Stand Up Comedy Abdur: Sibuk Nyeberang Jalan, Sopir-sopir Angkot Sampai Hapal - SUCI 4

Stand Up Kompas TV
15 Jun 202006:02

Summary

TLDRThe script features a humorous and lively conversation, primarily revolving around interviews, personal anecdotes, and experiences from Eastern Indonesia. The dialogue touches on transportation differences, challenges in remote areas like Larantuka, and the humorous difficulties faced when dealing with basic infrastructure such as pedestrian crossings. The speaker shares a comical story of a midwife on a small island, stressing the hardships and resilience required. The casual tone and local references highlight the speaker's charm and cultural background, making the conversation both engaging and relatable.

Takeaways

  • 😀 Kwik, a character in the script, originates from East Timor.
  • 🚗 Abdul Aziz is introduced and asked about his plans if he works at the company, to which he responds vaguely, saying he doesn't know.
  • 🤔 The interviewer advises Abdul Aziz to think more deeply about his goals in joining the company.
  • 🌍 Abdul Aziz eventually states that his goal is to work hard to make the company globally recognized.
  • 💡 A side conversation discusses a traffic light system for pedestrian crossings, where pressing a button changes the light to red, stopping cars.
  • 🚦 The speaker humorously describes how familiar drivers are with the system and jokes about frequent crossings.
  • 🏙 The speaker reminisces about the simplicity of transportation in Larantuka, where there was only one main road, and public transport followed just two routes: 'up' or 'down'.
  • 🚑 A personal anecdote is shared about a relative who is a midwife working on a small island near Flores, describing the challenges of crossing the sea during emergencies at night.
  • ⛴ The storyteller describes a nerve-wracking boat trip in rough seas, with humor about the challenges and eventual safe arrival.
  • 🎤 The narrative ends with humorous commentary on the simplicity and wonder of everyday life experiences, such as crossing streets or island life.

Q & A

  • What is the origin of 'Kwik' mentioned at the beginning of the script?

    -'Kwik' is said to originate from Timor, a region in Indonesia.

  • Why does Abdul Aziz seem uncertain during his interview in the script?

    -Abdul Aziz expresses uncertainty when asked about what he would do if he worked at the company, initially saying he doesn't know.

  • What goal does Abdul Aziz express for the company if he were to work there?

    -He mentions that he would work hard to help make the company known worldwide.

  • What advice is Abdul Aziz given regarding his purpose at the company?

    -The interviewer advises him to think carefully about his goals and purpose before proceeding with the process.

  • What humorous event involving a pedestrian crossing is described in the script?

    -The script describes how pressing a button at a crosswalk causes the light to turn red and cars to stop, amusingly portraying it as something very exciting for the people involved.

  • How is the transportation system in Larantuka described?

    -In Larantuka, the transportation system is described as very simple, with only one main road and two directions: 'up' and 'down.'

  • Who is Rahmi Indrawati Arsad, and what is her profession?

    -Rahmi Indrawati Arsad, also known as Monalisa, is a midwife working in a small village on an island near Flores.

  • What challenge does Rahmi Indrawati Arsad face in her work as a midwife?

    -She often has to deal with emergencies at night, such as assisting with childbirth in the dark and navigating rough seas to transport patients to the hospital.

  • What makes the story about Rahmi's midwifery work humorous in the script?

    -The story becomes humorous when it’s described that by the time they reach land, the baby has not only been born but is already swimming alongside the boat.

  • How does the script reflect the unique perspective on life in Eastern Indonesia?

    -The script blends humor with the simplicity and challenges of life in Eastern Indonesia, such as limited transportation options and the novelty of simple things like crosswalk lights.

Outlines

00:00

😀 Interview with Abdul Aziz

The first paragraph features an interview with Abdul Aziz, where he discusses his work ethic and aspirations for his company. He aims to work hard to make the company globally recognized and to bring prosperity to his community. The conversation touches on various topics, including the challenges of transportation in his region, the importance of family, and the use of technology like traffic lights to improve safety. There's also a humorous anecdote about a traffic light that changes color when pressed, allowing people to cross the road safely.

05:02

😅 Challenges and Triumphs in Eastern Indonesia

The second paragraph narrates the story of a woman named Rahmi Indrawati Arsad, also known as Monalisa, who is a midwife in a remote village far from Flores. It describes a dramatic night when she had to assist a woman in labor who was experiencing bleeding. The journey to the hospital was perilous, with darkness and rough seas, but they managed to reach safety. The story also includes a light-hearted moment where the narrator talks about the simplicity of transportation in his town, with only one main road and a single bus route. The paragraph ends with a mention of graffiti and a song, adding a creative and cultural touch to the narrative.

Mindmap

Keywords

💡Timur-timur

This refers to the eastern region of Indonesia, particularly East Timor, which is culturally distinct from other regions. In the script, it emphasizes the speaker's background and contrasts it with the urban environment, adding humor to the speaker's narrative.

💡Transportasi

Transportation is used here to illustrate the difference in infrastructure between East Timor and more developed areas. The mention of transport not being a horse (anoa) highlights the speaker's humorous commentary on modernization and how different places are perceived.

💡Larantuka

Larantuka is a town on the island of Flores, Indonesia, representing a rural and isolated area. The speaker uses it to paint a picture of the region's limited infrastructure, such as the existence of only one road. This contributes to the comedic tone of the narrative about small-town life.

💡Bidan desa

This refers to a midwife stationed in a rural village. The script mentions the speaker's sister, who works as a village midwife in a remote island, facing challenges such as long distances and rough seas. This emphasizes the struggles of providing medical care in isolated areas.

💡Ombak besar

Ombak besar means 'big waves' and is used in the context of a difficult journey across the sea to help a pregnant woman reach medical care. It underscores the natural challenges faced in remote areas, adding tension and drama to the speaker's story.

💡Suami siaga

A 'suami siaga' refers to a supportive and prepared husband, particularly during childbirth. The speaker humorously uses this concept when describing the role of men during emergencies in rural areas, like dealing with a difficult sea crossing during a medical crisis.

💡Lampu merah

Traffic lights (lampu merah) symbolize modernity and city life. The speaker humorously marvels at the concept of being able to stop traffic by pressing a button, contrasting this with the simpler life in his hometown. It represents a moment of cultural awe and humor in the narrative.

💡Monalisa

Monalisa is a nickname given to the speaker's sister, Rahmi Indrawati Arsad, adding a personal touch to the story. The mention of her working as a midwife in a remote village connects to themes of family, responsibility, and the difficulties of rural life.

💡Supir angkot

Supir angkot refers to a public transportation driver, particularly of a small minibus common in Indonesian cities. In the script, the speaker jokes about how these drivers become familiar with the routine of certain passengers, contributing to the comedic portrayal of life in a small town.

💡Kapal kecil

Kapal kecil (small boat) represents the challenges of transportation in rural areas. The speaker uses it to describe a treacherous nighttime journey across the sea, adding tension and humor as he tells of navigating rough seas while trying to ensure both mother and baby survive the trip.

Highlights

Introduction of Abdul Aziz in an interview setting.

Discussion on the transportation system in East Timor, highlighting its uniqueness.

Abdul Aziz shares his uncertainty about what he would do if hired by the company.

The interviewer encourages Abdul Aziz to think deeply about his career goals.

Abdul Aziz expresses his desire to make the company globally recognized.

A discussion on the importance of family, including sending regards to one's spouse and children.

Conversation shifts to a humorous observation of traffic lights and crossing systems in a city.

A nostalgic story about the simplicity of transportation in Larantuka, where there was only one road.

Introduction of Rahmi Indrawati Arsad, a midwife stationed on a remote island near Flores.

Story of a difficult childbirth on the island, requiring a perilous journey at night across rough seas.

A humorous exaggeration about a baby being born while still on the boat and swimming alongside the ship.

Acknowledgment of Abdur's storytelling skills and humor by his peers.

Abdur's colleagues express admiration for his innocence and ability to find wonder in simple things.

The segment ends with encouragement and praise for Abdur’s performance and potential for future success.

A playful reference to Abdur's ability to maintain humor while discussing complex and serious topics.

Transcripts

play00:00

kwik ini berasal dari timur-timur

play00:03

transportasinya aja bukan kuda anoa Oke

play00:08

ini dia Abdul Aziz Selamat siang Bapak

play00:14

Selamat siang Silahkan duduk saya sudah

play00:18

cukup membaca Civic kamu apa yang akan

play00:23

kamu lakukan jikalau kamu bekerja

play00:25

diperusahaan ini pada saya belum tahu

play00:27

itu Pak kok gitu saja enggak tahu sih

play00:30

sekarang silahkan kamu tanyakan ke saya

play00:32

biar saya cari aja di Apa tujuan lapak

play00:36

jika bahwa bekerja diperusahaan ini

play00:38

Ketika saya bekerja di perusahaan ini

play00:40

maka saya akan bekerja keras agar

play00:42

perusahaan ingin menjadi perusahaan yang

play00:45

dikenal di seluruh dunia kurangi Umi

play00:48

udah yakin itu semua sepak gua Timur

play01:00

bisa merasakan semua kesejahteraan itu

play01:02

Pak penyakit itu Saya kurang tahu pak

play01:08

kalau begitu Bapak harus pikir-pikir

play01:10

lagi tujuan Bapak berlanjut urusan ini

play01:13

tahap sudah keluarga ah tetapi salam

play01:20

buat anak-istri pastikan assalamualaikum

play01:28

warahmatullah wabarakatuh Tolong terima

play01:32

kasih sudah datang kesini terima kasih

play01:33

banyak ah di depan setempat kami

play01:37

karantina ya Ya begitulah sudah pcs aja

play01:41

Oh jadi di depan Hotel itu itu ada lampu

play01:48

merah lampu merah untuk orang menyerang

play01:50

di asyik sekali begitu Jadi kalau kita

play01:52

menyebrang ke tinggal tekan tombol Nanti

play01:54

lampu berubah merah mobil-mobil berhenti

play01:56

Kita tinggal lewat saja begitu asyik

play01:58

begitu

play02:00

semalam itu komik-komik lain sibuk buat

play02:01

materi sesi penyeberang jalan sana-sini

play02:06

sana-sini asyik begitu Itu sampai

play02:09

supir-supir angkot Hafal saya aduh ini

play02:12

anak timur lagi tiap harinya branjangan

play02:16

dia cita-citamu dapat tabrak mungkin

play02:19

[Tepuk tangan]

play02:20

[Musik]

play02:22

[Tepuk tangan]

play02:23

[Musik]

play02:25

kalau di tempat saya di kota Larantuka

play02:27

zaman itu 1 kota itu jalannya cuman satu

play02:30

dari ujung sini sampai ujung sini sudah

play02:33

selesai eh jadi jurusan angkot Disaat

play02:36

itu cuman dua dibilang keatas atau

play02:39

kebawah begitu saja Jadi kalau tanya

play02:41

penumpang perak pom ke atas kah

play02:44

Hai Tante kebawa kah woi om dan tante

play02:48

asik ke atas-bawah istimewa Adik sayang

play02:54

perempuan anak ke-4 itu namanya Rahmi

play02:56

Indrawati Arsad biasa dipanggil Monalisa

play03:00

dia ini sekarang itu sudah jadi bidan

play03:03

desa ditempatkan di desa yang pulau

play03:05

kecil di sebelah Ghaib jauh dari Flores

play03:08

begitu jauh dari Flores itu namanya

play03:10

kalau sudah malam-malam kemudian ada ibu

play03:12

hamil yang Mengapa mengalami pendarahan

play03:13

itu berarti malam itu Dewi Fortuna juga

play03:15

ikut sial River terjun kecil karena

play03:19

malam gelap kita harus bawa ke rumah

play03:21

sakit malam gelap dingin menyengat harus

play03:23

nyebrang kalau kecil ombak besar Aduh

play03:25

mama sayang Eh itu mau suami siaga

play03:33

penggalang penegak mau Pembina semua

play03:35

simpul jari Aduh Tuhan aduh Tuhan tolong

play03:39

begitu dia hanya bahwa kapal itu kalau

play03:41

pakai perahu begitu di hanya bisa pegang

play03:43

kemudi di belakang karena dia tahu

play03:44

tugasnya dia untuk jaga mesin tetap

play03:46

hidup tapi isinya tetap hidup itu urusan

play03:48

Tuhan jadi di belakang begitu saya

play03:52

sedikit lagi sahabat sama-sama high

play03:55

sedikit lagi sudah mau sampai Sabar saya

play03:58

bakal tiga kali diomong begini Itu kapal

play04:00

berjalan tiga senti ombak besar sekitar

play04:07

bahkan kapal dalam sampai di darat itu

play04:10

anaknya sudah lahir malah anaknya

play04:11

berenang-renang di samping sampan

play04:17

ikut-ikut tarik jangkar pulang-pulang

play04:22

anak sudah SMP 1 Terima kasih wassalam

play04:27

Terima kasih banyak teman-teman itu

play04:33

sebenarnya membuat jadi lucu gitu

play04:35

keluguan karena kayaknya kok kamu takjub

play04:38

sekali dengan yang namanya lampu bisa

play04:40

dipencet orang bisa nyebrang keluar

play04:42

sekali uh keren

play04:44

Wow kalian sendiri ya gitu asyik syubhat

play04:50

keren banget cuma total harus ke sana

play04:52

tuh karet nah Kak kalau itu yang membuat

play05:01

saya bisa menangkap keluguan Dan itu

play05:03

menjadi lucu banget tapi itulah kekuatan

play05:05

kamu Abdur Terima kasih Veni Abdur ya Om

play05:13

Indro lagu kalau sudah kau yang di situ

play05:16

aduh Mama saya ngeh Kalau kamu bisa

play05:21

mempertahankan ini semuanya Insyaallah

play05:23

kamu bangsa 21 rebutan kamu nanti kompor

play05:27

gas Terima kasih oleh doa terima kasih

play05:29

banyak kalau untuk update ini orang

play05:33

timur jadi Mama saya nge-rap Korea Oppa

play05:36

saya nih ayo teman-teman sayangnya Oh

play05:39

gitu Hahaha kalau dipencet ada gambarnya

play05:42

tuh mana tuh ya lo

play05:44

dengarkan weh ya Eh Tyson Tyson Abdullah

play05:50

f*** Kompas gas keren wow graffiti

play05:54

graffiti woi yebi woi for Abdul

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East TimorDaily LifeHumorCultural InsightsTransportationLocal StoriesCommunityFamilyStrugglesResilience
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