Explicación y Análisis: Romance del Rey Moro

Literatura150
8 Jan 202111:19

Summary

TLDRThis script transports us to southern Spain around the 15th century, detailing the Moorish rule and the eventual Christian reconquest. It highlights the city of Granada, the last Moorish stronghold, and the Alhambra, a stunningly intricate Moorish castle. The script also discusses the 'Romance of the Moorish King,' a poem reflecting the king's lament over the loss of his city, Alhama. The poem's structure, with its repeated refrains and eight-syllable verses, mirrors the king's sorrow. The script further explores historical events like the fall of the Abencerrajes family and the cultural significance of the Alhambra, suggesting it's haunted by the king's spirit. It invites listeners to delve into the rich history and haunting beauty of this period.

Takeaways

  • 🏰 The script discusses the historical period around 1400 in southern Spain, when the region was under Moorish control, with Granada being the last city to fall to the Catholic Monarchs in 1492.
  • 🕍 The Alhambra, a Moorish castle in Granada, is highlighted as a must-visit site due to its intricate architecture and historical significance.
  • 🎶 The script mentions an audio recording of 'Romance del Rey Moro', a traditional Spanish ballad, which is musically rich and worth listening to for its rhythm.
  • 📜 A PDF document containing the poem 'Romance del Rey Moro' is referenced, with the speaker intending to read and explain the poem's verses.
  • 📖 The poem features a repeated refrain 'Ay de mí, Alhama', which serves to emphasize the sorrow of the Moorish king over the loss of his city.
  • 🛡 The king's journey through Granada from one city gate to another is described, reflecting the city's defensive structure of walls and gates.
  • 📜 The script narrates the king's reaction to receiving news of the loss of Alhama, where he orders the messenger killed to keep the news secret.
  • 🐎 It describes the king's change from a mule to a horse, symbolizing a shift in status, and his arrival at the Alhambra, signaling with trumpets and drums.
  • ⚔️ The poem recounts the historical event of the 'Alfayates of Granada', where the Moorish king ordered the massacre of the influential Abencerraje family.
  • 📚 The script also touches on the historical painting 'La Reconquista', depicting the surrender of the Moors to the Spanish, and the legend of the weeping king and the haunted Alhambra.

Q & A

  • What is the historical period mentioned in the script?

    -The script refers to the period around the year 1400 when the southern region of Spain was under Moorish rule.

  • Which city was the last to be held by the Moors in Spain?

    -Granada was the last city held by the Moors in Spain.

  • Who are Fernando and Isabel mentioned in the script?

    -Fernando and Isabel refer to the Catholic Monarchs, King Ferdinand and Queen Isabella, who conquered Granada and expelled the Moors in 1492.

  • What is the significance of the city of La Palma as mentioned in the script?

    -La Palma is a city of Moorish origin known for its white buildings and picturesque scenery. It is recommended for visitors to the southern part of Spain.

  • What is the Alhambra and why is it important?

    -The Alhambra is a Moorish castle in La Palma, known for its intricate architecture and historical significance. It is a must-visit site when traveling to southern Spain.

  • What does the script say about the poem 'Romance del Rey Moro'?

    -The 'Romance del Rey Moro' is a poem that tells the story of the Moorish King's lament after losing his city. It is characterized by its musicality and the use of refrains, or repeated verses.

  • What is the meaning behind the repeated verse 'Ay de mí, Alhambra' in the poem?

    -The repeated verse 'Ay de mí, Alhambra' serves as a lament, expressing the King's sorrow and the loss of his city, with 'Ay de mí' translating to 'Alas for me' in English.

  • What is the significance of the 'estribillo' in the poem?

    -The 'estribillo' is a repeated refrain in the poem that emphasizes the King's grief and the tragedy of losing his city. It is a characteristic feature of 'romances', a type of Spanish ballad.

  • What historical event is mentioned in the script regarding the 'Sala de los Abencerrajes'?

    -The script mentions the massacre of the Abencerrajes family by King Boabdil, where he invited all the men of the powerful family to the Alhambra and had them killed.

  • What is the legend about the 'Rey Moro' and the Alhambra?

    -The legend says that the Alhambra is haunted by the spirit of the Moorish King who, after losing his city, wept and was told by his mother to not cry like a woman what he failed to defend like a man.

  • What is the significance of the 'Tornadizos de Córdoba' mentioned in the script?

    -The 'Tornadizos de Córdoba' refers to people who converted to another religion for convenience rather than genuine belief, and they played a role in the historical events leading to the fall of Granada.

Outlines

00:00

🏰 Historical Context of Southern Spain and the Alhambra

The video script begins by setting the historical context in Southern Spain around the year 1400, a time when the region was under Moorish control. Granada was the last city to be held by the Moors before being conquered by Ferdinand and Isabella in 1492, the same year they funded Columbus' voyage to America. The script introduces the city of Almería, known for its whitewashed buildings and Moorish origins, and highlights the Alhambra, a fortress and palace complex that is a must-visit for its intricate Moorish architecture. The Alhambra is described as a symbol of the region's rich history and a testament to the artistic and architectural prowess of the Moors. The video also mentions an audio recording of 'Romance of the Moorish King' and a PDF document containing a poem that narrates a story set in Almería and the Alhambra.

05:02

📜 The Moorish King's Lament and Historical Anecdotes

This paragraph delves into the narrative of the 'Romance of the Moorish King,' a poem that uses the structure of interrupted verses and refrains to convey the deep sorrow of the Moorish king who has lost his city. The poem is characterized by its eight-syllable verses with assonant rhyme, particularly in the even-numbered lines, ending with the sound 'ah,' which echoes the king's lament. The script discusses the historical event of the fall of Alhama, a city conquered by Christian forces, and the king's response to the news, which included killing the messenger to keep the defeat a secret. It also touches on the historical massacre of the Abencerrajes family by King Boabdil, a tragic event that is said to have left a permanent stain in the Alhambra's 'Hall of the Abencerrajes.' The paragraph concludes with a mention of the poem's rich sonic characteristics and its role in recounting historical events.

10:05

👻 Legends of the Alhambra and Moorish Influence

The final paragraph of the script discusses the legends surrounding the Alhambra, suggesting that it is haunted by the spirit of the Moorish king who laments his lost city. It mentions the presence of ghost tours that claim to allow visitors to hear the king's lamentations. The script also describes the historical significance of the Alhambra's gates and the streets that the king would have traversed. It references the 'Hall of the Abencerrajes' and the bloodstains that are said to remain as a reminder of the past. The paragraph concludes by encouraging viewers to revisit the poem and explore its literary figures, setting the stage for a discussion in a subsequent meeting.

Mindmap

Keywords

💡Al-Andalus

Al-Andalus refers to the region of southern Spain, Portugal, and parts of modern-day France under Muslim rule from 711 to 1492. The video script mentions this period to provide historical context, highlighting that the area was under Moorish control until the Reconquista, a series of military campaigns by Christian states to reclaim the region.

💡Granada

Granada is a city in southern Spain that was the last Muslim stronghold during the Reconquista. The script emphasizes Granada's significance as the final city held by the Moors before falling to the Catholic Monarchs in 1492, marking the end of Islamic rule in Spain.

💡Alhambra

The Alhambra is a fortress complex in Granada, mentioned in the script as a 'must-visit' site due to its stunning Moorish architecture. It symbolizes the cultural and artistic achievements of the Nasrid dynasty and is a UNESCO World Heritage Site, representing the pinnacle of Muslim art in Spain.

💡Moorish

Moorish refers to the Muslim inhabitants of the Maghreb, particularly those who ruled in Al-Andalus. The script describes the city of Alhama and the Alhambra as having Moorish origins, indicating their historical and cultural significance in the region's Islamic past.

💡Reconquista

The Reconquista is a term used in the script to describe the centuries-long process of Christian forces retaking the Iberian Peninsula from Muslim rule. The video emphasizes the historical importance of the Reconquista, culminating in the fall of Granada in 1492.

💡Fernando and Isabel

Fernando (Ferdinand) and Isabel refer to the Catholic Monarchs of Spain who are central to the Reconquista narrative. The script mentions their conquest of Granada and the expulsion of the Moors, highlighting their role in ending Muslim rule in Spain.

💡Alhama

Alhama is a city in southern Spain, mentioned in the script as a city of Moorish origin with a beautiful and picturesque appearance. The city is significant to the video's narrative as it was taken by Christian forces during the Reconquista, as indicated by the repeated lament 'Ay de mí, Alhama' in the poem.

💡Romance

In the context of the script, 'romance' refers to a form of Spanish ballad poetry that often tells a story, typically of love, heroism, or historical events. The script discusses the 'Romance of the Moorish King,' which recounts the fall of Alhama and the king's lament over the loss of his city.

💡Estribillo

Estribillo is a term used in Spanish poetry to describe the refrain or chorus of a song or poem. The script explains that the repeated line 'Ay de mí, Alhama' serves as the estribillo in the poem, reinforcing the theme of loss and sorrow over the city's fall.

💡Rima Asonante

Rima Asonante, or assonant rhyme, is a poetic device where the vowels of the rhyming words are similar but not identical. The script notes that the poem uses verses with eight syllables and assonant rhyme, which contributes to the melancholic and nostalgic tone of the lament.

💡Abencerrajes

Abencerrajes refers to a prominent Muslim family in Granada who were massacred by order of the Emir of Granada, as mentioned in the script. The story of the Abencerrajes is a tragic tale of power and betrayal, and their memory is preserved in the 'Sala de los Abencerrajes' within the Alhambra.

Highlights

Spain's southern region was under Moorish control around the 1400s, with Granada being the last city to fall in 1492.

The city of Almería, known for its whitewashed buildings, has Moorish origins and is a must-visit location in southern Spain.

The Alhambra castle in Almería is a stunning example of Moorish architecture and a must-see for visitors to Spain.

The Alhambra's intricate architecture is renowned for its impressive walls and historical significance.

The story of the 'Romance of the Moorish King' is set in Almería and revolves around the Alhambra castle.

The poem features a repeated verse 'Ay de mí, Alhama' which serves as a lament and chorus, emphasizing the king's sorrow.

The poem uses 'estribillo', a refrain common in Spanish ballads, to convey the theme of loss and sorrow.

The 'Romance of the Moorish King' is composed of verses with eight syllables each, following the 'romance' poetic form.

The poem describes the Moorish King's walk through Granada, reflecting on the city's fall to the Christians.

The king's reaction to the news of Alhama's loss is depicted with a mix of sorrow and the decision to kill the messenger.

The poem narrates the king's journey from riding a mule to a horse, symbolizing a shift in status and mood.

The historical context of the poem includes the use of trumpets and drums as communication signals in times of war.

The poem uses the term 'alarma', which has evolved into the modern word 'alarm', to describe a call to arms.

The poem recounts the story of the Moors of the Vega of Granada and their response to the call to defend their city.

The historical event of the 'Reconquista' is depicted, where the Moors hand over the keys of Granada to the Spanish.

The legend of the Moorish King's tears and his mother's chastisement is a poignant part of the poem's narrative.

The poem's historical accuracy and literary devices, such as parallelism, are used to create a vivid image of the events.

The poem's ending reflects on the curse of the Alhambra, where the spirit of the Moorish King is said to linger.

Transcripts

play00:00

estamos en el sur de españa en la época

play00:04

de 1400 más o menos cuando toda esta

play00:09

zona estaba tomada por los moros granada

play00:13

fue la última ciudad tomada o mantenida

play00:17

por los moros y en 1492 fernando isabel

play00:22

al mismo tiempo que conquistaron a

play00:24

américa retomaron granada y expulsaron a

play00:28

los moros fuera de esta zona en esta

play00:32

zona hay una ciudad que se llama lama

play00:35

que es una ciudad completamente blanca

play00:38

muy linda muy pintoresca si la quieren

play00:41

visitar algún día de origen moro

play00:45

en esa ciudad hay un castillo que se

play00:51

llama alhambra visita obligada si van a

play00:54

españa el sur de españa deben visitar la

play00:57

alhambra de la alhambra es este castillo

play00:59

moro bellísimo bellísimo bellísimo

play01:03

bellísimo super intrincado en su

play01:06

arquitectura muy famoso

play01:10

todas las paredes son impresionantes la

play01:14

historia que se cuenta tiene lugar en

play01:18

esta ciudad de alhama y en este castillo

play01:21

de alhambra

play01:23

ahora

play01:25

en la misma carpeta tienen el audio del

play01:29

romance del rey moro en caso de que lo

play01:31

quieran escuchar porque todos los

play01:34

romances son muy musicales y vale la

play01:36

pena escuchar el ritmo y un documento de

play01:40

pdf

play01:42

que tiene el poema que yo voy a abrir

play01:48

simplemente para poder

play01:50

[Música]

play01:53

mostrarles con más detalle lo que estoy

play01:55

hablando

play01:56

voy a leer cada una de las estrofas y

play01:59

voy a tratar de explicar lo más

play02:00

importante

play02:02

hay varias estrofas como ven casi todas

play02:05

son estrofas de cuatro versos las líneas

play02:09

en poesía se llaman versos interrumpidas

play02:13

por un verso que se repite que es algo

play02:15

así como el coro en una canción que

play02:18

siempre es el mismo y dice ay de mí

play02:21

alaba

play02:22

hay de esta ciudad es un lamento y es

play02:26

repetido y el hecho de que se ha

play02:28

repetido constantemente fortalece la

play02:32

idea del dolor del rey que es el

play02:35

narrador de este poema

play02:38

estos versos que se repiten de esta

play02:41

forma se llaman estribillos y todos los

play02:45

romances que son un tipo de poema

play02:49

tienen esa característica tienen versos

play02:52

de arte menor

play02:53

específicamente versos de ocho sílabas

play02:57

con rima asonante en los versos pares es

play03:01

decir los versos 2 4 6 8 10 12 todos los

play03:09

versos pares terminan en el mismo sonido

play03:12

y en este caso el sonido es ah y es un

play03:15

sonido que de alguna manera hace alusión

play03:18

al mismo dolor de este rey que llora y

play03:22

se lamenta porque perdió su ciudad dice

play03:27

paseabas el rey moro por la ciudad de

play03:29

granada desde la puerta de elvira hasta

play03:31

la de villa rambla en esa época las

play03:33

ciudades tenían murallas protectoras y

play03:36

había puertas y las puertas estaban

play03:39

usualmente en cada extremo había un al

play03:42

norte un al sureste y un al oeste y este

play03:45

rey estaba atravesando la ciudad de una

play03:47

puerta a la otra

play03:49

dice cartas le fueron venidas que alhama

play03:52

era ganada las cartas hecho en el fuego

play03:55

y al mensajero matara

play03:57

recibió cartas que eran las noticias de

play04:00

esa época y en esas cartas decían que

play04:03

había perdido su ciudad y el para que

play04:06

nadie más supiera y fuera el único que

play04:09

diera la noticia mata al mensajero quizá

play04:14

desde esta época ya había la expresión

play04:17

de donqueos de messenger que es

play04:20

exactamente lo mismo que pasó aquí en

play04:22

este caso era un honor

play04:26

llevar una noticia y morir sabiendo que

play04:31

y posiblemente al recibir la noticia

play04:34

iban a matar al mensajero

play04:36

nyse descabalgado y la mula se baja de

play04:39

una mula y se monta en un caballo que es

play04:41

más elegante y más prestigioso y camina

play04:44

por una calle que se llama zacatín hasta

play04:47

alhambra que es este castillo cuando

play04:49

llega al castillo al mismo punto mandaba

play04:53

que se toquen sus trompetas sus años

play04:56

files de plata y da una señal de sonora

play04:59

donde la gente reconocía que debía

play05:02

regresar el castillo era la forma de

play05:04

comunicación que tenía en esta época

play05:06

porque no había ninguna otra forma cada

play05:08

vez que había una emergencia se tocaban

play05:10

las trompetas me manda también dice que

play05:14

las cajas de guerra aprieta toquen al

play05:17

arma las cajas de guerra son los

play05:20

tambores

play05:21

y dice que toquen alarma alarma era la

play05:25

señal de emergencia que se daba en esa

play05:27

época y lo que quería decir era a las

play05:30

armas busquen sus armas que estamos en

play05:34

un momento difícil y tenemos que

play05:36

defendernos

play05:37

de esa expresión alarma que era lo que

play05:40

gritaban quedó hoy en día la palabra

play05:43

alarma que en inglés es hablar que es

play05:46

exactamente lo mismo y simplemente es

play05:48

una señal que suena cuando hay una

play05:51

emergencia y hay que prepararse dice

play05:54

porque lo oigan los moros los de la vega

play05:57

granada hay de mí alhama los moros que

play06:01

al sol oyeron que al sangriento mar te

play06:04

llama y el sangriento martes una alusión

play06:06

al dios de la guerra y por eso es sangre

play06:12

y por eso es rojo también y dice uno a

play06:16

uno y dos a dos lo que es un paralelismo

play06:18

que de alguna manera las palabras imitan

play06:22

a los soldados uno al lado del otro uno

play06:26

detrás del otro son estructuras

play06:28

paralelos paralelas exactamente iguales

play06:31

1 a 1 2 a 2 como van los soldados uno

play06:34

detrás del otro

play06:35

juntándose a gran batalla ay de mí

play06:38

alhama allí habló un moro viejo y de

play06:41

esta manera hablara para que nos llama

play06:43

rey para que es esta llamada ay de mí a

play06:47

la ma

play06:47

dice el rey habéis de saber amigos una

play06:51

nueva desdichada una nueva ministra

play06:56

época era una noticia esa es la forma

play06:58

antigua de la palabra noticia las

play07:01

noticias son nuevas en el momento en que

play07:03

dejan de hacer nuevas dejan de ser

play07:05

noticias y no en balde en inglés la

play07:08

traducción de noticia es news es

play07:11

precisamente por eso esta es una noticia

play07:15

desdichada

play07:17

dicha es felicidad

play07:19

es dicha es lo contrario es una mala

play07:23

noticia y la mala noticia es que

play07:26

cristianos de braveza ya nos han ganado

play07:29

al amor que perdimos nuestra ciudad allí

play07:32

habló un alfa aquí viejo de barba

play07:35

crecida y cana y le dice con sarcasmo

play07:38

bien se te emplea o en rey bien se te

play07:42

empleara mataste los vencerás es que

play07:46

eran la flor de granada los ven se raje

play07:49

eran una familia muy poderosa que tenían

play07:52

mucho dinero y mucho poder y mucho

play07:55

contacto con españa con los españoles y

play07:57

los reyes y los este rey abdul pensaba

play08:02

que podían quitarle su poder y lo que

play08:05

hizo fue que invitó a todos los hombres

play08:08

de la familia abencerraje a la alhambra

play08:11

y cuando los tenía todos juntos los

play08:13

masacró los mató a todos hay un par un

play08:17

lugar en alhambra que se llama la sala

play08:20

de los vence rajes algunos dicen

play08:22

abencerrajes que uno puede todavía

play08:25

ver las manchas de sangre en la piedra

play08:27

porque han sido absorbidas y se ven

play08:30

rojos en la tierra y por eso dice que

play08:33

eran la flor de granada una metáfora

play08:35

para el poder que tenían dice cogiste

play08:38

los tornadizos de córdoba la nombrada

play08:41

los dos tornadizos era la gente que se

play08:44

convertía a la otra religión por

play08:47

conveniencia y no necesariamente eran

play08:51

fieles a ese nuevo régimen

play08:54

y después termina y dice por eso merece

play08:57

es rey una pena muy doblada que te

play09:01

pierdas tu y el rey y aquí se pierda

play09:04

granada hay línea la ma

play09:07

este poema que tiene muchas

play09:11

características sonoras

play09:13

muchas características propias del

play09:15

romance porque es un romance también

play09:18

cuenta una historia todos los romances

play09:21

cuentan una historia si volvemos a

play09:28

presentación de power point vamos a ver

play09:32

además de alhama

play09:35

y granadas que son estas un cuadro muy

play09:38

famoso que se llama la reconquista donde

play09:41

es el momento en que los moros están

play09:44

entregando las llaves a los españoles

play09:46

este es un momento histórico muy

play09:48

importante porque era la victoria de los

play09:50

españoles pero cuenta la leyenda que

play09:52

cuando el rey abdulá se fue que era muy

play09:56

joven en esa época triste por haber

play09:58

perdido la ciudad fue una de estas

play10:00

montañas y vio desde lejos la ciudad y

play10:04

su madre él se le salieron las lágrimas

play10:06

en su propia madre que estaba al lado de

play10:08

él las palabras que le dijo fueron

play10:12

lloras como mujer lo que no supiste

play10:14

defender como hombre

play10:18

dice la historia que alhambra está

play10:21

embrujada y que el espíritu del rey moro

play10:24

vive en alhambra y que cuando uno duerme

play10:27

en alhambra porque hay tours de

play10:29

fantasmas uno puede escuchar los

play10:32

lamentos del rey muro

play10:35

estas son las puertas de las que

play10:38

hablábamos que ahora están dentro de la

play10:39

ciudad pero antes eran las estaban en

play10:41

las afueras y ésta es una y esta es la

play10:43

otra y esta es la calle por donde el rey

play10:47

llegó a la alhambra

play10:50

si siguen más adelante ven el salón de

play10:52

los vence rajes y éstas no se ven las

play10:56

manchas pero aquí se ven algunos lugares

play10:58

que están marcados de sangre en la sala

play11:01

de los abencerrajes

play11:04

como verán es un poema muy histórico con

play11:08

un montón de cosas lean la otra vez y

play11:11

vean que otras figuras literarias

play11:13

comprenden y cualquier pregunta que

play11:15

necesiten hablamos el lunes

Rate This

5.0 / 5 (0 votes)

Étiquettes Connexes
Spanish HistoryGranadaMoorish SpainAlhambraReconquistaRomero del Rey MoroHistorical PoetryCultural HeritageAndalusian HistoryMudejar Architecture1492
Besoin d'un résumé en anglais ?