺ βͺ YOU COULD HAVE HAD IT ALL βͺ βͺ βͺ
COME ON, FRONT TO THE LEFT βͺ βͺ KEEP YOUR HANDS INSIDE THE CAR βͺ
βͺ WE COULD HAVE HAD IT ALL βͺ βͺ WE'RE ROLLING IN THE DEEP βͺ βͺ
(CHEERS AND APPLAUSE).
>> James: THANK YOU SO MUCH FOR DRIVING AROUND WITH ME.
>> OH, THANK YOU.
>> James: IT GENUINELY IS A PLEASURE.
>> OH, GOOD.
I ABSOLUTELY LOVED IT.
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