Materi 25: Struktur Teks Profil Tokoh Kanggo Kelas 7

Heri Dhalang
12 Aug 202108:14

Summary

TLDRThe video script discusses the life and contributions of Ki Manteb Sudarsono, a renowned Indonesian Wayang Kulit puppet master and cultural figure. It highlights his background, achievements, and his impact on Indonesian culture, particularly his innovations in Wayang Kulit performances. The script covers key aspects of his life, including his upbringing, artistic skills, and his influence on future generations. The structure follows a biographical narrative, breaking down his journey from childhood to becoming a respected artist and role model for the younger generation.

Takeaways

  • 😀 Ki Manteb Sudarsono is a renowned Wayang Kulit puppeteer and cultural figure from Sukoharjo, Central Java.
  • 🗓 He was born on August 31, 1948, in the village of Jatimalang, Palur, Mojolaban, Sukoharjo, Central Java.
  • 👨‍👩‍👧‍👦 He came from a family of traditional puppeteers, with his father being a famous puppeteer named Harjo Brahim Harjowiryono.
  • 🎭 Ki Manteb was trained from a young age by his father to become a highly skilled puppeteer.
  • 🎓 His formal training in puppetry was influenced by the well-known puppeteer Ki Nartosabdho, whom he studied under.
  • ⚔️ His interest in kung fu films, especially those featuring Bruce Lee, inspired his unique acrobatic puppetry techniques.
  • 🏆 Ki Manteb became famous for his expertise in the 'sabet' (sword movement) technique, which he mastered and innovated.
  • 🌍 His work gained international recognition, and his performances contributed to the preservation and modernization of Wayang Kulit.
  • 🎨 He introduced innovations in puppetry, blending traditional and modern styles, and made the performances appealing to both local and global audiences.
  • ✍️ The structure of Ki Manteb's profile consists of an orientation, significant life events (Prastowo), and a reorientation where his influence and contributions are summarized.

Q & A

  • What is the main topic discussed in the script?

    -The script discusses the structure of a biographical text about Ki Manteb Sudarsono, a renowned Wayang Kulit puppeteer, and the importance of profiling historical figures.

  • Who is Ki Manteb Sudarsono?

    -Ki Manteb Sudarsono is a famous Indonesian Wayang Kulit puppeteer (dalang) and cultural figure known for his exceptional skills in the traditional art of shadow puppetry.

  • What are the three main parts of a biographical text structure mentioned in the script?

    -The three main parts are: orientation, events (Prastowo), and reorientation (conclusion).

  • What is the purpose of the 'orientation' section in a biographical text?

    -The orientation introduces the subject of the biography, including their name, place of birth, and family background.

  • What kind of information is provided in the 'events' (Prastowo) section of a biographical text?

    -The 'events' section describes significant moments and achievements in the subject's life, detailing important events and experiences.

  • What is the 'reorientation' section of a biographical text?

    -The 'reorientation' serves as the conclusion, summarizing the writer's opinions or reflections on the subject's life and legacy.

  • How is Ki Manteb Sudarsono described in the orientation section of his biography?

    -Ki Manteb Sudarsono is introduced as being born on August 31, 1948, in Sukoharjo, Central Java, as the son of a traditional puppeteer family.

  • What were some of Ki Manteb Sudarsono's notable achievements in the 'events' section?

    -He is recognized for his mastery in puppetry, learning from his father and other renowned dalangs, and innovating Wayang Kulit performances, particularly with his acrobatic and fast-paced puppetry techniques inspired by Bruce Lee's films.

  • What role did Ki Manteb Sudarsono's family play in his career as a dalang?

    -His father, Ki Harjo Brahim Harjowiryono, was instrumental in shaping his puppetry skills by taking him to performances and mentoring him from a young age.

  • What message does the conclusion of Ki Manteb Sudarsono's biography aim to convey?

    -The conclusion emphasizes Ki Manteb Sudarsono's lasting influence on the younger generation and his role in preserving the cultural heritage of Wayang Kulit for future generations.

Outlines

00:00

🎭 Introduction to the Legacy of Ki Manteb Sudarsono

This paragraph introduces Ki Manteb Sudarsono, a renowned Indonesian wayang kulit puppeteer and cultural figure. It begins by explaining the importance of his contributions and emphasizes the need for younger generations to appreciate and follow in his footsteps. The paragraph also discusses the structure of a biographical text and introduces the format of the upcoming sections, which will focus on Sudarsono's life, including his birth details, family background, and his journey as a puppeteer.

05:01

👶 Early Life and Family Background

This section provides detailed information on Ki Manteb Sudarsono’s early life. Born on August 31, 1948, in Jatimalang, Sukoharjo, Central Java, he was raised in a family of traditional puppeteers. His father, Harjowiryono, was also a puppeteer, and his mother was named Teti. The text highlights Sudarsono's early influences, particularly from his family, and mentions his siblings, emphasizing the strong cultural and artistic environment he grew up in.

Mindmap

Keywords

💡Teks Profil Tokoh

A 'Teks Profil Tokoh' is a biographical narrative text that provides detailed information about a specific person, particularly highlighting their background, achievements, and influence. In the video, this term is used to describe a structured form of storytelling focused on prominent individuals, such as Ki Manteb Sudarsono, emphasizing his cultural and artistic significance.

💡Ki Manteb Sudarsono

Ki Manteb Sudarsono was a renowned Indonesian Wayang Kulit (shadow puppet) master and cultural icon. The video discusses his life, accomplishments, and his role as a significant figure in Indonesian art. His dedication to traditional puppetry, innovation, and legacy is highlighted as an example for younger generations.

💡Wayang Kulit

Wayang Kulit refers to traditional Indonesian shadow puppetry, an important cultural heritage in Java. Ki Manteb Sudarsono is portrayed as a master of this art form, known for his exceptional skills in performing and preserving Wayang Kulit, which has a deep connection to Javanese traditions and identity.

💡Orientasi

'Orientasi' in the context of a biographical text refers to the introduction of the subject, including basic details like their name, place of birth, and family background. In the video, this term is used to describe the initial part of the profile of Ki Manteb Sudarsono, where his birth and family are introduced.

💡Prastowo

The term 'Prastowo' refers to the elaboration of important life events, achievements, and milestones of the subject's life. The video uses this term to describe the key moments in Ki Manteb Sudarsono's life, such as his training and significant contributions to the Wayang Kulit tradition.

💡Reorientasi

'Reorientasi' is the conclusion of a biographical text, where the author's perspective or reflections on the subject are presented. In the video, this term is used in the final segment to reflect on the impact of Ki Manteb Sudarsono’s life and how his innovations in Wayang Kulit serve as a lasting inspiration.

💡Dalang

A 'Dalang' is a puppeteer in the Wayang Kulit performance, responsible for controlling the puppets and narrating the story. The video highlights Ki Manteb Sudarsono's role as a Dalang, emphasizing his exceptional talent in puppetry, particularly in the art of 'sabet' (manipulating puppets).

💡Sabet

'Sabet' refers to the skillful movements used by a Dalang to manipulate puppets in Wayang Kulit. In the video, Ki Manteb Sudarsono is praised for his extraordinary proficiency in sabet, which distinguishes him as one of the most talented puppeteers of his generation.

💡Inovasi

'Inovasi' means innovation or creative advancements. In the video, Ki Manteb Sudarsono is recognized for bringing innovations to the traditional Wayang Kulit performances, blending modern elements such as cinematic techniques from Kung Fu films with traditional puppetry, making the art more appealing to contemporary audiences.

💡Bruce Lee

Bruce Lee is a famous martial artist and actor known for his Kung Fu films. In the video, it is mentioned that Ki Manteb Sudarsono drew inspiration from Bruce Lee's movies, particularly in developing acrobatic techniques for his puppetry performances, illustrating his innovative approach to Wayang Kulit.

Highlights

Introduction begins with a greeting in Indonesian, emphasizing respect and setting a formal tone.

The speaker explains the importance of understanding biographical texts, specifically in the context of Indonesian historical figures.

Ki Manteb Sudarsono, a renowned Wayang Kulit puppeteer and cultural figure, is introduced as the primary subject of study.

Born on August 31, 1948, in Jatimalang, Sukoharjo, Ki Manteb Sudarsono is a central figure in Indonesian art and culture.

He inherited his talent from his father, Ki Harjo Brahim Harjowiryono, a traditional Wayang Kulit puppeteer.

The structure of a biographical text is broken down into three main parts: orientation, sequence of events, and reorientation.

The orientation phase covers the introduction of Ki Manteb Sudarsono's background, including his birth and family details.

Ki Manteb Sudarsono's early life is marked by rigorous training under his father, shaping him into a skilled Wayang puppeteer.

He began his formal education in Wayang performance under the guidance of Ki Nartosabdho, a famous puppeteer.

In the 1970s, Ki Manteb Sudarsono introduced acrobatic and dynamic puppeteering techniques influenced by Bruce Lee's Kung Fu films.

His innovative styles, like his 'sabet' (movement of the puppet), brought a fresh approach to the art of Wayang Kulit.

The middle sections of the biographical text, known as sequence of events, emphasize Ki Manteb's career highlights and his contributions to the evolution of Wayang.

Ki Manteb Sudarsono's influence extended internationally, earning him recognition beyond Indonesia's borders.

The reorientation section offers a reflection on Ki Manteb Sudarsono’s legacy, emphasizing his importance as a cultural icon.

His ability to merge tradition with modern innovation made Wayang Kulit more accessible and appealing to younger generations.

Transcripts

play00:00

Halo

play00:01

assalamualaikum warahmatullahi

play00:03

wabarakatuh porosilmu atau manekin pas

play00:06

02 esok cukup tinggal jalan kita

play00:10

membentuk make it Apakah teks profil

play00:13

tokoh

play00:17

[Musik]

play00:24

Hai porosis workshop oseng Tokoh

play00:27

nasional yang gede lelabuhane Malangbong

play00:30

shalat negoro Indonesia waktu itu sempet

play00:33

ditempuh kanggo materi yuk with profil

play00:35

tokoh Ki Manteb Sudarsono

play00:39

gimana tetap Sudarsono klebus salah siji

play00:42

ne Tokoh seniman dalang Wayang Kulit Lan

play00:45

budayawan lelabuhane pantas diapresiasi

play00:48

lanjut diteladani dinding Poro generasi

play00:51

muda

play00:54

Ya udah sakdurunge mlebu marang struktur

play00:57

teks profil tokoh Ki Manteb Sudarsono

play00:59

mayo disinau wdc

play01:03

Hai pangerten teks profil tokoh

play01:06

teks profil tokoh iku Ugo diarani teks

play01:10

biografi

play01:12

Hai teks profil tokoh kalebu jenise teks

play01:15

narasi dan gambar raket toko Holland

play01:19

kejadian sing tahu dialami dening tokoh

play01:22

tersebut

play01:24

struktur teks profil tokoh

play01:27

kuwi ono telu siji

play01:31

orientasi floro Prastowo telu

play01:36

reorientasi

play01:37

saiki Ayo disinau siji Mbak posisi Deni

play01:42

materi Kang digunakake

play01:44

ya klip teks profil tokoh anti rataan di

play01:49

Manteb Sudarsono

play01:52

Hai para siswa struktur teks profil

play01:56

tokoh mau cuwi orientasi

play02:00

Hai orientasi Yoi nepungake tokoh umum

play02:03

ngandharake jeneng papan kelahiran plan

play02:07

kluarga ane

play02:09

coba saiki di semak

play02:12

di Manteb Sudarsono Ki Manteb Sudarsono

play02:17

Mi saeng tanggal telung puluh siji

play02:19

Agustus tahun Sewu sangat us patangpuluh

play02:22

wolu chengdu Kung Jatimalang Kelurahan

play02:25

Palur Kecamatan Mojolaban Kabupaten

play02:27

Sukoharjo Propinsi Jawa Tengah

play02:31

Hai

play02:32

panjenengan ing sawijining Putro Soko

play02:34

seniman dalang tulen y Cookie Harjo

play02:37

brahim harjowiryono on ibune Kang Asmoro

play02:41

Demy Teti

play02:43

gimana top Sudarsono Putro Kang pambar

play02:46

pegunungan adineue yogma RSI memantau

play02:50

mudo Tersono two no maryono meraih

play02:53

Saputro darmadi plank Suprapti

play02:58

the paragraph gigi Kalau Bu

play03:01

orientasi dapat tinggi nih ngandharake

play03:05

jeneng papan kelahiran Lan keluargane

play03:08

tokoh sing di cerita akeh Israel yo

play03:13

Hai sabanjure seng keloro

play03:16

Jokowi Prastowo

play03:20

plestosin di carport kykuit kedadean

play03:23

Wigati utowo peristiwa penting

play03:28

ndak bagian Prastowo kykuu bagian kangen

play03:32

darake kahanan kejadian per oseng tahu

play03:36

dialami dering toko kangen jilo LAN bisa

play03:40

tidak ada kaget tepo tulodo

play03:44

Hai jadi

play03:46

pekerja Dian yang menonjol dan berkesan

play03:50

mempunyai kesan

play03:53

m2 dan edubot Isma

play03:56

Wiwit Timur Ki Manteb Sudarsono

play03:59

digembleng dening wong tuwane supoyo

play04:01

Dadi dalang Kang mumpuni

play04:03

diharjo brahim harjowiryono Kerep ngajak

play04:07

dalam Malik ono tanggapan saking lari

play04:10

seanggun dalam anjalari anggone sinau

play04:14

ing bangku sekolah orang nanti tutup

play04:17

Hai minongko dalang Ki Manteb Sudarsono

play04:20

Dwi bakat menjila ing babagan sabet

play04:23

yaiku keterampilan yoake wayang Hai

play04:27

kangkung asah bakat e panjenengane ing

play04:30

tahun Sewu sangat USB tumpuk loro meguru

play04:33

marang dalam misuwur Ki nartosabdho

play04:36

Waning tahun Sewu sangat

play04:38

bitung-balikpapan hubungan soekarwo

play04:40

marang dalam alisabet Ki Sudarman Gondo

play04:44

Darsono

play04:46

kesenengane ndelok film kungfu Kang

play04:48

diparagake denning bruslee Dadi

play04:51

inspirasi anggone gawe teknik sabet

play04:54

akrobatik Caca and Pak liran kan

play04:57

Tigaraksa petiku mau tanya Tanda tidak

play05:00

ciri khas klan bisa narik kawigaten

play05:03

masyarakat pandemen wayang musannan e

play05:07

ping tahun Wulung puluhan gimana tab

play05:10

Sudarsono kawan ntar memang Koda Langsa

play05:13

bet malah keporo saking trampil yang

play05:16

guenya lagi wayang Bennington demeni

play05:19

diwarnai tenger dalang setan

play05:23

Hai ndak paragraf loro iki mujzak e

play05:26

perangan Prastowo go mangkono paragraf

play05:30

telu Lan paragraf 4 jangkepe mengko bisa

play05:34

disimak ono ing link

play05:36

deskripsi di

play05:39

yo wes terang yo Babakan Prastowo

play05:42

sabanjure

play05:44

singkong ko telu yoiku pre orientasi

play05:50

Hai reorientasi yeku bagian panutup

play05:52

plang andharake pandangan Lan pamawase

play05:56

penulis marang toko sing dicerita

play06:01

Hai teladan

play06:05

Hai coba di semak-semak

play06:07

Hai panggung seni wayang kulit Twiki sih

play06:10

remboko ing satengahing masyarakat Jowo

play06:13

keporo kawentar nganti tekan monconegoro

play06:16

bapikir awal sekolah gua Nike Manteb

play06:19

Sudarsono kangor agenda Tanggo nindakake

play06:22

inovasi gaya part liran ide gagasan e

play06:27

gegayuhane langsung semangat tekim

play06:29

Manteb Sudarsono tidak ada ke inspirasi

play06:32

Landy tulodo dinding port dalam mode

play06:35

satemah pagelaran wayang kulit bisa

play06:38

Lestari minongko tuntunan ganti tatanan

play06:41

Kang biso Dadi tuntunan

play06:45

Hai lagi peranan

play06:47

reorientasi utowo penutup

play06:51

Hai proses Wow cuboh di semak-semak

play06:56

Hai sajroning

play06:57

teks profil tokoh Ki Manteb Sudarsono

play07:01

Manawa dijingglengi paragraf siji

play07:05

Hai fanwar No ijo iku minongko

play07:09

orientasi

play07:11

sabanjure paragraf loro telu papat iku

play07:15

mujudake

play07:17

Hai Prastowo Holland font sing warna

play07:20

biru Sing pungkasan iku mujudake

play07:25

struktur teks profil tokoh pirangan

play07:28

reorientasi

play07:32

Hai percaya

play07:34

Hai James jelas saiki coba gladen

play07:40

gule hot teks profil tokoh ono ing

play07:43

internet buku utowo Kalau Wati banjur

play07:46

pilah-pilah and miturut structure wenno

play07:49

tenger ketondo Ndi sing kalebu orientasi

play07:53

kalebu Prastowo reorientasi

play07:57

[Musik]

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Связанные теги
Ki MantebWayang KulitIndonesian CulturePuppetryCultural HeritageArt LegacyDalangTraditional ArtsPerformance InnovationHistorical Figures
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