MAKE YOUR FALSETTO SOUND AMAZING BY AVOIDING THIS MISTAKE
Summary
TLDRIn this instructional video, professional singer and vocal coach FIA Casey from Germany teaches viewers how to achieve a stunning faletto. She emphasizes the importance of maintaining a high larynx position for a bright, clear sound, avoiding the common mistake of lowering the larynx, which can lead to a darker tone. FIA demonstrates the difference between chest and head voice, illustrating how to transition smoothly from one to the other. She also provides tips on how to keep the sound sweet and resonant without nasality. For those interested in mastering both soft singing and powerful belting techniques, FIA invites them to join her free belting challenge on her website, MasteryYourVoice.TV.
Takeaways
- đ€ The script is a tutorial on how to achieve a good falsetto singing voice.
- đ¶ Falsetto is ideal for singing high notes softly and intimately, allowing for emotional expression.
- đ The larynx position is crucial for a good falsetto; it should be high and not lowered.
- đ©âđ€ The instructor, FIA Casey, demonstrates the difference between chest voice and head voice, emphasizing the high larynx for falsetto.
- đ« Avoiding a lowered larynx prevents the voice from becoming too dark and maintains the sweet falsetto sound.
- đ§ The desired falsetto sound is compared to that of a little girl, regardless of the singer's gender.
- đ€ The script suggests thinking of a 'friendly sound' to achieve the correct falsetto tone.
- đ There is a free belting challenge available on the instructor's website for those interested in further vocal training.
- đ The website mentioned is MasteryYourVoice.TV, where more resources on singing techniques can be found.
- đ” FIA Casey encourages viewers to keep singing and to always have a song in their heart.
Q & A
What is the focus of the video by FIA Casey?
-The video focuses on how to achieve an amazing falsetto sound in singing, emphasizing high notes and intimate, soft singing.
What is FIA Casey's profession?
-FIA Casey is a professional singer and vocal coach from Germany.
Why is larynx position important when singing falsetto?
-Larynx position is important in falsetto singing because it affects the sound's intensity and breathiness. A higher larynx position helps achieve a brighter and more resonant sound without being nasal.
What should one avoid when singing falsetto according to the video?
-One should avoid lowering the larynx when singing falsetto as it can darken the sound and distract from the desired sweet, high-pitched tone.
What is the recommended larynx position for a falsetto sound?
-The recommended larynx position for a falsetto sound is high, similar to the position when a little girl sings, regardless of the singer's gender.
How does FIA Casey demonstrate the difference between chest voice and head voice?
-FIA Casey sings a scale starting in chest voice at the bottom and then goes up, switching to head voice, illustrating the larynx lowering and the change in vocal cord closure.
What is the significance of vocal cord closure in falsetto singing?
-Vocal cord closure in falsetto singing is significant as it contributes to a more intense sound, preventing a breathy tone and enhancing the quality of the high notes.
What does FIA Casey suggest to achieve a friendly sound in falsetto?
-FIA Casey suggests thinking of a friendly sound, akin to a little girl's voice, to achieve a sweet and pleasant falsetto tone.
What additional resource is offered for those interested in improving their belting technique?
-FIA Casey offers a free belting challenge on her website, MasteryYourVoice.TV, for those who want to learn how to belt high notes effectively.
What is the final note FIA Casey hits in the video?
-The final note FIA Casey hits in the video is a C5.
How does FIA Casey describe the sound when she shouts out 'hey there' at the end of the video?
-FIA Casey describes the sound of 'hey there' when shouted as not being a straight tone, but rather sliding around, indicating a dynamic and expressive vocal technique.
Outlines
đ€ Mastering Faletto with High Larynx Position
FIA Casey, a professional singer and vocal coach from Germany, introduces the concept of faletto, a singing technique that allows for high-pitched, soft, and intimate vocal expression. She emphasizes the importance of maintaining a high larynx position to achieve a bright and clear sound without going breathy. Casey demonstrates the difference between chest voice and head voice, explaining how the larynx should remain high for a sweet and pleasant faletto sound. She also suggests avoiding a lowered larynx, which can darken the tone and detract from the desired sound. For those interested in improving their singing technique, Casey offers a free belting challenge on her website, Mastery Your Voice TV, to help singers learn to belt high notes effectively.
Mindmap
Keywords
đĄFaletto
đĄLarynx Position
đĄVocal Cord Closure
đĄChest Voice
đĄHead Voice
đĄBreathy Sound
đĄNasal Sound
đĄResonance
đĄBelting
đĄMastery Your Voice
Highlights
Faletto is a technique for singing high notes softly and intimately.
Larynx position is crucial for achieving a good faletto sound.
A lower larynx with vocal cord closure produces a more intense sound.
Aim for a high larynx and bright sound for the top of the faletto.
Avoid a nasal sound by keeping the throat open while maintaining high larynx.
The ideal faletto sound is similar to that of a little girl, regardless of gender.
Lowering the larynx can darken the sound and detract from the sweet faletto tone.
Maintaining a high larynx is key to a more amazing faletto sound.
FIA Casey offers a free belting challenge for those interested in singing techniques.
The challenge and more information can be found on MasteryYourVoice.TV.
Always keep a song in your heart and continue singing as a practice.
The demonstration of a C5 note showcases the faletto technique.
The importance of not sliding into a straight tone when performing faletto.
A proper faletto technique involves throat opening without larynx lowering.
The video provides insights into achieving resonance without a nasal quality.
FIA Casey emphasizes the emotional expression in singing with faletto.
The video is a resource for professional singers and vocal coaches.
Transcripts
if you want your faletto to sound really
amazing like
[Music]
this you say that
you do I how do I when you're not I'm
suffocating what a fe of
my
blood then you should stay tuned for
this
[Music]
video hi and welcome to today's video in
case you don't know me yet my name is
FIA Casey I'm a professional singer and
vocal coach from Germany faletto is
really cool when you want to sing high
and not belt out when you want to sing
softly and intimately and
just just express yourself there so
emotionally what is really important is
your larynx position here's what I see a
lot I'm going to sing a scale that
starts in Chast voice on the bottom and
then goes up and switches over to head
[Music]
voice so what happens is the larynx
lowers you have a lot of vocal cord
closure which makes for a more intense
sound and not breathy sound what you
want is almost like a little girl kind
of sound you want the top to to be very
high larynx and very bright and highly
placed that doesn't mean narrow you can
still avoid nasal sound but instead
[Music]
of you want to
go see I'm still opening up my throat
but the larynx is
High versus
[Music]
see how I can still open up my throat
and have a nice resonance sound but the
larynx stays nice and high I have videos
about larynx position just basically you
want to think friendly sound it's almost
like little girl kind of sound whether
you're a guy or a woman it doesn't
matter don't lower the laryn because
that will darken your sound and it will
distract from that really sweet sound on
the top and you're going to sound a lot
more amazing when you don't lower the
larynx if you also want to know how to
not just sing softly but belt up high
check out my free belting challenge it's
on our website the link is below go to
Mastery your voice. TV and until next
time always keep a song in your heart
and always keep on singing hey there
that was a C5 of course when I shout it
out I'm actually going to there's
there's not going to be like a straight
tone it's not going to be right there it
just slides around so hey there hey
there
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