Q&A on Digital Writing, Ghostwriting, and Self-Publishing

Nicolas Cole
6 Aug 202423:55

Summary

TLDREn este Q&A, se aborda cómo empezar a escribir en línea sin audiencia, la importancia de la consistencia y la paciencia en el crecimiento. Se discute la creación de historias impactantes y cómo usar la historia personal como ejemplo para conectar con los lectores. Además, se explora el tema del ghostwriting y cómo crecer un equipo sin financiación. Se aconseja comenzar con lo que se conoce y utilizar la red de contactos para conseguir el primer cliente. Finalmente, se enfatiza la necesidad de escribir más y publicar con frecuencia para construir audiencia, especialmente en la escritura de ficción.

Takeaways

  • 📝 Empieza a escribir en línea y es consistente, incluso si no tienes audiencia, ya que todos comienzan desde cero.
  • 🔑 No hay ventaja en estar 'ahead of the curve', lo importante es comenzar y persistir en tu escritura.
  • 🌟 La escritura efectiva es aquella que permite al lector ver su reflejo en la historia, independientemente de la longitud o complejidad.
  • 🏗️ Para crecer un negocio, invierte tiempo, esfuerzo y energía, o dinero; ambas son formas de pagar por el crecimiento.
  • 🤔 Decir 'mi historia es importante' es un error común; lo que importa es cómo la historia puede ser un ejemplo para el lector.
  • 💡 Para descubrir qué oferta puedes crear, comienza por lo que otras personas necesitan, no solo por lo que te interesa.
  • 📚 Aprender y escribir más frecuentemente es la clave para construir una audiencia, incluso en la escritura de ficción.
  • 🔍 Para encontrar tu primera cliente como escritor fantasma, mira en tu red de contactos; tu nicho inicial es tu red.
  • 💼 La escritura fantasma es una opción rápida para monetizar tus habilidades de escritura, especialmente si necesitas ganancias rápidas.
  • 🌐 No hay una industria específica que sea la 'mejor' para la escritura fantasma; cualquier industria puede funcionar si tienes una ventaja informativa.
  • 🔄 El ciclo de retroalimentación no tiene que ser lento; escribe y publica con frecuencia para acelerar el aprendizaje y el crecimiento de tu audiencia.

Q & A

  • ¿Cómo se comienza a escribir en línea si no se tiene audiencia?

    -Se comienza a escribir en plataformas como Twitter o Medium, siendo consistente y esperando el mejor resultado. Es importante recordar que todos comienzan desde cero y que el éxito es un proceso que toma tiempo.

  • ¿Cómo se creció la audiencia en Twitter y cuál fue la ventaja de estar adelantados a la curva?

    -La creación de contenido consistente y la participación en plataformas que ya tenían una base de usuarios grandes, como Kora y Twitter, fueron claves para el crecimiento. No estaban adelantados a la curva, simplemente comenzaron temprano y se dedicaron a la tarea.

  • ¿Cuál es la ventaja de tener una larga trayectoria en la escritura en línea?

    -Una larga trayectoria permite acumular experiencia y entender mejor qué tipo de contenido resuena con el público, lo que a su vez ayuda a desarrollar un enfoque efectivo para el crecimiento de la audiencia.

  • ¿Cómo se aborda el desafío de no tener una audiencia inicialmente en plataformas como Quora?

    -A través de la persistencia y la publicación de contenido de calidad, se puede ir mejorando y observando el impacto en las vistas, seguidores y comentarios, lo que eventualmente lleva a un crecimiento orgánico.

  • ¿Qué hace que una historia sea impactante y valiosa para el lector?

    -Una historia es impactante y valiosa si el lector puede verse a sí mismo en ella. Es importante utilizar la historia como un ejemplo para que el lector se relacione con el contenido y no solo como una narración personal.

  • ¿Cómo se añadieron nuevos miembros al equipo sin financiamiento externo?

    -A través del autofinanciamiento, es decir, reinvertir los ingresos que ya estaban generando con sus productos y servicios, y el trabajo duro y dedicación de tiempo y esfuerzo propio.

  • ¿Qué tipo de historias deberían contar los empresarios para que sean relevantes para su audiencia?

    -Las historias que cuentan los empresarios deben ser ejemplos que ilustren los problemas y soluciones que sus clientes pueden encontrar, en lugar de solo enfocarse en su propia trayectoria o logros.

  • ¿Cómo se decide si se debe comenzar con la escritura en línea o la escritura fantasma?

    -La decisión depende de los objetivos personales y la situación actual de cada individuo. Si el objetivo es monetizar rápidamente, la escritura fantasma puede ser la opción más rápida, mientras que la escritura en línea puede ser mejor para el crecimiento a largo plazo.

  • ¿Cómo se encuentra la primera clientela como escritor fantasma?

    -Comenzando con la red de contactos personales, ayudándoles y utilizando esa experiencia para construir confianza y referencias que lleven a nuevas oportunidades de trabajo.

  • ¿Qué industrias son más adecuadas para la escritura fantasma?

    -Cada industria puede ser adecuada para la escritura fantasma, lo importante es tener una ventaja informativa y comprender las necesidades de los clientes de esa industria.

  • ¿Cómo se aborda el desafío de construir una audiencia para la escritura de ficción sin una retroalimentación rápida?

    -Escribiendo y publicando más frecuentemente, utilizando formatos más cortos y aprendiendo de los comentarios de los lectores para iterar y mejorar el contenido.

Outlines

00:00

📝 Empezar a escribir en línea y crecer desde cero

El primer párrafo aborda cómo comenzar a escribir en línea sin una audiencia previa, sugiriendo la consistencia en plataformas como Twitter o Medium. Destaca la importancia de entender que todos comienzan desde cero y comparte la experiencia personal del hablante, quien ha estado escribiendo en línea desde 2007. Resalta la idea de que el crecimiento es un proceso gradual basado en el aprendizaje de lo que funciona, y que no hay atajos para el éxito en la escritura en línea.

05:01

🎭 Hacer que una historia tenga impacto y valor

En el segundo párrafo, se discute lo que hace que una historia sea impactante y valiosa, argumentando que el lector debe poder verse a sí mismo en ella. Se menciona la experiencia del hablante en la escritura de ficción y cómo esto influye en su capacidad para escribir en otros géneros. Se enfatiza la idea de que la historia personal debe servir como un ejemplo para que el lector se vea reflejado en ella, en lugar de hacerla el centro de atención.

10:01

💼 Crecimiento del equipo y autofinanciación en negocios

El tercer párrafo explora cómo el hablante y su cofundador, Dicky, aumentaron su equipo sin financiación externa, enfocándose en el intercambio entre dinero y tiempo/esfuerzo. Se comparte la historia de cómo comenzaron con pocos recursos y cómo reinvertir los ingresos fue clave para el crecimiento de su negocio. Además, se desmiente la idea de que el éxito se puede lograr sin un esfuerzo significativo.

15:01

🤔 Escribir en línea o ghostwriting: elección basada en objetivos personales

En el cuarto párrafo, se aborda la pregunta de si se debe empezar por escribir en línea o por ghostwriting, y cómo la respuesta depende de las circunstancias personales y los objetivos. Se sugiere que ghostwriting puede ser una forma rápida de monetizar habilidades de escritura, mientras que escribir en línea puede ser una inversión a largo plazo en la construcción de una marca personal. Se argumenta que, en realidad, no es necesario elegir entre ambas opciones y que se pueden hacer paralelamente.

20:03

📚 Ofrecer valor a través de la escritura y aprendizaje

El quinto párrafo se centra en cómo alguien que ama aprender puede descubrir qué ofrecer a otros. Se señala la importancia de escuchar y observar las necesidades de los demás en lugar de centrarse únicamente en los intereses personales. Se sugiere que el conocimiento de lo que otros valoran puede revelarse a través de la ayuda a otros, y que la creación de una oferta efectiva comienza por comprender las necesidades de los demás.

✍️ Crecer una audiencia para la escritura de ficción

En el sexto párrafo, se aborda cómo construir una audiencia para la escritura de ficción, refutando la idea de que el ciclo de retroalimentación entre libros es demasiado lento. Se menciona la importancia de publicar con frecuencia y en menor cantidad, como libros cortos o series en Amazon, para acelerar el proceso de aprendizaje y crecimiento de la audiencia.

👻 Ghostwriting: industrias en demanda y cómo conseguir el primer cliente

El séptimo párrafo responde a preguntas sobre las industrias que más demandan ghostwriters y cómo conseguir el primer cliente. Se argumenta que cualquier industria puede funcionar para el ghostwriting, siempre y cuando se entienda a la audiencia objetivo. Se enfatiza la importancia de comenzar con una industria en la que se tenga ventaja informativa y de utilizar la red de contactos existente para conseguir el primer cliente.

Mindmap

Keywords

💡Escritura digital

La escritura digital se refiere a la creación de contenido en línea, como artículos, blogs o libros electrónicos. En el video, se discute cómo comenzar con la escritura digital sin una audiencia previa y cómo, con la consistencia y el tiempo, es posible ganar tracción y seguir creciendo. Un ejemplo es cuando el hablante menciona su primer artículo de gaming en 2007, destacando su trayectoria como escritor en internet.

💡Espectáculo de cero

Este término ilustra el concepto de comenzar un proyecto o una carrera sin una base previa de seguidores o reconocimiento. En el video, el hablante enfatiza que todos comienzan desde cero, y es a través de la persistencia y el aprendizaje continuo que se logra el crecimiento, como lo ejemplifica con su experiencia en Quora.

💡Consistencia

La consistencia es la capacidad de mantener un patrón de comportamiento o acción a lo largo del tiempo. En el contexto del video, se relaciona con la importancia de publicar contenido de manera regular en línea para aumentar la visibilidad y el alcance, independientemente del tamaño de la audiencia inicial.

💡Historia personal

La historia personal se refiere a la narrativa que una persona cuenta sobre sí misma, sus experiencias y logros. En el video, se argumenta que la historia personal es valiosa si permite a los lectores ver su reflejo en ella, y se debe utilizar como ejemplo para ilustrar conceptos o enseñanzas relevantes para el lector.

💡Escritura fantasma

La escritura fantasma es un tipo de trabajo en el que un escritor crea contenido para otra persona o empresa sin recibir reconocimiento público. En el video, se discute cómo la escritura fantasma puede ser una forma rápida de monetizar habilidades de escritura y cómo se puede obtener el primer cliente a través de la red de contactos personales.

💡Crecimiento de equipo

El crecimiento de equipo se refiere al proceso de incorporar nuevos miembros a una organización. En el video, el hablante comparte su experiencia en el crecimiento de su equipo sin financiación externa, destacando la importancia de la reinvestización de ganancias y el trabajo duro como formas de expansión.

💡Bootstrapping

El término 'bootstrapping' se refiere a la estrategia de iniciar y crecer una empresa utilizando únicamente los recursos disponibles sin recurrir a financiación externa. En el video, se menciona cómo el hablante y su cofundador comenzaron su negocio sin dinero de inversores, dependiendo de sus propios esfuerzos y tiempo.

💡Mercado saturado

Un mercado saturado es uno donde hay una gran cantidad de proveedores y pocos espacios no ocupados para nuevos competidores. En el video, el hablante desmiente la idea de que los mercados están saturados, argumentando que siempre hay espacio para nuevos creadores que ofrecen valor y aprenden de sus experiencias.

💡Oferta

La oferta se refiere a un producto, servicio o mensaje que se presenta al mercado con el objetivo de satisfacer una necesidad o interés. En el video, se discute cómo identificar una oferta efectiva, enfocándose en las necesidades de los demás en lugar de solo en los intereses personales del creador.

💡Aprendizaje

El aprendizaje es el proceso de adquirir conocimientos, habilidades o comprensión. En el video, se menciona que, aunque el amor por el aprendizaje es importante, es crucial diferenciar entre el deseo de aprender y la necesidad de identificar ofertas valiosas para otros, basándose en su feedback y necesidades.

💡Escritura de ficción

La escritura de ficción implica crear historias, personajes y escenarios imaginarios. En el video, se discute cómo los autores de ficción populares公共aciones a menudo y de manera efectiva, sugiriendo que la frecuencia y la conexión con los lectores son claves para el éxito en esta área, más allá de la extensión de las obras.

Highlights

Starting to write online with zero audience involves being consistent and persistent on platforms like Twitter and Medium.

The advantage of being ahead of the curve is often misunderstood; success comes from consistent writing over many years.

Every writer starts at zero and must learn through creating and iterating based on what resonates with the audience.

The importance of embracing the initial challenges and not giving up on the writing journey.

What makes a story impactful is the reader's ability to see themselves in it, making it relatable and valuable.

Using personal stories as examples in writing to connect with the reader's interests rather than making the story about oneself.

Bootstrapping a business involves trading time, effort, and money to grow without external financing or debt.

The journey of building a business is about reinvesting profits and dedicating significant time and energy.

Deciding between ghostwriting and building a personal brand depends on short-term earnings or long-term goals.

The recommendation to do both ghostwriting and building a personal brand to maximize opportunities.

Figuring out one's offer involves understanding others' needs rather than focusing solely on one's interests.

The importance of talking to people to discover what they need and how one can help, rather than isolating oneself.

Writing more and publishing frequently is key to growing an audience for fiction writing.

The misconception that high-volume writing equates to low quality, and the reality of genre fiction's success.

Every industry has potential for ghostwriting, and the importance of starting with an industry where one has an information advantage.

Finding the first ghostwriting client often starts within one's own network and personal connections.

The concept that in the beginning, one's niche is their network, and the value of helping people one knows to start building a client base.

Encouragement for viewers to share their enjoyment of the Q&A series for potential continuation.

Transcripts

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okay little Q&A today I posted on

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Twitter if anyone had questions on

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digital writing ghost writing and

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self-publishing and got a handful of

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good ones back so I wanted to Rapid Fire

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through a handful of these so first

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Magda asked how would you go about

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starting to write online if today you

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started with zero audience would you

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just go on Twitter medium be consistent

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and hope for the best and then goes on

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to say you know that the big advantage

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that me and my co-founder Dicky have is

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that we ah ahead of the curve and I

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think this is a big misunderstanding

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whenever you look at a creator that is

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much further along um you have to keep

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in mind that you are looking at Cole

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today uh but Cole's been writing on the

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internet for a very very long time I

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wrote the very first you know my first

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gaming article on the internet when I

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was 17 this was back in 2007 and I

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started consistently writing online and

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really treating uh this passion of mine

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as a as a pursuit in 2014 right after I

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graduated from college I graduated in

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2013 okay so even just that 10 years so

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you're looking at a 10-year journey and

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it's not that I was ahead of the curve

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when I was writing on Kora back in 2014

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Kora already had 200 million users it

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already had people on there with huge

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audiences I wasn't ahead of the curve I

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just started and then when Dicky and I

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started gaining a lot of traction on

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Twitter in 2020 you have to keep in mind

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Twitter had already been around for over

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a decade probably longer I think it came

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out in

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2006 right so that's like 15 years 2007

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maybe so 15 years old okay so we were

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not ahead of the curve we just started

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and I think one of the hardest things

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for new writers to really wrap their

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heads around is that everyone starts at

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zero every single person when you say

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I'm going to start writing on the

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internet you don't log in and go well

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you won the lottery you're we're giving

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you 3,000 followers to start with

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everyone starts at zero and so a lot of

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the Frameworks that I talk about I'm

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telling you are the same Frameworks that

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I was using when I had zero followers on

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quora and I can tell you exactly how it

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went I wrote one thing on quora it C 27

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views and I got no followers and I sat

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there just like everybody else going I

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guess this platform doesn't work and

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then I tried it again and then I tried

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it again and then I tried it again and

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eventually I started to see like I would

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get a 100 views or I would get one

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follower or I'd get one like or I'd get

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one comment and I'd go wow one is a

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whole lot better than zero what did I do

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why did that resonate let me try and do

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that again right one leads to two two

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leads to four four leads to eight it is

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the same framework the same way that a

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creator with with a quarter million

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followers asks themselves how do I grow

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from here is the exact same way someone

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with zero followers asks how do I grow

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from here it's based on what's working

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and the only way that you can learn

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what's working is you have to start

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creating things and the hardest part and

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and it's one of those like you almost

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have to be a little uh like naive about

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the

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journey the hardest part is when you

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start writing things and you don't see

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the numbers go up and you have to not

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sit there and go the platform must be

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broken I promise you the platform's not

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broken platforms if they were broken

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wouldn't be making billions of dollars a

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year okay so the platform is not broken

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and it is not saturated and you are not

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late to the party the problem is that

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you haven't written long enough and you

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haven't figured out yet what resonates

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with people and who you're trying to

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reach and who you're trying to help and

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that is the hardest part when you're

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starting anything new it's not just

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writing starting anything new is almost

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embracing the suck embracing the fact

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that you don't know yet and you have to

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go on the Journey of discovering and

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figuring that out so that's a

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long-winded way of me saying if I was

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starting over at zero would I just start

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writing on a social platform be

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consistent and hope for the best yes

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because to be perfectly honest that's

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exact what I did when I started on quora

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I didn't know what the outcome was going

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to be I just figured hey if I write lots

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and I'm consistent with it I'm probably

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going to get better and maybe something

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will happen and then the rest is history

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and yes lots of things happened so there

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really isn't much to overthink just

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start get going and don't stop second

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question fodal asks what makes a good

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story impactful and valuable and this is

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both a simple question and a difficult

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question uh the simple answer to me is

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what makes a story impactful and

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valuable is if the reader can see

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themselves in it if the reader can't see

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themselves in it it's not a very good

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story and a lot of times you see you

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know I had teachers when I was studying

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fiction at Columbia College Chicago that

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would say if you can write fiction you

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can write anything and I didn't

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understand what that meant until I

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graduated and then I got a job at an

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advertising agency and I started getting

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into business writing and non-fiction

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writing and I realized how true that was

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because I had already written fiction

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and so I understood a lot about story

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and then I went into you know these

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other opportunities writing non-fiction

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and business content and people I mean

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the writing is just horrible it's so it

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like it pales in comparison to Great

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fiction and one of the primary

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differences and one of the reasons why

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most quote unquote business content

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tends to not be very good is because

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there's all of this like there's this

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belief that circulates in the business

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world of your story is important you

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have to tell your story your startup

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story your founder story and the reality

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is nobody cares your story is not what

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matters the only time your story matters

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as if you can tell it in a way that

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makes the reader be able to see

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themselves in it and so whenever I

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explain this writers go well how do you

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do that I'll tell you exactly how you do

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it you have to use your story as an

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example your story is not what's in the

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spotlight your story is an example and

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so what you need to start with instead

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is what is the reader interested in and

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how can I use my story as an example so

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let's say

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hypothetically I built a recruiting

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company and everyone around me is saying

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Cole you you need to tell your story

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your story of how you built this

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recruiting company is amazing well if I

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walk around and say hey everyone listen

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to my story about how I built this

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recruiting company nobody cares but if I

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change who's in the spotlight and I say

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hey reader I'm going to put you in the

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spotlight are you interested in building

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a recruiting company do you work in

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recruiting and do you want to know how

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to grow a really successful recruiting

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company well I can tell you because for

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example I built a recruiting

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company that is the only difference and

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and all you did was say instead of

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putting the spotlight on me I'm going to

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put the spotlight on the reader and I'm

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going to put the spotlight on the reader

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wants needs and interests and desires

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and then I'm going to use my story as an

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example question number three Tariq asks

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have you and Dicky shared the Gory

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details of how you grew your team

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bootstrapping I'd like to understand how

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you added new people without financing

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or taking on debt so whenever you're

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growing a business doesn't matter if

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it's 0 to 1 1 to two 2 to 10 10 to a

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gazillion you will always be faced with

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the tradeoff do I want this to cost me

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money or do I want want this to cost me

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time and effort those are the only

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options you either pay for it with money

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or you pay for it with time and energy

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and effort and your own Blood Sweat and

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Tears okay and I can tell you in the

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beginning when we started when when

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Dicky and I started working together um

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we didn't raise any money uh sort of the

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beauty of both education products and my

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first business which was an agency both

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of those types of businesses don't

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really require very much upfront Capital

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doesn't cost very much to build an

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education product and it doesn't cost

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anything to start an agency because

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you're essentially selling your time or

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you're creating uh like digital assets

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that don't really have any marginal cost

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so we didn't need money but I will tell

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you in the beginning before ship30 was

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really making money I was still ghost

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ring and because we didn't raise money

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and because we didn't want to go well

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let's you know give away 20% of this

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idea and let's you know have some Runway

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and then let's hire a couple team

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members we just bootstrapped it and so

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at the time I was still ghost riding I

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was still ghost riding probably four or

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5 hours a day and Dicky was still

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working uh his hedge fund job on Wall

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Street and then we just worked together

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in the other hours of the day and that

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was it and then that was all it took to

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get uh ship 30 up and running and then

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once ship 30 started making some money

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we slowly started to reinvest in

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building the team and and then as we got

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further along ship 30 became more

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successful then I shut down my ghost

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riding agency right so I had one foot in

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one foot out and I sort of der risked

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the situation and then I left my ghost

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rting agency and then I moved into

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building ship 30 full-time and then

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Dicky ended up doing the same thing he

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left his job on Wall Street and then was

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quote unquote fulltime with ship 30 so

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that is always the trade you're you're

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either buying it you're paying for it

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with cash or you're paying for it with

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time energy and effort and pretty much

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everything that we've built has come

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from just reinvesting in the business

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and paying for it with time energy and

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effort th those first two years building

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ship 30 and building all of the

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tangental products and everything I mean

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I worked probably every weekend and I

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probably worked 10 12 hours a day most

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days um and in many ways I I kind of

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still work that hard I still work six

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days a week and uh anytime you see a

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thumbnail of someone saying you know

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here's how I make 28 million dollar a

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month working two hours a day it's just

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clickbait it's wrong it's it's a lie

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anyone who is building anything

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successful unless you've gotten to a

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point where you have completely exited

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the business you have hired a CEO and

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you sit as chairman and you are out of

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the B out of the business none of that

play10:12

is true everyone is working very very

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hard to build these things and they're

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either incurring the cost and paying for

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it whatever the next stag is of growth

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with money or they're paying for it with

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time energy and effort question number

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four Clayton asks um should you start

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writing online and building a personal

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brand first or should you start with

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ghost writing it just depends on what

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you want in my opinion A lot of times

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people ask these questions outside of

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the most important piece of context

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which is what's going on in your life

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you know like if you ask any question

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should you do this or this well the

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answer is completely subjective a

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depending on who you're talking to and B

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it's it's dependent on what's going on

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in your life and what do you need to

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optimize for so a very easy way of

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thinking about this sort of question is

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like do you have a really cushy 9 to-5

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job you have a ton of spare time and

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you've got 50 Grand saved up in a

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savings account okay I'm going to give a

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different answer to that person than the

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person who goes I lost my job I haven't

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worked in two months I have 30 more days

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of Runway and if I don't find something

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soon I'm going to have to go back to my

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parents and ask for a loan because I'm

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not going to be able to pay my rent or

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buy groceries I'm going to give very

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different advice to each one of those

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people right so often times I notice

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when people ask these questions they

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don't start from a place of well what is

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the context of my life and what am I

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trying to optimize for and in my opinion

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if what you're trying to optimize for is

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how do I monetize my writing skills as

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quickly as possible and how do I power

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level my earnings so that I can sort of

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buyback some of my time like for example

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if you were working a fulltime job that

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was really just exhausting and mentally

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consuming and you enjoy writing and

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you're looking for something that's

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equally or more lucrative but doesn't

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require you to work 8 10 hours a day

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ghost writing is is your fastest path to

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doing that that is a very effective path

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but if you're happy with the life that

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you have and you're like I don't really

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need to optimize for money and I'm fine

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and uh that's not really what's driving

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me but I'd like some long-term upside

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and I I actually care more about maybe

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some of the other tangental benefits

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like connecting with other people or um

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you want to build an audience so that

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you can do XYZ other thing you want to

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launch a podcast whatever it is then

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yeah I would encourage you to start

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writing online and investing in your in

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quote unquote building a personal brand

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but the easiest way to differentiate

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this decision is are you trying to power

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level your earnings as a writer as

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quickly as possible in the short term

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then the answer is Ghost writing are you

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trying to unlock longer term upside and

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know that this will probably be a one to

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five year Journey then you should start

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writing online and building your

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personal brand my honest take though is

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you don't have to choose and in many

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ways you can and should do both I think

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anyone who wants to build themselves and

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wants to build a personal brand in an

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audience should also be monetizing with

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ghost writing because otherwise you're

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leaving a ton of money on the table and

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if you're ghost writing you should be

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building yourself because it's only

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going to make it easier for you to

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attract clients so you should be doing

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both all right question number five Mike

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asks what advice do you have for someone

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who loves to learn but can't figure out

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what their offer is so this is why close

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listening is so important because even

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in this question there's a cognitive

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dissonance

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so in this question it's how do I figure

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out what my offer is AKA what to offer

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other people when I really love learning

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AKA I love being selfish to put it

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bluntly I I love focusing on what I like

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to focus on and these are two completely

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different things and what you have to

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recognize is that figuring out a

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compelling offer often has very little

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to do with what you care about I'm not

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saying that you should go build an offer

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or build a product or build a service

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around something that you have zero

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interest in that's not what I'm saying

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what I'm saying is that when you start

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from a place of here's what I'm

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interested in you immediately miss the

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point of offer

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creation and the real art of offer

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creation is you taking the back seat and

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instead you starting from a place of

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what do other people need what do other

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people care about and the mistake that I

play14:21

see people make here is they think that

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the way that you come up with that

play14:26

answer is you sit in a room by yourself

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and you stare off into the distance and

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you go uh let me think about what people

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need and that is not how you figure it

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out it will it will never fall into your

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brain the way that you figure out what

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other people need is by going and

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talking to other people so again if you

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don't know what your Niche is you don't

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know what industry you want to be in you

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don't know who you can help the single

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easiest place to start is who do you

play14:54

know who's struggling with something

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that you know how to do it could be you

play14:59

have a friend that just bought a house

play15:01

and their yard is a mess and they don't

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know how to cut their lawn if you know

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how to cut their lawn congratulations

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you have an offer because your offer is

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hey you don't know how to cut your lawn

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would you like me to cut your lawn for

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you yes that is an offer right or if you

play15:16

want to do something in the digital

play15:17

world and you want to help X person

play15:20

solve y problem to unlock Z outcome go

play15:24

find a bunch of those people online and

play15:26

DM them and email them and talk to them

play15:28

and be like I'll do it for free I just

play15:29

want to understand like how can I help

play15:31

you I have ideas for how I can help you

play15:33

you have to start from what the other

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person values not from what you're

play15:38

interested in learning about in an Ideal

play15:40

World there is an overlap right I'm not

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just saying quote unquote chase the

play15:45

money and and do something that's

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unfulfilling to you and there should be

play15:49

an overlap but often times that overlap

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reveals itself as you help other people

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all right question six San asks how do

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you grow an a for your fiction writing

play16:00

from zero the feedback loop from book to

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book is way too slow so uh there's a

play16:06

faulty belief buried in here and I just

play16:08

want to point it out which is the

play16:09

feedback loop from book to book is too

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slow if you've studied genre fiction at

play16:14

all then you know that the most read

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most popular genre fiction writers are

play16:20

writing a book every two to four

play16:22

weeks and every time I explain that to

play16:25

people they go well there's no way that

play16:27

those books are high quality they're

play16:29

just pumping out trash well here's

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here's the thing if those books are

play16:34

selling millions of copies then you

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sitting there saying those books are

play16:38

trash is really just you saying I don't

play16:41

want to take the time to understand

play16:42

what's happening here because clearly

play16:45

they're not trash like e even if the

play16:48

writing isn't Pitzer prize winning

play16:52

level the story is still compelling

play16:54

enough where millions of people or

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hundreds of thousands of people or tens

play16:58

of thousands of people are reading it

play16:59

and enjoying it and that is the only

play17:01

metric that matters and so if you're

play17:03

sitting there going well no I need to

play17:05

spend 2 years on a book then yes the

play17:07

feedback loop for books takes too long

play17:09

but there are a lot of ways around that

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problem first of all it has never been

play17:14

easier to write and self-publish books

play17:16

ever in the history of everything second

play17:19

is you don't have to write 100,000 word

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books you can write like there's entire

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categories on Amazon where you can

play17:26

publish short mini books that are you

play17:29

know 10,000 words that's a book and you

play17:32

can you don't even have to do a print

play17:33

version you could do just an ebook

play17:35

version so often times I find even more

play17:38

than the non-fiction World fiction

play17:40

writers have 10 times more faulty

play17:43

beliefs than all of the writers in the

play17:45

non-fiction world who have faulty

play17:46

beliefs and they have a lot of them and

play17:48

so if you're asking how to build an

play17:50

audience for fiction the simplest answer

play17:52

is you need to write more fiction write

play17:55

smaller fiction so shorter fiction and

play17:57

you need to hit publish more often and

play18:00

trust me I've spent a lot of hours going

play18:02

down this because I had a hard time

play18:03

wrapping my head around this as well but

play18:06

one of the most fascinating data points

play18:08

I think is that some of the most read

play18:10

most popular genre fiction authors

play18:13

actually have very small social

play18:14

audiences many of them are actually

play18:16

invisible on social the only thing they

play18:18

do is rep out ebooks or Series on Amazon

play18:22

it's the only thing they do and the

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reason that they're so successful is

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because they push volume and they don't

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have some giant email list and they

play18:30

don't have some giant social audience

play18:32

but they're consistent and they figure

play18:34

out what readers want and they pump out

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books every two to four weeks and then

play18:38

they learn and they read the comments

play18:39

and they iterate and they double down

play18:40

and they don't give up after two months

play18:43

and that's that's it you know that it's

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like let's not overthink it if that's

play18:48

what everybody does and that's how you

play18:50

become successful with genre fiction

play18:51

then you should probably go do that and

play18:54

that's the answer all right question

play18:55

seven which actually leads nicely into

play18:58

the last one question eight uh Sophie

play19:00

asks and and then on the back end

play19:02

Charlene asks as well who is in demand

play19:05

for Ghost Riders which Industries is

play19:07

Ghost writing you know best suited for

play19:09

uh and then Charlene sort of backpacks

play19:11

on this and says you know how do you get

play19:13

your first client uh as a Ghost Rider

play19:17

first of all I get this question all the

play19:19

time everyone wants to know what's the

play19:20

most lucrative industry the easy answer

play19:23

if you just want something super

play19:24

prescriptive the easy answer is look at

play19:28

the new and emerging Industries where

play19:29

lots of money is floating around and the

play19:32

tldr easy answer there is technology and

play19:35

now more specifically anything with AI

play19:38

like there you go but me giving that

play19:41

prescriptive answer isn't really the

play19:43

full picture and so to just expand on

play19:46

this for a little bit I truthfully

play19:48

believe that every single industry can

play19:51

work I have seen every industry work I

play19:55

have ghostwritten in very obscure

play19:57

Industries and what you have to

play19:59

recognize is that you have this bias as

play20:02

a writer as a ghost writer where you

play20:04

look at someone else you look at some

play20:06

other industry and you think oh that's

play20:07

so successful but I've run into friction

play20:09

you know with my thing and I don't think

play20:11

my thing works but if I showed you

play20:13

someone who was crushing it in that

play20:16

Niche or in that category the thing that

play20:18

you've

play20:19

tried then all of a sudden you would be

play20:21

like oh well I guess this works too but

play20:23

then what's funny is that whenever I do

play20:25

that and I point out a success story

play20:27

then the person sits there and goes well

play20:29

it's too saturated then I I don't think

play20:31

there's any opportunity for me and

play20:33

neither of these extremes are true the

play20:36

reality is that every single person in

play20:38

every single industry who wants more

play20:41

customers needs a ghost

play20:43

riter it doesn't matter what the

play20:45

industry is the only thing that matters

play20:47

is who is their customer and how can you

play20:50

help them Reach or speak to more of

play20:52

those customers with writing that's it

play20:55

so every industry can work and so my

play20:57

recommendation and a big framework we

play20:59

talk about in our premium ghost Trading

play21:01

Academy is starting with what industry

play21:04

do you have an information advantage in

play21:06

AKA what what is an industry where you

play21:08

already know the lingo you already speak

play21:09

the language you already understand all

play21:11

the industry terms ideally this would be

play21:13

an industry that you've worked in or

play21:15

this is an industry that you're a

play21:16

hobbyist in you know like you like for

play21:19

example it'd be very easy for me to

play21:20

ghost write uh for people in gaming

play21:23

because I was a Pro Gamer as a teenager

play21:25

and I really understand that space quite

play21:27

a bit it would be very hard

play21:29

for me to go straight in an industry

play21:31

that I know absolutely nothing about

play21:33

like if someone was like Hey Cole I want

play21:34

you to go straight for my my mineral

play21:38

Rock business well I don't know anything

play21:40

about mineral rocks I could probably get

play21:41

myself up to speed right but the person

play21:44

who is obsessed with that and it's like

play21:46

oh I've been collecting mineral rocks

play21:47

for 20 years they're going to know how

play21:49

to ghost Rite that content better than I

play21:51

am at least in the short to medium term

play21:53

so you always want to start with some

play21:55

sort of Industry where you have an

play21:56

information advantage and then

play21:58

backpacking on this Charlene's question

play22:00

of so then how do you get that first

play22:02

client well another framework that we

play22:04

really drill home in PGA is in the very

play22:07

beginning your Niche is your network

play22:10

okay so your Niche is not let me go pick

play22:13

some hyp specific category and position

play22:15

myself as an authority in the very

play22:17

beginning your first client should be

play22:19

someone you know or someone you know who

play22:21

knows someone that's it okay it's the

play22:25

uncle that always complains at

play22:27

Thanksgiving about how no one reads his

play22:29

newsletter it's the cousin you see

play22:31

posting on X or LinkedIn and you can

play22:34

tell they're trying to like Drive

play22:37

traffic to their startup but they're not

play22:38

doing a good a very good job right it's

play22:40

it's the friend that is like hey I'm

play22:43

thinking about leaving my job and

play22:44

starting this thing uh but I don't I

play22:46

don't know how to do it you're looking

play22:48

for people in your life that you can

play22:51

help and sometimes that means being paid

play22:54

in cash and sometimes that means being

play22:55

paid in a testimonial or being paid in

play22:58

you getting experience or you building

play23:00

confidence right you don't always have

play23:02

to get paid in cash so that first ghost

play23:04

writing client chances are is sitting

play23:07

right right next to you somewhere in

play23:09

your life but in your brain you think no

play23:12

a my first client is going to be and

play23:14

then you project this big fancy vision

play23:16

of what it means to land a client off in

play23:19

the future and that's not what it is

play23:21

your first client should just be someone

play23:23

in your life that you know and you go

play23:25

help them and then you lad that work up

play23:27

to the next one and to the next one into

play23:28

the next one so in the very beginning

play23:30

your Niche is your network let me know

play23:32

if you enjoy this Q&A series I I really

play23:34

enjoy actually uh just having questions

play23:37

teed up uh it's a lot is very easy for

play23:40

me to just speak to as well and I always

play23:42

find myself going down different

play23:44

tangents and rabbit holes that I I might

play23:45

not have thought to talk about um had

play23:48

someone not asked the question so if you

play23:49

enjoy this Q&A series uh drop a comment

play23:51

on YouTube let me know and I'll do more

play23:53

of them

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