Why you CAN'T Draw from Your Imagination?

Summary

The video script discusses the challenge of drawing from imagination versus copying existing artworks. It emphasizes that true creativity comes after a process of imitation and learning from others' work. The speaker draws a parallel to learning music, where one must first master the basics before composing original pieces. The script encourages viewers to let go of the expectation of immediate originality and to understand that finding one's artistic voice is a journey that involves both imitating and creating.

Takeaways

• 😮 Imitation is a fundamental part of learning: The speaker emphasizes that just as in music, learning to draw involves copying existing works to understand the basics and patterns.
• 🤔 Expectations are often misplaced: Many believe that mastering the basics will automatically lead to original creation, but this is not the case.
• 🎼 Learning by copying in music: The script uses the example of learning music by first playing compositions of others to understand the structure and patterns before creating original pieces.
• 🎨 Drawing is a similar process: Just like in music, drawing involves imitating existing works to learn and then gradually developing one's own style.
• 👨‍🏫 The importance of mentors and masters: Great artists and musicians often encourage beginners to learn from them, implying that learning from the greats is crucial for growth.
• 🔄 The cycle of learning and creating: The process involves learning from existing works, recognizing patterns, and then using those insights to create original content.
• 🚫 Dropping unrealistic expectations: Beginners should not expect to create original work immediately after learning the basics.
• 🔑 Finding one's own voice: Just as in music, artists must find their own unique style by first imitating and then innovating.
• 🕵️‍♂️ Recognizing patterns is key: Understanding and identifying patterns in existing works is a critical step in the creative process.
• 🕰️ Patience and persistence: The development of original work takes time and requires consistent effort and practice.
• 🎬 Inspiration from great directors: The script mentions Francis Ford Coppola's view on imitation and finding one's own voice, suggesting that even the greatest artists start by learning from others.

Q & A

Why does the speaker feel they cannot draw from their imagination?

The speaker feels they cannot draw from their imagination because they have been copying existing artworks and illustrations without developing their own creative process.

What is the common expectation when people start learning to draw?

The common expectation is that once they learn the basics of drawing, they should be able to magically create original artwork from their imagination.

How does the speaker compare learning to draw to learning to play the violin?

The speaker compares it by stating that just as violin students learn the basics and then play existing compositions, artists should also start by imitating existing works to learn and understand patterns before creating their own.

What does the speaker suggest is the process for developing original artwork?

The speaker suggests that the process involves first imitating existing works to learn patterns and nuances, and then using those learned elements to create original compositions.

What is the role of imitation in the creative process according to the speaker?

Imitation is a crucial step in the creative process, as it allows artists to learn from existing works, recognize patterns, and eventually develop their own unique style and voice.

Who is Francis Ford Coppola, and what does he say about imitation and copying?

Francis Ford Coppola is a renowned film director known for movies like 'The Godfather'. He suggests that one should initially imitate or 'steal' from others to find their own voice.

What is the importance of losing expectations when starting out in art?

Losing expectations is important because it allows artists to focus on the learning process without the pressure of creating original work immediately, which can be overwhelming for beginners.

What does the speaker mean by 'get the process right'?

Getting the process right means understanding that learning to draw involves a progression from imitating existing works to eventually creating original pieces, rather than expecting to jump straight to original creation.

What is the speaker's view on the relationship between learning basic drawing skills and creating original characters?

The speaker believes that learning basic drawing skills like perspective and forms does not automatically enable one to create original characters; one must first imitate and learn from existing works.

What does the speaker suggest as the ultimate goal of the creative process?

The ultimate goal is not necessarily financial wealth but personal fulfillment and the internal satisfaction that comes from creating something original and meaningful.

What is the '2 minutes Tuesday' the speaker refers to at the end of the transcript?

The '2 minutes Tuesday' seems to be a recurring segment or series that the speaker is a part of, where they aim to deliver content in under two minutes.