Objet Petit a: The Object-cause of Desire (Lacan and Zizek)

Evers Brothers Productions
30 Aug 202116:15

Summary

TLDRThe video delves into the concept of desire, using philosophical theories to explore how individuals are driven by unattainable ideals. It discusses the idea that desire is perpetually unfulfilled, as it is based on a lack within us. Through symbolic structures and fantasies, we attempt to satisfy this desire, but never truly can. The 'objet petit a' (the unattainable object of desire) is central to understanding human behavior, particularly in relation to societal constructs, fantasy, and the gap between what we seek and what is real.

Takeaways

  • 📍 The video delves into the concept of desire, focusing on how it is perpetually elusive and always shifting.
  • 🌟 Desire is linked to a fundamental lack, something we continuously seek but can never fully attain.
  • 🧠 The 'object of desire' is not the real object itself but a representation of what is missing or lacking in one's life.
  • 🔗 Desire is closely tied to symbolic structures in language, where prohibitions create a sense of longing or castration.
  • 🌀 Fantasy mediates between symbolic structures and reality, shaping how we perceive desire and what we believe will fulfill us.
  • 💭 The video explains that desire can never be fully satisfied because the objects we desire never fully bridge the gap in our sense of self.
  • 🔍 The concept of the 'big Other' plays a key role in shaping desire, representing social and cultural expectations that influence our pursuit of fulfillment.
  • 🚫 Castration, in the symbolic sense, refers to the limitations or restrictions placed on our desires by society and language.
  • 🌀 Desire often shifts from one object to another, leading to a cycle of temporary satisfaction followed by renewed longing.
  • 🎭 The 'object cause of desire' is the abstract force that generates desire in the first place, an ever-present gap that we continuously try to fill.

Q & A

  • What is the significance of the 'object of desire' mentioned in the transcript?

    -The 'object of desire' represents something unattainable or missing that humans continually seek, but it can never fully satisfy or fulfill the void they feel. It drives human behavior, creating an ongoing cycle of desire.

  • What role does 'fantasy' play in relation to desire, as discussed in the video?

    -Fantasy mediates between the symbolic structure of reality and the object of desire. It helps shape what we want and imagine, though it often masks the fact that we may never achieve the true object of desire.

  • How does the concept of 'castration' relate to desire?

    -'Castration' here refers to the symbolic loss or restriction imposed by the 'Big Other' (society or authority). This limitation fuels desire because it reminds us of what we cannot have, thus perpetuating the cycle of seeking fulfillment.

  • What does the term 'Big Other' signify in this context?

    -The 'Big Other' refers to societal norms, authority, or symbolic structures that regulate and influence individual desires. It creates boundaries and imposes restrictions, which shape and drive desire.

  • Why is the 'objet petit a' placed at the center of the discussion?

    -The 'objet petit a' symbolizes the unattainable cause of desire. It occupies the central position because it is fundamental to understanding how desire operates within the symbolic order and our psychological framework.

  • How is 'surplus enjoyment' (or 'jouissance') connected to desire?

    -'Surplus enjoyment' refers to the excess pleasure that comes from seeking something beyond simple satisfaction. This concept, aligned with Marx's surplus value in capitalism, reflects how desire always pushes for more, even when temporarily fulfilled.

  • What does the video imply about the pursuit of happiness through material achievements?

    -The video suggests that material achievements, such as obtaining a degree or buying a car, offer temporary satisfaction but do not ultimately fulfill desire. Once achieved, new desires emerge, continuing the cycle of dissatisfaction.

  • What is the relationship between 'symbolic order' and desire?

    -The symbolic order refers to the language and societal structures that shape our desires. Desire is influenced by these symbols, as we seek validation or approval through social constructs, but the symbolic order can never fully satisfy desire.

  • What does the video suggest about the nature of desire and fulfillment?

    -The video suggests that desire is inherently unfulfillable. No matter what one achieves or attains, there will always be something more to desire. This perpetual lack is a core aspect of human existence.

  • How does the video describe the connection between desire and societal roles?

    -Desire is intricately linked to societal roles and expectations, which are represented by the 'Big Other.' Our desires are shaped by what society deems acceptable or desirable, and the restrictions imposed by these roles fuel the ongoing pursuit of fulfillment.

Outlines

00:00

🔍 The Desire for Meaning and Realism

This paragraph delves into the complex relationship between desire, fantasy, and realism. It introduces the idea that desire perpetually fuels human actions and is linked to certain symbolic representations, such as coats of arms and rings. The discussion touches on how desire supports families and how our pursuit of what we seek—often an idealized form of reality—guides us. It also emphasizes the notion of desire being unending, shifting from one object to another.

05:01

🔄 Surplus Enjoyment and Desire's Endless Cycle

This section explores the concept of 'surplus enjoyment'—a form of pleasure mixed with pain, driven by a constant desire for more. It explains how people are always looking to fulfill desires, even though once they achieve a goal, they quickly move on to the next. This unending quest is often motivated by an illusory promise of satisfaction, driven by societal expectations. The paragraph concludes by highlighting that this constant pursuit is tied to both capitalism and the concept of 'castration'—the limitation of human fulfillment by external factors.

10:03

🚗 The Illusion of Satisfaction

This paragraph discusses how people often believe that obtaining certain things (like education or material goods) will bring happiness, but after achieving them, they realize something is still missing. This realization leads to a constant search for fulfillment, which is never truly attainable. The text uses the metaphor of buying a car to show how, even after acquiring it, one continues to feel a sense of void. It argues that this void is inherent to human desire, and that satisfaction is always just out of reach.

15:05

💡 The Symbolic Order and Desire

This part emphasizes the role of the symbolic order (language, social rules, and norms) in shaping human desire. It explains how desire is formed and manipulated by these external structures, leading people to continually pursue objects that never fully satisfy them. The concept of 'the big Other'—society or authority—also plays a crucial role in guiding what people desire. The paragraph suggests that humans unknowingly sacrifice a part of themselves to fit into this symbolic order, and this sacrifice is central to the structure of desire.

Mindmap

Keywords

💡Object of Desire

The 'Object of Desire' refers to what individuals are constantly seeking but can never fully attain. In the video, it is presented as something elusive, like fame or material success, that people chase in hopes of fulfillment. However, the video emphasizes that once attained, this object doesn’t truly satisfy, leading to a perpetual cycle of desire. This ties into the theme that human desire is driven by an internal void that can't be permanently filled.

💡Castration

'Castration' in the context of this video refers to the symbolic process of limiting or restricting desire. The term originates from psychoanalytic theory, where it denotes the idea of losing or sacrificing something to conform to societal norms, like the 'Big Other' or law. The video suggests that the suppression of desires by these external forces, such as the father or society, leads to the creation of new desires.

💡Big Other

The 'Big Other' represents societal rules, norms, or an authoritative force that structures desire. In the video, it is linked to institutions or ideologies that enforce restrictions, guiding how people should behave or what they should want. The 'Big Other' plays a critical role in creating the framework within which people experience castration and subsequently desire something beyond the acceptable boundaries.

💡Surplus Enjoyment

'Surplus Enjoyment' refers to the excess pleasure one seeks after satisfying a basic desire. It goes beyond just fulfilling a need; it represents the additional pleasure derived from the pursuit or possession of something. The video discusses how people constantly chase more, driven by surplus enjoyment, and how this parallels capitalist consumption, where the drive for surplus is never-ending.

💡Fantasy

In the video, 'Fantasy' serves as a mediator between symbolic structures and individual desires. It creates an idealized image of what people believe will fulfill them, but this fantasy is ultimately unattainable. The video suggests that fantasy is what makes individuals desire specific objects, like wealth or fame, while never addressing the real underlying void that drives these desires.

💡Symbolic Order

The 'Symbolic Order' refers to the set of cultural norms, laws, and language that shape how individuals understand their desires and reality. In the video, it is the realm that imposes structure on human life and interactions, making sense of desires through language and symbols. It also discusses how individuals navigate the symbolic order while still trying to fulfill desires that may be impossible to achieve.

💡Lack

'Lack' is a central concept in the video, describing the fundamental emptiness or void that drives human desire. It is the realization that something essential is missing, and this absence fuels the pursuit of objects, relationships, or achievements. The video emphasizes that this lack is never truly filled, and it is the continuous recognition of this gap that keeps desire in motion.

💡Melancholia

'Melancholia' refers to the emotional state resulting from the inability to fully process or let go of a lost object of desire. In the video, it is linked to a fixation on something unattainable, preventing the individual from moving forward. It contrasts with mourning, where a person can move on from a loss. Melancholia highlights the tragic aspect of desire: the inability to resolve the internal void.

💡Imaginary

The 'Imaginary' in the video refers to the realm where individuals project idealized versions of themselves and their desires. It is closely linked to fantasy and is the space where people can imagine their desires being fulfilled. However, the video points out that these imagined fulfillments are illusions, as the real world (symbolic and real orders) cannot provide the satisfaction that the imaginary promises.

💡Object Cause of Desire

The 'Object Cause of Desire' refers to the underlying reason or trigger for why people desire certain things. It is not the object itself but rather the function it serves in filling the void of 'lack.' In the video, this concept helps differentiate between what people consciously desire and the deeper psychological forces driving that desire. It underscores the idea that the pursuit of an object is more about addressing the absence it represents than the object itself.

Highlights

The concept of 'desire' is central to the discussion, focusing on how human desires are never fully satisfied, and we always seek something beyond what we currently have.

Desire is driven by a 'lack,' which is symbolized by the 'object a,' an unattainable entity that drives people to constantly search for fulfillment.

Castration is introduced as a symbolic process, where people are restricted from reaching total satisfaction due to social and psychological barriers.

The 'big Other' plays a crucial role in shaping desires, representing the societal and cultural norms that limit and guide human behaviors and wants.

Fantasy functions as a mediator between symbolic structures and reality, helping individuals visualize their desires, but always in an unattainable form.

Melancholia is explored as a state where one fixates on a lost object, unable to move past it, contrasting with mourning, which allows for recovery.

Desire in capitalism is tied to surplus value, where people are driven to pursue more possessions, wealth, or status, but this always leaves them unsatisfied.

The symbolic order is emphasized as a framework through which desires are articulated and pursued, with language playing a key role in this process.

The unattainable 'object a' is compared to sublime, idealized objects or goals, which are never fully reachable, yet constantly desired.

Reality and fantasy are intertwined, with the real being the place where one's desires can never be fully satisfied, highlighting a constant gap.

The structure of desire is said to be built on a fundamental lack, which propels human beings to continue seeking new desires throughout life.

The 'object a' is presented as both a cause of desire and an unattainable goal, driving the continuous cycle of wanting and frustration.

The video emphasizes the relationship between symbolic structures and desires, noting how language and symbols play a part in shaping one's sense of self.

Surplus enjoyment is introduced as the excess pleasure that comes from the pursuit of desires, linking it to the concept of the drive in psychoanalysis.

The discussion concludes with the idea that desire is infinite, with people always moving from one unattainable goal to another, driven by a fundamental lack within the symbolic order.

Transcripts

play00:00

je dit locatie point

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ferris is gaaf to be an realisten ik

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gasten momenten second you get what you

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seek

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je dood je kind wonen anymore

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in order to continue to adjust

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desire must have it up jacks perpetually

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apps it's not take it with you once it's

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de fantasy dat geert zo

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desire supports

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gracie families in de lastte video

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we introduce the registered theorie of

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gecko cover wie olie looked at de in de

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video netjes ters

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wiley reality the registered on link to

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one another in various ways to visualize

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the relation between de d frank

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registered

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de kan used to work percentage of de

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bewoning en op de beroemde nood is neemt

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af de de familie that use the rings en

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ze coat of arms

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wat deze ring snow der origin in various

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speeltjes around de world one of the

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best known moet bieden waarom je nooit

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echt te simpel of trinity in christiaan

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het i now the reason that lokaal users

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tigger percentage is boek of de

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topologie karakteristieke of the special

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op de nat is bromium for this reason

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in any one of the princess cut the other

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two

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ons ook aan madame

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moreover i green is linked to one

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another by fr

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in other words

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daarin ik wil ons meteen de real de

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symboliek en die in met sean murray in

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their fundamental churchill energy

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there is no premacy of wonnen over the

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other

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nou het is een plaats waar al de plu

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bings kon search in de ferry center

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letterlijk all places die op chat patina

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but what is this object pta

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and why is het in de center of de

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bromium had die haar exec leader

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questions that this video will answer zo

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lets keer into the trenches

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[Muziek]

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in de premies video

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wie zal ik concept of de meeuwen steeds

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this concept is very important heer voor

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wwf create an ideal aj

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the ideal image of er zelf te plezieren

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malware

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realize that this is not as

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but the other and therefore be realised

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atmi lek santing

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nu realize dat wie er

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notenolie object of desire of the other

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of war mother for example

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giel zolas that and this makes als

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envious voor wie lijk wat tijd

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supposedly huis

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however

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wordt wie klinkt dat den hester i don't

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is just an illusion

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week en just never be everybody's zo

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object of desire

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de symbool ik ving

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der tijd hester u nood is wat le calcul

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de files in this case de files is natte

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klitje rolf wel eens wat de symbolen

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club presentation of de files that which

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i need to read to velar gooit er lek and

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therefore richard shoes and joy en thar

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three sons de files can be better aan de

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stoet om de base is of het functioneren

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in folie een dokter in de velletjes

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nodig fantasy iv arte view fantasy is

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een imaginair effect nog eens het en

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such an object in is much als object

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stands de geest reality invoert in

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relationship

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stil les is het the organ dat het

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symbolizes

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voor de files is een signify er een

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signify voor functie in de intro

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subjectief ik kon er mee op en alles is

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meeliften veel van de functie met surft

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in de mysteries voor is de signify je

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dit is destined to death kneed mini

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effect en zo vol insofar as dus ik mijn

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fire conditioners them by het presence

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en signify er maar hier is de catch

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read-write er iets santing

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that whenever i van het in de first

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place this for heet will always be je

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void we never had a perfect three sons

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wat we witcher actively produced a

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solution and soon as restricties op

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placed

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online joint

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these restrictions

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het wat meer zien in previous video

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echte symboliek die mensen de b-kader de

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big andere in de vorm of de vader de la

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or even koud

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tries to socialize en creatief producent

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mars wie sun's this process is wat de

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kalk als castration

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castration minst at three sons hij

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stabieler views in order to be het een

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onder invloed skill of de love of the

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shire

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however we kort na lasker question why

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wordt de big other one to prevent or

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three sons and to our discretion hoe je

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hebt to make a small die tour de wordt

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susan seks familie is voor susan sismo

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just and joy men dit is per er anders

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doet in de c mw

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wie anders en surplus value in

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capitalism and st reviews bij marks voor

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super fel you is de driving force in de

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catalyst modus production in the same

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way

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trys ons is de surplus enjoyment

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de drive als object

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pinkeltje surplus en john met morris

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pleasure in pain when you just want more

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all the time of wat voor het kamp de

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details

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ironically en af dit is nog dat je

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wanting to en wat u heeft hem weer piet

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en kennelijk en voor het shampoo die

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ding and tell your nose for watching

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your hen zal de time

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no buy this reasoning je kunt zien waar

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society hoor de big other dat moet want

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al die schiedenis tics object dat er

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pearly driven by er libido daar belang

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last

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noorden wie want is of zelfs

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in summary

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wie woont to satisfy your desire solden

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time to recharge wie sons and replace

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arneg

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de lekker dus created in the process of

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castration van je pro-business bij de

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big other but the iron is dat de desire

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olie in words of the restriction of

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zoiets als het zelf een switch ons dat

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we never i van het in de first place

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hoe je hebt u weet het al three sons

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voor desire

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this is bij de objecten die aankan zin

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in is to realize feestje of haar lack of

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de voor ted wifi linden pro bitchen over

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three sons en het is this fundamental

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lek

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het cassis als toe desire

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mens

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de object as of desire

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de op jetta is not therefore

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een object wie het lost

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week of them i would be able to find it

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and satisfy your desire

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in this rather de constant sense wfs

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object dat santing is lacking of missing

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for my life

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wie always searching for

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voor film en voor knowledge for

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positions for love and whenever i

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achieved the school's er is always

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something more i desire

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we can not quite pint pundit wat we

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nodig een ster

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dit is woon sense in which i can

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understand telijk een riool

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eerste for your app is het de kool of

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war being

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dat we constant liet right of fill out

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de op jetta is boter gooit de gap en

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whatever object momenteel jullie comes

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to feel the gap in haar symboliek

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reality

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wat is een poort en te keepen my deer is

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dat de op jetta is nog de object zelf

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wat de functie of mushing de lek

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sm engineer

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mayhew to distinguish between de object

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of desire

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en de object kaas of desire de objecten

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voor desire campion iscar vork simpel

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wat de op chat pta

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is that which causes als door de zou je

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dus object in de first place or watch on

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home het je stek plein des de functie of

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misschien de lek in woning business car

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this could be a sense of pry door

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happinez vork simple or and she explains

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hoe je hebt u distinguishing between op

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jed betina

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is de kaas of desire

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en de object of desire

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malden object of desire is simply de

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desire object

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de kaas of desire is de feature

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om hoe is account bieten zaaien de

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object

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sun the chart ik of which were usually a

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nowhere and some times wie vermist per

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see fit en zijn op s' te komen

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in spite of bigsby de zou je de object

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this distinction roos een nieuw liteon

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for this is that en melancolique is

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notabene rapporteert lost in de lost

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object

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de melding kon ik eens moet primarily de

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subject fixeert onder wordt object

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unable to perform the work of morning en

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ik hier shredder de subject to assess

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the object wat hij slot is de sawyer

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poort die kosten kaas dat meting bizarre

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this object has read read and blood is

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efficiëntie voor van mix and trying to

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the extreme de situation of forceerde

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desire

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met een collecteurs waarom i finally

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katten de zal het object wordt ar

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disappointed when het dit is de truly

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tredgett is corner weekends drive voor

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de objecten voor desire wat week en

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never feel this fight for this for it or

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lacking object was een in louche nolan

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wc door zelfs in je iphone ipad en ipod

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be happy

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wat de charlie de op t naar designer

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voor kapot op training ar desires hoe je

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no longer die zal je this object

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is not a free element dat claims the

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right to occupy de sacred space of de

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film by definition een expert mental

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object en peter trek het can never be up

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to its tasc

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deze identity of op bezitten

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terminations de jaloers of sublime

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object en door ex for mental trash met

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de ever-present vet dat de won wil shift

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into the other dat de sublime grill wil

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weer vier hetzelfde be nothing but a

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piece of is in scoort in de fairway

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kernel of telijk een in op chat patina

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dit is ie enough to demonstrate their

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education for example you say to jezelf

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even olie ibood get my degree

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denmark and be happy but am your get

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your degree and realize that is only

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open zat more pleasant door de

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woordspeling bills working

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responsibilities and zo lang af de

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complete your education je kan te werk

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en heerlijke want to say that

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in folie er moet have enough money to

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buy this nice car

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daarna will be happy

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what up ontbering able to buy this car

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je might have some fun at first but then

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you feel the fight teken over hen en de

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game en de kern en de game you try

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wat de void remains

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woedende trudy pessimistic wij bij ons

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kon wild

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er olie toe trash die zin life one is

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notering wordt won once and the other is

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caring het

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oké so now i know what the object tia is

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wat now i want to know why this in de

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centrum of de bromium not

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simply put the reason that objecten tia

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is in de center is die kosten this

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fundamental the structure according to

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the free registry

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historie zult en venus de kaas

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met een start met de symboliek

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swf zien het is in de symboliek order

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dat de bit ander project approbation of

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als we sons

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[Muziek]

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en het is dit probation of or three sons

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dit creates art designer outlet free

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castration

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and therefore het is al op jed patty aan

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de kaas of ar desire

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in this tour symbols and language that

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way and forced en of de vader en dit is

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een language that we can see this

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relation met desire

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voor ik simpel in mather voor en met

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tony

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the tiger is of course met de nieuwe

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kool

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dit schrift van won object to another

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vooral die this place mens however

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desire nonetheless wit eens een minimum

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of vormen consistentie en set of vent is

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merk features which one day ar en

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countert in een positief object

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make as desired is object op chat de tfs

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de kans of desire

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is nothing other than this form of frame

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of consistentie

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this brings to the imaginary voor wie al

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want to feel de voor je dat was created

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by the bigger the imaginary is de place

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or i can once league en in met je nars

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zelfs

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dewey wang met ar susan's het is de

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place of fantasy

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maar de big color is not present

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en waarom ar designer can become reality

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however

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de first ik de nood is dat de fantasy

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dat is not simply hoe lang ze desire in

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een release matori w

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whether its function de similar to that

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of kantine transcendental scam het is om

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een fantasy kosten tube zaur desire

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provider gordon het dat is dit lingerie

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teaches at houten desire fantasy

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mediates between de for most symbolic

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structure and de positivity of de object

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wie een counter in reality

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wel eens dossier het providers clima

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according to wit shirt en positief

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object in reality ken functie is op

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tracks of desire vulling en de en typ

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laces open up bar de vorm en symbolic

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structure

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de poeder tin somewhat simplified terms

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fantasy das mien dat we nooit de zuivere

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strawberry cake het cannot get in

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reality ar fantasize about earring het

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de probleem is rather

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houden want die desire s strawberry cake

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in de first place this is what fantasy

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tells me

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hier is in fantasy dat week en in major

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marcels to be likede famous people with

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zo het maier

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the cosby tank heeft olie die could be

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live at how would be happy to want to

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feel a ooit werd er image of happiness

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mot realizing that they hebt dus een

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voor je tess would you and you can not

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feel van voor je doen met een ander

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je olie heeft look at our people who

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became famous wat kom op de spy polder v

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money and 12

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stem to reality of life

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and death brengt als tutorial voor de

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wiel is de place of leg de void die het

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is de real is place for real free santa

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run conscious and art rammers

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week en syrië naar kan men ik experience

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is blijkt er dream of de burning boy van

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de last video voor ik simpel

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wat ons zo maar die finally gransport

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wie desire and from this moment tussen

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bloemen object de op jed betina tuns

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toen achting en art designs and can

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shift het door een nieuw desire van je

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de processor met annemie de real is that

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which can never be brought

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de real is wat voor symbolen

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feestje

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absolutely

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dit is mooi de object pta maar object

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code of desire is at the centre of de

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bromium naar de prohibition of de

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symboliek pik other dit creates ar

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desire

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the imaginary

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to create a fantasy dory carlos three

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sons en de real eerste place where all

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repair mclean oost-friesland i suppose

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to be what can never be je teint

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hij we leave you with great summer heeft

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van de blok of de than just maybe you

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create het multitool very helpful

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artikels in understanding de kan de

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objecten thea is at the heart of this

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tragedy het is dat loft part of three

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sons

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wie sacrifice om die alter of language

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and that way to unconsciously seek out

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their entire life

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dit is koolstof vast plan is of een

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ontological compleet mis week en never

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achieve the object bettina is de in

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posible op check die aan het ene bolidt

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sms dus object is

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ik vorm een cel lek

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om het kan doen is jayce that part of

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het zelf dat is no partner rol

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dus object is een lek

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het pensioen syrië fight lek

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dankje voor wordt je de video een hoop

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dat despite is zo'n wat set message of

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this video dat je stil haar gewonnen

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voldeed en het zand invloed hebben op

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steam and don't worry voor software die

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ze kent dit is there will be addressed

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in leder video's zo hope to see you

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there

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[Muziek]

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関連タグ
Desire TheoryPsychoanalysisSymbolismFantasy vs RealityPhilosophyHuman NaturePsychological ExplorationCastration ConceptSubconscious MindSymbolic Order
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