Puppy Boat Massacre: The Making of This Scene | Ep16 | Making Apocalypse Now
Summary
TLDRThis video delves into the chilling 'Puppy Boat Massacre' scene from 'Apocalypse Now', exploring its last-minute addition, the real event that inspired it, and the actors' involvement. It discusses the scene's significance to the story, its connection to the My Lai Massacre, and the improvisational nature of its filming. The video also touches on the characters' development through this sequence and the contrasting portrayal of war's impact on soldiers.
Takeaways
- đŹ The script discusses the 'Puppy Boat Massacre' scene in 'Apocalypse Now', highlighting its significance and the real-life event that inspired it.
- đ The scene was a last-minute addition to the film, suggested by editor Walter Murch, and was referred to as a 'My Lai Massacre' in the script.
- đ The actors in the scene, including Sam Bottoms who played Lance, contributed ideas for their characters, possibly influencing the scene's development.
- đ»đł The My Lai Massacre, a war crime where US soldiers killed around 500 unarmed South Vietnamese citizens, is directly related to the scene's narrative.
- đ„ The scene was improvised by the cast, with director Francis Ford Coppola setting up the scenario and allowing the actors to bring the scene to life.
- đ„ The filming of the scene was the second-to-last sequence shot for the movie, and it was highly praised by the cinematographer Vittorio Storaro.
- đŸ The puppy in the scene symbolizes innocence and is used to progress the character arcs of the patrol boat crew, especially Lance.
- đ« The character Clean, a 17-year-old, is depicted as the one who ultimately kills the civilians, showing the transformation of a young man into a killer due to war.
- đ The Do Lung Bridge sequence that follows the 'Puppy Boat Massacre' marks a shift in tone and visuals for the movie and is the last army outpost before reaching Kurtz.
- đĄ The script also mentions a cut scene involving a floating bed for a dead baby, which was part of a local ritual and was destroyed by Chief in the movie.
- đ The video script includes a promotional segment for Atlas VPN, offering a deal for streaming services and online privacy.
Q & A
What is the 'Puppy Boat Massacre' scene in 'Apocalypse Now'?
-The 'Puppy Boat Massacre' scene in 'Apocalypse Now' is a horrifying sequence where the crew of a patrol boat encounters a small sampan boat, leading to a tragic and unnecessary massacre of civilians, including a woman concerned for her puppy.
How was the 'Puppy Boat Massacre' scene added to the movie?
-The scene was a last-minute addition suggested by editor Walter Murch to director Francis Ford Coppola, who was not present on set at the time. It was inspired by the My Lai Massacre and was intended to portray the fear and brutality of war.
What is the significance of the puppy in the scene?
-The puppy symbolizes innocence amidst the horrors of war. When the woman runs towards the basket containing the puppy, it triggers a tragic series of events, leading to the massacre and highlighting the fear and misunderstanding that can lead to such atrocities.
How did the actors contribute to the development of the 'Puppy Boat Massacre' scene?
-Sam Bottoms, who played Lance, suggests that the cast had a hand in the scene's creation, as they all wanted to experience something akin to the My Lai Massacre. Their input and improvisation during filming contributed to the scene's final form.
What was the real-life event that inspired the 'Puppy Boat Massacre' scene?
-The scene was inspired by the My Lai Massacre, a war crime where US soldiers killed around five-hundred unarmed South Vietnamese citizens. The event was a result of the soldiers' increasing brutality towards civilians after suffering heavy losses to Viet Cong snipers and land mines.
How did the actors who played the sampan inhabitants contribute to the scene's authenticity?
-The actors who played the sampan inhabitants were actual Vietnamese refugees who had fled their country just two days prior to filming. Their desperation and real-life experiences added a layer of authenticity to the scene.
What was the filming process like for the 'Puppy Boat Massacre' scene?
-The scene was largely improvised, with director Francis Ford Coppola setting up the scenario and letting the actors' creativity flow. The first take was reportedly so powerful that it left the crew, including cinematographer Vittorio Storaro, stunned.
How does the 'Puppy Boat Massacre' scene differ from other war movie depictions of similar events?
-Unlike other movies that might focus on the actions of sociopaths or the anger driving soldiers, 'Apocalypse Now' frames the scene to show how normal people can be turned into killers in the context of a needless war, emphasizing the tragic transformation of a young boy into a violent participant.
What is the role of the puppy in Lance's character development throughout the movie?
-The puppy serves as a symbol of Lance's innocence. As he carries the puppy through the Do Lung bridge sequence, it signifies his naivety and the preservation of his youthful spirit amidst the chaos of war.
How does the 'Puppy Boat Massacre' scene reflect on the characters' arcs in the movie?
-The scene significantly progresses the arcs of the patrol boat crew members. It shows the clash of objectives between Willard and Chief, the fear and desperation of Chef, the naivety and shock of Clean, and the carefree, almost tourist-like participation of Lance.
What was the significance of the scene being shot as the second-to-last scene of the movie?
-Shooting the 'Puppy Boat Massacre' as the second-to-last scene likely added to the intensity and realism of the performance, as the actors had already developed a deep understanding of their characters and the overall narrative of the movie.
Outlines
đ„ 'Puppy Boat Massacre' Scene Analysis
This paragraph delves into the infamous 'Puppy Boat Massacre' from 'Apocalypse Now', discussing its last-minute addition to the script, the real-life My Lai Massacre that inspired it, and the actors' involvement in its creation. The scene is portrayed as a significant narrative element, highlighting the fear and brutality of war. It also touches on the improvisational nature of the scene and its impact on the characters, with a focus on the young soldier Clean and the tragic loss of innocence symbolized by the puppy.
đŹ Behind the Scenes of the Sampan Sequence
The second paragraph provides insights into the filming of the Sampan scene, revealing the improvisational approach taken by the actors and director Francis Ford Coppola. It discusses the backgrounds of the actors playing the sampan inhabitants, the intense and emotional response to the first take, and the creative freedom afforded to Coppola due to his refusal to compromise with the US Department of Defense. The paragraph also explores the character development within the scene and the thematic implications of the puppy's presence.
đ The Do Lung Bridge and Atlas VPN Promotion
The final paragraph shifts focus to the Do Lung Bridge sequence in 'Apocalypse Now', marking the last army outpost before Kurtz's territory and symbolizing the crew's point of no return. Additionally, it includes a promotional segment for Atlas VPN, detailing its features such as changing IP addresses to access region-restricted content, blocking ads and malware, and providing a secure browsing experience across all devices at an affordable price.
Mindmap
Keywords
đĄPuppy Boat Massacre
đĄMy Lai Massacre
đĄViet Cong
đĄChief
đĄClean
đĄLance
đĄSampan
đĄProtocol
đĄWillard
đĄDo Lung Bridge
đĄImprovisation
Highlights
The 'Puppy Boat Massacre' scene in 'Apocalypse Now' was a last-minute addition to the film.
The scene was inspired by the real-life My Lai Massacre, a war crime committed by US soldiers.
The idea for the scene was suggested by editor Walter Murch to director Francis Ford Coppola.
Sam Bottoms, who played Lance, implies that the cast contributed to the scene's concept.
The My Lai Massacre involved the killing of around five-hundred unarmed South Vietnamese citizens.
Only one soldier was convicted for the My Lai Massacre, with his sentence later commuted by President Nixon.
Journalist Seymour Hersh, who uncovered the My Lai story, described the military units' increasing brutality towards civilians.
The 'Puppy Boat Massacre' scene was filmed in mid-April 1977 and was the second-to-last scene filmed.
Actors playing the sampan inhabitants had fled Vietnam as fugitives and were desperate for money.
The scene was largely improvised, with director Coppola setting up the scenario and letting the actors perform.
Cinematographer Vittorio Storaro was deeply affected by the scene, considering it one of the best he'd ever seen.
The scene explores the transformation of ordinary soldiers into killers due to the war's circumstances.
The puppy in the scene symbolizes innocence and is taken by Lance, who is portrayed as a relaxed and innocent character.
The scene's improvisational nature allowed for a more authentic portrayal of the characters' reactions to the massacre.
Coppola's refusal to compromise with the US Department of Defense gave him the freedom to depict the war's harsh realities.
The scene's impact on character development, showing the different reactions and motivations of the patrol boat crew.
A deleted scene involving a sampan filled with monkeys and a corpse tied to a sail was considered too intense for inclusion.
Transcripts
In this video, weâre taking a look at the story Â
behind the horrifying âPuppy Boat Massacreâ scene in Apocalypse Now,
Get on that boat!
Thereâs nothing on it, man!
Get on it!
Well, alright!
including its last-minute addition, the real event that inspired it, the strange backstory Â
of the actors in the scene, and why this small scene is actually really important to the story.
Check Â
the yellow can.
Stay tuned to the end of the video to find out how you can get three years of privacy Â
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After the silly fun of Playboy Show and the Medevac Sequence, we get another funny bit with Â
Chef ragging on Clean while cooking soup on the boatâs engine and Lance paints his face becauseâŠ
So they canât see you. Theyâre everywhere, Chief.
There was another bit here that was cut out of the movie where there is a small Â
floating bed for a dead baby, which seems to be some kind of ritual for Â
the locals. Lance wants to keep it, but Chief yells at him before shooting it.
You know they booby trap them things.
Chief is annoyed wrangling the crew because they Â
are like children. Theyâre having too much fun for a war setting.
And stop smoking that dope! You hear me?!
And that fun is about to end.
Chief sees a Sampan boat and insists they search it as protocol demands. Willard Â
tells him to let the Sampan go, but weâve seen how seriously Chief takes his job.
Chief forces Chef onto the Sampan to check if they are hiding supplies for the Viet Cong. Â
Frustrated with Chief, Chef tears apart the boat and when he gets to a basket, Â
the woman runs over and Clean shoots her and the rest of the civilians.
The woman was concerned about her puppy, Â
showing that the situation that has been created by the war has instilled a fear Â
that made Clean think that she must be running for a weapon to kill them with.
Producer Fred Roos said, "The scene where they come upon the little sampan boat; Â
the fear of the Americans on that boat, triggers the killing that went on, Â
and I think the truth of that scene so portrayed what that war must have been like" (Travers 134).
This disturbing sequence of events was actually suggested to Coppola by editor Â
Walter Murch when Coppola was back in California during December of 1976.
Coppola: âIt was Walterâs idea that we add to the scriptâit wasnât in itâa kind of My Lai Massacre. Â
And I thought about it, I went back, Â
he was not there. He was in California. We had come back and he told me, âWhat you need Â
is a massacre scene.â And so I cooked up the âpuppy sampanâ as it became known.â
Sam Bottoms, who played Lance, implies that it was the cast that came up with the idea, Â
so maybe it was a combination of Much and the cast. Bottoms said, "Francis had us all list a Â
set of things they wanted their characters to do, and I remember we all wanted to do Â
a sort of My Lai massacre,...We thought an interrogation of the boat, and firefight, Â
and the loss of many lives; we wanted to experience something like thatâ (Travers 134).
âIn the winter of 1968, Charlie Company was losing men to an enemy they could not see or Â
catchâthe Viet Cong. Army intelligence told Charlie Company that everyone in Â
the Vietnamese village of My Lai was a Viet Cong. They were deadly wrong.â
The My Lai Massacre, which happened around the same time that the movie takes place, Â
was a war crime committed by US soldiers in which they killed around five-hundred Â
unarmed South Vietnamese citizens of all agesâsome of the stuff they did was too Â
unspeakable to mention here (My Lai Wiki). Only one soldier was convicted and [quote] Â
âwas originally given a life sentence, but served three-and-a-half years under house Â
arrest after President Richard Nixon commuted his sentenceâ (My Lai Wiki).
According to Seymour Hershâthe journalist who uncovered the storyâthe military units Â
involved had lost around 20% of their men to the Viet Cong snipers and land mines, Â
but never saw the enemy (Hersh Interview). Over the following weeks the units became Â
âincreasingly brutalâ to civilians until they were ordered to go to My Lei and engage the Â
North Vietnamese who were reportedly there for some payback, but when they arrived drunk Â
and stoned they found only South Vietnamese civilians cooking breakfast (Hersh Interview).
The My Lai Massacre was more directly referenced in other movies like Casualties Â
of War and Born on the Fourth of July, but perhaps none moreso than in Platoon Â
where the soldiers are convinced that the villagers are working with the Viet Â
Cong and commit atrocities against them and the village is burned down.
In Apocalypse Now, this scene is framed differently. We know the patrol boat crew Â
now. We know that none of them are sociopaths who think of killing lightly. The character Â
who ultimately kills the civilians is Clean, the 17-year-old, who shoots when he sees the woman run Â
for the basket. Whereas Platoon says, âlook at how psychos take advantage, look at what anger does, Â
look at how you can lose yourself, look at the courage it takes to go against what seems like the Â
inevitable sickness of human nature,â Apocalypse Now says, âlook at how these normal guys were Â
snatched up and used as cannon fodder for a needless war,â âlook at how this boy, who should Â
be living the life of a seventeen-year-old, has been turned into a killer.â
Thatâs my interpretation anyway.
The scene was shot in mid-April of 1977 and was the second-to-last scene they filmed. Â
The actors who played the inhabitants of the sampan had fled Vietnam as fugitives Â
only two days before shooting this scene and âincluded a lawyer and a Â
doctorâ (Cowie 96). They were âdesperateâ for money and agreed to be in the movie (Cowie 96).
Frederick Forrest said, "The whole scene where we shoot up the sampan was improvisedâŠIt flowed Â
like music. Francis set it up so the improv really flowed. Before we started, Â
he gave each of us something to do. For instance, I was to search the sampanâ (Travers 134).
Albert Hall: âI felt that he just thought a lot of his actors. We were gems who would bring his ideas Â
to life and he also took a lot of our creative input. Once he set Â
that feel for us we just started improvising everything that was happening on the boat.â
Forrest said that they âjust let the cameras rollâ and the first Â
take [quote] âknocked everyone outâ (Cowie 96).
Steven Travers writes that a scene like this was not something screenwriter John Â
Milius would have ever included in the script considering how ultra-patriotic his version Â
was (Travers 134). But seeing as Coppola refused to give any concessions to the US Â
Department of Defense and was, therefore, receiving no aid from the US military, Â
he was completely untethered and free to explore this aspect of the war. It almost Â
feels like something someone in Coppolaâs unique position would feel obligated to do.
Forrest said, "When we had finished, it was absolutely quiet. [Cinematographer] Â
Vittorio Storaro was just stunned. He said it was the best scene that he'd Â
ever seen. But none of it was written down" (Travers 134).
When it turns out that the woman was running for her puppy, Lance Â
demands Chef give it to him and ultimately yanks the puppy away from Chef violently.
Perhaps the sounds of the puppy yelping were added in later, Â
but this was obviously too violent and I wish they hadnât done that.
Lance takes the puppy through the Do Lung bridge sequence, Â
which you could say that it was a lucky charm that kept Lance Â
from getting killed after leaving himself open to get shot while tripping on acid.
Shortly after, the puppy goes missing when Clean is killed, which could be interpreted as a loss Â
of innocence, or maybe the puppy was added on a whim and Coppola didnât want to have to figure Â
out how to incorporate it into the rest of the movie. And the Sampan scene and Cleanâs death Â
were the last things filmed, but Iâm assuming the puppy was somewhat planned because it is Â
featured pretty heavily in the Do Lung sequence. That said, when I watched the Final Cut version Â
of the movie on IMAX, I noticed that the puppy reappears on the boat right before Â
Willard leaves to go kill Kurtz. Iâm pretty sure thatâs the puppy and not a monkey or something. I Â
remember it being really clear on IMAX, but on the blu-ray, itâs a little hard to see.
Whatâs great about the Sampan sequence is how much it progresses each characterâs arc in a Â
single scene. Willard and Chief clash because it is important to Chief that he has control Â
over his boat and his crew. He feels his job is important and Â
has a pride in fulfilling his duties by the book. He is trying to prevent chaos Â
on the boat with his child-like crew by instilling a sense of order and protocol.
Until we reach our destination, Captain, youâre just on for the ride.
Willardâs mission, while secretive, Â
superseded everything else and by the end of the scene, we see how serious he is about it.
I told you not to stop now letâs go.
Both of these objectives clash with Chef, whose only mission is to get the hell out Â
of Vietnam in one piece. He has no stake in being an asset to the war effort or Willardâs mission.
Clean, at such a young age, doesnât seem to grasp the weight of what is happening. He Â
seems a bit shocked at the carnage, but he is too naive to feel responsibility Â
for it. And as expendable people are in this setting, he will be the first of the patrol Â
boat crew to die and we will never even see who was responsible for his death.
Finally, Lance, like Chef has no sense of duty to the war effort, but while Chef is Â
terrified and trying to claw his way out of the situation, Lance, like the surfer he is, Â
is mostly relaxed. Heâll participate, but he participates like a tourist on vacation. He Â
paints his face for fun. In the next scene, he drops acid. And now he has just been given Â
the symbol of his innocenceâa puppyâto go through the story like himselfâjust going with the flow.
Semi-related, there was this insane moment that was cut from the movie where the patrol Â
boat passes by a sampan filled with monkeys and has the corpse of a man tied to the boatâs sail. Â
This is intercut with the ritual at the Kurtz compound from the end of the movie, Â
but the people are singing âLight My Fireâ by the Doors.
Come on, baby, light my fire.
Come on, baby, light my fire. Itâs cominâ from where we goinâ, Captainâ
It was the way we had over here of living with ourselves. We would cut them in half Â
with a machine gun and give them a bandaid. It was a lie. The more I saw them, the more I hated lies.
On the next episode of Making Apocalypse Now, the crew of the patrol boat finally reach the Â
Do Lung Bridgeâthe last army outpost on the Nung River in a surreal sequence that would Â
mark the final point of no return for the crew and a shift in tone and visuals for the movie.
Do Lung bridge was the last army outpost on the Nung River. Beyond that there was only Kurtz.
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