Buster Keaton - The Art of the Gag

Every Frame a Painting
21 Nov 201508:34

Summary

TLDRIn 'Every Frame a Painting,' Tony explores the enduring influence of silent film comedian Buster Keaton. Keaton's visual storytelling, emphasizing action over title cards, and his unique approach to comedy through physical gags and innovative camera angles are highlighted. The video discusses Keaton's rules for visual humor, including the importance of the frame's boundaries and the flat, geometric world his characters inhabit. It also touches on his 'natural gag' philosophy and his commitment to performing stunts in a single take, emphasizing the authenticity and integrity of his work.

Takeaways

  • 🎬 Buster Keaton is recognized as one of the three great silent comedians, with a lasting influence on filmmakers and visual comedy.
  • 🤔 Visual comedy relies on storytelling through action, with Keaton avoiding title cards and focusing on gesture and pantomime to convey the narrative.
  • 🤸‍♂️ Keaton believed in the uniqueness of each action, emphasizing that every fall or movement should be an opportunity for creative expression.
  • 📸 The positioning of the camera is crucial for visual gags, with the right angle enhancing the humor and clarity of the joke.
  • 🌐 Keaton's comedic world operates on the principle that what the camera can't see, the characters can't see either, creating a visually coherent universe.
  • 🔄 His gags often involve human movement within a flat, geometric space, using circles, triangles, and parallel lines to craft humor.
  • 🎩 Some of Keaton's humor has roots in vaudeville, with 'impossible gags' that are inventive and surreal, though they can challenge the logical rules of his world.
  • 🚪 Keaton preferred 'natural gags' that emerge organically from the character and situation, such as his innovative use of a door in his comedy.
  • 💡 Improvisation played a significant role in Keaton's work, with about half of the gags planned and the other half developed during filming.
  • 🎥 Keaton was adamant about performing gags in one take without faked elements, insisting on the authenticity of the stunts to maintain audience trust.
  • ⏳ Despite the passage of nearly a century, Keaton's approach to visual comedy remains influential and admired for its skill and integrity.

Q & A

  • Who is Buster Keaton and what is his significance in the history of cinema?

    -Buster Keaton is one of the three great silent comedians and is considered by many as the greatest of all the clowns in the history of cinema. His influence can be seen in the works of modern filmmakers, and he is renowned for his skills in visual comedy.

  • What does the script suggest about the importance of action in visual comedy?

    -The script emphasizes that in visual comedy, the story must be told through action. Buster Keaton avoided using title cards and instead focused on gesture and pantomime to convey the narrative.

  • Why did Buster Keaton prefer to avoid title cards in his films?

    -Keaton believed that each gesture should be unique and that the story should be communicated through action rather than relying on title cards. He aimed to eliminate subtitles as much as possible to maintain the visual storytelling aspect.

  • How does the script describe the role of camera placement in creating visual gags?

    -The script explains that visual gags are most effective when viewed from a specific angle. Changing the angle can alter the gag's effectiveness, and finding the right angle often involves trial and error.

  • What is the significance of the 'flat world' concept in Buster Keaton's comedy?

    -In Keaton's comedy, the 'flat world' concept means that characters are limited by the frame's boundaries and what the audience can see. This allows for visual jokes that make sense within the visual context but not necessarily logically.

  • How does the script relate Buster Keaton's use of geometry to his comedic style?

    -The script suggests that Keaton, like Wes Anderson, found humor in geometry. He often used shapes such as circles, triangles, and parallel lines, as well as the rectangle of the frame itself, to structure his visual gags.

  • What are 'impossible gags' as mentioned in the script, and why did Keaton eventually move away from them?

    -Impossible gags are inventive and surreal jokes that defy logic and are akin to magic tricks. Keaton moved away from them because they broke the rules of his visual world and he felt that gags needed to be believable for the story to hold up.

  • What is the difference between 'impossible gags' and 'natural gags' as per the script?

    -Impossible gags are those that are surreal and defy logic, often breaking the rules of Keaton's visual world. Natural gags, on the other hand, emerge organically from the character and the situation, fitting seamlessly into the narrative.

  • How did Buster Keaton approach improvisation in his comedy?

    -Keaton believed in keeping himself open to improvisation, with about 50 percent of his comedy planned in advance and the rest developed during the filming process. He was open to incorporating accidents and spontaneous ideas that could enhance the humor.

  • What is Buster Keaton's most famous rule regarding gags, as highlighted in the script?

    -Keaton's most famous rule is 'Never fake a gag.' He insisted on performing gags in one take without cutting, ensuring that what the audience sees is real and not the result of editing or special effects.

  • Why does the script suggest that Buster Keaton's approach to comedy remains relevant even after nearly a century?

    -The script implies that Keaton's approach to comedy is timeless because of his skill and integrity. His commitment to performing gags in one take and his focus on visual storytelling ensure that his work continues to amaze and inspire audiences and filmmakers alike.

Outlines

00:00

🎬 The Legacy of Buster Keaton

In this paragraph, Tony introduces the influential filmmaker Buster Keaton, highlighting his impact on modern cinema. He draws parallels between Keaton's unique visual storytelling techniques and the works of contemporary filmmakers like Wes Anderson and Jackie Chan. The paragraph emphasizes Keaton's mastery of visual comedy, particularly his preference for action over title cards to convey stories. It discusses the importance of gesture and pantomime in his films, illustrating how Keaton believed that each action should be unique and creatively executed. The paragraph concludes with a focus on the significance of camera angles in visual gags, showcasing how the right perspective enhances comedic effect.

05:03

🪄 The Art of the Impossible Gag

This paragraph delves into Buster Keaton's approach to comedy, particularly his concept of 'impossible gags'—jokes that defy the rules of logic but are visually compelling. Keaton acknowledges the challenges these gags present in storytelling, as they can disrupt narrative coherence. He contrasts them with 'natural gags,' which emerge organically from character interactions and situations. The paragraph highlights Keaton's improvisational style, revealing that about half of his comedic moments were spontaneous rather than scripted. It also discusses his philosophy of authenticity in performance, emphasizing that genuine reactions contribute to the humor and impact of his films. The paragraph concludes with Keaton's strict adherence to performing gags in one take, underscoring his commitment to realism in filmmaking.

Mindmap

Keywords

💡Visual Comedy

Visual Comedy refers to humor that is conveyed through visual means rather than dialogue or text. In the context of the video, Buster Keaton is highlighted as a master of visual comedy, using action and physicality to tell stories and create humor without relying on dialogues or title cards. For example, Keaton's belief in telling stories through action is exemplified by his avoidance of title cards and his focus on gesture and pantomime.

💡Buster Keaton

Buster Keaton is one of the three great silent comedians, known for his deadpan demeanor and innovative visual gags. The video discusses his influence on modern filmmakers and his techniques for creating visual comedy. His work is characterized by a unique approach to physical comedy and a dedication to performing stunts in a single take, which adds authenticity to his gags.

💡Title Cards

Title Cards were used in silent films to provide dialogue or narrative information. Keaton avoided using them to tell his story, preferring to convey the narrative through visual means. This approach is highlighted in the video as a key aspect of his visual storytelling style, where he communicated the story solely through action and body language.

💡Gesture and Pantomime

Gesture and Pantomime are forms of non-verbal communication that rely on body language and facial expressions to convey a message or tell a story. The video emphasizes Keaton's use of these techniques to create humor and narrative without the need for dialogue, as seen in the example where the content of a conversation is understood through the actors' body language at a table.

💡Camera Angle

Camera Angle is crucial in visual comedy as it determines how a scene is perceived and can significantly affect the effectiveness of a gag. The video illustrates this by comparing two different camera angles for the same joke, showing how the positioning of the camera can either enhance or detract from the humor.

💡Framing

Framing refers to the way a scene is composed within the camera's viewfinder. In the video, framing is discussed in relation to how it can split the audience's attention or guide it naturally from one element to another, as seen in the example where the car's placement in the background allows for a clearer view of Buster's reactions.

💡Visual Gags

Visual Gags are humorous situations that are conveyed through visual means rather than verbal explanation. The video discusses how Keaton's gags work best from a specific angle and how changing the angle can alter the gag, emphasizing the importance of trial and error in finding the right angle for a visual gag.

💡Flat World

The term 'Flat World' refers to Keaton's approach to comedy where the world of his characters is limited by the frame of the camera. This concept is used to explain how Keaton's characters are governed by what is visible to the audience, allowing for gags that make sense visually but not logically, as seen in the various examples of human movement within the flat, framed world.

💡Impossible Gags

Impossible Gags are surreal and inventive jokes that seem to defy the laws of physics or logic. Keaton referred to these as 'cartoon gags', and the video discusses how he moved away from them in feature films to focus on more believable humor. These gags are contrasted with 'natural gags', which emerge organically from the character and situation.

💡Natural Gag

A Natural Gag is a humorous situation that arises naturally from the character's actions and the context of the scene. The video contrasts this with 'impossible gags', highlighting Keaton's preference for gags that are believable and emerge from the character and situation, such as his use of a door in a scene.

💡Improvisation

Improvisation is the act of creating or adapting actions spontaneously during a performance. The video emphasizes Keaton's openness to improvisation in creating visual comedy, where about 50% of the gags were planned, and the rest developed during the filming process. This approach allowed for the incorporation of unexpected moments, such as missed jumps, into the final performance.

💡Never Fake a Gag

Never Faking a Gag is a principle that emphasizes the authenticity of the stunts and actions in a performance. Keaton was strict about performing his gags in a single take without cutting, which is highlighted in the video as a testament to his integrity and the realism of his comedy. This approach is still admired today, as it creates a sense of immediacy and authenticity that cannot be replicated with technology.

Highlights

Buster Keaton's influence is seen in modern filmmakers like Wes Anderson, Jackie Chan, and Bill Murray.

Visual comedy relies on telling stories through action rather than dialogue.

Keaton avoided title cards, focusing on gesture and pantomime to convey the narrative.

Every gesture in Keaton's work is unique, emphasizing creativity in each action.

The right camera angle is crucial for visual gags and is often found through trial and error.

Buster Keaton's world is visually flat, with characters limited by the frame's boundaries.

Keaton's humor often involves human movement within a flat, geometrically staged world.

He used shapes like circles, triangles, and parallel lines to enhance visual humor.

Keaton's gags are rooted in vaudeville, playing out like magic tricks that invite audience curiosity.

He differentiated between 'impossible gags' and 'natural gags', favoring the latter for their organic emergence.

Keaton believed in improvisation, often developing half of his gags during the filming process.

He embraced happy accidents, turning them into callbacks or discarding planned gags that didn't work.

Keaton's most famous rule: Never fake a gag, insisting on performing stunts in one take for authenticity.

Keaton's approach to visual comedy remains influential nearly a century later, valued for its skill and integrity.

His work stands out for its authenticity, as opposed to modern technology that can mimic but not replicate his methods.

Buster Keaton's legacy is celebrated for its originality, with homages often paling in comparison to his genuine performances.

Transcripts

play00:03

Hi my name is Tony and this is Every Frame a Painting.

play00:08

There are some filmmakers who are so influential

play00:10

that no matter where you look, you see traces of them everywhere.

play00:16

I see this filmmaker's framing in the works of Wes Anderson.

play00:23

His acrobatics and stunts in Jackie Chan.

play00:28

And his deadpan posture in Bill Murray.

play00:34

He, of course, is Buster Keaton, one of the three great silent comedians

play00:38

"He was, as we’re now beginning to realize...

play00:42

...the greatest of all the clowns in the history of the cinema."

play00:47

And nearly a hundred years later

play00:49

I think he still has plenty to teach us about visual comedy.

play00:52

So today, let’s take a look at how the master builds a gag.

play00:56

Ready?

play01:00

Let's go.

play01:07

The first thing you need to know about visual comedy

play01:10

is that you have to tell your story through action.

play01:12

Keaton was a visual storyteller and he never liked it

play01:15

when other directors told their story through the title cards.

play01:18

-"The average picture used 240 titles...

play01:21

"...that was about the average."

play01:23

-"240 was the average?" -"Yes. And the most I ever used was 56"

play01:28

He avoided title cards by focusing on gesture and pantomime.

play01:31

In this shot, you never find out what these two are talking about.

play01:34

Everything you need to know is conveyed through the table & their body language

play01:38

"But what you had to say...

play01:40

"You had to communicate to the audience in only one way..."

play01:46

-"Through action" -"Right. We eliminated subtitles..."

play01:48

"...just as fast as we could if we could possibly tell it in action"

play01:52

Keaton believed that each gesture you did should be unique.

play01:55

Never do the same thing twice.

play02:00

Every single fall...

play02:02

is an opportunity…

play02:05

for creativity.

play02:08

But once you know the action we come to the second problem:

play02:11

Where do you put the camera?

play02:18

Visual gags generally work best from one particular angle.

play02:22

And if you change the angle...

play02:24

then you’re changing the gag and it might not work as well.

play02:27

Finding the right angle is a matter of trial and error.

play02:30

So let’s take a look at two possible camera placements for the same joke.

play02:33

Here’s the first one.

play02:42

And here’s the second.

play02:52

You’ll notice in first angle, the car takes up most of the frame

play02:54

and we don’t get a clear look at Buster until he turns around.

play02:58

But in the second angle, the car’s placed in the background

play03:01

and we always have a clear view of his face.

play03:04

This split second, where he doesn’t know what’s happening but we do...

play03:07

...that’s much better from over here.

play03:10

And in the first angle, the framing splits our attention.

play03:13

Our eyes want to look at his face and the sign at the same time.

play03:17

But after reframing the scene...

play03:19

Our eyes naturally look at him...

play03:21

then the sign

play03:22

then back to him. Much better.

play03:28

Now we come to the third question...

play03:31

What are the rules of this particular world?

play03:35

Buster’s world is flat and governed by one law.

play03:43

If the camera can’t see it, then the characters can’t see it either.

play03:47

In Buster’s world, the characters are limited by the sides of the frame

play03:49

and by what’s visible to us, the audience.

play03:53

And this allows him to do jokes that make sense visually

play03:58

but not logically.

play04:00

A lot of his gags are about human movement in the flat world.

play04:03

He can go to the right...

play04:05

to the left...

play04:07

up...

play04:09

down...

play04:11

away from the lens...

play04:13

or towards it.

play04:15

Look familiar?

play04:16

-"She’s been murdered. And you think I did it."

play04:21

-"Hey!"

play04:24

Like Wes Anderson, Buster Keaton found humor in geometry.

play04:31

He often placed the camera further back so you could see the shape of a joke.

play04:34

There are circles...

play04:37

triangles...

play04:39

parallel lines...

play04:40

and of course, the shape of the frame itself: the rectangle.

play04:45

I think staging like this is great because it encourages the audience

play04:49

to look around the frame and see the humor for themselves.

play04:53

In this shot, think about where your eyes are looking.

play04:59

Now where’s he?

play05:02

Some of these gags have their roots in vaudeville

play05:04

and are designed to play like magic tricks.

play05:11

And like all great magic tricks

play05:13

part of the fun is trying to guess how it was done.

play05:19

Keaton had a name for gags like these. He called them “impossible gags.”

play05:26

They're some of his most inventive and surreal jokes.

play05:30

But as a storyteller, he found them tricky

play05:32

because they broke the rules of his world.

play05:34

-"We had to stop doing impossible gags, what we call cartoon gags."

play05:40

-"We lost all of that when we started making feature pictures."

play05:43

-"They had to be believable or your story wouldn’t hold up."

play05:48

So instead, he focused on what he called the natural gag.

play05:52

The joke that emerges organically from the character and the situation.

play05:56

Consider what he does with this door.

play06:04

Keaton claimed that for visual comedy...

play06:05

you had to keep yourself open to improvisation.

play06:08

-"How much of it was planned and how much came out in the actual doing?"

play06:11

-"How much was improvised, you know?"

play06:13

-"Well as a rule, about 50 percent…"

play06:18

-"...you have in your mind before you start the picture..."

play06:20

-"...and the rest you develop as you’re making it."

play06:24

Sometimes he would find a joke he liked so much

play06:26

that he would do a callback to it later.

play06:30

But other times, jokes that he’d planned beforehand wouldn’t work on the day.

play06:33

So he would just get rid of them...

play06:36

-"...because they don’t stand up and they don’t work well."

play06:38

-"And then the accidental ones come."

play06:42

He was supposed to make this jump.

play06:43

But since he missed...

play06:45

He decided to keep the mistake and build on it.

play06:49

-"So you seldom got a scene like that good the second time."

play06:52

-"You generally got em that first one."

play06:54

-"Maybe that’s one of the reasons..."

play06:55

-"...there was so much laughter in the house the other night."

play06:58

-"I mean, the younger people and I had this feeling..."

play07:00

-"...that what we were seeing was happening now."

play07:05

-"That it had happened only once..."

play07:07

-"...It was not something that was pre-done and done and done."

play07:09

And that brings us to the last thing about Buster Keaton

play07:11

and his most famous rule.

play07:16

Never fake a gag.

play07:18

For Keaton, there was only one way to convince the audience...

play07:21

...that what they were seeing was real.

play07:23

He had to actually do it…

play07:28

...without cutting.

play07:29

He was so strict about this that he once said...

play07:32

“Either we get this in one shot…

play07:37

...or we throw out the gag."

play07:40

And it’s why he remains vital nearly 100 years later.

play07:43

Not just for his skill but for his integrity.

play07:46

That’s really him.

play07:50

And no advancement in technology can mimic this.

play07:53

Even now, we’re amazed when filmmakers actually do it for real.

play07:57

But I think he did it better 95 years ago.

play08:01

So no matter how many times...

play08:02

you’ve seen someone else pay homage to him…

play08:13

Nothing beats the real thing.

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Étiquettes Connexes
Visual ComedyFilmmakingBuster KeatonSilent FilmStorytellingPhysical HumorCinema HistoryFilm AnalysisComedy TechniquesClassic Films
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