How to Use Your Voice in ENGLISH to Sound Powerful and Confident

Accent's Way English with Hadar
12 May 202025:20

Summary

TLDRIn this video, Hadar discusses the challenges non-native English speakers face with their voice and offers exercises to improve vocal confidence. She explains how body tension affects voice quality and the importance of resonance for a powerful voice. Cultural influences on voice usage are also addressed. The video includes practical exercises like facial warm-ups, dancing, and exploring different voice resonances to help viewers find their full vocal potential and communicate more confidently in English.

Takeaways

  • 🗣️ The script emphasizes the importance of using your voice confidently in English, especially for non-native speakers.
  • 😓 Tension in the body can affect the voice, causing it to sound weak or shaky, which can impact confidence during communication.
  • 🎶 Voice is about frequencies and vibrations, and it resonates differently in various parts of the body, affecting its quality.
  • 🌏 The native language's vocal resonance can influence how one speaks in English, potentially leading to an unnatural voice quality.
  • 📍 For effective English communication, the voice should resonate between chest and head for a balanced sound.
  • 🚫 Cultural norms might discourage speaking loudly, which can limit one's vocal expression in English.
  • 💪 Becoming aware of and challenging cultural and personal beliefs that suppress the use of your full voice is crucial.
  • 🤔 Exercises like facial warm-ups, jaw relaxation, and exploring the range of your voice can help free up your voice.
  • 💃 Dancing can help release tension, making the voice and overall communication more powerful and confident.
  • 🎭 Memorizing and performing powerful monologues can boost confidence and help find a more expressive and powerful voice.
  • 🌬️ Breath control is integral to voice projection; practicing deep belly breathing can enhance vocal quality and reduce nervousness.

Q & A

  • What is the main focus of Hadar's video?

    -The main focus of Hadar's video is to help non-native English speakers improve their voice and communication skills in English, specifically addressing issues like a shaky or soft voice that can affect confidence.

  • Why does holding tension in the body affect the voice?

    -Holding tension in the body affects the voice because it creates nervous energy which is highly influential on the voice, which is controlled by the nervous system.

  • What is the significance of voice resonance and how does it relate to language?

    -Voice resonance is significant because it determines the quality and power of one's voice. It relates to language as different languages resonate in different places in the body, affecting how one's voice sounds in English compared to their native language.

  • Why is it ideal for English speakers to have a blend of chest and head voice?

    -For English, a blend of chest and head voice is ideal because it creates a 'perfect ring,' which is a mix of lower and higher frequencies, allowing for a more expressive and natural voice.

  • What is vocal fry and why is it not recommended to use it deliberately?

    -Vocal fry is a low, creaky voice that often happens at the end of sentences or when one is tired. It's not recommended to use it deliberately because it's not healthy for the voice and limits the emotional expressiveness of speech.

  • How can cultural background influence one's voice and communication style in English?

    -Cultural background can influence one's voice by instilling beliefs about speaking loudly or expressively as rude or inappropriate, which can limit the use of one's full vocal potential in English.

  • What is the first facial warm-up exercise suggested in the video?

    -The first facial warm-up exercise is to identify stress in the jaw, possibly by moving the jaw with the hand and releasing a sound from the gut, such as 'aaahhh'.

  • Why is dancing recommended as part of voice training?

    -Dancing is recommended as it helps loosen up the body, increase confidence, and reduce tension, all of which can positively affect the voice and communication.

  • How can exploring different resonance places in the body help with voice control?

    -Exploring different resonance places in the body helps with voice control by identifying how to move the voice between various areas, enhancing the ability to manipulate voice placement for better expression.

  • What is the purpose of memorizing and performing a powerful speech from a TV show or movie?

    -The purpose is to help individuals feel more confident and expressive in English by embodying strong emotions and practicing speaking with passion and assertiveness.

  • Why is breathing into the belly emphasized in the script?

    -Breathing into the belly is emphasized because it allows for deeper and more controlled breaths, which are essential for a strong and steady voice.

Outlines

00:00

🗣️ Unlocking Your Voice Confidence in English

The speaker, Hadar, introduces the topic of enhancing one's voice in English, especially for non-native speakers. She acknowledges the common struggle of feeling voiceless or lacking confidence when speaking English due to issues like a shaky or soft voice. Hadar proposes to offer exercises to liberate one's voice for various speaking engagements and daily use, emphasizing the channel's goal to improve communication skills and boost English confidence. She also encourages viewers to subscribe for weekly updates.

05:00

🔍 Understanding Voice Tension and Resonance

Hadar explains how body tension can affect one's voice, often stemming from nervousness or habitual tension that impacts vocal quality. She discusses the concept of voice as frequencies and vibrations, resonating in different parts of the body, and how this can be influenced by one's native language. The ideal voice for English is suggested to be a blend of chest and head voice, avoiding the extremes of vocal fry or a voice that is too high and unsupported. Cultural factors that may suppress the use of a full voice are also mentioned, advising viewers to be aware and challenge these influences.

10:03

💆‍♀️ Facial Warm-ups and Voice Exploration

The video script details facial warm-up exercises to release tension in the jaw and explore the full range of the voice. Hadar instructs viewers to massage the jaw, release sounds from the gut, and perform exercises to loosen the jaw and explore different resonance places in the body. She also suggests adding voice to these movements and encourages viewers to not hold tension, which can affect vocal quality and confidence.

15:05

🕺 Dancing to Unleash Vocal Power

Hadar suggests dancing as a way to loosen up, feel powerful, and affect vocal confidence positively. She invites viewers to dance to their favorite song to get into a grooving and enjoying state of mind. After dancing, she guides viewers to explore their voice's resonance by releasing sounds while tapping different parts of the body, from the chest to the nasal cavities, to identify and control voice placement.

20:07

🎭 Exploring Voice Versatility and Breathing Techniques

The speaker encourages experimenting with voice versatility by using different emotions and attitudes when speaking a simple phrase. She also advises using exaggerated storytelling to find different voice placements. Breathing techniques are highlighted as crucial for voice control, with a focus on belly breathing for deeper, more controlled breaths. Hadar suggests laughing to connect with the core and lower voice, and she introduces the concept of a 'power speech' exercise, where memorizing and performing a powerful monologue can boost confidence and fluency in English.

25:08

🌟 Power Speech for Confidence and Expression

Hadar emphasizes the power speech exercise, suggesting that memorizing and performing a powerful monologue can significantly boost one's confidence and fluency in English. She shares her personal experience of using such speeches to express emotions and feel more empowered. The speaker provides a dramatic demonstration of a monologue to inspire viewers and concludes by encouraging them to speak up, regardless of accent or mistakes, focusing on the importance of being heard.

👋 Closing Remarks and Invitation for Engagement

In the closing segment, Hadar thanks viewers for watching, encourages them to like and share the video, and provides a list of powerful speeches in the video description for practice. She invites viewers to share their experiences and chosen speeches with her on Instagram, emphasizing the importance of speaking up in English, with or without mistakes, to ensure one's message is heard.

Mindmap

Keywords

💡Voice

In the context of the video, 'voice' refers to the sound produced in a person's larynx and uttered through the mouth, which is a critical aspect of communication, especially in a second language like English. The video emphasizes the importance of using one's full vocal potential to communicate powerfully and confidently. For example, the script mentions that a soft, low, or shaky voice can hinder communication and affect confidence.

💡Tension

'Tension' in the video script refers to the physical and mental strain that can affect a person's voice, particularly when they are nervous or communicating in a non-native language. The video suggests that holding tension in the body can lead to a stifled and weak voice, which is a barrier to effective communication. The speaker provides exercises to release this tension and free up the voice.

💡Resonance

Resonance, as discussed in the video, is the quality of a sound that makes it seem deeper or louder due to the way it vibrates within the body. The video explains that the voice resonates in different places such as the chest or nasal cavities, and that a larger resonance box can project the voice more effectively. It's crucial for English speakers to find a balance between chest and head voice for optimal resonance.

💡Vocal Fry

Vocal fry is a vocal register where the vocal cords come together to produce a low, creaky, and raspy sound, often used at the end of sentences or when tired. The video warns against using vocal fry deliberately as it can lead to an unexpressive and potentially damaging voice quality. It suggests that controlling one's voice to avoid vocal fry is healthier and more expressive.

💡Cultural Influence

Cultural influence pertains to how societal norms and values can shape an individual's behavior, including their vocal expression. The video points out that in some cultures, speaking loudly or expressively might be considered rude, which could suppress a person's natural voice. The script encourages viewers to be aware of these cultural influences and to embrace their full vocal potential despite them.

💡Facial Warmup

A facial warmup is a set of exercises designed to prepare the facial muscles for more expressive speech or performance. In the video, the speaker guides viewers through a facial warmup to release tension in the jaw and explore the full range of vocal expression. This is important for English speakers to ensure their voice is not constricted by physical tension.

💡Breathing

Breathing is highlighted in the video as a fundamental aspect of voice production. Deep, diaphragmatic breathing allows for better control and projection of the voice. The video suggests that shallow breathing can limit vocal expression, and it encourages practices that promote deeper, fuller breaths to support a stronger and more resonant voice.

💡Power Speech

Power Speech, as introduced in the video, refers to the act of memorizing and performing a powerful monologue to build confidence and command over one's voice. The video recommends choosing a monologue that conveys strong emotions and practicing it to feel more expressive and fluent in English. This exercise is meant to help individuals connect with their core and project their voice more effectively.

💡Expressiveness

Expressiveness in the video refers to the ability to convey emotions and meaning through one's voice. It is linked to the freedom and confidence with which a person uses their voice. The video encourages finding the balance between chest and head voice to achieve a naturally expressive voice, which is essential for effective communication in English.

💡Confidence

Confidence in the video is portrayed as a state of self-assurance that allows for powerful and clear communication. It is suggested that by practicing voice exercises and embracing one's full vocal range, an individual can enhance their confidence in speaking English. The video provides various exercises aimed at building this confidence through vocal control and expression.

Highlights

Introduction to the importance of voice in English communication

The impact of body tension on voice and confidence

Voice as frequencies and vibrations that resonate in different body spaces

The influence of native language on English voice quality

The ideal voice placement for English pronunciation

Vocal fry and its impact on voice expressiveness

Cultural influences on voice volume and expression

The mental aspect of using one's full vocal potential

Facial warmup exercises to release jaw tension

Techniques to explore and expand the range of your voice

The importance of body loosening through activities like dancing

Exploring different places of resonance in the body

Exercises to find versatility in your voice

Using exaggerated speech to find different voice placements

The connection between breath control and voice

Using laughter to connect with your core and lower voice

The power speech exercise to build confidence and fluency

Encouragement to speak up despite potential mistakes or accents

Invitation to share experiences and chosen speeches with the instructor

Transcripts

play00:00

Hey everyone, thank you so much for joining me. My name is Hadar, and today we are going

play00:04

to talk about your voice in English. Yes, you heard me. Your voice.

play00:11

If you are a speaker of English as a second language or third language or fourth language,

play00:16

then you must have had this experience where you wanted to communicate in English, you

play00:20

wanted to speak up, but your voice was just not there for you. It was a little soft, it

play00:26

was too low, it was shaky, and you just didn't know what to do. And obviously, it has affected

play00:33

your confidence and prevented you from communicating powerfully and confidently.

play00:39

So, in this video, I'm going to give you a few exercises that you can do before you have

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to do a Zoom call or before you have a job interview or a public talk that you're a little

play00:51

nervous about, or just something you can do every day to free up your voice in English,

play00:57

but also in your native language. But before we go into the exercises, if you

play01:01

are new to my channel, then welcome, first of all, and second, I want you to know that

play01:07

this is the place for you to improve your communication skills and boost your confidence

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in English, because we are going to make you feel really good about how you communicate

play01:18

in English. So be sure to subscribe to my channel and also subscribe to get the notifications,

play01:24

so you know when I release a new video every single week.

play01:28

Okay. So the first thing you need to know about your voice in English is that when you

play01:33

hold tension in your body, it will affect your voice. Now, sometimes we hold tension

play01:39

just because it's a habit. Sometimes we hold tension because we're nervous when communicating,

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because there's this whole other aspect of communicating in English that creates tension.

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Like, "What if I can't find the right words? What if I get stuck? What are they going to

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think about my accent? I don't feel like myself in English because I can't really express

play01:58

myself?" And all of these thoughts that go through your head when you speak English,

play02:04

they affect your body and your voice because it creates tension and nervous energy, and

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the voice is highly affected by the nervous system.

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So if you feel that your voice is stuck and stifled and weak, it's probably first and

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foremost because of the tension that you hold in your body and your nervous system. The

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second thing I want you to know is that voice is frequencies and vibrations. And our voices

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resonate in different places in our body wherever there is space. Okay?

play02:39

So you can resonate your voice in your chest. You can resonate your voice in your nasal

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cavities in your head, right? This is where the voice resonates. So the bigger the resonance

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box is, the bigger your voice is. But sometimes the voice quality of your native

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language affects your voice quality in English. Because for some languages, you only resonate

play03:02

your voice in one place. Some languages resonate the voice mostly in the nose and head. Some

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languages, my language Hebrew resonates mostly in the throat and chest, so it's a lot more

play03:15

throaty and usually lower. Ideally, for English, you want your voice

play03:19

to be somewhere between your chest voice and your head voice. Because when you speak, you

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want to have that perfect ring - that's how my voice teacher used to call it when I was

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in acting school - that perfect ring that is a blend of the lower frequencies and the

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higher frequencies. So you don't want your voice to be stuck up

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here and you don't want also your voice to be all the way down here, and without a lot

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of breadth supporting it cause then you will fry your voice. This is called the vocal fry.

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So you want to find the perfect placement for your voice for it to come out naturally.

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And here's the thing, sometimes we do change our voices depending on the situation. So

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this vocal fry is something that often happens at the end of sentences or when you're really,

play04:11

really tired. But if you use the deliberately, first of

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all, they say it's not that healthy for your voice, but also your voice is not going to

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be as expressive. There are less emotion that you can carry over when your voice is down

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here, right? So, this is why you want to have the ability

play04:28

to control your voice, and then you can choose whatever you like most. But the most important

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thing. Is that you have the power to control it and the exercise that we're going to do

play04:37

in a second are going to help you identify the different places.

play04:41

The last reason why you may not be using your full vocal potential could be cultural. In

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some cultures it is considered to be rude, inappropriate, and unacceptable sometimes

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to speak at a higher volume. If you grew up hearing around you all of the

play05:00

time, "You gotta be quiet", "You speak too loudly, shut up", then of course, it's going

play05:06

to affect the voice that you have as an adult. So the first thing is to be aware of that,

play05:12

and to know that what you have heard from the surroundings does not mean that it is

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true and it is the right thing to do, especially when you need to communicate in English. And

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English is a language that is vocally expressive. You express a lot of emotions in English.

play05:30

And if you want to be a powerful communicator, and if you want for people to hear you, you

play05:36

got to have those tools to speak up and use your voice fully. So, it's not only a physical

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thing, it is also a mental thing. So you want to cut those ties with those ideas that have

play05:49

led to your fear of using your full voice. And the way I see it, it's not a matter of

play05:56

being angry at it or resentful or frustrated, it is how it is. There are some beautiful

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things about your culture that serve you so well, but some things may not serve you that

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well. So as an adult, it's okay to say, "I want

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to take this, but I don't want to take that anymore because this has been limiting for

play06:15

me as my adult self, and I don't want to use that anymore". And with the exercises I'm

play06:20

going to share in the video, you will be able to find different expressions for your voice.

play06:25

The first thing we're going to do is to start with a facial warmup. So you want to identify

play06:31

if you have some stress in your jaw, so maybe around here. And maybe move your jaw with

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your hand, slide your fingers down so your jaw dropped. And then you can also release

play06:49

a sound - 'aaahhh'. Now try to make the sound come out of your gut, of your belly, of your

play06:57

chest - 'aaahhh', don't lock it and massage your jaw.

play07:05

The next thing you want to do is to release that tension. So I want you to take your hands

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and grab your chin like that. And first of all, see if you can move your chin freely.

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If what happens is this - your hands are moving, but your jaw is not moving at all, which is

play07:25

usually the case, than you, first of all, want to be aware of it, right, and relax a

play07:30

bit more. And see how you can let go of the control of your jaw. So you want to be very

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aware of what's going on there. And then you want to release air. And as you

play07:47

release air, you want to move the jaw really fast, like this. Let's do it again. So I'm

play07:56

going to do it from here. Look, take a deep breath, and release air. So again, if this

play08:05

is what's happening - you are just moving your hands and your elbows, then your jaw

play08:13

is still locked and you want to relax it. It will really help you with all those open

play08:18

vowel sounds like 'aa' and 'ei' and 'ow', where you have to open and move your jaw

play08:24

smoothly. But also it will help you with not holding tension that affects your vocal quality.

play08:33

And now I want you to add voice to it like we did at the beginning when we massaged the

play08:38

jaw. You hear that funny voice that comes out? Yeah, you can laugh, it's okay.

play08:49

Now I want you to relax everything and release everything with . Now, you want

play08:58

to go up and down to explore the entire range of your voice.

play09:05

Now you may feel tickles like I'm feeling right now. You can do the same with a tongue

play09:11

trill - - like an R in some languages.

play09:18

And now you want to exaggerate chewing a big piece of bubble gum. Exaggerate it, like you're

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overdoing it. Like you're a three-year-old and you just got a big piece of bubblegum,

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and it's hard for you to break it down. And you can hum. And then close your lips and

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keep on chewing. Good. The next thing you want to do is to loosen

play09:52

up your body and to feel a bit more powerful and in control. Because if you hold tension,

play09:58

it will show up in your voice, but also in your confidence. Because when you feel that

play10:02

you've all fired up, of course it's going to affect the way you communicate in a second

play10:08

language. So, what I want you to do now is to dance.

play10:13

Yes! Dancing is so incredibly powerful. So stand up, we're going to do it together. I'm

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going to play my favorite song, but you are going to play your favorite song when it's

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time. A song that kinda like gets you all grooving and enjoying it. Are you ready? Let's

play10:31

do this. Yes, yes, even you that you're sitting right

play10:33

now watching me? Now I want you to stand up and tell everyone in the house to go to the

play10:38

kitchen or something and dance with me. Are you ready? Let's do this.

play10:47

That felt good. Let's move on. After you got done with your dancing and you

play11:00

had a glass of water, I want you to explore your voice. What does that mean? You want

play11:05

to find the different places of resonance in your body.

play11:09

So first of all, start with just releasing sound. Good. Now do it again, and as you do

play11:20

it, just tap on your chest. Try to kind of like release that voice that

play11:25

is locked in here. And when you do it, hold your palms like this and, thankfully, I don't

play11:37

have a neck mic. And try to release it and to bring the voice to all those weird places

play11:44

that you never thought your voice should resonate in.

play11:52

And go a little lower. So if your voice is going to be here - I mean, it's

play11:58

still okay, but it's not going to find that natural place of resonance, which is in the

play12:03

chest. The chest likes lower tones, lower frequencies, like to resonate in a larger

play12:10

space in the chest. So let's do it again. Good.

play12:19

Now you want to do the same thing with your voice, cause some people tend to go too low

play12:24

and kind of like their voices locked here. So for those of you who feel that this is

play12:29

where your voice is, I want you to bring it up here. And kind of like tap on the nasal

play12:39

cavities here. Maybe go to the nose and deliberately create

play12:45

sound in the nose. Just to identify how you can control your voice and move it between

play12:54

different places in your body. So nose. You can kind of like hold it and feel the vibrations

play13:02

here. And then move it to your cheeks. And maybe feel it in your throat. And bring it

play13:12

to your chest. And also tap on all your organs just to wake it up, wake up your body. It's

play13:26

good. Okay. Roll your shoulders back. And now we're

play13:30

going to work on expanding your chest to allow more space here. So kinda like roll your shoulders

play13:35

back and expand your chest. Good. And you can release sound as well. And give yourself

play13:44

permission to feel that, to make a sound. Okay, good. The next thing we're going to

play13:55

do is to explore the versatility of your voice. So I want you to take one sentence and use

play14:00

it in all of the different voices that you have. I want you to experiment with it. And

play14:06

really don't judge yourself, and don't do it around people that might ridicule you because

play14:11

this is not helpful. And anyway you want to give them a piece of

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your mind if they make fun of you. Because they are the ones sitting and watching other

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people doing the work. And you are doing the work. Just saying.

play14:25

So let's take this one phrase, one simple phrase. Let's try "What do you want?" And

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say it in your normal voice - "What do you want?" And then I want you to explore it with

play14:34

different emotions, different attitudes, and different placements in your body. "What do

play14:38

you want?" "What do you want?" "What do you want?" "What do you want?" "What do you want?"

play14:44

So try different voices too. "What do you want?" "What do you want?" "What do you want?"

play14:48

"What do you want?" "What do you want?" "What do you want?" Okay. So you are exploring and

play14:54

showing yourself that you do have different voices. And if this is hard for you, you got

play14:59

to practice it because your voice is capable of having this variety.

play15:04

And if you feel that you only have one voice is just because you haven't explored it yet.

play15:09

But if you are a human, you should have a very, very wide range of sounds that you can

play15:15

create. Because we all have the same spaces in our bodies, and we also have the same muscle

play15:21

here, the vocal chords that create the voice. Another thing you could do is to take a piece

play15:26

of text. It could be an email you just received, or it could be a story or an article or a

play15:33

transcript of a TED talk. And you want to say it as if you were telling it to a little

play15:39

child, and make it very animated and exaggerated just for you to explore the different placements

play15:45

of your voice. For example. "It pains me to offend you, but

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amidst your concern for the defects of your nearest relations, and your displeasure at

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this representation of them, let it give you consolation to consider that, to have conducted

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yourself so as to avoid any share of the like censure, is praise no less generally bestowed

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on you..." You see where I'm going. So you want to exaggerate it as if you are

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a really, really bad narrator, and you're reading this book with overly pathos. But

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again, when you exaggerate something and you find versatility, you find variety, and then

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it's a lot easier to tone it down. When I teach pronunciation, I always say it's

play16:36

okay to exaggerate. When you go into speaking, you tone it down anyway. So you might as well

play16:41

practice it in an exaggerated fashion. So when you tone it down, it probably would still

play16:47

be a little less than what you should express, but at least it's closer.

play16:52

Now, one of the first thing you should also think about is your breath. Your voice is

play16:56

connected to your breath. And if your breath is short, if you're not breathing deeply,

play17:01

then it's going to affect your voice. So I want you to now breathe into your belly.

play17:05

Put your palm on your belly and breathe into your palm. A lot of times we just breathe

play17:12

into the chest and then our breath is very limited. There's a lot more space in the chest.

play17:16

I know you might think it's different, but when you breathe through your belly, you drop

play17:20

the diaphragm and more air enters your body. So you want to breathe, it's like yoga breathing.

play17:26

You want to breathe into your belly, and when you release the sound, you want to release

play17:31

it on your breath. And when you run out of breath, you got to take another breath, and

play17:37

then to speak on your breath. I'm probably going to make a different video

play17:41

about breath, but I just wanted to mention that. So that if you feel that your breath

play17:47

is a little shallow, you want to work on that, especially, it also calms you down when you

play17:52

breathe in and when you fill up your body with oxygen. Of course, it's going to. Help

play17:57

your nerves to calm down. Ahhh, okay, good. If you feel that it's hard for you to connect

play18:08

with your core and with your lower voice, and you feel that your voice is really soft

play18:16

or stuck up here. Or maybe it is down below, but it's stifled like you feel it doesn't

play18:22

resonate, you don't have that ring, ring of a voice that is fully expressed. You don't

play18:28

hear the voice bounced back to you from the walls of your home, then another great tactic

play18:34

is to laugh and to speak. What does that mean? When you laugh, it's

play18:39

primal, right? You're activating your core muscles. Let's try it out, it's a lot of fun.

play18:45

Let's try to force ourselves to laugh. It's real. So, and it's contagious, I know.

play19:13

So when you do that, you feel that your voice is expressed a little differently when you

play19:18

speak. So you want to force yourself to laugh and then say something. 'That is so true.

play19:28

So funny. You are so stupid'. And then you want to speak and say something.

play19:41

'I am so awesome'. Right? And you say it as you're connected with your deep voice. And

play19:49

it usually happens spontaneously when you laugh. Ah, okay. That was fun.

play19:55

The last thing you want to talk about is the power speech. Now, hear me out all the way

play20:01

to the end because if there is one thing I want you to take from this video, it is this.

play20:07

Because I have done this with my students for the past two years and the results are

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pretty incredible. This exercise will help you feel more confident,

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free, and powerful in English. And here's how it works. Choose a monologue from a TV

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show or a movie that is very powerful. That the person is like really upset or excited

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or angry, and they speak out their mind. And you want to take that part and memorize it.

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And it's very important. Don't skip that part and don't just read it from the page. I mean,

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that's also great, but that freedom that you have to use the words freely without having

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to analyze it as you read it, having to focus on the letters, having to focus on, "Wait,

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what comes next?" Or, unlike speaking freely, where you have

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to kind of like retrieve the words, and 'how do I put it?', nd then there's all this judgment.

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When you memorize a text, it really helps you to feel super expressive and that the

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words flow out easily. And I know that because as an actress I had to memorize many different

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speeches, and I know it had an immense impact on my English and my fluency. Okay?

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So memorize a really powerful speech. And we're going to put a link to a bunch of different

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scripts that you can choose from. And just go ahead and do it, we did all the work for

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you. So you can select one and memorize that speech. And then every single day, or before

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an important meeting, I want you to stand in front of the mirror and do it full out

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- with all the anger and passion and fear, or whatever is happening to that character.

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I want you to try and embody it and, you know, choose something that will feel fierce to

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you, that will make you get out of your own skin. Okay? That would, that it's not something

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that you usually do. I have had students telling me that they've

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discovered a voice that they've never knew that they even had. Because these are not

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your words, and this is not a real situation, you give yourself a lot more permission to

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speak up. And this is why I want you to do. And this is something that I have done myself.

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Because when I was in school, I played lady Macbeth. And lady Macbeth is a very powerful

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character. And there is one thing in particular when she kind of grabs her husband and she's

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like going full out at him. And I used to take that one monologue and

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do it again and again and at home, as I was like alone, and with myself when I wanted

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to feel a little better about myself. Or when I would be really, really angry and I didn't

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know how to express my emotions. So I would go into that monologue and say

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it, and I felt like I'm expressing my emotions through the words of a different characters.

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These are words that I would never say. And also I had to do it in a Scottish accent,

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which was kind of crazy in and of itself, but that was my experience. And I felt that

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it like, after that I felt, "Okay, I'm ready to take on the world! How about you?" Okay?

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So this is what I want you to feel. So pick your favorite fierce monologue, a powerful

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speech, memorize it and do it full out. "You can't handle the truth". To wrap it up, I'm

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going to do that part of the monologue for you. Just so you see that if I can do it,

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you can do it too. And remember, do it in front of the mirror and use your imagination.

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"What beast was't then, That made you break this enterprise to me? When you durst do it,

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then you were a man; And, to be more than what you were, you would be so much more the man.

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Nor time nor place did then adhere, you would make both!"

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"They have made themselves! And that their fitness now does unmake you. I have given

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suck, and know how tender 'tis to love the babe that milks me. I would, while it was

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smiling in my face, have plucked my nipple from his boneless gums and dashed the brains out!

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Had I so sworn as you have done to this".

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Okay, so this is my power speech. I hope you

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enjoyed it. And I hope these exercises helped you understand how you can own your voice

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in English, and in your native language as well.

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If you like this video, click "Like" and share it with your friends so they can speak up

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as well. Don't forget that in the description below, there is a list of powerful speeches

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that you can use. And if you want to tell me what you think,

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what you felt, and if you want to share with me what speech you chose - come on over and

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send me a DM on Instagram. You can find me at @hadar.accentsway. I would love to hear

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what you think. Okay. That's it. Thank you so much for watching.

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And remember, the most important thing is that you speak up - with an accent, with mistakes,

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with getting stuck. Because what matters is what you have to say. Okay? Take good care

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of yourself, stay healthy, stay safe, and I'll see you next week in the next video.

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Bye.

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Etiquetas Relacionadas
Voice TrainingEnglish CommunicationPublic SpeakingAccent ReductionConfidence BoostVocal ExercisesCultural ImpactLanguage BarrierExpressive SpeakingCommunication Skills
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