STOP Nonton MIXING Tutorial

Summary

In this video, the speaker urges aspiring music producers to stop relying on mixing tutorials and instead focus on the production process, which accounts for 60-70% of a song's quality. Using the analogy of cooking, they illustrate that just as high-quality ingredients lead to delicious meals, well-produced audio is crucial for great music. The speaker emphasizes that mixing engineers cannot work miracles on poorly recorded tracks and advises prioritizing pre-production and production phases. By understanding arrangement, sound selection, and recording techniques, producers can set their music up for success.

Takeaways

• 😀 Focus on production techniques over mixing tutorials to achieve optimal music quality.
• 🎸 The majority of sound quality (60-70%) comes from the production phase, not mixing.
• 🎚️ Understanding your recording chain is crucial; choose the right equipment for your music genre.
• 🛠️ Select instruments carefully based on the style of music you are producing.
• 🥕 The quality of your raw audio (ingredients) significantly impacts the final mix.
• 🔄 Revising poor recordings rather than blaming the mixing engineer is essential for better outcomes.
• 📊 Mixing contributes only 15-30% to the final sound; prioritize other production aspects.
• 🏗️ Strong foundational elements (sound selection, audio quality) are necessary for a polished product.
• 📅 Different phases of production (pre-production, production, post-production) should be prioritized correctly.
• 👨‍🍳 Just as a chef needs quality ingredients to cook well, musicians need good raw recordings for effective mixing.

Q & A

What is the main argument presented in the video regarding mixing tutorials?

The main argument is that while mixing is important, aspiring producers should focus more on the production process, which accounts for a significant portion of a song's quality.

Why does the speaker suggest stopping watching mixing tutorials?

The speaker suggests stopping because the majority of a song's quality (60-70%) is determined by production elements, not mixing. Focusing on production can lead to better results.

What elements of music production does the speaker emphasize as important?

The speaker emphasizes the importance of arrangement, composition, sound selection, and recording quality as crucial elements of music production.

What analogy does the speaker use to illustrate the importance of quality inputs in music production?

The speaker uses the analogy of a chef cooking with fresh versus spoiled ingredients to illustrate that good mixing cannot compensate for poor-quality recordings.

How does the speaker differentiate between appropriate and inappropriate tools for specific music genres?

The speaker advises against using equipment that is not suited for the genre of music being produced, stating that using the wrong tools can hinder the overall quality of the production.

What percentage of a song's quality is attributed to the mixing process according to the speaker?

According to the speaker, mixing contributes only about 10-15% to a song's overall quality, with the bulk of the quality coming from the production process.

What does the speaker recommend producers prioritize before moving on to mixing?

The speaker recommends that producers prioritize learning about sound selection, audio resolution, and the foundational aspects of music production before focusing on mixing.

What sequential approach to music production does the speaker advocate for?

The speaker advocates for a structured approach that prioritizes pre-production and production over mixing and mastering, ensuring a solid foundation for the music.

What can happen if producers do not pay attention to the quality of their raw materials?

If producers do not pay attention to the quality of their raw materials, they may face difficulties in achieving a good mix, leading to repeated revisions and suboptimal results.

How does the speaker view the role of mixing engineers in relation to the quality of the input data?

The speaker views mixing engineers as not being 'magicians' and emphasizes that they cannot improve poor-quality recordings; they should communicate the need for better inputs to the producers.