How to Write a Perfect Scene
Summary
TLDRThis video script delves into the art of crafting compelling scenes in screenwriting, focusing on the pivotal role of 'choice'. It uses iconic examples from films like 'The Matrix' and 'Little Miss Sunshine' to illustrate how dialogue and character dynamics can drive a scene's tension and resolution. The script emphasizes the importance of scene objects as symbols of choices and the hierarchy within character relationships that influence decision-making. It concludes with a formula for writing effective scenes, encouraging viewers to apply these principles to enhance their storytelling.
Takeaways
- π Dialogue is a debate about a choice where characters argue the two options back and forth to make a decision.
- π The character with the power of choice holds the power in a scene, influencing the dynamic of the scene.
- π¦ In the 'Little Miss Sunshine' example, the ice cream serves as a scene object, symbolizing the conflict between societal expectations and personal desires.
- π¬ The 'Matrix' blue pill/red pill scene illustrates a dramatic choice that sets the direction of the protagonist's life.
- π€ Characters' relationships and hierarchy within a scene are revealed through their involvement in the choice debate.
- π¨βπ©βπ§βπ¦ The family in 'Little Miss Sunshine' shows how character hierarchy and choice influence each other, impacting the final decision.
- π₯ In 'Succession', the debate about cooperating with the FBI demonstrates how characters react to a choice under pressure.
- π The 'Steve Jobs' opening scene uses a problem (the Voice demo) to set up a high-stakes choice and character hierarchy.
- π¬ A scene object not only represents the choice but also serves as a memorable symbol of the conflict or decision in a scene.
- π The script emphasizes the importance of understanding dialogue as action and the role of choice in driving a scene's drama.
- π The video provides a formula for writing scenes: identify who wants what, the obstacles, the choice to be made, the scene object, character stances, and the final decision.
Q & A
What is the central theme of the video script?
-The central theme of the video script is the importance of choice in creating dramatic and engaging scenes in storytelling, using examples from various films.
What is the significance of the 'blue pill, red pill' scene from The Matrix?
-The 'blue pill, red pill' scene from The Matrix is significant as it symbolizes a pivotal choice that determines the protagonist's reality and direction, highlighting the dramatic impact of choices in storytelling.
How does the video script use the example from 'Little Miss Sunshine' to illustrate the concept of choice?
-The video script uses the 'Little Miss Sunshine' example to show how a simple choice, like whether to eat ice cream or not, can create a debate and involve all characters in a scene, demonstrating the dynamics of power and hierarchy.
What is dialogue according to the video script?
-Dialogue, as explained in the video script, is a debate about a choice where characters argue the two options back and forth, taking action through words to win the decision and achieve their desired outcome.
Why is the character of Olive in 'Little Miss Sunshine' given the power of choice in the ice cream scene?
-Olive is given the power of choice in the ice cream scene to demonstrate the concept that whoever holds the choice holds the power, and it allows the scene to explore the dynamics of family hierarchy and influence.
What is the role of a scene object in expressing the argument in a scene?
-A scene object serves as a physical representation of the choice being debated, acting as a symbol of the decision at hand and making the drama more tangible and memorable for the audience.
How does the video script suggest using the power of choice to show a character's strength?
-The video script suggests that to show a character's strength, make them the choicemaker and have them say very little, as the power of choice often conveys authority and influence without the need for extensive dialogue.
What is the importance of hierarchy in character relationships as depicted in the script?
-Hierarchy in character relationships is important as it determines who has the power of choice and how other characters attempt to persuade or influence that choice, which in turn drives the scene's dynamics and resolution.
How does the video script use the opening scene of 'Steve Jobs' to demonstrate the concept of choice?
-The video script uses the opening scene of 'Steve Jobs' to show how a character with decision-making power, like Steve Jobs, can influence the outcome for everyone involved, despite opposition and challenges.
What is the purpose of setting up a scene object in a debate?
-The purpose of setting up a scene object in a debate is to provide a tangible focus for the argument, making the choice more relatable and impactful for the audience, and often leaving a lasting impression of the scene.
What formula does the video script suggest for writing a compelling scene?
-The video script suggests a formula for writing a compelling scene that includes identifying who wants what, who is in their way, the choice between A or B, the important object of debate, the characters' stance on the choice, the decision-maker, and the pressure and resolution of the choice.
Outlines
π The Power of Choice in Dialogue
This paragraph introduces the concept of choice as a pivotal element in creating dramatic scenes. It uses the iconic 'blue pill, red pill' scene from 'The Matrix' to illustrate how a choice can dramatically alter a character's path. The paragraph emphasizes that dialogue is not just conversation but a debate about a choice, where characters argue over options to persuade others to their viewpoint. It suggests that understanding this dynamic can enhance the writing of scenes, making them more engaging and meaningful.
π¨βπ©βπ§βπ¦ The Ice Cream Debate in 'Little Miss Sunshine'
The second paragraph delves into a subtler example of choice from the movie 'Little Miss Sunshine'. It describes a scene where a young girl, Olive, is tempted by ice cream before a beauty pageant, setting up a debate between her parents over whether she should indulge. The father argues against it due to the pageant, while the mother supports Olive's autonomy. The paragraph explains how the characters' dialogue reflects their worldviews and how their actions, or lack thereof, influence Olive's final decision, demonstrating the interplay of power and hierarchy within a family dynamic.
π¬ The Role of Scene Objects and Hierarchy in Decision-Making
This paragraph expands on the concept by discussing the role of scene objects that symbolize the choices being debated. It uses 'The Matrix' again, where the pills are not just objects but representations of two divergent paths. The paragraph also touches on the inherent hierarchy in character relationships and how it affects decision-making. It provides examples from 'Succession' and 'Steve Jobs' to show how characters with decision-making power are pressured by others and how they assert their authority, often leading to high-stakes outcomes.
π Crafting Compelling Scenes Through Choice and Hierarchy
The final paragraph wraps up the discussion by summarizing the key points: the importance of choice in driving dialogue, the influence of scene objects, and the dynamics of hierarchy. It encourages the application of these elements to craft scenes that are not only dramatic but also reflective of real-life power struggles and decision-making processes. The paragraph ends with a call to action for viewers to apply these insights to their own writing, promising more in-depth scene breakdowns in future content.
Mindmap
Keywords
π‘Choice
π‘Dramatic Question
π‘Dialogue
π‘Scene Object
π‘Hierarchy
π‘Power of Choice
π‘Debate
π‘Stakes
π‘Character Hierarchy
π‘Scene Dynamics
π‘Symbolism
Highlights
The Matrix's blue pill/red pill scene exemplifies a dramatic choice that leads to divergent life paths.
Neo's choice between the blue and red pill symbolizes a pivotal moment with irreversible consequences.
The power of dialogue is showcased in 'Little Miss Sunshine' through a debate on a simple choice like eating ice cream.
Characters' desires and beliefs are revealed through their arguments about Olive's ice cream decision.
Dialogue is defined as characters debating a choice, turning words into action.
The choice of whether to eat ice cream in 'Little Miss Sunshine' becomes a debate on body image and personal freedom.
The concept of power in a scene is tied to the character who holds the decision-making authority.
In 'Little Miss Sunshine', Olive's final decision on the ice cream is influenced by the family's hierarchy and dynamics.
The use of a scene object, like ice cream, serves as a physical representation of the characters' debate.
Scene objects can be symbols of the choices being debated, adding depth to the narrative.
The opening scene of 'Steve Jobs' demonstrates high stakes and decision-making under pressure.
Steve Jobs' insistence on fixing the Voice demo despite time constraints highlights leadership and determination.
The scene object in 'Steve Jobs', the non-functioning Voice demo, becomes a symbol of overcoming technical challenges.
Hierarchy within scenes is evident through which characters participate in the debate and how they influence the decision-maker.
The opening scene of 'Succession' illustrates how characters' body language and dialogue reflect their stance on a choice.
A character's silence can be a powerful tool to demonstrate their influence and the importance of the choice at hand.
The video concludes with a formula for writing effective scenes based on character choices and debates.
Transcripts
this is your last
chance after this there is no turning
back you take the blue pill the story
ends you wake up in your bed and believe
whatever you want to believe you take
the red pill you stay in
Wonderland and I show you how deep the
rabbit hole goes pause this is a choice
Neo's choice between the blue pill or
the red pill a choice that can send his
life in two complete completely
different directions we know what he's
likely to choose but we also know that
after taking that pill There's No Going
Back
remember all I'm offering is the truth
nothing more it's not an action scene
just two characters sitting in a room
yet this is one of the most memorable
scenes from The Matrix a choice is what
makes the scene dramatic and gives
action to dialogue and in this one video
I will simplify writing a great scene
for you
forever so the Matrix blue pill red pill
scene is Big dramatic and obvious but is
the choice still this obvious in a more
subtle scene mom how much can we spend I
would say $4 anything under $4 this is a
scene from Little Miss Sunshine the
family is traveling so that Olive can
compete in the Litt Miss Sunshine beauty
pageant in the beginning of the scene
Olive orders ice cream what is elodi
mean oh that means it comes with ice
cream okayi Olive for breakfast
said $4 this sets up our character want
Olive wants ice cream so she takes an
action to get some however Olive's
Father Richard believes that since Olive
is about to compete in a beauty pageant
she should not eat the ice cream Olive
can I tell you a little something about
ice cream well ice cream is made from
cream which comes from cow's milk and
cream has a lot of fat in it
Richard what she going to find out
anyway remember pause so Olive wants ice
cream and Richard wants to stop her a
choice has now presented itself will
olive eat the ice cream or not now the
dialogue about what choice to make
begins Let me quickly clear up dialogue
for you dialogue is a debate about a
choice characters argue the two options
in the choice back and forth trying to
make a decision this is how words become
action the characters are taking action
through dialogue to win the choice and
get their way Olive's mother enters the
debate and falls under side a backing
Olive's choice and she does so by giving
her beliefs I just want you to
understand it's okay to be skinny and
it's okay to be fat if that's what you
want to be whatever you want it's
okay but then her father gives a
counterargument okay but olive let me
ask you this those women in Miss
America are they skinny or are they fat
we get each character's world view
through this simple decision to eat the
ice cream or not the scene remains open
until a choice is made and the scene
will end when Olive finally answers the
dramatic question will she eat the ice
cream or not once you see dialogue like
this you'll never unsee it with the
Templars have attacked a s
Caravan it was no caravan
was an Army headed for Bethlehem to
desecrate the birthplace of Our Lord Ral
with the Templars have broken the king's
pleasure peace this debate is as obvious
as it can get the characters are
literally colorcoded white wants to go
to war blue doesn't Salah will come into
this King liberus knows more than a
Christian should about salah's
intentions and they debate in front of
the king about what choice he should
make once you understand understand that
dialogue is characters debating a choice
you can express this Choice debate in
all sorts of genres maybe an amateur
detective wants to convince a cop to
arrest a suspect and there was no way of
getting Allen into court in the first
place because there was no evidence
Robert what do you mean there's no
evidence you have him seen with the
ciphers the military bootprints the same
siiz shoes and gloves the most dangerous
game the Zodiac watch the background
with school children the the
misspellings of Christmas the bloody KN
all circumstantial maybe a Suitor wants
to ask for a lady's hand in
marriage from the first moment I met you
your arrogance and conceit your selfish
disdain for the feelings of others made
me realize that you were the last man in
the world I could ever be prevailed upon
to
marry you can also make a choice funny
by having a character overreact to win a
debate yeah but I wasn't over give me
the marker dude I'm marking an eight
Smoky my
friend you're entering a world of pain
Walter you can give them a
twang he going to stay in the big house
Sten he's a slaver it's different in the
big house you
subtitles you can even make them
sing I Will
[Music]
Not
point is you can switch the genre all
you want but no matter what dialogue is
characters debating a choice back and
forth want to see more examples I
couldn't fit in this video check out
practical screenwriting tocom choice for
more seeing
breakdowns so characters are debating a
choice in dialogue but who makes the
choice you'll hear writers talk about
who has the power in a scene but where
does power come from whoever holds the
choice holds the power the other
characters must convince the decision
maker to make the choice they think is
right in this scene Olive has the power
of the choice she listens to both of her
parents give their point of view as they
try to convince her to take their side
but it's still her decision Stakes raise
the ice cream arrives I'll emot you
right I'll be back with your waffles in
a sec now it's time what will olive do
does anyone want my ice cream Richard
wins in this moment Olive has made a
choice in One Direction Richard feels
satisfied that his worldview has won out
but this is where the other characters
in the scene come into play as Olive
chooses not to eat her ice cream the
other characters choose a side by taking
action yeah I like a little Dwayne Frank
Olive's not going to have our ice cream
yeah do you mind if I have a little yeah
let's dig in all the characters in the
scene are now involved with all the
characters involved Olive makes her
final Choice wait stop don't eat it
all the choicemaker in a scene holds the
power in that moment but there's a
relationship dynamic in the scene as
well all right ol
Richard this is where character
hierarchy comes into play in every scene
whether stated or not there is hierarchy
in character relationships even in the
Little Miss Sunshine scene there is
hierarchy
Olive's parents are the first to argue
the two sides of the choice while the
other characters stay quiet the rest of
the family knows not to insert
themselves rudely into a conversation
between parents and their child but when
Olive opens the dialogue up to the
entire table does anyone want my ice
cream Grandpa speaks up first yeah I
like a little Dwayne Frank Olive's not
going to have a ice cream grandpa is the
mentor for Olive's Viewpoint in the
scene boy I feel sorry for anybody that
doesn't want to enjoy their ice cream so
early in the morning and throughout the
story he is philosophically against
Richard when Grandpa speaks up and takes
aside the other characters follow his
lead this influences Olive and she
overturns her choice Grandpa wins the
scene overturning Richard in the
hierarchy Whoever has the choice has the
power and the other characters must
convince the choicemaker to do what they
want quick tip if you give a character
The Power of Choice they don't have to
say anything to win the debate so if you
want to show that a character is
powerful make them say very
little the same silent power of the
choice can be used to make a joke is
this your homework lar look man
please is this your homework Larry just
ask him about the car man is this yours
Larry this is why Olive barely says
anything in the scene but the ice cream
scene is a little diner scene with a
family what if we take a character with
some real decision-making power and
pressure them the FBI is
downstairs what this is succession tell
them the off yeah these are the ones who
don't off this is a search warrant what
do they do at the front desk what are we
doing they're at the gates uh can we
call Southern District get
L Logan has the power of choice in the
scene and he sits at the top of the
hierarchy in the company
because of this notice how all the other
characters are against Logan every other
character wants him to cooperate and
they all matter for the debate even if a
character says nothing they are taking
aside we see their point of view through
their body language and all of this
signals one where they are in the
hierarchy and two what side they fall
under in the present Choice notice that
only Jerry the president of the company
speaks plainly to Logan appar there's
about 20 of them down there why don't we
just ask them if can come back tomorrow
Logan they are coming up and if you
don't open the door they will kick it in
and if you don't open the filing cabinet
they will pull out a crowbar this is a
show of resolve and there are cameras
outside and they do not need to see the
FBI meeting any resistance what do we
say
cooperate open up let them in
and all of Logan's subordinates sigh in
relief Logan has made his choice we're
cooperating we're cooperating hierarchy
is innate in every character
relationship work environment and even
friendships when a choice arises this is
the clearest time to see this dynamic in
action now there's one more piece to add
to really make a scene pop while you can
simply have the characters argue in
dialogue and make a choice it makes the
scene much more interesting to watch if
you set up a scene object the characters
used to express the argument here it's
very obvious the two pills represent the
two paths Neo can take stay in the dream
world or embrace the truth of reality
many times a seen object is what you
remember from that
scene the scene object is more than just
an object it is a symbol of the current
Choice it is a physical representation
of a choice between two worlds two
viewpoints two paths okay
sign
the make your scene object a big enough
debate and you can make three movies
about
[Music]
it returning to the Little Miss Sunshine
scene the scene object should be pretty
obvious the ice cream notice how a
simple bowl of ice cream is now a symbol
of being a loser in Richard's eyes and
doing what you want to do in cherls the
scene object makes the entire drama work
want to see more examples check out
practical screenwriting tocom choice for
more seen
breakdowns now let's see all of the
pieces together in one masterfully
written opening
scene this is the opening of Steve Jobs
screen says it's an unimplemented trap
but the air code is wrong it's a system
error so what's the upshot it's not
going to say hello it absolutely is
going to say hello nobody's fault it's a
Bu The Voice demo The Voice demo is BL
I've been telling you that for this
thing is over it opens with a problem
The Voice demo is not working moments
before the launch of Apple's Macintosh
computer Steve wants it fixed now skip
over The Voice demo we needed to say
hello you're not hearing me it's not
going to say hello fix it now we have
the debate Steve is at the top of the
hierarchy as Apple CEO however it's
Andy's choice to fix the Voice demo fix
it
yeah in 40 minutes I can't who's the
person who can the person who can and I
can't even though Steve's in a higher
position Steve must convince his
engineer to fix the demo means the demo
is more than likely going to crash you
have to keep your voices down Joel forer
C Joanna is Jobs's right-hand woman but
here she backs Andy worrying about the
success of the launch it's 20 seconds
out of the 2hour launch why not just cut
it we can't cut it yeah you just cut it
two days ago we ran a Super Bowl ad that
could have won the Oscar for best short
film there are more people who can tell
you about the ad than can tell you who
won the game akes ra through a new
Choice save the world it didn't say it
was going to say hello open the house in
five don't open the
house this mini Choice serves as a
little setup for a new character the
other Andy fully entering the scene a
moment later with another new Choice
Andy which one the other Andy you're
right there why would I be calling out
he needs to talk to you yeah the exit
signs need to be off and we're not going
to get a full blackout we've spoken to
the building manager and the fire
marshal and there's absolutely no way
they're going to let us turn the exit
signs off I'll pay whatever the fine is
the fine is they're going to come in and
tell everyone to leave the Unseen Fire
Marshall has the power of the choice in
this moment because he can make everyone
leave the auditorium but Steve refuses
to acknowledge the Marshall's Authority
if a fire causes a stampede to the
unmarked exits it'll have been well
worth it for those who survive for those
who don't less so but still pretty good
I need it to go black real black get rid
of the exit signs and don't let me know
how you did it fix the Voice demo
Steve Jobs makes the decision about what
will happen for everyone then leaves and
that's the point of this opening Steve
Jobs sees himself as the ultimate
decision maker and notice that this
opening scene feels huge in high stakes
even though it is simply a few
characters standing in front of a box on
a stage want more scen breakdowns check
out practical screenwriting docomo for
more and when writing your scene use
this simple formula who wants what in
the scene who is in their way will A or
B Be Chosen what is the important object
the debate is over where do all the
characters in the scene stand on the
choice whose choice is it how is
pressure built on the choice and what
option is chosen thanks for watching and
if you made it this far please leave a
like on the video and I'll see you next
time
[Music]
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