【最先端トガり芸人】真空ジェシカよりもトガってる芸人ランキング【鬼越トマホーク】

Summary

The video features comedians ranking their peer comedians on how eccentric or 'sharp' they are. They discuss various Japanese comedians, with one highlighting the story of a performer who continued doing comedy after his problematic criminal brother died. Another mentions a mild-mannered seeming comedian who actually has a dark side. They note how veteran comedians seem to have more edge than current ones, and express interest in interacting more with comedians outside their own agency to learn their stories.

Takeaways

• 😊 The comedians discuss rankings of other comedians they think work harder than themselves
• 😮 They share interesting stories and impressions about various comedians
• 🤔 There seems to be some critique of the comedy industry and television
• 😁 One comedian tells a funny story about throwing fried rice in another comedian's face
• 🎭 Comparisons are made between comedians and actors
• 🏫 There is discussion about the university comedy scene in Japan
• 👥 The relationships and interactions between senior and junior comedians is talked about
• 🔪 One comedian makes an edgy joke about kicking a dead body

Q & A

What is the overall tone and mood of the conversation?

The tone is casual and conversational, with some humorous and absurd elements mixed in. The speakers seem relaxed and open.

What kind of comedians and comedy styles are discussed?

The conversation covers a range of Japanese comedians and comedy styles, including stand-up, manzai, rakugo, absurdist comedy and more.

How do the speakers feel about different generations of comedians?

They have respect for veteran comedians but also show interest in up-and-coming comedians and new styles of comedy.

What are some notable comedians and acts mentioned?

They mention several comedians like Ikachan, Ken Shimura, Dokkiriman, Ogiri Masaya, and groups like JichoKacho and Tutorial.

What are some controversial topics touched upon?

There is some discussion around more provocative comedy acts involving nudity, sexuality, and pushing boundaries.

How do the speakers view themselves in comedy world?

They seem to position themselves as relative newcomers who admire but don't fully understand the world of Yoshimoto comedians.

What is the Banbarabara Daisakusen show they mention?

It seems to be a TV show they are involved with that plays pranks on guests or reveals surprising things about them.

What are some highlights of the script?

Notables moments include discussions of specific comedians' acts, analysis of different comedy styles, conversations about their own comedy work, and funny tangents.

What are the speakers' opinions on university comedy?

They have mixed feelings - interested in some acts but also wary of over-commercialization of the genre.

How does the conversation end?

It concludes lightly with one speaker jokingly chiding the viewers for watching their lowbrow channel.