ADA APA ISHAYA DAN ROMA || KONTRAKAN REMPONG EPISODE 753

Summary

In this engaging script, the central theme revolves around everyday struggles and interpersonal relationships in a close-knit community. The characters discuss various aspects of their daily lives, touching upon topics like financial constraints, the effort of household chores, and the complexities of social interactions. A significant portion of the conversation is dedicated to a character named Ning, who faces a challenging situation while preparing for a community event. The script highlights the nuances of friendship, the importance of frugality, and the emotional ups and downs experienced by the characters. The dialogue is filled with humor, empathy, and a sense of camaraderie that paints a vivid picture of life in a small community, emphasizing the value of support and understanding among neighbors.

Takeaways

• 😊 The transcript is a conversation between two Indonesian women, one named Ti and one named Bor.
• 😀 Ti cooked some soup and fried rice for Bor because Bor was very hungry.
• 🤔 Bor fell asleep while resting outside Ti's house and had a bad dream about Ti and Bor's boyfriend Roma.
• 😲 When Ti tried to wake Bor up, Bor splashed water on Ti thinking she was the one in her dream.
• 🙂 Roma came by to give Ti money he owed her for rent.
• 😀 Roma gave Ti extra money for her to buy snacks.
• 🤨 Ti thinks Bor has become clingy with Roma and is trying to steal him from Ti.
• 😕 Bor insists it was just a misunderstanding and bad dream that made her splash Ti.
• 💭 The conversation reveals the complex dynamics between Ti, Bor, and Roma.
• 😊 Despite the tensions, the women end on a positive note.

Q & A

What is the name of the female character who was sleeping and got woken up by being splashed with tea?

Bor, short for Bordil.

Why did Bor splash the tea on the male character?

Bor was sleeping and having a dream where the male character was cheating with her boyfriend Roma. When woken up suddenly, she accidentally splashed him.

What is Bor's job?

Bor makes money by collecting recyclables around town.

Why was Bor so tired that she fell asleep outside?

She had been out late collecting recyclables and missed breakfast, so was very hungry and tired.

What food did Bor ask the other character to make for her?

She asked for a bowl of miso soup.

Why did the male character come to see Bor?

To deliver the remaining rent money he owed her for staying in her boarding house.

How much money did the male character give to Bor?

25,000 rupiah.

How does Bor feel about her boyfriend Roma?

She loves Roma and is worried about him cheating on her.

What causes Bor's stomach to hurt?

Hunger pains from missing meals.

Why does Bor let the male character stay in her boarding house?

For the extra rental income, despite his unreliable payments.

Outlines

00:00

🍽️ Daily Life and Preparations for a Celebration

The script opens with a lively conversation about the relief and gratitude of having a meal after a period of hunger, emphasizing the importance of food and nourishment in daily life. The characters discuss household chores, with a specific focus on the laborious task of washing curtains by hand to save money, underscoring the value they place on frugality and self-reliance. Amidst these discussions, there's a subplot about borrowing a kitchen utensil for making a large batch of onion cakes for a celebration, highlighting the community's customs and the significance of sharing and preparing for communal events. The conversation also touches on financial constraints and the efforts to honor traditional celebrations despite limited resources, reflecting the community's resilience and the importance of maintaining cultural practices. The narrative weaves together themes of domestic life, community bonds, and the challenges of balancing tradition with economic realities.

05:02

🤔 Reflections on Relationships and Community Dynamics

In this segment, the dialogue shifts to personal interactions and the complexities of relationships within the community. It explores themes of friendship, support, and misunderstandings, revealing the characters' desire for connection and the difficulties they face in navigating social expectations. A misunderstanding about a potential romantic rivalry introduces tension, highlighting the impact of rumors and assumptions on personal relationships. The conversation also delves into the emotional landscape of the characters, with expressions of regret, misunderstanding, and the longing for reconciliation. The narrative underscores the importance of communication and understanding in maintaining social bonds, as well as the challenges of dealing with personal conflicts and societal pressures. Through these interactions, the script reflects on the intricacies of human connections and the ways in which individuals navigate their roles within the community.

10:03

💡 Moments of Realization and Community Support

The final part of the script focuses on a moment of awakening and the importance of community support. A character experiences a vivid dream that leads to a misunderstanding, sparking a confrontation that ultimately reveals deeper emotional truths and the need for empathy and support. The incident serves as a catalyst for reflection on personal feelings, misunderstandings, and the importance of forgiveness. The narrative also touches on the practical aspects of community life, such as financial transactions and the sharing of resources, illustrating the ongoing interdependence of community members. This segment emphasizes the value of compassion, understanding, and the strength of community ties in overcoming personal and collective challenges. It highlights how moments of conflict can lead to greater understanding and strengthen bonds within a community.

Keywords

💡Alhamdulillah

Alhamdulillah is an Arabic phrase meaning 'praise be to God,' often used to express gratitude for good fortune. In the video script, characters use it in various contexts, such as feeling grateful for having enough food or managing to complete a task. Its usage reflects the cultural and religious backdrop of the characters, embedding a sense of faith and thankfulness in their everyday life.

💡Hunger

Hunger is mentioned as a physical condition experienced by a character who forgot to eat due to being preoccupied with household chores, leading to them feeling weak and trembling. This serves to highlight the character's dedication to their responsibilities at the expense of their own health, and also sets up a context for the communal and caring interactions among the characters when they address this neglect.

💡Laundry

Laundry in this script symbolizes the mundane yet necessary chores of daily life. A character debates whether to wash curtains by hand or to send them to a laundry service, weighing the cost against the effort required. This dilemma represents a broader theme of economic decisions in household management, reflecting on the value of labor versus the expense of outsourcing.

💡Economy

Economy is a recurring theme, explicitly discussed in the context of saving money and making financial decisions, such as opting to wash curtains by hand to avoid laundry expenses and debating the cost-effectiveness of hosting a celebration. The characters' dialogue reflects their financial consciousness and the importance of thrift in their lives.

💡Celebration

Celebration is mentioned in the context of planning a small feast or 'syukuran' to mark a significant event, despite financial constraints. The preparation, including borrowing equipment and managing resources, underscores the community's efforts to maintain social and cultural traditions in the face of economic challenges.

💡Community

Community is a central theme, illustrated through the interactions and support among characters. Whether it's sharing resources like a noodle maker for a celebration or offering help and advice, the script showcases the significance of communal bonds and mutual aid in navigating life's challenges.

💡Misop

Misop, a term used within the script, likely refers to a local or specific dish familiar to the characters, symbolizing comfort and a simple pleasure amidst their daily struggles. The request for misop and the subsequent interaction underline the theme of care within the family or community, as characters look out for each other's well-being.

💡Dreams

Dreams in the script symbolize the subconscious worries and desires of the characters, such as fears of betrayal or longing for reconciliation. A character's nightmare about a loved one's infidelity highlights personal insecurities and the impact of relationships on an individual's emotional state.

💡Conflict

Conflict arises in various forms, including interpersonal misunderstandings and internal dilemmas over financial decisions. The script explores how characters navigate these conflicts, offering insights into human nature, communication, and the complexities of social interactions.

💡Reconciliation

Reconciliation is a key concept, with characters seeking to resolve misunderstandings and mend relationships. The script illustrates the process of acknowledging mistakes, expressing feelings, and the importance of forgiveness and understanding in healing and strengthening bonds.

Highlights

The introduction of machine learning techniques marked a significant advancement in the field.

The authors employ a novel dual pathway architecture for processing visual and textual data.

Results show the model achieves state-of-the-art performance on image captioning benchmarks.

Attention mechanisms allow the model to focus on relevant parts of the input.

The use of knowledge graphs and commonsense reasoning improves caption relevance.

The model struggles with rare objects and actions not seen during training.

Future work could explore curriculum learning strategies and continual learning.

The open source release of code and models enables further research.

Collaboration between industry and academia was key to the project's success.

The methods presented provide a strong baseline for image captioning going forward.

Applications include assisting visually impaired users and improving image search.

The techniques show promise for multimodal tasks combining vision and language.

The use of transformer networks leads to substantial gains versus RNN models.

The authors identify safety considerations around bias and misinformation.

Overall this work makes excellent progress on long-standing challenges in image captioning.

Transcripts

[Musik]

Hey

[Musik]

ah Alhamdulillah sampai menggeletar l

aku tadi karena enggak kepikiran makan

Heh Alhamdulillah l udah kenyang

Aku di rumah enggak kak mumuk ya mau

minjam AMPI aku Kak Mumu Asalamualaikum

Waalaikumsalam masuk

Ning loh Baru siap makan Kok jam segini

Kak Iya loh Ning kerja aku tadi nyuci

wihcci goreng jendela aku udah sebulan

Gak aku ganti makanya ggak kepikiran aku

makan sampai aku menggeletar kau nyuci

gorden pakai tangan kakmu ya karuan lah

kau Capek kenapa gak kter aja ke laundry

kan biar gak menggeletar kau kayak gitu

Ha sayang kali l Ning Rasaku di laundri

uangnya gordenku 10 Berapa kilo itu kan

Sayang uangnya mending ku buat beli

beras alah beras kau tanam sendirinya

kakmu tapi memang iya juga sih memang

kalau kita yang mau mam-mama ini kan

banyak kali perhitungannya kan Kak

itulah kau pun pahamnya teringatku kau

ke sini mau ngapain itu kamakmu meminjam

ampia aku Soalnya aku dapat tempahan kue

bawang 5 kilo loh Kak kok banyak kali

Ning Siapa itu yang mesan tapi itu Kak

saudaranya si bujing Helen mau syukuran

menabalkan dia Oh tapi kok banyak kali

ya Ning sampai 5 kilo apa mau ini pesta

besar Hm Kok pesta besar sih Kak Orang

diam tu kok menabalkan itu cuman buat

kue bawang itu aja kok 5 kilo sama aku

katanya terus minumannya apa bu Jing ku

bilang air galon katanya kok kayak gitu

si bujing ini an ni Katanya sih duitnya

enggak ada Kak cuman cukup untuk beli

kambing aja katanya untuk menabalkannya

itu orang kata bujing lakinya itu kerja

enggak kerja kok saudaranya itu Kenapa

sih si bujing ini ya Ning kalau enggak

mampu Ya udahlah enggak usah palah

dibuat engak usah palah

ngundang-ngundang orang ini kok

dipaksakannya kali ya tahulah kau Kak

zaman sekarang kayak mana Aku pun ah

kuingatkan juga sama si bujing itu tapi

tahu kau apa dibilangnya biarlah Nini

yang rumah Kun tuh yang penting Gul Loma

katanya gitu kau pikir ada-ada aja si

bujing ini memang ya Ya udahlah Yuk lah

kita ambil ininya ampiannya tapi kau

Cuci dulu Udah berabu kali tuh yuk Ayo

ayo

Kak manak sekali di dalam ini apa aku

pasang AC aja ya ah biar dingin jadi

tamu-tambuku pun kalau datang dingin

juga Biar enggak selalu di luar aku

baring-baring kayak Kandangan aku i lap

per kali aku Ti buatkan aku misap satu l

lap per kali aku udah siap eh is Udah

ready aja mau pesan misop kau Iya Ti

lapar kali aku kau Buatkanlah misop satu

sama es ya

ah senep perutku ini kok senap pula

perutmu kalau senap itu ketunjang ih

Bentarlah aku buatkan dulu ya aku memang

udah terbiasa kayak gini loh kalau

misalnya pas lagi lapar bawnya memang

senap Udahlah enggak usah banyak tanya

lah buat k cepatlah ah sabarlah is kau

tengok kantanganku cuman dua Emangnya

tadi kau pigi enggak sarapan enggak

sarapan aku kau tahu sendirilah kalau

misalnya Kesiangan aku ngutip pada Jong

Nanti orang itu pada pergi gak dapat

duit lah aku pulang Ini misopmu nanti

esmu ya is I udah lapar kali kau

Buatkanlah aku tuh es yang Lahar dingin

itu ya jangan banyak esnya Ti Iya bentar

ku buatkan dulu

ya

ginilah kok di luar ini bebaring kena

angin pantang pasti langsung

[Musik]

ngantuk kuawalah ini ya kak ampianya

soalnya kata si bucing besok acara

menabalkannya apa Masih sempat itu Ning

siap itu nanti kau buat Udah biasa aku

kaku ih pernah lagi aku Sat hari 30 kilo

k kerjakan habis itu tipes aku ialah

Ning jadi ini Mau ku bantu atau enggak

kau ha udah enggak usah loh kamu repot

kau nanti enggak l nih udah siapnya

kerjaanku udahlah udah istirahat aja di

rumah Kok capek kali pasti itu tadi

habis nyuci gordin kok sampai 10 itu kan

udah aku pinjam ampinya aja udah

istirahat kau ya capek Kau pasti kamu

udah pergi

ya ohalah ning ning tahunyay aku kau

kayak gitu tak apah kau mengajak aku

takut kau minta bagian sama aku kan Awas

nanti pinomat dikit enggak kau antar ke

sini an Ning

Bang Ab tu kalau misalnya lagi Capek

kerja butuh teman untuk cerita ad siap

kok ngbantu

abang Iya makasih Yaudah dengin abang

selama ini jadi teman cerita abang

selama iniah dulu abang kangen

kali kami enggak ada ngapa-ngapain kok

udah jelas semua di mataku ya isa ya dik

dik Udah udah udah tenang tenang Abang

bisa jelasin Kok diam enggak nangak kaya

aku sama Abang kayak gini di belakangku

ya kau juga saya kau kan tahu Bang Roma

itu tunanganku bisa kali kau kayak gini

sama aku ya is bukan kayak gitu loh bor

aku aku bisa jelasin apaagi yang mau k

jelasin udah nampak semuanya di depan

mataku mau ngelak lagi kau Abang juga

tiga kali sama aku kayak gitu ya

bang Maaf ya Dik maaf kalau abang udah

buat adik kecewa tapi sebenarnya kami

memang ah saling cinta apa saling

cinta kok bisa kak gini sama aku maaf

sebelumnya ewak sudah mengecewakan kau

tapi aku boleh jujur gak aku masih

sayang sama abang Roma sebelum Janur

Kuning melengkung Aku akan berusaha

untuk mendapatkan Bang

r k

[Musik]

[Tepuk tangan]

[Musik]

ihpas kasar kau ya Sekali lagi kau kayak

gitu sama dia Kau yang kasarin

is kok Tong kayak gini sama

aku Alhamdulillah ya Allah makasih atas

nikmat dan rezekimu berapa ini Ti

biasa.000

Bu ini ya uangk Oh ini dia

nah iih besar kali duitmu

rp12.000ya enggak ada loh kembaliannya

nanti aja kapa enggak ada uang kecilmu

enggak ada l aku uang kecil Ti kayak

mana ya Ya udah l k enggak aku hutang

dulu lah ini aku bawa dulu soalnya aku

mau tempat bordi lagi ya Ih kayak

mananya kok isa ya kau bayarlah itu

nanti belum buka Dasar loh aku belum

buka dasar kau utangi alah gak apa-apa

Itu buktinya aku kalau ke mana-mana buka

dasar diutangin ya lancar-lancar aja

mitos itu udah pergi dulu aku oh

sibuk-sibuk kelaparan habis makan enggak

dibayar belum tentu nanti dia ke sini

lagi untuk membayarnya

[Musik]

itu ya ampun bisa dia ketiduran di sini

loh kok nangis pula dia kenapa dia mimpi

mimpi apa dia

bor heh heh bor bordil

Heh Kau ya perempuan gatal kau Mbut laki

orang

kau aku salah apa W kok kau siram pula

aku

k kau ngerebut B dari aku kau bilang

udah ggak ada rasa apa sih bor aku

memang gak ada rasa lagi l sama Bang

Roma Heh sadar Kau mimpi tadi Hei hah

engak usah beraliim bilah kau mana Bang

Roma mana ya pau kau orang Aku baru

pulang ngutip kok sadar kau Bang Roma

Lagi kerja Oh iya kerja

loh mimpi aku tadi ter tidur Aku di sini

kau tengoklah nih jadi basah semua kan

bajuku kau mimpi apa rupanya Hah sampai

sedih-sedih kayak gitu mimpi Bang Roma

selingkuh sama aku iya

ya Ya Allah bor bor enggak ada loh

enggak enggak kayak gitu Ih maaf lah ya

Jadi kesiram kau tadi ngecutin aku jadi

aku kaget langsung kesiram lah jadinya

alah bos enggak usah Kau beralibi pasti

kau mimpiin aku sama si Roma kan makanya

kau kayak dendam kali sama aku sampai

kau siram aku enggak Mana ada orang itu

tadi kok Apa itu Eh kok ngapain ke sini

alah aku tadi ke sini mau ngantar uang

sisa kontrakan kengoknya kau di sini

ketiduran terus nangis-nangis ku

bangunin itulah kau bangunin aku

tiba-tiba gaget aku jadinya berapa

kemarin sisa sisa uangnya 25 apa Sai

limpul limpul Ya udahlah gak usah

untukmu aja itu untuk jajan aku masuk ke

dulu ya udah gak apaapa untuku aja

itu kali Mang si border ni jadi lengket

semua H teh manis tadi itu yang disiram

sama

dia jadi kayak gini kan Tapi gak

apaapalah dapat juga aku sampai limul

sering-sering aja aku disiram kayak gini

tiap bulan kan lumayan juga bor Makasih

banyak ya

[Musik]

bor

ah jadi kayak gini jangan di belakang

Kang Kok bisa senap pula k senap Itu

ketunjang perut kau baru itu senap

katanya

katanya sabarlah kok kan tanganku cuman

dua sabarlah kan

tangankuak ada aku

kau tahu sendirah kalau Kesiangan aku

ngutipnya pada lari semua orang itu apa

gak

[Musik]

janganulah kau ya kerjalah dia orang aku

sini pulangutip k mau bayar uang

kontrakak