How Pro DJs Keep The Dance Floor Full ALL NIGHT

Chris M
9 Jan 202307:16

Summary

TLDR本视频脚本由知名YouTube编辑Hillier Smith分享,他将视频编辑技巧与DJ混音艺术相联系,强调音乐能量的高低起伏对于观众体验的重要性。他比喻音乐能量如同过山车,需要有高低起伏才能保持兴奋和新鲜感。视频中讨论了如何根据不同场合和演出顺序调整音乐能量,以及如何通过过渡和曲目选择来控制现场氛围。此外,还提到了DJ的舞台表现力对观众情绪的影响,以及如何使用软件如rekordbox来辅助DJ混音。

Takeaways

  • 🎥 视频剪辑和DJ混音都需注意节奏变化,避免全程高能导致观众疲劳。
  • 🎢 音乐能量应像过山车一样有高低起伏,以保持听众兴趣和情感投入。
  • 🎧 音乐能量不仅提升氛围,还能激发听众的各种情感,如快乐、共鸣甚至回忆。
  • 🎛️ 俱乐部DJ需根据演出顺序和目的调整音乐能量,如暖场DJ不宜超过主DJ的能量水平。
  • 🕒 演出时间点对音乐能量的控制至关重要,不同时间段应采取不同的能量策略。
  • 🔄 接替其他DJ时,需考虑前一位DJ的能量水平,合理过渡以维持或调整现场氛围。
  • 📈 学会观察和适应现场情况,通过观察观众反应来调整音乐能量。
  • 🔧 利用音乐结构的四个元素(维护、提升、冷却、冲击)来规划DJ演出。
  • 🎧 音乐选择和过渡技巧是控制现场能量的两大关键,包括曲目选择和混音技巧。
  • 🎤 DJ的舞台表现和与观众的互动也是影响现场能量的重要因素。

Q & A

  • 为什么在DJ表演中需要有低能量时段?

    -低能量时段可以让听众在高能量时刻感受到更大的冲击,就像过山车一样,有起伏和转折才能保持观众的兴趣和兴奋。

  • 如何理解音乐能量在DJ表演中的作用?

    -音乐能量不仅仅是让人群兴奋,它还可以激发各种情感,如快乐、同情甚至回忆。DJ可以通过选择合适的曲目和能量水平来影响这些情感。

  • 在俱乐部演出时,如何确定需要创造哪种能量?

    -了解你在演出阵容中的角色很重要,比如热场DJ通常不应该播放比主DJ更高能量的音乐。

  • 当你接替另一个DJ时,如何处理能量水平?

    -有两种情况:一种是前一个DJ保持了较高的能量水平,你接替时应该先维持这个水平,然后逐渐降低;另一种是前一个DJ能量水平较低,你可以选择立即提高能量或慢慢提升。

  • 为什么说DJing是一种艺术而不是科学?

    -DJing需要根据现场情况灵活调整,没有固定的规则,需要DJ根据经验和直觉来控制音乐能量。

  • 如何通过观察来提高DJ表演的能量控制?

    -在演出前观察现场人群和DJ的表现,了解音乐的走向和人群的反应,可以帮助你更好地控制演出的能量。

  • 在DJ表演中,有哪些方法可以用来提高、降低或保持能量水平?

    -可以通过音乐过渡、曲目选择、舞台表现和与观众的互动来控制能量水平。

  • 为什么说在DJ表演中使用混音过渡是一个好方法?

    -混音过渡可以帮助保持能量水平,因为它允许音乐逐渐叠加,给观众一种旅程感,适合旋律性较强的音乐。

  • 在DJ表演中,如何使用曲目选择来控制能量?

    -选择具有不同能量水平的曲目,并根据演出的需要进行播放,可以通过能量标签来帮助你在演出中快速选择合适的曲目。

  • 为什么说DJ的舞台表现对能量控制很重要?

    -DJ的舞台表现和与观众的互动可以直接影响观众的感受,如果DJ看起来无聊,观众也会感到无聊;相反,如果DJ表现出享受,这种能量也会传递给观众。

Outlines

00:00

🎧 DJ音乐能量控制技巧

本段内容强调了DJ在表演时如何控制音乐能量的重要性。提到了YouTube编辑Hillier Smith的观点,他将视频编辑的技巧类比到DJing中,强调了音乐能量的起伏对于观众体验的影响。他比喻音乐能量像过山车一样,需要有高低起伏来保持观众的兴趣和兴奋感。DJ需要根据不同的场合和时间来调整音乐能量,比如在俱乐部中,暖场DJ不应该播放比主DJ更激烈的音乐。还讨论了如何在接替其他DJ时维持或调整音乐能量,以及如何通过观察观众反应来调整音乐。最后,介绍了几种DJ常用的音乐能量控制方法,包括维护阶段、提升阶段、冷却阶段和惊喜阶段,并强调了DJ的表演技巧和与观众的互动对音乐能量的影响。

05:00

🎛 DJ混音技巧与舞台表现

第二段内容继续探讨了DJ如何通过混音技巧和舞台表现来控制音乐能量。提到了混音过渡、音乐选择和DJ的舞台表现是控制音乐能量的三大关键因素。详细讨论了不同类型的混音过渡如何影响音乐能量,例如使用渐进式混音来维持能量,或者使用突然的切换来提升能量。还提到了使用循环和人声来增强音乐的能量。此外,强调了DJ的个人舞台表现,如表情、动作和与观众的互动,对音乐能量的影响。最后,建议DJ录制自己的表演并回听,以更好地理解和控制自己的音乐能量。

Mindmap

Keywords

💡能量

在视频中,'能量'指的是音乐和DJ表演中的情绪和氛围强度。DJ需要通过音乐的选择和播放来控制这种能量,以保持观众的兴趣和参与度。例如,通过在音乐中加入高潮和低谷,DJ可以创造出像过山车一样起伏跌宕的体验,使观众在音乐的高潮时感到更加兴奋。

💡DJ

DJ是'Disc Jockey'的缩写,指的是在视频中讨论的主体,即负责播放音乐并创造特定氛围和能量的人。DJ通过选择合适的音乐和播放技巧来影响观众的情绪和体验。

💡剪辑

剪辑在视频中指的是视频编辑或音乐混音中的快速切换。Hillier Smith提到,如果所有的视频剪辑都很快,那么它们就会失去效果,这同样适用于DJing。DJ需要在快速和慢速剪辑之间找到平衡,以创造动态和有趣的表演。

💡过渡

过渡是指在DJ表演中从一个曲目到另一个曲目的转换方式。视频中提到,过渡可以用来提高、降低或保持能量水平。例如,通过将一个曲目的尾奏与另一个曲目的开头混合,DJ可以在维护阶段保持能量水平不变。

💡曲目选择

曲目选择是DJ根据能量水平和观众反应来挑选音乐的过程。视频中强调,选择合适的曲目对于创造和控制能量至关重要。DJ需要根据场合和时间来选择合适的音乐,以确保能量水平与观众的期望相匹配。

💡暖场DJ

暖场DJ是在主要表演者之前为观众热身的DJ。视频中提到,暖场DJ不应该播放比主要表演者更高能量的音乐,因为他们的角色是为即将到来的表演设定基调,而不是超越它。

💡能量图

能量图是DJ用来规划和调整他们表演中能量变化的工具。视频中提到,DJ可以使用能量图来决定何时提高或降低能量,以及如何通过不同的音乐段来管理能量。

💡舞台表现

舞台表现指的是DJ在表演时与观众的互动和他们表现出的能量。视频中提到,DJ的舞台表现可以极大地影响观众的感受。如果DJ看起来无聊,这种情绪会传递给观众;相反,如果DJ看起来很享受,这种积极的能量也会感染观众。

💡标签

在视频中,'标签'指的是DJ为他们的曲目库中的音乐添加的元数据,如能量水平。这样做可以帮助DJ在表演中快速找到合适的曲目,以适应当前的能量水平和氛围。

💡混音

混音是DJ将不同曲目融合在一起的技术,以创造流畅的过渡和连续的听觉体验。视频中提到,混音可以用来维持能量水平,也可以用来突然提高或降低能量,以创造惊喜和兴奋。

Highlights

视频编辑中的剪辑节奏对DJ混音的启示:需要高低能量的交替,以保持观众的兴趣。

音乐能量的高低变化可以激发观众的不同情感,如快乐、共鸣甚至回忆。

理解自己在演出阵容中的位置,比如暖场DJ不应播放比压轴DJ更高能量的音乐。

作为开场DJ,应从低能量开始,随着演出进行逐渐提升能量,但不要过高。

接替其他DJ时,要维持前一个DJ创造的能量水平,至少在开始时不要降低太多。

如果前一个DJ让人群昏昏欲睡,你可以选择慢慢提升能量或立即切换到高能量音乐。

与主办方沟通可以帮助你了解观众的预期和对其他DJ的反应。

DJing是一门艺术,需要时间学习和适应,而不是一成不变的科学。

成为积极的观察者,观察人群和DJ,了解音乐的走向和人群的反应。

维护阶段是保持当前能量水平的时间段,无论之前是高、中还是低能量。

提升阶段是从低能量状态向高能量状态过渡的时间段。

冷却阶段是从高能量状态向稍低能量状态过渡,让人群喘息。

冲击阶段是从低能量状态直接跳跃到高能量状态,以惊喜的方式提升能量。

过渡和曲目选择是控制DJ套装能量的两大方式。

混音是一种保持能量水平不变的过渡方式,适用于维护阶段。

快速切换(Cuts)是一种提升能量的有效方法,可以激发观众的多巴胺。

循环和人声片段可以用来提升能量,给观众提供可以抓住的东西。

曲目的能量水平是影响你创造的能量类型的重要因素。

舞台表现和与观众的互动也会影响能量水平,即使是在大型音乐节上。

录制并回听自己的DJ套装,可以帮助你更好地理解自己的能量图。

Transcripts

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I want to share something that stuck

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with me it's from this guy Hillier Smith

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he's a pretty well known YouTube editor

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but what he said really applies to DJing

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as well he said if you do all your video

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editing at a turn really fast Cuts

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fast-paced stuff it actually stops being

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a 10. you need periods of lower energy

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so that the audience can actually

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recognize when you turn it up this

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allows it to deliver its intended impact

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at the right moment think of Music

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energy like a roller coaster when the

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energy is high all the time it's like

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being on the main drop for a whole hour

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it can be exhilarating at first but over

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time it becomes exhausting and loses all

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its impact on the other hand when the

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energy is varied it keeps the ride

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interesting and exciting there are ups

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and downs twists and turns and the

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audience never knows what to expect the

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high points feel even more thrilling

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because they're contrasted with lower

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energy moments of course when we talk

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about music energy we aren't only

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talking about getting the crowd hyped it

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can actually stir all kinds of other

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emotions that DJs can tap into with the

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right tracks and energy level you can

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influence things like happiness empathy

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even memories so how do you know what

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kind of energy you need to create if

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you're playing in a club one way you can

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do this is to understand your purpose in

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the lineup for example a warm-up DJ

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generally shouldn't play anything that's

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higher energy than the headliner would

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play I know I've been to plenty of

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events where the warm-up DJ has been

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absolutely rinsing it out where people

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are just trickling in and getting their

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night started it's completely the wrong

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Vibe let me explain this chart on the

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left here we've got energy going from

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low to high and then along the bottom

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we've got time which represents the time

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of your set if you're the opening DJ

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generally speaking you want to start a

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relatively low energy level and slowly

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bring up over the course of your set not

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too high though remember you're not the

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headliner and the night's only just

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getting started one of the trickier

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moments to deal with is when you're

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taking over from another DJ there are

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two main situations you can encounter

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this one I call the wok this red line

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here represents the previous DJ who's

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kept the energy level pretty high they

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perhaps rinsed a bit too hard for their

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opening set and you want to take over

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for them but what you don't want to do

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is kill all the energy they created on

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the dance floor it's a good idea to try

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and maintain that energy level at least

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for a little bit before lowering it to a

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more appropriate level towards the end

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of your set try and raise the energy

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level up a little bit more before you

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hand over to the next DJ the second

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situation is if the crowd is half asleep

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when you jump on the decks there's two

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approaches you can take here if the DJ

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before you has been keeping that energy

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level pretty low you want to start a

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similar energy level and then slowly

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raise it up over the course of your set

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very similar to the opener the second

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approach I call the water balloon this

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one can be a little bit more risky but

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it can work really well if it's quite

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late on in the night and the DJ before

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you is not quite got the energy level up

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enough what you can do is instantly

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switch it up with your first track this

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signals to the crowd though it's time to

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wake up and get partying you start your

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set at a much higher energy level before

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cooling things off a little bit during

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the set remember you're still not the

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headliner so you don't want to be at Max

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Energy by the time you hand over if you

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still aren't sure what to do try talking

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to the promoters before you're set the

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chances are they know what kind of crowd

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to expect and what they respond to they

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can also give you some Insider info on

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the other DJs on the lineup which can be

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really helpful you can get familiar with

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them and the kind of music and vibe that

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they play of course these templates are

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just guides and over time you'll learn

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to adapt naturally to the situation

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you're in DJing is an art not a science

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one way to get better at this art is to

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become an active Observer if you can

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make sure you leave a bit of time before

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you're set to go into the club observe

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the crowd and the DJ what direction is

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the music heading and how are the crowd

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responding to it there are four high

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level elements I use when planning my

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set structures they've really worked for

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me in the past and hopefully they will

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for you too think of them a bit like

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building blocks for your sets you can

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use as few or as many of them as you

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like this segment I call the maintenance

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phase it's basically where you found an

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energy level that seems to be working it

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doesn't matter if you're coming from a

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high medium or low energy place the goal

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is just to keep the energy level the

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same this segment I call a riser all

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you're doing is moving from a lower

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energy state to a higher one this

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segment can actually last an entire set

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in which case it's pretty similar to the

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opener that we looked at earlier the

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next segment I like to use is a cool

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down phase this is simply moving from a

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higher energy place to a slightly lower

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one if you've been rinsing hard this can

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be as easier just letting a breakdown

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play from here once the crowds caught

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their breath you can either raise the

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energy back up try and maintain it or

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keep them on a cool down depending what

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your goal is this segment is probably

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the most fun one to use but use it

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sparingly I call it the shock anore and

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it's basically moving from a low energy

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State straight to a high energy State

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the key here is surprising the crowd and

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getting that sweet sweet dopamine out of

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their brains if you've ever seen people

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suddenly hitting the Dance Floor this is

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probably what the DJ is doing it's more

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effective when you use it from a low

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energy state but it can also work if

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you're in the medium level of course no

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DJs are standing behind their decks

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drawing little graphs over time you'll

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learn to do it intuitively and your

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energy graphs will actually react to the

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crowd so how do you actually control the

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energy in your sets the two big ways are

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transitions and track selection let's

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look at transitions first and I'll give

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you a few ideas how you can use to raise

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the energy up lower it down or keep it

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the same one of the first transitions

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most DJs learn is to mix an outro with

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an intro before you fall asleep on me

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it's actually a really good way for a

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maintenance phase of a set that is where

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you want to keep the energy the same as

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it was previously because the

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transitions tend to be longer it means

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the crowd has less of a surprise when

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the new tune drops it can be really

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effective on more melodic kinds of music

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like trance because the tracks slowly

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layer on top of each other which takes

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the crowd on a bit of a journey although

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Cuts might seem like a bit of a cop-out

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mixing wise they're actually one of the

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most powerful tools for controlling

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energy in your sets surprising people

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with something musically is one of the

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quickest triggers for dopamine in

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people's brains that's the pleasure

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chemical but you don't only have to use

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cuts for bringing up the energy they're

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also really helpful for when you've been

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rinsing out bangers and you want to

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quickly call the crowd down sometimes I

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use them to quickly enter a breakdown

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after a period of Hardcore rinsing

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another trick that can be really handy

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is using loops and acapellas sometimes

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all it takes is a well-known sample or

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vocal to raise the energy on an

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otherwise boring track you can turn a

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low or medium energy track into a high

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energy track simply by giving the crowd

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something to latch onto the tracks you

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actually play are going to have a big

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impact on the kind of energy you're

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creating you might think just sticking

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to a similar BPM and genre is going to

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maintain a pretty similar energy level

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in your set but that would be a mistake

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energy level is one of the first tags I

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add when I put new music into my library

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this really helps me control my sets on

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the fly without having to overly plan

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them in advance if you haven't got your

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tracks tagged by energy level I highly

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recommend that you do so if you aren't

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sure how to do that I've got a full

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video which I'll link to in the

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description there's one other part of

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this equation and that's you more

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accurately your stage presence and how

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you interact with the crowd the layout

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and size of the club can impact how

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important this is if you're in a smaller

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Club the crowd is going to be much more

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in your face and your energy level is

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going to have a bigger impact on them

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versus a festival where you might just

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be a tiny dot on the horizon but

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generally speaking if you look bored

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that's going to filter down to the crowd

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conversely if you're obviously having a

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good time behind the Decks that energy

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is going to be transmitted to the crowd

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like some sort of infectious disease

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there's a lot to unpicker around a DJ's

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role as a performer too much for this

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video but don't underestimate the impact

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that you can have on the energy level of

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your sets if you're struggling with this

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one tip I have is to record and listen

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back to your own sets as you listen to

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it try and map your own energy graph you

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might be surprised at the energy in your

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set EBT and Float of course we're only

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just scratching the surface of what can

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be done here if you use rekordbox

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there's actually a ton of features built

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right in that can help you control the

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energy of your set but they aren't easy

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to find so if you enjoyed this video

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check this one out next where I share

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five record box features that you may

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not know about

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