TUTORIAL TARI REMO GAGRAK ANYAR | PART 3

Summary

This transcript outlines a series of traditional dance movements or steps, starting with the 'ukel Swan,' followed by a variety of motions such as 'Singkut petang,' 'ceklekan,' and multiple 'seblak' steps. The routine includes specific directional movements like left and right turns, along with sequences of taps and twists, such as 'tusuk sebelah kiri' and 'tusuk sebelah kanan.' The performance continues with a 'Singkut kentang,' involving more steps like 'ceklekan' and 'tutup kiri buka kanan.' The session concludes with 'ikat' and 'tanjak,' including fluid movements like 'puter sampur' and 'pajak Gulu,' accompanied by music and applause.

Takeaways

• 😀 The lesson involves a series of traditional movements and gestures.
• 😀 The first sequence is the 'ukel Swan,' which is performed four times.
• 😀 The next movement involves 'Singkut petang,' followed by turning left, right, and left.
• 😀 The 'ceklekan' motion follows, which includes a sequence of right and left 'seblak' (a type of movement).
• 😀 The seblak movement is repeated multiple times with taps on both sides (right and left).
• 😀 After the seblak sequence, there is a transition to 'Singkut benang,' which involves turning left, right, and left.
• 😀 The movement 'ceklekan' is repeated, followed by a series of 'tusuk' motions with a combination of right and left movements.
• 😀 The sequence then continues with the 'Singkut kentang' movement, which includes various hand and body positions.
• 😀 The 'tanjak' position is included, followed by turning left, right, and left.
• 😀 The final part of the sequence includes movements such as 'ikat,' 'puter sampur,' and turning right, before finishing with 'buka kanan tanjak' and 'pajak Gulu.'

Q & A

What is the first movement described in the script?

The first movement described in the script is the 'ukel Swan,' which is performed 4 times.

What follows the 'ukel Swan' in the sequence of movements?

After the 'ukel Swan,' the next movement is 'Singkut petang,' followed by 'toleh kiri kanan kiri.'

What is meant by 'ceklekan' in the script?

'Ceklekan' refers to a specific movement or gesture in the choreography that involves alternating positions, likely involving arm or body movements.

How many times is the 'seblak' movement performed?

The 'seblak' movement is performed a total of four times in the script, alternating between the right and left sides.

What is the significance of 'tap tap' in the choreography?

'Tap tap' is a repeated action performed with the 'seblak' movement, where the right and left sides are tapped in succession.

How does the script describe the 'Singkut benang' movement?

The 'Singkut benang' movement involves alternating positions on the left and right sides ('kiri kanan kiri') followed by a sequence of 'tusuk' movements, which are repeated multiple times (6 times).

What does 'tusuk' refer to in the context of this choreography?

'Tusuk' refers to a poking or stabbing motion with a specific directional movement, performed on both the left and right sides.

What happens after the 'Singkut kentang' movement?

After the 'Singkut kentang' movement, the sequence continues with a series of motions involving 'ceklekan,' 'tutup kiri buka kanan,' and 'bawah atas' in different positions.

What is the purpose of the 'tanjak' in the choreography?

The 'tanjak' is a specific pose or movement that likely involves a specific head or body position, marking a transition or emphasis in the sequence.

What is the final movement described in the script?

The final movement involves 'ikat,' followed by 'puter sampur jadi' and additional rotations and poses such as 'buka kanan tanjak' and 'pajak Gulu,' which conclude the performance.