Creating Cinematic Sequences in Vital | Music Production Tutorial

Summary

In this Demis Helen video, the focus is on using Vital's three oscillators and LFOs to create arpeggios and patterns, importing samples to generate unique wave tables, and enhancing presets with effects like delay, compression, and reverb. The tutorial also touches on importing audio samples into Vital and the differences between wavetable, vocode, and pitch splice modes.

Takeaways

• 🎥 The video is a tutorial focused on using Vital, a software synthesizer, to create arpeggios and patterns with oscillators and LFOs.
• 📚 The host reassures viewers that the channel will continue to cover trance music while also expanding into other genres.
• 🔊 The tutorial demonstrates how to create a thick unison base with pitch slides and filter closures using two or three oscillators.
• 🎛️ The video explains the setup of an arpeggiated sequence in Vital's grid system, which controls the pitch of the first oscillator.
• 🔧 The importance of adjusting LFO settings for different aspects such as pitch, level, and filter modulation is highlighted.
• 🎼 The process of setting up an LFO for pitch bending and creating a pitch slide effect over an octave is detailed.
• 🎹 The tutorial covers the use of FM synthesis to add complexity and texture to the sound, using a secondary oscillator.
• 💿 The video mentions the possibility of importing audio samples into Vital and the different methods available for doing so.
• 🔄 The host discusses the use of macros to control multiple parameters simultaneously, enhancing the overall sound design.
• 🎶 Effects such as delay, compression, and reverb are added to the sound to provide depth and atmosphere.
• 🔁 The script concludes with a brief demonstration of using pitch splice to import and manipulate audio samples within Vital.

Q & A

What is the main focus of the video?

The video focuses on using Vital software to create arpeggios and patterns with the help of three oscillators, LFOs, and importing samples to create unique wave tables.

Why does the creator mention 'trance is here to stay'?

The creator is reassuring the audience that while they are expanding the content beyond the trance genre, the trance-related content will continue to be a part of the channel.

What is the purpose of using an arpeggio in this context?

The arpeggio is used to control the pitch of the first oscillator, creating a sequence that will be the basis for the musical pattern being developed.

How does the creator set up the grid for the arpeggio sequence?

The grid is initially set to 8 and then adjusted to 12 to represent 12 semitones, allowing for an arpeggiated sequence over one octave.

What is the significance of the 'smoothing' parameter in the video?

The 'smoothing' parameter affects the transition between the steps in the arpeggio. Less smoothing results in a more staccato effect, which is desired for the arpeggio in this case.

How does the creator assign the LFO to control the pitch?

The creator drags and drops LFO1 onto the pitch and adjusts the settings so that it controls 12 semitones over one octave.

What is the purpose of using two filters in the video?

Two filters are used to create a thick unison base that will pitch slide and have its filter closed simultaneously, adding depth and character to the sound.

Why does the creator mention the importance of the 'trigger' mode over 'sync' mode?

In 'trigger' mode, the arpeggio sequence starts from the beginning with each key press, which is desirable for the pattern being created. 'Sync' mode would continuously cycle through the sequence regardless of key presses, which is not the intended effect.

What is the role of FM (Frequency Modulation) in the video?

FM is used to add an extra layer to the arpeggio by modulating one oscillator with another, creating a more complex and textured sound.

How does the creator adjust the effects to enhance the sound?

The creator uses a combination of delay, compression, and reverb effects to add depth, control the frequency spectrum, and give the sound a sense of space.

What are the three different methods for importing audio samples into Vital mentioned in the video?

The three methods for importing audio samples into Vital are Wavetable, Vocode, and Pitch Splice.

Why might the creator consider doing a future tutorial on importing samples?

The creator considers a future tutorial because the sampler in Vital is basic and may benefit from further exploration on how to effectively use it to create usable content.

How does the creator suggest controlling multiple parameters simultaneously?

The creator suggests using macros, which can be assigned to multiple parameters to control them simultaneously, something that wouldn't be possible with a standard controller.

What is the purpose of the 'randomizer' in the context of the video?

The 'randomizer' is used to add a random pitch variation to the sound, making it more dynamic and atmospheric by oscillating the pitch either side of the parameter.

How does the creator propose to visualize the LFO ramp?

The creator suggests changing the LFO ramp into an ADSR and changing its orientation to visualize the attack, decay, sustain, and release of the sound.