The Truth About Making Cartoons
Summary
TLDR这个视频脚本讲述了一个YouTuber对一个评论的反思,该评论质疑为何YouTuber不能像动漫工作室那样每周制作一个视频。视频通过幽默和教育的方式,解释了动漫制作背后的复杂性,包括动画流水线和制作周期。它强调了艺术家如何将艺术转化为职业,并讨论了艺术家如何通过销售艺术作品、接受委托、在工作室工作等方式谋生。视频还提到了动画制作中的重复使用和效率问题,以及艺术家如何通过观众的支持来提高内容质量。
Takeaways
- 😡 有人对视频上传频率的误解引发了创作者的思考。
- 📅 动画制作是一个耗时的过程,一部动画剧集的制作通常需要两年时间。
- 🎨 艺术家通过不同的方式谋生,包括出售画作、在旅游景点画漫画、卖血浆,或者接受委托创作。
- 💼 艺术家可能在工作室工作,或者为YouTuber创作,需要根据要求创作并接受反馈。
- 📈 动画制作涉及多个部门协同工作,包括写作、故事板、设计等,形成了一个复杂的流水线。
- 📺 动画剧集通常是同时制作的,不同团队同时工作在不同集数上。
- 🖼️ 背景艺术家创作的背景可能只出现在视频中几秒钟,但制作它们可能需要数小时。
- 🔄 为了节省时间和资源,动画制作中经常会重复使用已有的动画或背景。
- 🎬 动画制作的历史中,由于手绘动画的高成本,动画帧经常被重用。
- 👥 创作者感谢观众的支持,这使得他们能够投资于团队并提高内容质量。
Q & A
为什么作者对一个YouTube评论如此在意?
-作者在意这个评论是因为它触及了他对动画行业的认知,并且这个评论让他意识到很多人对动画制作的过程缺乏了解。
作者如何回应那些认为动画制作应该像制作电视节目一样快速的人?
-作者通过解释动画制作的过程和时间需求来回应,强调动画制作是一个复杂且耗时的过程,不能与电视节目制作相提并论。
作者提到了哪些艺术家赚钱的方式?
-作者提到了四种艺术家赚钱的方式:1) 出售艺术作品;2) 在旅游景点画漫画;3) 卖血;4) 接受委托创作作品。
为什么作者认为艺术家接受委托创作作品是一个稳定的收入来源?
-因为艺术家可以通过接受委托来获得稳定的收入,而且这种方式允许艺术家与客户合作,以确保作品符合要求,同时也能获得即时的报酬。
作者提到动画制作需要多长时间来完成一集?
-作者提到,从零开始制作一集动画大约需要2年的时间。
什么是动画流水线,作者如何描述它?
-动画流水线是指在制作动画系列时,不同的团队同时进行不同集数的制作,包括编剧、故事板、设计等多个部门的协作。
作者提到了哪些动画制作中的重复利用的例子?
-作者提到了在《森林王子》和《小熊维尼》中,两个相似比例的男孩角色以相同的方式移动,这是动画制作中重复利用的一个例子。
为什么在动画制作中会重复利用某些动画帧?
-在动画制作中重复利用某些动画帧是因为这样可以节省时间和成本,允许制作团队将资源投入到其他更重要的场景制作中。
作者如何看待自己在动画行业中的地位和机遇?
-作者认为自己非常幸运,不仅有机会全职从事动画制作,而且还能组建一个由才华横溢的艺术家组成的团队,并与观众分享他们的创作。
作者提到了哪些动画制作中的挑战?
-作者提到了动画制作中的挑战包括:1) 需要长时间和大量工作;2) 需要在资本主义社会中将艺术才能转化为金钱;3) 需要管理一个团队并确保高质量的内容产出。
Outlines
😅 动画制作与误解
这段视频脚本讲述了作者因一个关于YouTube上传计划的评论而引发的思考。评论者质疑为何动画工作室能在一周内制作一集动画,而YouTuber却需要一个月。作者最初感到愤怒,但随后意识到评论者对动画产业缺乏了解。作者决定通过分享自己作为艺术家的经历来教育观众,解释动画制作的复杂性。他提到艺术家需要通过创作来谋生,并且介绍了艺术家赚钱的几种方式,包括出售作品、在旅游景点画漫画、卖血浆,以及最常见的,为工作室或YouTuber工作。作者强调,动画制作是一个耗时且成本高昂的过程,需要团队合作和精细的规划。
🎨 动画产业的现实
这段脚本继续探讨了动画产业的现实情况。作者通过举例说明,即使是短暂的背景画面,也可能需要艺术家花费数小时来创作。他强调了在动画制作中重复使用背景和其他元素的重要性,以提高效率并节省时间。作者还提到了动画制作的历史,说明了过去动画制作的成本和时间远比现在要多。他以《森林王子》和《小熊维尼》中相似的场景为例,说明了动画重用的重要性。最后,作者表达了对能够从事动画制作并组建一个才华横溢的团队的感激之情,同时也感谢观众的支持,使他能够继续创作高质量的内容。
Mindmap
Keywords
💡动画制作
💡动画流水线
💡艺术家
💡委托创作
💡动画帧
💡重用背景
💡动画工作室
💡动画周期
💡艺术作为职业
💡动画参考
Highlights
YouTube评论引发思考,作者对于动画制作周期的误解
动画工作室制作一集动画需要的时间远超一周
动画制作是一个复杂的过程,需要团队协作
动画制作周期通常需要两年时间
动画制作中,背景绘制非常耗时
动画制作中的重复利用是节省时间和成本的有效方法
艺术家通过多种方式谋生,包括出售艺术作品、街头绘画等
艺术家面临的最大挑战是将艺术才能转化为经济收入
动画制作中,每个环节都是同时进行的,以提高效率
动画制作中的动画流水线是确保每个环节顺利进行的关键
动画制作中,背景艺术家的工作至关重要,但往往被忽视
动画制作中,故事板是设定场景、布局、姿势和表情的重要阶段
动画制作中,重复利用动画可以节省时间和预算,用于制作更精彩的场景
动画制作中,艺术家和团队的合作对于创造高质量的内容至关重要
艺术家将艺术作为全职工作是非常困难的,需要极大的努力和机遇
观众的支持对于艺术家和动画制作团队至关重要,可以提高内容质量
艺术家需要建立作品集,这是进入艺术行业的重要步骤
Transcripts
recently I read the worst YouTube
comment ever and I can't stop thinking
about it this comment lives in my head
completely rentree it lives in its own
private Penthouse the comment was
concerning my upload schedule and it was
if anime Studios can make an episode of
anime in one week then these YouTubers
can make a video in a month initially I
reacted like you think that's how this
works you think anime Studios post an
episode and go great work team well time
to make the next episode this week hope
none of you have any plans I know the
working conditions in Japan are bad but
sheesh I guess all the animators are
just slacking off between Seasons then
huh and as I thought about it more I
realized ah I can't get too mad this
person is just uneducated about the
animation industry and is probably a
minor and then I thought hey I know a
bit about animation behind the scenes
maybe I could talk about being an artist
and educate people on the animation
pipeline so that way I won't get any
more uneducated comment for this video
when I say artist I'm going to be
talking about the Google definition of
an artist noun a person who produces
paintings or drawings as a profession or
hobby you know the pen and paper artists
I'm not really going to be talking about
artists who make music or birthday cakes
or take black and white photos of
sunsets because I want to talk about
cartoons I make cartoons now it should
come to no surprise that I'm Pro artist
well not a pro- artist are you kidding I
know my skill level I still can't draw
fingers what I'm saying is I will
support anyone who wants to make art if
you're making art as a hobby then that's
a really great creative outlet and
having something physical as an end
result is incredibly rewarding but if
you want to turn making art into a
full-time job you might want to sit down
and consider a few things like are you
sure you don't want to go to law school
the biggest challenge all artists face
is they have to eat food to survive and
in this capitalist Society food costs
money so artists are challenged to
somehow take being good at making shapes
and turn that into money I know of four
ways an artist can make a living the
first way is to be so good at art that
people will pay money to hang it up in
their house the second option is to make
caricature drawings at beaches and
tourist traps the third option is to
sell your plasma and the fourth option
which is the most common option is to
make drawings that people will pay you
to make and do a little bit of option
three on the some artists will take
commissions which is basically an artist
going hey I'll draw whatever you want
asteris for $100 and people will go what
the art should be free I was going to
give you so much exposure to my 50
Twitter followers or people will go I
want you to draw this cute animal
character I made and while at first your
price might seem a bit High to the
uneducated I understand that art is a
timeconsuming process and you need to
eat too so here's a crisp one hundo but
another somewhat more stable idea is
that artists will get jobs at Studios or
work for a YouTuber and we'll be like
hey we'll give you money if you draw
specifically what we want and if we
don't like your art we'll make sure to
communicate clearly what we would like
changed and work as a team to do the
best we can or you're fired and that
leads us into animation an important
thing to remember for animation is that
drawings equal time plus money exactly
how much time well to answer that one
commenter's question no an Anime Studio
does not make an episode of anime in one
week I think South Park is what making
an episode in a week looks like and
truthfully that's very impressive I take
months trying to figure out what the
heck I'm even going to talk about making
a single episode of a cartoon from
scratch takes about 2 years don't
believe me well let's see what yako from
the 20120 Animaniacs has to say in the
very first episode at least we still
think there's a president Trump you see
the writers are writing this in 2018 now
that doesn't mean it took 26 years to
make the first season of the Animaniacs
there's a lot of moving parts that
happen when producing an animated TV
series for starters the whole season of
the show gets made at the same time
while the writers are writing episode 12
The storyboard team is boarding episode
3 and the design team is designing the
bowling shoes that are going to be worn
in episode 6 and it's someone's entire
job to make sure that everyone's doing
their job this is called the animation
Pipeline and there's so many other
departments that I could honestly make a
whole other video about this pipeline if
you're interested I'll do it but just
know that it takes roughly 2 years to
make a season of a cartoon show and
that's why when shows reference memes
they're extremely outdated you know like
a
boss it's beautiful isn't it this
exterior nighttime City skyline
background this background was drawn by
one of my background artists Annie Lumis
and it took seven hours to make and was
used specifically for this clip if it
wasn't for the cats movie I would have
thought Hollywood knew what they were
doing too it lasted for 4 seconds 7
hours of work 4 seconds of
content so before we continue I'm going
to make you all sit and appreciate this
background for another 4 seconds so I
can double the value of this
background backgrounds can be a
timeconsuming process and the whole
purpose of them is to be in the back of
the ground they're not even the focus so
storyboarders will sketch out a scene to
set the staging through layout posing
and character expression and during this
phase I'm trying to find places where I
can reuse backgrounds or take pieces of
other backgrounds and Frankenstein
monster them together to make an
entirely new background like how I used
the city background to be outside this
window or how I took the buildings from
this background the bushes from this
background and the bench from this
background and made an entirely new
background and and hopefully none of you
noticed am I being cheap or cutting
Corners absolutely but that's the point
that gives another background artist
more time to make something else like
this James themed City skyline instead
of having to draw 20 different
backgrounds of a bedroom we already have
a bedroom let's just do something else
please it's not being lazy it's getting
the most use the most mileage out of
your hard work I see this next story pop
up on Twitter about every month and it
makes me want to stab my eyes out if you
look at this scene from The Jungle Book
and this scene from Winnie the Pooh
these two similarly proportioned boys
are eerily moving in the exact same way
wait was this plagiarized did someone
from Winnie the Pooh plagiarize The
Jungle Book no remember what I said
about drawings equal time plus money
well back in the old days of Animation
before fancy graphics cards and floppy
discs animation frames had to be
physically painted on the floppy TR
transparent sheets called cells so
animated movies were essentially a
really long flip book with over a
100,000 handdrawn painted Pages back
then drawings equaled even more time and
even more money this whole sequence had
to not only be drawn 24 times a second
but it also had to have the correct
timing to look like a little boy was
jumping on rocks just cuz you drew 24
Mowgli doesn't mean they're going to
look good when you play the frames
together so if you're making a cartoon
movie in in the' 70s and you need a
scene where a young boy character is
just being a dude and throwing rocks and
you need a really climactic fight scene
are you going to spend the time and
money drawing another boy throwing
another rock when someone else already
did that 10 years ago or are you going
to reuse the animation the studio
already made and then have more time and
budget to make an even epicer fight
scene if these movies were from two
different Studios then yes that would be
a completely different story but Disney
owns this movement of our boy mowgly so
they're allowed to use that movement on
our boy Chris turning your art into a
full-time job is very difficult I'm
extremely lucky to not only have this
opportunity but to be able to build an
amazing team of talented artists to
create these cartoons and share them
with you and because of you watching
these videos and supporting me I'm able
to reinvest money into the team so we
can make better quality content and I
can support more artists it's a win-win
symbiotic thing we got going on so if
you ever wanted to get into the art
industry good luck get drawing and start
putting that portfolio together
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