Arkitekturang Filipino 5: Architecture for the New Nation

Docu Lico
9 Aug 201917:09

Summary

TLDRThis video traces the evolution of Philippine architecture, starting from its ancient origins to modern forms, and explores the nation's post-World War II reconstruction through modernism. It highlights key architects and styles, such as mid-century modern aesthetics influenced by space exploration and tropical regionalism. The video also addresses the impact of Ferdinand Marcos’ regime on cultural projects and the eventual shift to postmodernism, which reintroduced ornamentation and classical influences. The rise of commercial towers, gated communities, and concerns over the loss of Filipino architectural identity due to globalization are also discussed.

Takeaways

  • 📖 The book written in 2008 traces the history of Philippine architecture from ancient times to modern forms, inspiring a 2016 film produced by the National Commission for Culture and the Arts.
  • 🏛️ After World War II, the Philippines embraced modernism, which promised a new start for the nation. Modernism became a foundation for the country’s rebuilding efforts.
  • 🇵🇭 In 1946, the Philippines gained independence, and the U.S. war damage rehabilitation fund helped restore Manila's neoclassical buildings like the City Hall and Post Office.
  • 🏗️ Filipino architects in the post-war era embraced modernism, prioritizing simple and functional designs, inspired by global trends like 'form follows function' and mid-century modern aesthetics.
  • 🚀 The space age of the 1950s influenced architectural design, leading to long horizontal lines, futuristic materials, and innovative structures such as thin concrete shells and folded plates.
  • 🌞 Tropical regionalism emerged in response to the tropical climate, leading architects to adapt international styles with local modifications, such as pierced screens to control sunlight.
  • 🏙️ Manila experienced a high-rise boom in the 1950s, transforming the city’s skyline with iconic structures like the Piccata Building and the Insular Life Building.
  • 🏡 Low-cost suburban housing projects, including bungalow units, became popular, reshaping middle-class living standards in post-war Philippines.
  • 🎨 In the 1970s, Imelda Marcos championed a cultural renaissance, commissioning modernist buildings with references to traditional Filipino design, such as the Cultural Center of the Philippines.
  • 🏢 Postmodern architecture in the 1980s challenged modernism with eclectic, ornamented designs, reshaping Manila with skyscrapers and master-planned developments like Eastwood City and Global City.

Q & A

  • What is the main focus of the book mentioned at the beginning of the script?

    -The book traces the history of Philippine built forms, from their primeval origins to their contemporary manifestations.

  • How did modernism influence post-war architecture in the Philippines?

    -Modernism provided the foundation for rebuilding the nation after World War II, offering straightforward, functional designs that emphasized simplicity and honesty in materials, structure, and form.

  • What role did the U.S. war damage rehabilitation fund play in the Philippines after World War II?

    -The U.S. war damage rehabilitation fund helped resurrect Manila's pre-war neoclassical buildings, including iconic structures like the Manila City Hall, post office, and legislative buildings.

  • What characterized mid-century modern architecture in the Philippines?

    -Mid-century modern architecture in the Philippines was influenced by space exploration and advancements in materials, resulting in long horizontal lines, soaring structures, parabolic arches, and sharply contrasting angles that symbolized speed and futurism.

  • What innovations in building materials and techniques were embraced during the modernist period in the Philippines?

    -Architects embraced reinforced concrete, plastic, steel, and advanced engineering techniques like thin concrete shells and space frames, allowing for new shapes and sculptural forms in architecture.

  • What was the purpose of devices like the brise-soleil and pierced screens in Filipino modernist architecture?

    -Brise-soleil and pierced screens were used to tropicalize modernist designs, serving as external climate modulators and decorative elements. They helped diffuse light and provide shading in the tropical environment.

  • How did the oil crisis of 1973 impact Filipino architecture?

    -The oil crisis led Filipino architects to reevaluate modernist designs and incorporate vernacular building traditions for more energy-efficient designs, giving rise to tropical regionalism.

  • How did high-rise architecture evolve in the Philippines during the post-war period?

    -High-rise fever swept Manila in the 1950s, with buildings like the Piccata Building and Insular Life Building breaking previous height restrictions and redefining the skyline, especially in areas like Makati.

  • What influence did Ferdinand and Imelda Marcos have on Filipino architecture in the 1970s?

    -The Marcos regime promoted national rebirth through massive building projects, with Imelda Marcos acting as a patroness of the arts. The period saw the construction of modernist buildings like the Cultural Center of the Philippines and other monumental structures.

  • How did postmodernism challenge the principles of modernist architecture in the Philippines?

    -Postmodernism rejected the minimalist, austere designs of modernism, favoring a return to ornamentation, historical references, and eclectic design. It embraced vibrant colors, classical motifs, and mixed elements to create more visually engaging structures.

Outlines

00:00

📖 The Rise of Modernism in Post-War Philippines

This paragraph traces the inspiration behind a book and film on Philippine architecture, focusing on the country's recovery after World War II. Following the war, the Philippines embraced modernism as a way to rebuild a new nation. The movement, guided by the mantra 'form follows function,' was spearheaded by architects like Alfredo Luce and Carlos Arguelles. Modernism's aesthetics were shaped by advances in technology, such as reinforced concrete and space exploration, leading to simplified, geometrical designs and structural innovations. These principles gave rise to mid-century modern architecture, characterized by sleek lines and materials that emphasized functionality and honesty in design.

05:03

🏙️ The Emergence of Tropical Regionalism and High-Rise Architecture

The second paragraph describes how Filipino architects in the 1960s responded to the challenges of modern architecture in a tropical climate. They adapted modernist principles by incorporating elements from traditional Filipino architecture, creating the 'tropical regionalism' style. This period also saw the rise of high-rise buildings in Manila, such as the Piccata Building, and the construction of low-cost suburban housing to address widespread homelessness. Architectural innovations, including pierced screens for light diffusion, were common, while individual homeowners in upscale subdivisions commissioned architects for unique domestic designs.

10:04

🏛️ The Cultural Renaissance under the Marcos Regime

This paragraph focuses on the architectural and cultural transformation during the Marcos regime in the 1970s. Imelda Marcos led a cultural renaissance, commissioning large-scale building projects that aimed to blend modernism with traditional Filipino elements. Key structures like the Cultural Center of the Philippines and the Folk Arts Theatre reflected this mix, drawing inspiration from the traditional 'bahay kubo' design. This era also saw a shift towards climate-responsive vernacular architecture, spearheaded by architects like Francisco Mendoza, who advocated for energy-efficient and culturally resonant designs.

15:07

🌆 The Postmodern Shift and Its Effects on Philippine Architecture

The final paragraph describes the transition from modernism to postmodernism in Philippine architecture during the 1980s. Postmodernism emerged as a reaction to the minimalist, austere nature of modernism, embracing ornamentation, eclectic styles, and classical influences. This shift altered the skyline, with buildings adopting decorative elements and playful designs. Large-scale commercial developments like Eastwood City and Fort Bonifacio symbolized a new wave of architectural thinking, focused on consumerism and escapist environments. The paragraph ends by reflecting on the potential impact of globalization on Filipino architectural identity, suggesting that, despite external influences, the Filipino spirit will endure.

Mindmap

Keywords

💡Modernism

Modernism refers to an architectural movement that focused on functional, clean lines and minimalism, which arose in the Philippines after World War II. In the video, modernism symbolizes the country's efforts to rebuild and modernize after gaining independence. Filipino architects adopted the 'form follows function' philosophy, which aligned with post-war austerity and the need for straightforward design.

💡Space Age

The Space Age was a period in the 1950s and 1960s when space exploration greatly influenced design, including architecture. The video explains how this era inspired modernist aesthetics in the Philippines, with buildings featuring long horizontal lines, soaring structures, and parabolic arches that symbolized technological progress and optimism for the future.

💡Reinforced Concrete

Reinforced concrete is a construction material that became widely used during the rise of modernist architecture. It allowed architects to create new forms and manipulate building materials into more experimental shapes. In the Philippines, the use of reinforced concrete helped in creating sculptural and modernist structures, making it a cornerstone of the post-war building boom.

💡Bahay Kubo

Bahay Kubo is a traditional Filipino dwelling made from bamboo and nipa, which influenced modern Filipino architecture. The video highlights how modernist architects like Leandro Locsin reinterpreted the simple forms and elevated qualities of the Bahay Kubo in projects such as the Cultural Center of the Philippines, blending tradition with modernism.

💡Tropical Regionalism

Tropical Regionalism emerged as a response to the shortcomings of modernist architecture in tropical climates. Filipino architects began revisiting vernacular building traditions for energy-efficient designs. The video discusses how architects modified modernist principles to adapt to the local climate, incorporating features like sun baffles and pierced screens for climate control.

💡Pierced Screens

Pierced screens are architectural elements used to diffuse light and add decorative layers to building exteriors. Commonly seen in the Philippines during the 1960s, these screens were made from materials like perforated concrete or ceramic and were part of the efforts to 'tropicalize' modernist designs. They highlight the blending of aesthetic and functional approaches in architecture.

💡Postmodernism

Postmodernism is an architectural style that arose as a reaction to the minimalism and austerity of modernism, marked by eclectic designs and ornamentation. The video illustrates how postmodernism replaced modernism in the 1980s in the Philippines, reintroducing historical elements, vibrant colors, and ornamental flourishes to counter the 'boring' modernist boxes.

💡Vernacular Architecture

Vernacular architecture refers to traditional and indigenous building styles suited to a particular region. In the context of the video, Filipino architects in the 1970s revisited vernacular architecture to incorporate local design elements, particularly in response to the failures of modernist buildings in the tropical climate. This approach laid the groundwork for more climate-adaptive designs.

💡Globalization

Globalization in the video refers to the growing influence of global architectural trends on Filipino architecture. The script expresses concern that as the Philippines increasingly adopts global postmodern and modernist styles, its architecture may lose its distinctly Filipino character. This tension between global influences and local identity is a central theme.

💡Skyscrapers

Skyscrapers symbolize the vertical expansion of urban areas, particularly in Manila, during the post-war period. The video describes the construction of buildings like the Piccata and Insular Life buildings, which broke height restrictions and redefined Manila’s skyline. Skyscrapers also reflect the modernization and commercial growth of the Philippines in the latter half of the 20th century.

Highlights

The book traces the history of Philippine built forms from its primeval origins to contemporary forms.

Modernism held the promise to rebuild a new nation after the devastation of the Second World War.

The rise and fall of modernism in the latter half of the 20th century is showcased, from 'less is more' to 'less is a bore.'

After World War II, war-torn Manila rose from the ashes with a focus on modern architecture to rebuild the nation.

The U.S. war damage rehabilitation fund was instrumental in resurrecting Manila's pre-war neoclassical splendor.

Modern architecture in post-war Philippines embraced the 'form follows function' doctrine, valuing simplicity over complexity.

Mid-century modern aesthetics were influenced by new materials and space exploration, giving rise to futuristic designs.

Innovations in building materials like reinforced concrete, plastic, and steel allowed for sculptural and futuristic structures.

Filipino architects began experimenting with tropical regionalism, integrating traditional vernacular designs into modern buildings.

High-rise fever redefined Manila’s skyline, with the Piccata building becoming the first skyscraper at 12 stories high.

The bungalow became a model for post-war housing for middle-income households in suburban communities.

In the 1960s, young architects reappraised the country’s rich architectural and cultural heritage, incorporating traditional motifs.

Under the Marcos regime, colossal building projects symbolized the resurgence of Filipino traditions and modernist architectural ideals.

The 1980s saw a shift from modernism to post-modernism, with a resurgence of ornamentation and traditional design elements.

Post-modern architecture in the Philippines brought an eclectic mix of styles, breaking from modernism's minimalist ideals.

Transcripts

play00:00

in 2008 I wrote a book architecture on

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Filipino the book traces the history of

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Philippine built forms from its primeval

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origins to its contemporary forms this

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book inspired the film you're about to

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see which was produced in 2016 with the

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National Commission for culture in the

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arts in the aftermath of the Second

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World War the Philippines rose from the

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ashes

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modernism held the promise to rebuild a

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new nation in this last episode we will

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see the rise and fall of modernism in

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the latter half of the 20th century from

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less is more - less is a bore

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post-modernism celebrated plurality as

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it embrace the mantra of everything goes

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[Music]

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[Music]

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[Music]

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at the end of the Pacific War

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Manila maiden ruin yet war-torn Manila

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rose again out of the ashes Filipinos

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moved on to rebuild their lives

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and found in modernism the foundation on

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which direct a new nation on July 1946

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the Philippine Islands became the

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independent republic of the philippines

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the u.s. war damage rehabilitation fund

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was also instrumental in resurrecting

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Vanilla's pre-war neoclassical splendor

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the Manila City Hall post office

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building agriculture and Finance

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buildings legislative building in the

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group of buildings of the University of

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the Philippines in Manila were rebuilt

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approximating their original plans a

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construction boom followed suit

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the architects joined the reconstruction

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euphoria post-war austerity meant

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straightforward and no-nonsense

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architectural forms which modernism

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readily supplied form follows function

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was the new doctrine proclaimed by the

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third-generation Filipino architects

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namely Sasser kancho unhelmeted Alfredo

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Luce

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Attilio Arellano Felipe Mendoza

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Gabrielle

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Formosa and Carlos are grellus modern

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architectures simplified geometries were

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in accordance to the demands of honesty

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expressed in materials structure and

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form maneuvered and restraint rather

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than indulgence valuing simplicity over

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complexity mid-century modern aesthetics

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was also influenced by new materials and

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scientific events particularly space

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exploration which fueled much faith in

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technology and a future this so-called

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space age of the 1950's had since been

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translated into a visual language of

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long lean horizontal lines suggesting

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airplane wings

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soaring upright structures and parabolic

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arches that direct the eye to the sky

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and sharply contrasted angles that

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express speed innovations in building

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materials including reinforced concrete

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plastic and steel made it possible for

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architects to manipulate materials to

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the point where buildings became

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sculptures advanced engineering

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techniques allowed new shapes and

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structural configurations to be

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performed in thin concrete shells

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concrete folded plates

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in space framed structures soft

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modernism as a name applied experimented

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with a sculptural potential of

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concrete's plasticity to come up with

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soft and organic forms with the use of

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thin shell technology folded plate on

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the one hand was a roof structure whose

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strength and stiffness was derived from

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a pleated or folded geometry it was a

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special class of shell structure formed

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by joining flat thin slabs along the

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edges so as to create a

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three-dimensional structure the bristle

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a-sun baffles and pierced screens were

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simple devices applied externally to

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tropical eyes and modulate the climate

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insensitive designs of the International

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style an improvement of the pre Soleil

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and a pierced screen was extensively

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adopted in Manila during the 1960's the

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pierced screen functioned lili as a

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diffuser of light and doubled as a

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decorative layer for the exterior it is

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fabricated from perforated concrete or

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ceramic box precast concrete

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or aluminum bars with various ornamental

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punctures after the oil crisis of 1973

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architects began to realize the failures

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of modern buildings in the tropical

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climate as such Filipino architects were

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compelled to backtrack and reevaluate

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vernacular building traditions as

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sources of energy efficient design which

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in effect gave rise to modernist strand

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known as tropical regionalism with the

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amendment of Manila ordinance number

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four one three one in the 1950s a

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high-rise fever swept and redefined

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Manila skyline on Hellenic bills piccata

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building considered as the first

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skyscraper in the Philippines reached 12

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stories high the insular Life Building

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was the first office building to surpass

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the old 30 meter height restriction

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assuring the vertical trend in Makati

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to address the widespread homelessness

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the people's home site and housing

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corporation now known as National

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Housing Authority new suburban

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communities were developed in Quezon

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City project sites

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these projects offered various types of

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low-cost concrete bungalow units the

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bungalow thus became the convenient

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model for post-war housing for

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middle-income households residential

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units infill and life homes were

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designed on a modular planning system by

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Carlos Alvarez in upscale subdivisions

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established by the Ayala and Ortigas

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families homes were designed not by

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company architect but by an architect

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commissioned by the individual homeowner

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such allowed a great variety of domestic

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architecture in which the size of the

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carport was an index of status tall and

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multi-story departments played a new

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role in providing Filipinos with modern

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housing Monterrey apartments and Carmen

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apartments epitomize the modernist

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high-rise apartments or the period by

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the middle of the 1960's the young

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architects and designers began to

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reappraise the country's rich

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architectural and cultural heritage as a

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source of design inspiration local

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architects adapted marinelle and

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southern Philippine motifs exploiting

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vintage colors and roof silhouettes

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resonating ambiguous Malayan figuration

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the dictatorship of Ferdinand Marcos in

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the 1970s held the promise of national

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rebirth and resurrection of old Filipino

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traditions

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the cultural and architectural agenda of

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the regime was placed under the auspices

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of the first lady Imelda Marcos who

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packaged herself as the patroness of the

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arts and tended the cultural Renaissance

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of the nation the colossal building

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projects of democracy's cultural

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buildings finance complexes Medical

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Center's bliss hotels convention centers

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sports complexes airports official

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residences and a Filipino theme park

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[Music]

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projected an image of a progressive and

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modern nation-state the essential

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characteristics of the bahay Kubo are be

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interpreted by means of crisp modernist

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vocabulary in the cantilever projections

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in the anvil of scenes buildings at the

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cultural center of the philippines

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complex the ccp main theatre folk arts

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theatre Philippine International

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Convention Center and the Philippine

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Center for international trade and

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exhibitions demonstrate look since

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application of abstract cubist

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principles to distill the essential and

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floating qualities of the bahay Kubo

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into sculptural edifices a more profound

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allusion to the by google and a

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departure from the modernist box this

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locksense design for the National Arts

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Centre the paramedical superstructure

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evoked the roof lines of Austronesian

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still dwellings

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such imagery was later rehashed for the

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other state buildings like the Madison

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from bandsaw and Baguio Convention

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Center taking the same romantic

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nationalist strategy Francisco Mendoza

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used an imitative and straightforward

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approach for his dahana Filipino or

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coconut palace through this watershed

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building vinyasa began to align more

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firmly his practice towards the advocacy

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of climate responsive vernacular

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architecture a body of work which made

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him the paternal figure of Filipino Leo

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vernacular movement modernism in the

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Philippines began to lose its popular

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appeal by the 1980s as many came to

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realize that the austere modernist boxes

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were boring and lacked character

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postmodern architecture altered the

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landscape with buildings proclaiming the

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resurgence of ornament as an antidote

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for modernism's renunciation of history

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and tradition

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the minimalist dogma of modernism

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less-is-more

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was supplanted by a counter doctrine

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less is abour post-modernism adopted a

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populist aesthetic language heavily

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influenced by classical architecture

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visually post-modernism is exemplified

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by garish application of color returned

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to ornament and traditional design

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elements an eclectic mix and match' of

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every conceivable detail for a flashy

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effect the postmodern skyscrapers allude

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to the timelessness of the classical

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column as a way to break its vertical

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monotony the tall structure is divided

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into vertical segments podium shaft and

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crown topologically this formula called

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tower on the podium is predominantly

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adopted for commercial and corporate

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towers because of their mixed-use

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potential the theme park techniques of

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image making suitably termed

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anticipation results in a place of

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manufactured and controlled imagination

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post-modernism reinvents to cityscape

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with a potential illusion and perpetuate

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escapist fantasy environments as the

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master-planned micro cities like

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Eastwood City Fort Bonifacio Global City

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and Rockville Center the retail

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environment of mega mall and Greenbelt

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and gated communities which are all

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detached and protected from the harsh

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realities of third-world or vanity as

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the process of globalization engulfs the

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local architectural practice one fears

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that the period of postmodern

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architecture in the Philippines might

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become the period of post Filipino

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architecture but perhaps in all optimism

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as in the past the Filipino will prevail

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[Music]

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you

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Filipino architecturepost-modernismmodernismcultural revivalnational identitypost-war eravernacular designPhilippines historyurban developmentarchitectural heritage
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