World Music | Week 12 | The Kabuki Theatre

Christine May Yong
30 Aug 202114:52

Summary

TLDRThe script delves into the rich history and unique features of Kabuki, a classical Japanese theater form with over 400 years of evolution. Originating from Izumo no Okuni's unusual dances in Kyoto, Kabuki distinguished itself with makeup, historical narratives, and everyday life depictions. It underwent significant changes, including performer gender shifts and government sanctions, yet maintained its popularity. Today, Kabuki continues to thrive, influencing global artists and expanding into modern media, all while retaining its elaborate makeup, costumes, and dramatic storytelling on the hanamichi stage.

Takeaways

  • 🌏 Kabuki is a form of classical theater in Japan that has evolved over 400 years and still maintains influence and popularity.
  • 🎭 The word 'kabuki' comes from the Japanese verb 'kabuk' meaning 'out of the ordinary' or 'bizarre'.
  • 🏙️ Kabuki originated in the early 17th century in Kyoto, with Izumo no Okuni performing unusual dances on the city's dry Kamo Riverbed.
  • 👧 Initially, kabuki was performed by females and was known as 'onakabuki', but it evolved to include male performers due to societal and government pressures.
  • 👦 The transition from female to male performers led to the emergence of 'wakashu kabuki' with young boys, and later 'yaro kabuki' performed by adult men.
  • 🎭 Kabuki differentiated itself from the upper-class dance theater form 'no' by focusing on historical events and everyday life, using makeup and facial expressions instead of masks.
  • 🎭 The Tokugawa shogunate attempted to control kabuki through bans and restrictions on costumes, stage weaponry, and plot subject matter.
  • 🌐 Despite Japan's isolation (sukkoku), kabuki influenced and was influenced by European artists like Claude Monet, Vincent van Gogh, and Claude Debussy.
  • 🎭 Kabuki's popularity declined after World War II, but innovations by artists like director Tetsuji Takechi led to a resurgence, even among American troops stationed in Japan.
  • 🎭 Today, kabuki continues as an integral part of Japan's cultural heritage, extending its influence to television, film, and anime.
  • 🎵 The kabuki musical ensemble includes traditional Japanese instruments like drums, the nokan (no flute), and the shamisen, a three-string fretless instrument.

Q & A

  • What is Kabuki theater and how long has it been around?

    -Kabuki is a form of classical Japanese theater that has evolved over 400 years, maintaining influence and popularity to this day.

  • Where did Kabuki theater originate?

    -Kabuki theater originated in early 17th century Kyoto, Japan.

  • Who is credited with starting Kabuki theater and how did it begin?

    -Izumo no Okuni, a shrine maiden, is credited with starting Kabuki theater. She performed unusual dances on Kyoto's dry riverbeds, which were daring parodies of Buddhist prayers.

  • What does the word 'Kabuki' mean?

    -The word 'Kabuki' is derived from the Japanese verb 'kabuku,' meaning out of the ordinary or bizarre.

  • Why was Kabuki initially banned for female performers?

    -Kabuki was initially performed by females but was banned by the Tokugawa shogunate in 1629 because the performances were considered too risque.

  • What changes occurred in Kabuki theater after the ban on female performers?

    -After the ban on female performers, young boys, known as 'wakashu,' began performing Kabuki. When this was also banned, adult men took over, leading to the development of 'yaro Kabuki,' where male actors played both male and female roles.

  • How did the Tokugawa shogunate attempt to control Kabuki theater?

    -The Tokugawa shogunate, guided by Confucian ideals, enacted sanctions on costume fabrics, stage weaponry, and plot subject matter to control Kabuki theater.

  • How did Kabuki theater change during the Meiji Restoration?

    -During the Meiji Restoration, Kabuki underwent much change and experimentation to adapt to the modern era, incorporating influences from European artists and evolving its style.

  • What instruments are commonly used in Kabuki theater music?

    -Instruments commonly used in Kabuki theater music include various drums (osuzumi, kosuzumi, taiko), the noh flute (nokan), a small metal gong, and the shamisen, a three-stringed lute.

  • What is the significance of the 'hanamichi' stage in Kabuki theater?

    -The 'hanamichi' stage is a long, raised platform extending into the audience, used by actors for dramatic entrances and exits, making Kabuki performances more interactive and dynamic.

  • How did Kabuki theater regain popularity after World War II?

    -Kabuki theater regained popularity after World War II due to innovations by artists like director Tetsuji Takechi, despite initial U.S. censorship of Japanese traditions. It became a popular form of entertainment among American troops stationed in Japan.

  • How is the makeup used in Kabuki theater significant?

    -The elaborate makeup in Kabuki theater, known as 'kesho,' signifies different types of characters and adds to the dramatic and visual impact of the performance.

  • How did the development of Kabuki theater differ from the noh theater?

    -Kabuki theater focused on historical events and everyday life with elaborate costumes and makeup, while noh theater emphasized simplicity and control, often using masks instead of makeup.

  • What is a 'shamisen' and how is it played?

    -A shamisen is a three-stringed, fretless lute similar to a banjo. It is played using a plectrum called 'bachi,' and the player uses various finger techniques on the left hand and different stroke techniques on the right hand.

  • What role did Kabuki theater play in Japanese cultural heritage?

    -Kabuki theater is an integral part of Japan's cultural heritage, influencing other art forms like television, film, and anime, and continuing to delight audiences with its elaborate performances.

Outlines

00:00

🎭 Introduction to Kabuki Theater

This paragraph introduces the Kabuki theater of Japan, mentioning that a video will be watched to understand what Kabuki theater is and its history. The text highlights that Kabuki has evolved over 400 years, maintaining its influence and popularity. The term 'Kabuki' comes from the Japanese verb 'kabuku,' meaning out of the ordinary or bizarre. It originated in early 17th century Kyoto by shrine maiden Izumo no Okuni, who performed unusual dances. Kabuki's unique features include makeup instead of masks and themes of historical events and everyday life.

05:01

🕰 Evolution and Influence of Kabuki Theater

This paragraph discusses the historical evolution and influence of Kabuki theater. Initially performed by females, Kabuki was later banned due to its risque nature, leading to male performers taking over. Despite governmental attempts to control it, Kabuki flourished and became a structured five-act play influenced by Confucian philosophy. The fall of the Tokugawa shogunate in 1868 and the Meiji Restoration brought foreign influences to Kabuki. Despite challenges, Kabuki experienced a resurgence post-World War II and remains integral to Japan's cultural heritage.

10:06

🎬 Modern Influence and Staging of Kabuki Theater

This paragraph details the unique aspects of Kabuki theater staging and its modern influence. Kabuki's elaborate makeup, costumes, and dramatic storytelling set it apart. The Hanamichi stage, a long raised platform extending into the audience, is a notable feature. Kabuki performances are rich in elaborate props and stage designs, including revolving stages and elaborate platforms. The actors' makeup signifies different characters, and Kabuki's musical ensemble includes various traditional instruments, enhancing the theatrical experience.

🎶 Musical Elements in Kabuki Theater

This paragraph explores the musical elements in Kabuki theater. Instruments from the Noh theater, like various drums and the Noh flute, are used in Kabuki, along with the addition of a small metal gong and the shamisen. The shamisen is a three-stringed, fretless instrument similar to a Chinese instrument but with distinct tuning. Detailed descriptions of the shamisen's construction and playing techniques are provided, highlighting its significance in Kabuki performances. The paragraph concludes with an emphasis on the elaborate nature of Kabuki staging and performances.

Mindmap

Keywords

💡Kabuki

Kabuki is a form of classical Japanese theater performance that has evolved over 400 years. Derived from the Japanese verb 'kabuku' meaning 'out of the ordinary or bizarre', it is known for its elaborate makeup, costumes, and dramatic storytelling. The script mentions that Kabuki theater began in the early 17th century in Kyoto and has maintained its influence and popularity to this day. It is a unique cultural expression that is integral to Japan's heritage.

💡Izumo no Okuni

Izumo no Okuni was a shrine maiden who is credited with the origins of Kabuki theater. She used the dry riverbed of the Kamo River in Kyoto as a stage to perform unusual dances that were both entertaining and mesmerizing. Her performances laid the foundation for what would become Japan's first dramatic performance form catering to the common people, as noted in the script.

💡Onna Kabuki

Onna Kabuki, or female Kabuki, was the initial form of Kabuki theater where female courtesans performed. It was considered risqué and was eventually banned by the conservative Tokugawa Shogunate in 1629. This led to the transition to other forms of Kabuki, such as Wakashu Kabuki and Yarō Kabuki, which involved male performers.

💡Wakashu Kabuki

Wakashu Kabuki emerged after the ban on Onna Kabuki, featuring young boys as actors. This form was also banned for similar reasons, leading to the development of Yarō Kabuki. The script highlights the historical evolution of Kabuki theater, showing how societal norms and government regulations influenced its development.

💡Yarō Kabuki

Yarō Kabuki is a form of Kabuki theater performed by men, which became prevalent after the bans on Wakashu Kabuki. It necessitated elaborate costumes and makeup for those playing female roles, known as onagata. The script emphasizes the transition from female to male performers and the resulting changes in performance style and costume design.

💡Onagata

Onagata refers to male actors who specialize in playing female roles in Kabuki theater. This practice became prominent in Yarō Kabuki, where men took over all roles, including those traditionally performed by women. The script mentions that onagata are highly skilled actors, trained to convincingly portray female characters.

💡Hanamichi

Hanamichi is a term used to describe a stage design feature in Kabuki theater. It refers to a long, raised platform that extends from the stage to the audience, allowing actors to enter and exit the stage in a dynamic way. The script describes this as a key element of Kabuki's elaborate staging, enhancing the theatrical experience.

💡Kesho

Kesho is the term used for makeup in Kabuki theater. It is an essential aspect of the performance, used to transform actors into their characters. The script mentions that Kabuki relies on kesho and facial expressions instead of masks, setting it apart from other forms of theater like No.

💡Bunraku

Bunraku is an elaborate form of puppet theater in Japan that influenced Kabuki. The script notes that Kabuki became closely associated with Bunraku, incorporating elements such as the use of music and narrative storytelling. This influence helped shape Kabuki into a structured, multi-act play.

💡Shamisen

The shamisen is a traditional Japanese musical instrument with three strings, similar to a banjo. It is used in Kabuki theater to provide musical accompaniment. The script describes the shamisen as having a unique tuning and being played with a plectrum called a bachi, contributing to the distinctive sound of Kabuki performances.

💡Tokugawa Shogunate

The Tokugawa Shogunate was a period in Japanese history from 1603 to 1868, during which Kabuki theater developed. The script mentions that this period of isolation from the outside world allowed Kabuki to evolve uniquely within Japan,不受外界影响. The Shogunate also attempted to control Kabuki through various bans and regulations, shaping its development.

Highlights

Kabuki is a form of classical Japanese theater with a history of over 400 years.

The word 'kabuki' comes from the Japanese verb 'kabuku' meaning 'out of the ordinary' or 'bizarre'.

Kabuki originated in early 17th century Kyoto with Izumo no Okuni's unusual dances.

Kabuki was Japan's first dramatic performance form catering to the common people.

Kabuki distinguishes itself from the upper-class no theater by using makeup and focusing on historical events and everyday life.

Initially performed by females as onakabuki, it evolved to ensemble performances attracting diverse audiences.

The Tokugawa shogunate banned female kabuki performers in 1629 due to its risqué nature.

Wakashu kabuki emerged with young boys as actors after the ban on female performers.

Yaro kabuki performed by men became the norm after wakashu kabuki was also banned.

Kabuki became influenced by bunraku puppet theater, leading to a more structured five-act play format.

European artists like Claude Monet were inspired by Japanese art and kabuki before Japan's isolation ended.

After 1868, more Western artists like Vincent van Gogh and Claude Debussy incorporated kabuki influences in their work.

Kabuki suffered in popularity after World War II but experienced a resurgence through innovation by artists like Tetsuji Takechi.

Kabuki continues as an integral part of Japan's cultural heritage, extending its influence to TV, film, and anime.

Kabuki theater is unique to Japan, with nothing else like it found anywhere else in the world.

Kabuki is primarily performed by males, but initially started with female courtesans.

Male actors in kabuki also take on female roles, known as onagata, requiring highly skilled acting.

Kabuki stories revolve around historical plays and contemporary dramas, unlike the aesthetics of simplicity in no theater.

The kabuki stage features a hanamichi, a long raised platform extending to the audience, used by actors for dramatic entrances and exits.

Kabuki staging is elaborate with revolving stages, backdrops, and props, in contrast to the simplicity of no theater.

Kabuki makeup has different significance, signifying various character types.

The kabuki musical ensemble includes traditional Japanese instruments like drums, nokan flute, and shamisen.

The shamisen is a three-string fretless instrument similar to a banjo, with unique tuning and playing techniques.

Transcripts

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next up on our list is the kabuki

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theater of japan so without going into

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too much detail we are going to be

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watching a video that details what the

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kabuki theater is and the history of

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this theatrical form

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[Music]

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[Applause]

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[Music]

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me

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[Music]

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me

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oh

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[Music]

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[Applause]

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many elements of traditional japanese

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culture such as cuisine and martial arts

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are well known throughout the world

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kabuki a form of classical theater

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performance may not be as well

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understood in the west but has evolved

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over 400 years to still maintain

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influence and popularity to this day

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the word kabuki is derived from the

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japanese verb kabuku meaning out of the

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ordinary or bizarre

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its history began in early 17th century

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kyoto where a shrine maiden named izumo

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noakuni would use the city's dry camo

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riverbed as a stage to perform unusual

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dances for passerby who found her daring

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parodies of buddhist prayers both

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entertaining and mesmerizing

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soon other troops began performing in

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the same style and kabuki made history

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as japan's first dramatic performance

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form catering to the common people

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by relying on makeup or kesho and facial

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expressions instead of masks and

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focusing on historical events and

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everyday life rather than folk tales

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kabuki set itself apart from the upper

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class dance theater form known as no and

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provided a unique commentary on society

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during the edo period at first the dance

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was practiced only by females and

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commonly referred to as onakabuki

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it soon evolved to an ensemble

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performance and became a regular

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attraction at tea houses drawing

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audiences from all social classes at

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this point ona kabuki was often risque

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as geishas performed not only to show

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off their singing and dancing abilities

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but also to advertise their bodies to

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potential clients

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a ban by the conservative tokugawa

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shogunate in 1629 led to the emergence

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of wakashu kabuki with young boys as

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actors

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but when this was also banned for

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similar reasons there was a transition

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to yaro kabuki performed by men

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necessitating elaborate costumes and

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makeup for those playing female roles or

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onagata attempts by the government to

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control kabuki didn't end with bans on

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the gender or age of performers the

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tokugawa military group or bakufu was

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fueled by confucian ideals and often

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enacted sanctions on costume fabrics

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stage weaponry and the subject matter of

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the plot at the same time kabuki became

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closely associated with and influenced

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by bunraku an elaborate form of puppet

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theater due to these influences the once

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spontaneous one-act dance evolved into a

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structured five-act play often based on

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the tenets of confucian philosophy

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before 1868 when the tokugawa shogunate

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fell and emperor meiji was restored to

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power japan had practiced isolation from

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other countries or sukkoku and thus the

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development of kabuki had mostly been

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shaped by domestic influences but even

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before this period european artists such

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as claude monet had become interested in

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and inspired by japanese art such as

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woodblock prints as well as live

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performance

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after 1868 others such as vincent van

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gogh and composer claude debussy began

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to incorporate kabuki influences in

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their work while kabuki itself underwent

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much change and experimentation to adapt

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to the new modern era

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like other traditional art forms kabuki

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suffered in popularity in the wake of

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world war ii but innovation by artists

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such as director tetsuji takechi led to

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a resurgence shortly after

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indeed kabuki was even considered a

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popular form of entertainment amongst

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american troops stationed in japan

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despite initial u.s censorship of

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japanese traditions

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today kabuki still lives on as an

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integral part of japan's rich cultural

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heritage extending its influence beyond

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the stage to television film and anime

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the art form pioneered by okuni

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continues to delight audiences with the

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actors elaborate makeup extravagant and

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delicately embroidered costumes and the

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unmistakable melodrama of the stories

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told on stage

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so the kabuki theater is a theatrical

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form that developed during the tokugawa

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shogunate of 1603 to 1868

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so very early on in the pre-recorded

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lecture i mentioned that

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japan went through a period of isolation

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and this period of isolation coincided

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with tokugawa or shoguny so the kabuki

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theater of japan started to develop

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during this period of isolation where

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japan was closed out from the outside

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world so this is why the kabuki theatre

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is very very unique to japan

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it is completely unique you will find

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nothing else like it anywhere else in

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the world here so this particular

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tradition is primarily performed by

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males

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but it started off being performed by

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females yeah female courtesans used to

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perform it initially

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when it first started but by 1629 they

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were bad yeah because they were

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considered a bit too risque

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so the men had to take over and a lot of

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the men as well

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besides taking on the roles of the

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kabuki because it was so popular

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they also took on female roles and

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although i don't go into detail about

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the female roles of kabuki note that

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there are many men as well who are

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specifically trained for female kabuki

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rose which are known as onagata yeah and

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they are highly highly skilled actors

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here because they need to play women um

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so this is a very popular form of

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theater and the history and the stories

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of the kabuki is largely circulates

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around historical place and contemporary

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dramas yeah so unlike the north theater

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where the emphasis is on the aesthetics

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of simplicity of you know that whole

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feeling of just

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being constrained and in control kabuki

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is almost like the opposite of it here

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historical place and dramas are part of

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it so it is performed primarily on a

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stage that looks very different to the

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no theater it has a hanamichi stage so

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for those of you who may be interested

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in theatre or you heard on this of this

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term hanamichi this refers to the kabuki

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stage although it is used these days

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also in contemporary theater yeah when

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you say that a stage is hanamichi in

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design you are talking about a stage

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that has a very long raised platform

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that extends all the way out to the

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audience yeah so it's not just a stage

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is it a box where people watch from the

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audience point but there is a whole

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runway as well and usually in the middle

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or at the side of it here um the stage

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is also very very elaborate there are

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revolving stages then there's different

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platforms here so if you remember the

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video that we watched before that the

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four kabuki actors emerged from a race

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platform yeah so they didn't just come

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out from side stage they just came up

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from this platform so the staging itself

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is a lot more elaborate compared to the

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no theater yeah um these race platform

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the hanamishi stage where you know the

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stage is extended to the audience is

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used by the actors themselves yeah and

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kabuki characters um like you see in

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this picture over here they use that

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platform to enter and exit the stage so

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let's have a look at some of the images

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of the kabuki staging so if you see over

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here this is a traditional kabuki

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theater setting so the setting is very

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very simple in terms of the audience so

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where the audio sits is very very simple

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but the stage itself you can see in this

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image over here it has a hanamichi stage

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the race platform in this case is on the

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far left corner so if you see this area

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here on the left

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um leading to the main stage itself that

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right there is the race platform yeah so

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even though the stage looks quite simple

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in this particular image it actually can

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have a lot more props on it here so

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there are revolving stages as i said and

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a lot more elaborate props here so this

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is a better example and this better

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image of the kabuki stage and you can

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see the transformation of the stage it's

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just wonderful yeah you have backdrops

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you have color you have you know

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costumes and axes as well and you have

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even this uh river that's flowing right

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in the middle of it here so the staging

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of kabuki can be very very elaborate and

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if you look at the axes themselves you

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can also see they have equally elaborate

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costumes as well as makeup and the

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makeup that you see

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has different significance they signify

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different types of characters okay so

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the kabuki musical ensemble comprises of

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instruments that we have already

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encountered in the no theater so there

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are going to be three different types of

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drums the same types of drums that are

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used from the nose which is the osuzumi

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the kosuzomi our hourglass shaped drums

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in large and small size as well as taiko

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which is this small barrel shaped drums

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here there is also a nokan which is the

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no flute that is used in the kabuki

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theater yeah um and there is also an

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addition of a small metal gong so

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sometimes a small metal gorge is used as

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well as a shamisen so what on earth is a

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shamisen shamisen refers to a three

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string glute here that is fretless so if

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this looks quite familiar to a chinese

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instrument you are not wrong yeah it is

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influenced by

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the chinese instrument the sunshine

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which is a three-string loot as well

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yeah but as you will start to see and i

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hope you start to see this example

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vishwamisan that it has very very

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different tuning so what i want to end

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with for the kabuki section is um more

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excerpts from the kabuki staging as well

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as some information about the shamisen

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which is the instrument that is featured

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from the kabuki theatrical tradition

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is a japanese traditional plugged

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instrument which has three strings

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it is similar to a banjo and so by

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calling it a japanese banjo almost

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everyone can imagine what it's like

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the body which we call do

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is a hollow square box made from

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rosewood

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the neck which passes through the body

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of the instrument is typically made of

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red sandalwood or rose wood the other

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end of the neck has curved tail

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which we call tenjin

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named after the japanese god

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below the tenjin

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ebony or ivory tuning pegs are inserted

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at the pig box

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to play the shamisen we use a breakdown

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called bachi

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to create a percussive sound

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the bocci can be made of ivory water

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buffalo horn turtle shell plastic or

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aqua resin

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the shape similar to that of a ginkgo

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leaf to pray the shamisen one uses the

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first

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second

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and third fingers on the left hand to

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press down

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and we use different left hand finger

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techniques

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there are also several techniques for

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the right hand which holds the fracture

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just

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for the

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right hand

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[Music]

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downstroke and upstroke sukui we call

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sukui

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and so left hand

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technique

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hajiki

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and also sodium

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this and the combination

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like that

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[Music]

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[Applause]

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[Music]

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hey

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[Music]

play14:47

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KabukiJapanese theaterCultural heritageHistoryTraditional artPerforming artsClassical theaterEdo periodShamisenStagecraft
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