How To Make Your First $100 Selling Beats

Chambers
22 Jul 202315:53

Summary

TLDRこの動画では、音楽プロデューサーとしての初めての100ドルを稼ぐ方法について解説しています。特に、高品質なビートを制作し、ソーシャルメディアを活用してアーティストとの関係を築くことの重要性に焦点を当てています。ビートを無料で提供することの利点や、効果的なコミュニケーションの方法についても説明し、音楽業界で成功するための具体的なステップを提供します。これにより、視聴者は音楽プロデューサーとしてのキャリアを積極的に前進させることができるようになります。

Takeaways

  • 🎼 **音楽プロデューサーとしてのキャリアをサポートするプラグインやVST、学習場所、ドラムキット、MIDI素材などの投資先を紹介しました。**
  • 📈 **音楽プロデューサーとして最初の100ドルを稼ぐ方法として、ビート販売のプロセスと個人的な経験を共有します。**
  • 🛠️ **音楽プロダクションは学びと技術を磨くプロセスであり、短期間で始めたばかりの人は慎重にアプローチする必要があります。**
  • 🎓 **音楽の構造やアーティストが求める要素を理解することが重要です。また、オンラインクラスでさらに詳細に学ぶことができます。**
  • 💯 **自信を持って自分のビートを評価し、1年以上かけてビートを作り上げ、自信を持ってアーティストに提供できるようにしましょう。**
  • 🗃️ **カタログを構築し、ジャンルに関係なく100個以上のビートを用意し、整理してラベルをつけましょう。**
  • 📝 **ビートのタイトル、アーティスト名、キー、BPMを含めることにより、アーティストとの協力を容易にします。**
  • 💭 **お金だけを目指すのではなく、アーティストとの関係構築と音楽作りに重点を置いてください。**
  • 🚀 **ビートスターやYouTubeでビートを販売する際は、自動的に売上が入るというわけではありません。積極的に客を見つける必要があります。**
  • 🔍 **SoundCloudやInstagramなどのソーシャルメディアを活用して、アーティストを見つけ、彼らの音楽を聴き、共感を示しましょう。**
  • 🤝 **関係構築を重視し、アーティストとの信頼を築くことで、長期的なビジネスチャンスを獲得できます。**
  • 📧 **メールやインスタグラムのメッセージを通じてコミュニケーションを取り、彼らの音楽に共感し、プロデューサーとしての自己紹介を行いましょう。**
  • 💰 **最初の販売は無料のサンプルビートを提供することで始めてみて、その後の販売で価格交渉を行うことができます。**
  • 📈 **繰り返しの顧客を獲得し、音楽制作のポートフォリオを構築することで、ブランド力を高めることができます。**
  • 🌐 **ソーシャルメディアの活用と積極的なコミュニケーションが、音楽プロデューサーとしての成功に寄与します。**

Q & A

  • チャンバーズはどのようにして音楽プロデューサーとして最初の100ドルを稼いできたのですか?

    -チャンバーズは、音楽プロデューサーとして稼ぐために、まずビートの品質を高め、自信を持っていることが重要だと述べています。また、アーティストとの関係を築くことで、音楽を作りながらお金を稼ぐことができます。

  • ビートを販売する前に何を理解しておく必要がありますか?

    -ビートを販売する前に、音楽プロダクションのプロセスを理解し、ビート作りの技術を磨く必要があります。また、アーティストが求める音楽の要素を理解し、彼らの音楽に貢献できるようなビートを作る必要があります。

  • チャンバーズが推奨するビートのカタログを構築する際のポイントは何ですか?

    -チャンバーズは、ビートのカタログを構築する際には、少なくとも100個のビートを準備し、ジャンルに応じて分類し、タイトルやビートのキーやBPMなどの情報を明記することが重要だとアドバイスしています。

  • チャンバーズはどのようにしてアーティストと接触し、ビートを販売しましたか?

    -チャンバーズは、SoundCloudとInstagramを使い、アーティストの音楽を聴き、彼らの音楽に共感しながら、直接メッセージを送ることで接触しました。また、アーティストとの関係を築くことで、ビートの販売につなげました。

  • チャンバーズが提案するアーティストとのコミュニケーションを始める際のアプローチは何ですか?

    -チャンバーズは、アーティストとのコミュニケーションを始める際に、彼らの音楽を実際に聴いて感想を述べることで、信頼関係を築き始めることが重要だと提案しています。

  • チャンバーズはどのようにしてビートの販売を促進しましたか?

    -チャンバーズは、アーティストとの関係を築くことで、ビートの販売を促進しました。また、無料のサンプルを提供することで、アーティストとの信頼関係を構築し、その後の販売につなげました。

  • チャンバーズが提案するビートの販売方法の1つに、無料のサンプルを提供することがありますが、なぜそれが有効なのですか?

    -無料のサンプルを提供することで、アーティストがビートの質を実際に体験できるため、信頼関係を構築しやすくなります。また、良い印象を与えることで、その後の販売につなげることができます。

  • チャンバーズはどのようにしてビートの販売を開始しましたか?

    -チャンバーズは、ビートスターズやYouTubeを通じてビートを販売するのではなく、アーティストと直接連絡を取ることでビートの販売を開始しました。また、ビートを直接アーティストに送ることで、プラットフォームの手数料を省くことができました。

  • チャンバーズが提案するビートの販売戦略の成功のためには、何が必要ですか?

    -チャンバーズが提案する戦略の成功には、アーティストとの信頼関係の構築、音楽に対する真摯な愛情、そしてコミュニケーション能力が必要です。また、アーティストの音楽を理解し、彼らのライフスタイルに合ったビートを提供することが重要です。

  • チャンバーズはどのようにしてアーティストとの関係を築きましたか?

    -チャンバーズは、アーティストの音楽を聴き、彼らの作品についてフィードバックを提供することで、信頼関係を築きました。また、アーティストとのコミュニケーションを通じて、彼らが必要とする音楽のスタイルを理解し、それに合ったビートを提供しました。

  • チャンバーズが提案するビート販売のアプローチは、他のプロデューサーにも適用できますか?

    -はい、チャンバーズが提案するアプローチは、他のプロデューサーにも適用可能です。ビートの品質を高め、アーティストとの信頼関係を築くこと、そして積極的にコミュニケーションを取りながらビートを提供することで、多くのプロデューサーが成功することができるでしょう。

  • ビート販売で成功するためには、音楽プロデューサーとしてどのような態度を持つ必要がありますか?

    -ビート販売で成功するためには、音楽プロデューサーはアーティストとの信頼関係を築くことで、彼らの音楽に対する真摯な愛情と共感を持つ必要があります。また、アーティストのニーズを理解し、それに応じた音楽を提供する柔軟性を持つことが大切です。

Outlines

00:00

🎵 音楽プロデューサーとしての最初の100ドルを稼ぐ方法

Chambersmixsta.comのChambersが、音楽プロデューサーとして最初の100ドルを稼ぐ方法について解説します。以前に100ドルで音楽プロデューサーに投資する方法について動画を上げたが、今回はその逆で、売って稼ぐ方法について語ります。個人の経験に基づいて、ビートを売るプロセスやアドバイスを共有し、音楽プロダクションのスキルを磨くだけでなく、アーティストとの関係構築の重要性も強調しています。また、ビートスターズやYouTubeでビートを販売する際の誤解を解いて、実際に客先に到達する方法についても説明します。

05:01

🔍 客先に到達するための戦略

Chambersは、音楽プロデューサーがどのようにして客先に到達し、彼らの音楽を販売するかについて説明しています。ソーンドクラウドとインスタグラムを利用して、アーティストを見つけ、彼らの音楽を聴き、彼らの作品に対して敬意を表すメッセージを送ることから始めます。インスタグラムのダイレクトメッセージを使ってコミュニケーションを取り、関係を築きます。アーティストが音楽を必要としていると感じている時には、彼らにビートを提供することで、信頼関係を構築し、販売のチャンスを高めることができます。

10:03

💬 コミュニケーションを通じたビート販売

Chambersは、人間的な接触を通じてビートを販売することが重要であると語ります。アーティストとの会話の中で彼らの音楽に対する共感を示し、自身のプロデューサーとしてのスキルと経験をアピールします。また、無料のサンプルビートを提供することで、信頼関係を構築し、将来の販売に繋げることができます。販売のプロセスには、適切なタイミングで価格交渉を行うことや、アーティストとの繰り返しの取引を確立することが含まれています。

15:05

📈 音楽プロデューサーとしての成功への道

最後に、Chambersは視聴者が彼のアプローチを試して成功した場合に連絡をくれることを願い、さらに音楽プロデューサーとしてスキルを向上させるためのオンラインクラスを紹介しています。彼のチャンネルでは、プロデューサーとして幅広いトピックに関するチュートリアルや動画を提供し、視聴者が音楽プロダクションのスキルを磨くのを手助けします。また、チャンネルへの購読や今後のコンテンツについてのフィードバックを呼びかけています。

Mindmap

Keywords

💡音楽プロデューサー

音楽プロデューサーとは、音楽作品の制作を監督し、アーティストや楽曲の創作プロセスをサポートするプロフェッショナルです。このビデオでは、音楽プロデューサーとしてビートを販売し、アーティストと協力して音楽作品を作成するプロセスが説明されています。

💡ビート販売

ビート販売とは、音楽プロデューサーが作成したビート(楽曲のバックボーン)を他のアーティストや顧客に販売する行為です。ビデオでは、プロデューサーがどのようにして最初の100ドルを獲得し、ビートを販売する戦略について詳しく説明しています。

💡サウンドクラウド

サウンドクラウドは、音楽を共有できるオンラインプラットフォームで、独立アーティストやプロデューサーが自分の作品をアップロードし、他のアーティストと繋がる場です。ビデオでは、サウンドクラウドを使ってアーティストを見つけ、ビートを販売する方法が紹介されています。

💡インスタグラム

インスタグラムは、写真や動画を共有できるSNSで、音楽プロデューサーはこれを利用してアーティストと連絡を取り、ビートの販売や協力の機会を求める場として使われています。ビデオでは、インスタグラムのダイレクトメッセージを使ってアーティストとコミュニケーションを取る手法が説明されています。

💡ビートスター

ビートスターは、音楽プロデューサーが作成したビートを販売・レンタルできるオンラインマーケットプレイスです。ビデオでは、ビートスターを使用する際の誤解と実際の販売戦略について触れています。

💡プラグイン

音楽制作において、プラグインとはデジタルエフェクトや楽器をシミュレートするソフトウェアです。ビデオでは、音楽プロデューサーがプラグインを用いてビートを作成し、それを通じて音楽作品を完成させるプロセスが言及されています。

💡VST

VSTは、音楽制作ソフトウェアのプラグイン形式のひとつで、プロデューサーが楽曲制作に使用するデジタルインストルメンテーションやエフェクトを提供します。ビデオでは、VSTを使用して音楽作品を制作するプロセスが詳述されています。

💡音楽制作教育

音楽制作教育とは、音楽プロデューサーが音楽作品の作成方法を学ぶための教育プログラムです。ビデオでは、オンラインクラスを通じて音楽制作のスキルを向上し、プロフェッショナルなビートを作成する方法が紹介されています。

💡アーティストとの関係構築

アーティストとの関係構築とは、音楽プロデューサーがアーティストと信頼とコミュニケーションを築くプロセスです。ビデオでは、アーティストと良好な関係を築くことの重要性と、それがビート販売に与える影響について語られています。

💡音楽作品のカタログ

音楽作品のカタログとは、音楽プロデューサーが作成したビートや楽曲のコレクションです。ビデオでは、プロデューサーが自信を持って他人に提供できるビートを100曲以上作成し、カタログを構築することが推奨されています。

💡オンラインクラス

オンラインクラスとは、インターネットを通じて受講者が教育を受ける形式の学習です。ビデオでは、オンラインクラスを通じて音楽制作のスキルを学び、プロデューサーとしてのキャリアを発展させる方法が提案されています。

Highlights

Chambers分享了如何作为音乐制作人赚取100美元的个人经验。

强调音乐制作是一个需要不断学习和完善的工艺。

建议在开始销售节拍之前,至少花费一年到两年的时间来提升技能和建立作品集。

提到了建立至少100首你信任并认为可以立即发送给艺术家的节拍的重要性。

建议确保你的节拍被正确标记,包括标题、你的名字、调式和BPM。

强调与艺术家建立关系的重要性,而不仅仅是为了赚钱。

讨论了使用社交媒体,如SoundCloud和Instagram,来接触潜在的艺术家客户。

分享了如何通过SoundCloud上的播放列表发现地下说唱歌手,并与他们建立联系。

强调了在社交媒体上与艺术家建立真正的关系,而不仅仅是交易。

建议在发送节拍之前,先通过社交媒体与艺术家建立联系,了解他们的需求。

提到了不要急于销售,而是要通过提供免费样品来建立信任。

分享了个人如何通过直接与艺术家沟通,而不是使用平台如BeatStars,来销售节拍。

讨论了如何通过提供优惠,如买一送一或半价优惠,来吸引艺术家购买节拍。

强调了持续与艺术家沟通,了解他们的生活和项目,以便提供帮助。

提到了通过这种方式建立品牌、作品集和人际关系,而不仅仅是销售节拍。

建议发送消息的数量要多,以增加与真正有兴趣的艺术家建立联系的机会。

强调了这种方法的有效性,尤其是在社交媒体流行的今天,艺术家每天都在寻找制作人和节拍。

Chambers提供了一个在线课程,帮助人们提升音乐制作技能,成为一个全面的制作人。

Transcripts

play00:01

okay whisk everyone it's Chambers from

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chambersmixsta.com I got another

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hopefully very informative and helpful

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video to a lot of people for you guys

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today a little while back I did a video

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about how to spend 100 as a music

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producer I pretty much went through the

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best things that you can invest in to

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help your career whether it's plugins or

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vsts or places to learn music production

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places to get drum kits or midi stuff

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like that if you haven't seen that video

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I'm gonna do the low

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I don't know if it's this side or this

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side but it's the little thing you see

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but I was reading the comments on that

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video and a few people said can you do a

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video on how to make 100 as a music

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producer so today I'm going to be

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teaching you guys how you can make your

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first your very first 100 selling Beats

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as a music producer now obviously

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there's so many different ways you could

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do that but I'm gonna be talking to you

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guys from my own personal experience and

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I'll take you through my process and any

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other extra pieces of information that I

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think you guys should know also P.S um

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if you only watch this channel because

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like you want to see fire beats get made

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and watch tutorials and stuff this is

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not one of those videos I'm gonna be

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talking to you guys and trying to help

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you guys out so if you're not the type

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who likes to watch videos of people who

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are sitting in front of cameras talking

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to you giving incredible advice then

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go check out my other videos for all the

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real ones that are ready to learn and

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who are looking for valuable advice

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that's what this video is going to be so

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before you can even like throw yourself

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into I'm about to start selling Beats

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there's a few things that you got to

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understand right obviously one of the

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first main things is make sure that your

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Beats are there I've seen some

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situations of some people who like have

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just started making music and they did

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it for like a month or even like a week

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and right after that they make like two

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beats and I'm like I'm ready to sell

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this when you hear the beat that they're

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trying to sell to somebody sounds like

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this

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foreign

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music production is a whole process

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there's a lot to learn there's a lot to

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get good at it's a whole craft that you

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need to work to perfect every day and

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not just with Beats and producing but

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also with understanding how songs work

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like when you want an artist a vocalist

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of some sort to get on your music you

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need to understand that there are

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certain things that artists look for and

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now I've done a lot on this YouTube

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channel with past videos about tips and

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tricks or things that are found in

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Industry level beasts there's a bunch of

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different videos on this channel that

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I've made with the intention of helping

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people understand what makes a great

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beat and of course we go further into

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detail and more advanced with those

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topics and plenty of others in my online

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class which is also a great way for

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people to learn no matter what level you

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are but just make sure that you're

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putting the time in that you're

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confident in in what you make and it's

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not confident like I just made my first

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beat I can make a two note Melody this

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sounds so good it doesn't trust me it

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doesn't and if you listen to it a year

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later from now you're gonna look back

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and say yeah that was terrible my

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personal experiences we're talking about

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that I did not have any intention of

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selling the music that I was making

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talking at least until like one or two

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years in at the very least one year from

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absolute nothing starting from scratch

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one to two years before I said I want to

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get this to artists and now obviously

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looking back at those beats from that

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time that I made the quality has gone

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way up but at least I knew that those

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were decent enough to give to an artist

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at that time so spend some time learning

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and also build up your catalog have at

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least like a hundred beats that you

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believe in that you're confident with

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that you could say I could send this to

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someone right now and it's gonna be cool

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it could be from drill to trap to RMB to

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dark to happy to Ambi whatever like have

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a good wide variety of Beats set up I

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say like 100 just ready to go Beats make

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sure that they're labeled you know they

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have the title they have your name in it

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so the artist knows who made the beat

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make sure that you put the key in it

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make sure that you have the BPM in it a

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little side note bonus tip about working

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with artists they're gonna always prefer

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to work with people who are easy to work

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with no artist wants to get a beat in

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their email that they open and it says

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Untitled underscore 9021079 make sure

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you got your name in it the key is in it

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and the tempo is in it because some of

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these artists might be recording

play03:53

themselves they want to put their beat

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into FL or whatever they're recording

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with and easily see oh that's the BPM

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that's the key I could get right to it

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they're always going to choose you over

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the guy who keeps sending beats with

play04:03

Untitled names and whatever and one more

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thing aside from building up a catalog

play04:07

and making sure that your Beats are like

play04:09

at that quality I would say just

play04:11

reassess your mindset don't go into this

play04:13

with your only intention being money

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money money money I need to make money

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that's not going to get you very far

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this is about building with artists this

play04:20

is about building relationships this is

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about making music you know you get that

play04:24

down and further down the road the money

play04:25

will come in but if you just start up

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with this is only about money I don't I

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just step back reassess what your

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intentions are finding great artists and

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building relationships with them making

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great music with them and the money will

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start coming in at the right time if you

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have those two things that we can start

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to move on so a lot of people use beat

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stars to sell their beats or they post

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them on YouTube and it has a link to

play04:49

their beat stars or whatever I just want

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to first take down a common

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misconception a myth that you put your

play04:55

Beats on B Stars you put your beats on

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YouTube you just post them you could

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take a step back and automatically

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someone's gonna buy it right no it's not

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impossible it's just not very likely you

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could but a Type Beat on YouTube and it

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might blow up and it might have some

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people contacting you to buy it but is

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that likely not not that much you could

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upload a b to beat stars but is that

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automatically going to put your beat at

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the very top of the list for artists who

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are looking to purchase Beats there's so

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many people uploading beats on B Stars

play05:22

I'm not saying that it's a bad platform

play05:23

I'm saying that don't upload and expect

play05:26

things to happen your first beat sales

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are not going to be passive income

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unless you get lucky you has something

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that blows up and something just happens

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but I'm saying worst case scenario

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you're not insanely lucky like that

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you're gonna have to work for it your

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client is not going to be coming to you

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you need to go to your client you're

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gonna have to put the work in so that

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brings us to our first obstacle in Song

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Beats how do we get to the client how do

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we get to the rappers how do we get to

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the vocalist the singers the people that

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we want to sell to how are we supposed

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to get to them what did I do when I was

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trying to sell Beats I used social media

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the main two being SoundCloud and

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Instagram it starts with SoundCloud cool

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thing about them is you can find

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playlists of like underground rappers

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you know people who aren't major label

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who aren't signs because everyday people

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who are making music it's so easy to

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just find one song and it will take you

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to so many other ones you swipe to the

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next one and it's a song that's like

play06:15

that there's like related songs

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everywhere once you get into that

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underground kind of world there's so so

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much music so many artists who put their

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stuff on Soundcloud because it's free

play06:26

it's not like trying to upload to Apple

play06:28

music or to Spotify or the title I'm not

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looking on there I'm looking on

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SoundCloud Cloud because it's easy for

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people to upload music whenever I would

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listen to these people's music right I

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wouldn't just like listen skim through

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it for two seconds and then try to sell

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Beats and I'm like actually listen like

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pay attention to who you're listening to

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and try to see yourself producing a song

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for the artist that you're listening to

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if that person is making afrobeat or

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whatever music and you you're not

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familiar with that at all then you

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should probably look somewhere else if

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you love drill music you love to produce

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drill music then you're going to want to

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be looking for those underground Jill

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rappers picture it like yo I could

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definitely see myself working with this

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artist they would definitely be

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interested in the beats that I make you

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know what I mean just make sure it makes

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sense everything matches up so we have

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all those boxes checked off right you

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found like a song you're feeling it you

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like it you think that you could work

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with this artist you could easily click

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on their profile and right there in

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their bio it will say hey here's my

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socials here's my Instagram here's my

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Twitter here's my email whatever I would

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look at Instagram because it's very easy

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to DM someone on there and I shoot them

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a DM I'd be like yo

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don't don't do that

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I didn't finish the sentence yet but

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don't don't be the person that says yo

play07:35

send

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buy like leaves the conversation with

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just yo I never answer people who hit my

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DM saying yo

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yo what

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[Music]

play07:46

what yo like you have something to say

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but like what you just type yo and leave

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don't be that person also don't be the

play07:54

person that's like yo can I ask you a

play07:56

question you just did ask me a question

play07:58

be intentional with what you say also

play08:01

don't be the person goes into the DM

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like hey man yo yo you need beats I got

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beats on the low man five dollars a beat

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you need beats huh I got you don't be

play08:09

that person like I said in the very

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beginning of this video it's about

play08:11

building relationships with these people

play08:12

you're not going door to door trying to

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sell Girl Scout cookies you're trying to

play08:15

build a relationship with someone so

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when you hit them up be like yo what's

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up I'm a producer from wherever I be

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like yo I'm Chambers I'm a producer from

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New York I just heard your song

play08:25

whatever the title is on Soundcloud and

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I'm not lying because I actually heard

play08:29

it I was like I would tell them I just

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listened to your song and I thought it

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was dope I really like the hook I really

play08:35

like these lyrics I really like the

play08:37

verse I like the production I like I

play08:39

like how it sounds actually tell them

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how you felt about the song because

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people will see that and they'll be like

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oh like you actually listen to the music

play08:46

that I put out I appreciate that people

play08:48

are gonna answer to that they're not

play08:50

gonna answer to yo

play08:53

be a human being with these people it's

play08:55

not just transactions and whatever it's

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talking to someone letting them know

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that you like their music and also

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introducing yourself you know make sure

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you mention your producer because who

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are rappers looking to work with other

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producers so by starting that message

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with hey what's up I'm a producer

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they're automatically like oh this could

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potentially be someone I'm gonna work

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with I'm interested in looking for Beats

play09:16

this person is a producer cool and on

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top of that they're actually showing

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love and saying that they listen to my

play09:21

song and then my answer even say oh

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what's up thank you so much I appreciate

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that if you're lucky you'll get right

play09:26

into it and they'll be like oh you're I

play09:27

see you're a producer don't look like a

play09:29

shady account you know have a profile

play09:30

picture be a person and try to

play09:33

understand what's going on in that

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artist's life they have an Instagram and

play09:36

they're posting stories maybe their

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stories are saying yo I need beats and

play09:40

you see that and you're already talking

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to this person you got to take advantage

play09:43

of that or it's like you see the stuff

play09:44

that they're posting about when they say

play09:46

that they're working on a new album and

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you want to be a part of that you have

play09:49

to take advantage of these things get to

play09:51

know who you're talking to and how how

play09:53

you can help them how can you make

play09:54

yourself valuable to them you know

play09:57

there's so many people who Skip right

play09:59

over that who will just go right into

play10:00

the email right into the message I'm

play10:02

trying to sell Beats here show them in

play10:04

your face you want to build a

play10:05

relationship with someone who could be a

play10:07

potential customer of your Beats and

play10:09

hopefully repeat customer who buys

play10:11

several Beats from you over time get to

play10:13

know who they are and what they're doing

play10:14

in their life and how you can help them

play10:16

and you know let the conversation keep

play10:18

going ask them some questions yo where

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are you from how long have you been

play10:20

making music what type of music are you

play10:22

trying to make are you working on

play10:23

anything special blah blah just keep the

play10:25

conversation going keep being a human

play10:26

being with this person eventually you're

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going to end up with two options they're

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either gonna ask you yo I see that

play10:31

you're a producer and they take it from

play10:33

there maybe we can work or whatever and

play10:35

if they don't go that route then offer

play10:38

your business card which is basically yo

play10:40

man I really do like your work and I'm a

play10:41

producer I got plenty of Beats that I

play10:43

feel like would fit with your style if

play10:45

you'd ever be interested in working let

play10:46

me know I could absolutely send you some

play10:48

Snippets maybe you'll catch a liking for

play10:50

some of this stuff you just have to be

play10:51

ready for however the conversation goes

play10:52

sometimes they're going to extend their

play10:54

hand to you and if they're not like that

play10:56

then maybe you need to press a little

play10:57

bit and from there it's really up to you

play10:59

how you want to move forward don't be

play11:01

afraid to send some beats for free when

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you go to a store and there's a brand

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that really wants you to buy their ice

play11:06

cream they'll offer you a free sample

play11:08

first you test it out you like it you're

play11:11

gonna want to buy the product right so

play11:13

I've never been afraid when I was first

play11:15

starting out to just send some beats out

play11:17

for free for the sake of building a

play11:19

relationship and seeing the potential of

play11:21

the music that we can make together you

play11:23

gauge how it's going with this person

play11:24

maybe you don't need to send anything

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for free and they're like straight up

play11:27

like okay how much do you charge for a

play11:29

beat that's a crazy thing to get if they

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straight up ask you how much do you

play11:33

charge and they already mess with your

play11:35

Beats like you're in but other ones you

play11:36

you kind of have to like weave around

play11:38

engage the conversation about when is

play11:41

the appropriate time to try to sell a

play11:43

beat you could be like yeah man I'm down

play11:44

to work so I think what we could arrange

play11:47

is I'll send you three beats for free

play11:48

and we can see how that goes and then

play11:50

after that we can discuss my price or

play11:52

whatever and and be nice that's a nice

play11:54

thing to offer like that's a nice little

play11:56

deal yo I'll give you the very first two

play11:58

beats for free we can see what happens

play11:59

if you want to keep working I could

play12:01

definitely set you up with some deals or

play12:03

whatever you buy one beat you get

play12:04

another one free you know like ease your

play12:06

way into it don't just be like pay this

play12:08

amount now and I'll give you a beat

play12:10

maybe send a few for free maybe like be

play12:12

nice and give them a discount yo I'll

play12:14

give you this one for half off you're

play12:16

not just some producer who hides behind

play12:18

a laptop screen and makes Beats old that

play12:19

you have to be a human being you need to

play12:21

be a business person you got to be able

play12:23

to have a conversation with these people

play12:25

understand how you can be valuable to

play12:26

them and just be smart about how you go

play12:28

about things and eventually you'll get

play12:30

to that place where you're sending that

play12:32

beat over and they're sending you some

play12:33

money the way that I did it I didn't use

play12:35

B stars or I did for like one sale and I

play12:37

realized they took a cut out of what I

play12:39

was making and I was like I'd rather

play12:40

just send the beats the artist myself

play12:42

and that requires a little trust because

play12:43

it's like I would ask them to send the

play12:45

money first and then I would immediately

play12:47

send the beat so they have to trust you

play12:49

but that's what that building

play12:50

relationship the whole thing is about

play12:51

building trust with this person getting

play12:53

to know them and whatever you charge for

play12:54

beat like when I was starting out you

play12:56

know giving like a b lease 25 for an MP3

play12:58

okay they PayPal you 25 and I

play13:01

immediately email them the beat there we

play13:04

go that's that's a sale you could if you

play13:06

could do that

play13:07

four times only four times

play13:10

that's a hundred dollars you see how

play13:12

simple that seems like if you could do

play13:14

that four times only four sales of

play13:17

twenty five dollars with some artists

play13:18

that you build relationship with that's

play13:20

your first hundred dollar selling beat

play13:21

so that's something to be proud of and

play13:23

yeah it's like if you want to increase

play13:24

your chances then just keep on listening

play13:26

to other people's music sending out

play13:28

those messages whether it's on Instagram

play13:29

some of them don't have Instagram they

play13:31

got an email in their SoundCloud bio hit

play13:33

their email with the same type of

play13:34

message and build a relationship with

play13:36

them and at the same time that also

play13:37

builds up your social media presence

play13:39

because you can follow them they'll

play13:41

follow you back and now you have like

play13:43

real relationships with artists rappers

play13:45

vocalist singers you follow each other

play13:48

you work with each other it's a

play13:49

win-win-win-win-win I think when I was

play13:51

doing that I'd send out like 50 or 60

play13:54

messages in a day just sit listen to

play13:56

stuff on Soundcloud and send out so many

play13:59

emails and so many messages and try to

play14:02

contact so many different people not

play14:04

everyone is going to answer not everyone

play14:06

is going to be interested and that's why

play14:07

I sent out so many because eventually

play14:09

you'll get to the people you really talk

play14:11

to and end up working with you get into

play14:12

a good habit of doing that you can start

play14:14

having repeat customers you could be

play14:16

sending out messages or whatever trying

play14:18

to get beat sales and then out of the

play14:20

blue and artists that you work with in

play14:22

the past DMS you saying yo I'm trying to

play14:24

buy some more beats and now you have a

play14:26

repeat customer isn't that great and you

play14:28

keep doing that and as you do that

play14:29

you're building your song catalog of

play14:31

songs that you've produced and if people

play14:33

say hey man what have you worked on now

play14:35

you have a bunch of songs that you've

play14:37

actually produced and you can send to

play14:38

them and be like yeah I work with

play14:40

artists so yeah that technique is so

play14:43

much more than just selling Beats it's

play14:44

building a brand it's building your

play14:46

catalog it's building relationships with

play14:48

people very very effective especially

play14:50

today with how popular social media is

play14:52

how many artists are out there looking

play14:54

for producers looking for beats every

play14:56

single day songs uploaded every day all

play14:59

these emails all these Instagram

play15:00

accounts you need to be on top of that

play15:02

so that's my advice that's how I started

play15:04

out with selling Beats good luck to

play15:06

everyone who wants to try that method I

play15:08

hope it works out for you if it does and

play15:10

you start foreign beats shoot me an

play15:11

email and let me know because I would

play15:13

love to hear about that that's awesome

play15:15

so thank you all so much for watching I

play15:16

really hope I could help some people out

play15:18

today if you're interested in learning

play15:19

more ways to take your Beast to the next

play15:21

level take your whole crap to the next

play15:22

level be a well-rounded producer then I

play15:24

highly recommend to you my online class

play15:26

chamberscourses.com Link in description

play15:28

and in the comment section really

play15:30

changing people's lives subscribe if

play15:32

you're new drop a comment let me know

play15:33

what types of tutorials and videos you

play15:35

guys want to see me do in the future is

play15:37

Chambers and I'll see you on the next

play15:38

one peace

play15:39

[Music]

play15:42

Chambers

play15:51

[Music]

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