Cerpen Sapardi Djoko Damono - Dalam Tugas

Kopi Sajak

5 May 202003:27

Summary

TLDRA journalist is covering a war in a foreign land, reflecting on the complexities of power and interference in others' affairs. While in the camp of the victors, he witnesses brutal treatment of prisoners, including the execution of a disheveled man, likely a farmer. The journalist captures the execution on camera, unable to intervene. Afterward, he is shocked to see the victim’s body rise as if lifted by the wind, although his spirit remains grounded. A soldier calmly explains that this is routine punishment for defiance, suggesting the journalist will get used to it.

Takeaways

📹 The narrator is a reporter covering a war in a country.
🏰 The cause of the conflict is the desire for power to interfere in other people's affairs.
🚫 The reporter refuses to get involved in such matters, stating their duty is higher than philosophical or political questions.
🏆 The reporter is in the winning side's territory and is witnessing the aftermath of a battle.
👥 Prisoners are being tortured in various ways.
👨‍🌾 A farmer, dressed in a simple and worn-out attire, is singled out by a soldier.
🔫 The farmer is forced to step forward and is shot at point-blank range.
🎥 The reporter films the entire incident but does not intervene.
🤯 The reporter is shocked to see the farmer's body rise as if lifted by a gentle breeze.
👻 The reporter sees the farmer's spirit still standing on the ground.
🗣️ A soldier calmly tells the reporter not to be surprised, as this is common after executions.
😱 The reporter is terrified when they see the soldier's face reviewing their magazine.

Q & A

What is the main theme of the transcript?
-The main theme of the transcript is the experience of a reporter covering a war in a country, witnessing the harsh realities and the aftermath of violence.
What is the reporter's stance on getting involved in other people's affairs?
-The reporter is reluctant to get involved in other people's affairs, as indicated by the phrase 'kuasa untuk ikut campur urusan rumah, tangga orang lain tapi aku tidak mau'.
What is the reporter's current assignment?
-The reporter's current assignment is to cover the war happening in the country, as mentioned 'Tugasku jauh, lebih Luhur dari pertanyaan filsafat, atau politik yang susah jawabnya'.
What is the situation the reporter describes at the time of the recording?
-The reporter describes a situation where prisoners are being tortured and one of them, a farmer, is executed in front of them.
What does the reporter do when the farmer is executed?
-The reporter records the execution with a camera, as indicated by 'Aku tidak bisa berbuat lain kecuali menekan, tombol kamera yang sudah sejak tadi aku, siapkan'.
What is the reporter's reaction to the farmer's body being dismembered?
-The reporter is in disbelief and shock, as shown by 'Hai aku setengah tak percaya ketika, menyaksikan tubuh yang roboh itu'.
What supernatural event does the reporter witness?
-The reporter witnesses the dismembered body parts of the farmer being lifted up as if by a gentle wind, as described 'perlahan-lahan naik seperti terangkat, angin ringan sekali semakin tinggi, semakin tinggi'.
How does the soldier react to the reporter's shock?
-The soldier tries to calm the reporter down, telling them not to be surprised and that it's normal after a while, as shown by 'Setiap, kali ada pembangkangan mati ya begitu, tenang saja lama-lama juga terbiasa'.
What does the soldier do after the event?
-The soldier approaches the reporter and looks through their magazine, as indicated by 'aku tengok kearah suara itu aku tak boleh, kaget ketika melihat tampang Serdadu itu, nge-review majalah ku'.
What is the significance of the music mentioned in the transcript?
-The music is likely used to set a somber or dramatic tone for the scene being described, enhancing the emotional impact of the reporter's experience.
What is the reporter's overall sentiment towards the war and the violence they witness?
-The reporter seems to be overwhelmed and disturbed by the violence, as suggested by their reactions and the description of the events.

Outlines

00:00

📹 War Zone Reporting

The paragraph describes a war reporter's experience in a conflict zone. The reporter is tasked with covering a war and is faced with a moral dilemma when witnessing a farmer being executed. The reporter is instructed not to intervene and to record the incident instead. The farmer's body is described as being mutilated and then seemingly lifted by a gentle breeze, ascending higher and higher. The reporter is shocked and confused by this supernatural occurrence. A soldier approaches the reporter, calmly explaining that such occurrences are common after death and that one gets used to it over time. The soldier is also seen reviewing the reporter's magazine, possibly for approval or information.

Mindmap

Keywords

💡Melek

Melek is an Indonesian term that translates to 'to cover' in English. In the context of the video, it refers to the act of reporting or covering a war situation. The script mentions 'Meliput, peperangan yang terjadi di negeri,' which translates to 'covering the war that occurred in the country.' This keyword is crucial as it sets the scene for the video's theme, which is likely about war journalism or the reporting of a conflict.

💡Tugas

Tugas means 'task' or 'duty' in Indonesian. The script refers to the speaker's task as being 'lebih Luhur dari pertanyaan filsafat, atau politik,' or 'more noble than philosophical or political questions.' This highlights the speaker's sense of duty and the gravity of their role, which is central to the narrative as it contrasts the personal and moral dilemmas with the professional responsibilities of a reporter.

💡Tahanan

Tahanan translates to 'prisoner' or 'captive.' The script mentions 'beberapa tahanan,' indicating multiple prisoners. This keyword is significant as it introduces the idea of conflict and its human cost, showing the harsh realities of war where people are captured and subjected to violence.

💡Siksa

Siksa means 'torture' in Indonesian. The script describes prisoners being subjected to 'macam-macam' or 'various kinds of' torture. This keyword is pivotal as it brings to light the brutality and inhumanity that can occur during war, emphasizing the suffering of the victims.

💡Petani

Petani translates to 'farmer' in English. The script describes a farmer being singled out and subjected to violence, indicated by 'seorang lelaki yang pakaiannya, kumal dan Pakai capek mungkin ya petani.' This keyword is important as it humanizes the victims of war, showing that ordinary civilians, not just soldiers, can be caught in the crossfire.

💡Serdadu

Serdadu means 'soldier' in Indonesian. The script mentions a soldier approaching the speaker and explaining the situation, as in 'seorang serdadu mendekatiku dan...' This keyword is central to the video's theme as it represents the military aspect of the conflict and the individuals involved in the violence.

💡Muncul Sejati

Muncul Sejati translates to 'real bullet' in English. The script describes a moment where a real bullet is placed against a farmer, 'muncul sejati, itu tepat di pelipis petani.' This phrase is significant as it marks a turning point in the narrative, symbolizing the imminent threat and the reality of violence in war.

💡Tombol Kamera

Tombol Kamera means 'camera button.' The script mentions the speaker's inability to do anything but press the camera button, 'kecuali menekan tombol kamera.' This keyword is crucial as it underscores the role of the journalist as an observer, capturing the events rather than intervening.

💡Roboh

Roboh means 'to collapse' or 'to crumble' in Indonesian. The script describes a body collapsing, 'tubuh yang roboh.' This keyword is significant as it visually represents the physical impact of violence and the fragility of human life in the face of war.

💡Terangkat

Terangkat translates to 'lifted up' or 'raised' in English. The script describes a body being lifted up as if by a light wind, 'perlahan-lahan naik seperti terangkat.' This keyword is important as it introduces a surreal or spiritual element to the video, suggesting a transcendence of the physical violence.

💡Wartawan

Wartawan means 'journalist' in Indonesian. The script mentions the soldier telling the speaker, who is a journalist, not to be surprised by the violence, 'hubungkan wartawan, jangan suka heran begitu dong.' This keyword is central to the video's theme as it highlights the role of the media in war and the desensitization that can come with witnessing such events.

Highlights

A war is taking place in the country, and the narrator is covering it.

The narrator refuses to participate in the conflict due to their personal beliefs.

The narrator's current task is considered more noble than philosophical or political questions.

The narrator is in a safe area controlled by the winning side.

Prisoners are being tortured in various ways.

A man, possibly a farmer, is singled out and forced to step forward.

A soldier approaches the man and attaches explosives to his body.

The narrator is unable to intervene and can only prepare to record the scene.

The farmer is forced to press a button, triggering the explosives.

The narrator witnesses the man's dismembered body being lifted as if by a light wind.

The man's spirit is seen standing firm on the ground despite his physical destruction.

A soldier calmly tells the narrator not to be surprised by the scene.

The soldier explains that such incidents are common during wartime.

The narrator is shocked when the soldier starts reviewing the narrator's magazine.

The scene is accompanied by background music.

The narrator's disbelief at the events unfolding.

The contrast between the brutality of war and the narrator's personal values.

The emotional impact of witnessing such violence firsthand.

The surreal experience of seeing a dismembered body lifted by an unseen force.

The soldier's nonchalant attitude towards the violence, indicating desensitization.