🏡 CASA BUNKER de Concreto MINIMALISTA TE SORPRENDERÁ! | Obras Ajenas | @ARQ.EDITORIAL

Summary

El arquitecto Santiago Mart’nez de Editorial Les presenta una vivienda recién terminada que destaca por su diseño adaptado al terreno desigual y su espectacular vista. El uso de curvas y materiales como el concreto y la madera contrastan para crear un equilibrio estético. La casa, pensada para un solo ocupante, se caracteriza por su conexión con el exterior y su iluminación cuidadosamente planificada. Destaca la importancia de la arquitectura que responde al contexto y la topografía, así como la búsqueda de espacios abiertos y la integración de elementos naturales en el diseño.

Takeaways

• 🏠 El proyecto presentado es una vivienda recién terminada que destaca por su diseño adaptado al terreno y al contexto.
• 🌄 Uno de los aspectos más importantes del diseño es la incorporación de vistas espectaculares, logradas a través de la curvatura del terreno.
• 🛠️ La arquitectura busca cerrarse al exterior, pero al mismo tiempo abrirse a la vista, utilizando técnicas como el uso de techos invertidos.
• 🏢 El diseño se centra en la dinámica de espacios abiertos y cerrados, con muros de concreto y techos que definen la estética y la funcionalidad del hogar.
• 🪵 Se utilizó madera para contrastar la frialdad del concreto y generar un equilibrio cálido en el ambiente.
• 🌳 La casa se eleva para ventilar la parte inferior y aprovechar la diferencia de altitud, incorporando programas como habitaciones y áreas de servicio.
• 🚪 La entrada de la casa se diseñó para comprimir el espacio inicialmente, para luego sorprender con una gran apertura hacia el área pública.
• 🍳 La cocina está diseñada con una isla, fomentando la interacción entre los que cocinan y los que comen.
• 🌿 Se buscó una conexión室内外, con una extensión de un gran espacio que puede dividirse en dos, utilizando la topografía para no perder la vista.
• 🛋️ La distribución del espacio incluye áreas comunes como salas, comedor y cocina, así como habitaciones secundarias y privadas.
• 🛁 La casa cuenta con una spa, que es una de las partes favoritas del diseñador, destacando la importancia de la iluminación y la textura en el espacio.

Q & A

¿Quién es Santiago Mart’nez y qué representa?

Santiago Mart’nez es de Editorial Les, y representa a una editorial que se encarga de presentar y discutir proyectos de arquitectura, como la casa que se describe en el guion.

¿Qué características destaca la casa que se presenta en el guion?

La casa destaca por su diseño adaptado al terreno desigual y su espectacular vista. Incorpora curvas en su diseño y utiliza un slab invertido para maximizar la luminosidad y la visibilidad del paisaje.

¿Cómo se aborda la problemática del terreno desigual en el diseño de la casa?

Se trabaja con las curvas del terreno para integrar el diseño de la casa de manera que se adapte al terreno de manera natural y se aproveche la vista espectacular.

¿Cuál es la importancia de la madera en el diseño de la casa?

La madera se utiliza para contrastar la frialdad del concreto, proporcionando calidez al espacio. Es una de las decisiones clave en el diseño para lograr un equilibrio estético.

¿Cómo se aborda la ventilación y la iluminación natural en la casa?

La casa está diseñada para ventilar la parte inferior aprovechando la diferencia de altitud. Además, se abren grandes ventanas para maximizar la iluminación natural sin impactar la comodidad debido a la incidencia solar.

¿Cuál es la dimensión total de la construcción y cuál es el área construida?

La construcción tiene 220 metros cuadrados de terreno y una superficie construida de 320 metros cuadrados.

¿Cómo se integra el exterior con el interior en la casa?

Se busca una conexión室内外, con una extensión de un espacio amplio que puede dividirse en dos áreas, permitiendo así una transición fluida entre el espacio interior y el exterior.

¿Cómo se aborda la privacidad y la funcionalidad en la distribución de las habitaciones?

Las habitaciones secundarias están diseñadas con patios privados para garantizar privacidad. Además, se ha planeado la casa para ser adecuada para alguien que vive solo, con habitaciones secundarias que no se utilizan regularmente.

¿Qué tipo de materiales se utilizan en la decoración y el acabado de la casa?

Se utilizan materiales como el mármol, el granito y el ladrillo para los acabados, buscando una estética que se integre con el entorno y proporcione un contraste con el concreto estructural.

¿Cómo se aborda la estética y la funcionalidad en el diseño de las plantas de la casa?

Se busca una estética minimalista y funcional, reduciendo la paleta de materiales al mínimo y utilizando elementos como el mármol y el ladrillo para crear un equilibrio entre la funcionalidad y la belleza.

¿Cómo se integra la luz artificial en el diseño de la casa para complementar la luz natural?

Se juega con la luz artificial para crear diferentes ambientes, utilizando luces más atmosféricas y directas según sea necesario, y se coloca la iluminación de manera estratégica para aprovechar el diseño de las vigas y los espacios.

Outlines

00:00

🏠 Diseño Arquitectónico del Hogar

Santiago Mart’nez de Editorial Les presenta una casa recién terminada que destaca por su diseño adaptado al terreno desigual y su hermosa vista. El enfoque del diseño es en cómo el terreno y el contexto influyen en la arquitectura. Se trabajó con curvas para aprovechar el terreno y se construyeron paredes de concreto y techos de baldosa invertida para maximizar la vista. La casa tiene un diseño cerrado al exterior pero con áreas abiertas para disfrutar de la vista. La construcción tiene 320 metros cuadrados y se utilizó madera para contrastar con el frío del concreto y generar un equilibrio.

05:01

💡 Iluminación y Diseño de Interiores

Se discute la importancia de la iluminación en el diseño de la casa, buscando crear diferentes ambientes. Se prefiere una luz atmósfera y directa según sea necesario. También se menciona el uso de PVC para ventanas y puertas debido al ruido exterior. Se destaca la conexión entre la cocina y el exterior, y cómo el diseño de la casa está enfocado en la vida de una persona que vive sola, con hijos que visitan ocasionalmente. Se aborda la importancia de la privacidad y cómo el diseño de las habitaciones secundarias y el jardín contribuye a esto.

10:02

🌳 Integración con el Entorno Natural

Se explora cómo el diseño de la casa está integrado con el entorno natural, utilizando materiales como el mármol y el concreto para contrastar y generar un equilibrio. Se destaca la elección de colores y materiales por su apariencia y costo. El diseño vertical de las ventanas y la orientación favorable del terreno permiten maximizar la luz natural y la vista sin impactar la comodidad debido a la incidencia solar.

15:04

🛁 Espacios de Ropa y Baño

Se describe el espacio de vestuario y baño con una bañera y una ducha, destacando la dualidad de usos y la iluminación vertical que da vida al espacio. Se menciona la elección de materiales y la importancia de la textura y la dimensión tridimensional en el diseño. Se aborda la transición entre los espacios públicos y privados y cómo se mantiene la privacidad en el diseño de la casa.

20:05

🌞 Diseño de la Fachada y Aislamiento Térmico

Se habla sobre el diseño de la fachada y cómo el doble vidrio y el PVC ayudan con la aislación térmica y acústica. Se describen las decisiones de diseño y cómo se abordan los desafíos de la orientación y el tamaño de las ventanas. Se menciona la elección de los materiales y cómo se resuelven los problemas de iluminación y ventilación.

25:06

🏡 Filosofía de Diseño y Proceso Creativo

Se comparte la filosofía de diseño y cómo se abordan los proyectos, enfocándose en la simplicidad y la escala. Se destaca la importancia de resolver problemas de diseño de manera eficiente y repetir soluciones exitosas. Se menciona la relación con el cliente y cómo la casa se adapta a sus necesidades y gustos personales.

🎵 Conclusión del Video

El video concluye con música y aplausos, indicando el final de la presentación.

Keywords

💡Contexto

El contexto es el entorno o el marco en el que algo ocurre, y en el video, se refiere al terreno y las condiciones naturales que influenciaron el diseño de la casa. El arquitecto menciona que el terreno era desigual y con una vista espectacular, lo que les dictó cómo debían diseñar la casa, utilizando curvas para adaptarse al terreno. Esto muestra cómo el contexto geográfico y ambiental es crucial en la arquitectura para crear un diseño que se integre bien con su entorno.

💡Curvas

Las curvas son una forma geométrica utilizada en el diseño de la casa para abordar el terreno desigual de manera efectiva. El uso de curvas en arquitectura puede brindar una sensación de fluidez y armonía, y en este caso, se utilizaron para seguir las inclinaciones del terreno y maximizar la vista. El video destaca cómo las curvas se integran en el diseño para crear una experiencia visual y espacial única.

💡Vista

La vista es una de las características más importantes de la casa, como se menciona en el guion, y se aborda cómo la casa está diseñada para abrirse completamente a la vista. Esto implica no solo la orientación de la casa sino también la disposición de las ventanas y el uso de materiales que permiten una visualización clara del paisaje circundante. La vista es un elemento clave en la experiencia de vivir en una casa y se destaca cómo el diseño de la casa la maximiza.

💡Madera

La madera es un material que se utiliza en la construcción de la casa, y se destaca por su capacidad para contrastar con la frialdad del concreto. En el video, se menciona que la madera fue una de las decisiones más importantes para brindar calidez y equilibrar el ambiente frío de los muros de concreto. La madera se utiliza en diversas partes de la casa, como en las paredes y en la decoración, para crear un ambiente acogedor.

💡Concreto

El concreto es un material de construcción utilizado en la casa, y se destaca por su durabilidad y capacidad para crear estructuras sólidas. En el video, se menciona que los muros de la casa están hechos de concreto y se mantienen visibles como parte del tema constructivo de la casa. El concreto también se menciona en relación con la técnica de construcción, donde las vigas y losas están diseñadas para soportar la estructura sin obstrucciones visuales.

💡Iluminación

La iluminación es un aspecto clave en el diseño de la casa, ya que no solo proporciona luz sino que también crea ambiente y define el carácter del espacio. En el video, se habla sobre cómo se utiliza la iluminación para enfatizar la arquitectura y la decoración, y cómo se maneja para crear diferentes atmósferas en diferentes áreas de la casa. La iluminación se utiliza tanto para la función práctica como para la estética.

💡Espacio Público

El espacio público en una casa se refiere a las áreas que son compartidas por todos los miembros de la familia o los invitados. En el video, se describe cómo la casa está diseñada para abrir completamente el espacio público, permitiendo una interacción y una experiencia de vida más fluida. Este concepto se relaciona con la idea de que la casa se puede vivir de manera abierta y social, con áreas como la sala de estar, la cocina y la terraza conectadas.

💡Mezcla de Materiales

La mezcla de materiales es una técnica de diseño que combina diferentes texturas y materiales para crear una estética única y una experiencia sensorial enriquecedora. En el video, se menciona cómo la madera y el concreto se combinan para crear un equilibrio entre la calidez y la frialdad, y cómo otros materiales como el granito y el mármol se utilizan para añadir lujo y una sensación de calidad a la casa.

💡Diseño de Interiores

El diseño de interiores se refiere a la disposición y decoración del espacio interior de una casa. En el video, se discute cómo se abordan aspectos como la planificación del espacio, la selección de muebles y la decoración para crear un ambiente acogedor y funcional. Esto incluye la elección de colores, la distribución de las habitaciones y la integración de elementos como iluminación y textiles para crear una atmósfera específica.

💡Arquitectura Sostenible

La arquitectura sostenible es un enfoque en el diseño de la construcción que tiene en cuenta el impacto ambiental y busca minimizar el uso de recursos y la emisión de gases de efecto invernadero. Aunque no se menciona explícitamente en el video, se puede inferir que la arquitectura sostenible está presente en la consideración del uso de materiales locales, la orientación de la casa para aprovechar la luz natural y la integración de plantas y jardinería para complementar el proyecto.

Highlights

Presentamos una casa recién terminada que nos entusiasma, destacando su diseño en curvas para adaptarse al terreno irregular y aprovechar la vista espectacular.

La casa está diseñada para cerrarse al exterior, abriéndose completamente a la vista, especialmente en la parte trasera.

El diseño de la fachada es detallado, con un slab invertido que proporciona dinámicas para tener una clara vitalidad.

La construcción tiene 320 metros cuadrados, con madera que aporta calidez y contrasta con la frialdad del concreto.

La casa está elevada para ventilar la parte inferior y se incorporan programas como habitaciones y áreas de servicio.

Al ingresar, el espacio se comprime antes de abrirse a una gran sorpresa, donde la casa se abre completamente a la vista.

La cocina con isla es un espacio dinámico que fomenta la interacción entre los residentes.

Se busca una conexión室内外, con una extensión de un gran espacio que se puede dividir en dos.

La topografía permite una vista incluso en la parte inferior de la casa, sin limitar la visión.

Se utilizaron maceteros con vegetación seleccionada para complementar el proyecto.

Las ventanas se elevaron para tener una relación diferente con la vista, mostrando más cielo que paisaje.

Se explora la modulación de los slabs para incorporar iluminación y crear diferentes ambientes en la casa.

La luz y el paisaje son reflexionados en el jardinería, con un enfoque en reducir la paleta de elementos para un diseño más equilibrado.

Las puertas y ventanas de PVC son una elección práctica debido al ruido ambiental.

La casa está diseñada para un residente solitario, con las habitaciones secundarias en la parte superior.

La planta principal es simétrica, con un baño completo y mármol que se repite en otros proyectos.

Se enfatiza la flexibilidad del espacio, con áreas que pueden adaptarse a diferentes usos.

La habitación principal tiene una distribución que permite una vista despejada, con una decoración que imita el mármol.

El spa es una de las partes favoritas, con una combinación de luz vertical y textura que aporta vida al espacio.

La casa utiliza una combinación de madera y concreto para crear un sandwich-like scheme, con espacios públicos en el centro.

Se destaca la relación entre la clientela y los arquitectos, con una comunicación constante y satisfacción final.

La luz y la orientación son cruciales, con ventanas grandes que aprovechan la luz natural sin impactar en la comodidad.

Se explora la filosofía de diseño, con un enfoque en resolver problemas con líneas mínimas y integrar condiciones del terreno.

Transcripts

I am Santiago Mart’nez from Editorial Les

we are going to present a house that we are very excited about.

it's a house that we just finished

[Music]

but one of the most important things that we love

is to understand that the context and terrain mark us out

and they dictate to us how we have to design the house

in this case, the terrain was very uneven.

and a spectacular view, so we worked on the curves.

to approach them in the best way

The house intends to close

completely to the outside in such a way

in which the house opens up to the view that

now we are going to find in the part of

back and if we notice from the

faŤade we can see a very detailed

important of the constructive theme of this

house that is

an unviolated slab inverted and

practically this is what we

provided us with was the dynamics of

to be able to have the most vibrant clear

it is not a 10 metre clearing

it's practically the 10 meters of the

terrain in such a way that we have two

concrete walls and on top of those concrete walls we have two

concrete are supported by these slabs that

practically defining the

plastic and the one in the house is not a

house writes in

the faŤade was thought enough

important is the result

we pass to see how

10 meters in front of 10 meters the

land has 220 square meters of

In construction we bring 320

320

then

The wood gives it a lot of warmth and the

wood was one of the most important

most important decisions in order to be able to

contrast the coldness of the concrete the idea

was to be able to leave the concrete walls

apparent then the wood was like

this strategy as to generate a

balance

The house was raised a few

steps to be able to ventilate the entire

lower part

taking advantage of the difference in altitude we

we are incorporating programmes that are

two rooms at the bottom of such a

way in which some service areas

breathe right into this faŤade

front

we also have these numbers

steps

than

drift into the entrance of the house

[Music]

at the moment of entering practically

compresses the space a little bit we have in

the half timber that accompanies us to the

long the route because then

practically this corridor that we

compresses us we're walking next to the

hunger and the moment we enter we have the

big surprise there because the magic of the

house is not a house that is practically

opens up all the public space of such a

way in which it lives in such a way that

we decided to frame and somehow

it's also interesting how the part of

services the staircase part the staircase part the staircase part the staircase part the staircase part the staircase part

the storage part is in the back part of the staircase

ok so what we do is

agglomerated a living room dining room space

with a kitchen this is something we do

a lot of us really like the

island kitchens because of this interaction that

happens around not someone is

cooking and someone is eating it

which works pretty well for us and another

thing we wanted to do was to have this

indoor outdoor connection

practically with an extension of one

large room that can be divided in two

spaces and in the same way the dining room does not

the question of topography allows us to

that in spite of the fact that they build us a

house in the lower part because of the

regulations and by the maximum heights

allowed we do not go for the view

so really this is the view that

we're going to have then pretty much the entire

time not to delimit a little bit the

view on the lower part what we did

was to put some planters with a

vegetation that was also selected

in order to be able to complement the project

and if you notice in the part over here the

what we did was we raised the window to

to have a different ratio to a

view that we are going to find in the

above which is much more landscape than the

visual at the bottom and having this

opening of the window is not framed

much more sky than would not be framed

we were the window on a plane

completely horizontal

we have this offset of the salvio slabs

if you notice and you can see the thickness of the slabs

of the slab is practically that's the

size d

the thickness of the light at the velar and then

what we also have is that we start

to play with the modulation so that we can

to put lighting in as we see it in the

part of there we don't have to separate

the slabs enough to make a

castle and they can put in a lighting

that can give us an atmosphere

different in the house in terms of

lighting we really like to play

also with lighting that is

much more atmospheric also a little bit

more direct for when you need something

more running at the end is interesting

as the landscape also reflects a

little bit in the gardening that we try to

perform I don't know how you stand on the part

from here it extends

and so what we did was we put a

pvc windows and doors because the truth is that here

is that the sound is quite a lot

recurring

excellent how the space of

this compression of light and then

begins its life until it merges with the

heaven if we really liked the result of

this gesture of being able to extend

the window a little bit in one aspect

superior we think it gives it gives it

gives it quite a bit of character

without it's also very cool as if the

kitchen practically a finish of

granite sant gabriel has finished reading it

the fridge is something we like to hide

in the projects is something we have a

little bit of a habit of doing it

on the side here we have a

a half guest bathroom

continues with this idea of the box of the

hunger and also exactly and then

what we have here is this column

circulation spine that links us to

the ground floor with the upper floor

our staircase upon staircase in this

case these stairs lead us to the

secondary rooms

the outline of how the house was developed

is that it was intended as a house

for someone who lives alone the children

it's really a condition where

because they don't visit the house in a way

recurrently in such a way that

we were trying to keep the house

in daily use in the first two

floors not the upper floors

inhabit let's go to the room

main

we have a very symmetrical plant in the

part of here we have a full bathroom

because at some point this was thought of

as a space that could be adapted

as a utility room then

all hunger is the marble of the same

who saw in the house of juan carlos that

him in the travertine marble thirty by

variable lengths to the national acid if

there is yes very good the very good already very

good price thanks to catch them that the

cinema of this hall with the finial of the

concrete wall is a very

symmetrical we have the

distribution of two rooms which

are thus to private courtyards of such

so that when we enter

we have a first room

secondary is a room that as a

we tell you it is not used it does not have a use

very recurrent

these rooms live to a courtyard

private

also in terms of gardening the

gardening the religion the revolution a

very good office here of queretaro that

is called matorral they did a job of

place very few very few very few very few

elements such as those necessary for

to have a very very very very balanced landscape

a little bit of the band

and other times that blog takes a lot

character if the stone-faced blog takes us

also helps a lot in terms of the

creeper that grabs a little bit of body

if you notice the more

time with the colour with the woodwork

it was something that we tried rather

that we tried to do all of our

projects to reduce the palette to a minimum

in carpentry for example is a

veneered in normal in such a way that

we have an agglomerated but the final layer

of the wood if it's natural wood we have

worked quite well in terms of

commercial and it looks pretty

stylish

a little bit the idea of the doors since

it's time to be closed

will look good on the project

original we had a hungry way

that it was practically closed and now the

lap was a matter of a decision

of the customer stayed like this

and what you have is an equal space all

lined in marble this cave where

you've got the double you and in the shower and

you've got a single door that practically

you move

it's a slider so it's

all right

we like to put were were always off in

the watering can I think

if it's a palette that we've been exploring

in some houses in the last few that

we have done

the truth is that one thing goes

determining the other

the price of the marble we will

quite favoured us with a question

commercial we also do

architecture must for sale then

like it was the material that was the most

it was convenient to have it as a repertoire

from there we derived the colour, a colour which

tries to imitate the margot and it is not

house if it has a little bit of an aesthetic

different with the concrete and these things

but but but the marble complains

saying everybody space

of supports

clear very large we like very much how

we were saying the contrast of concrete with the

wood we want to generate a

balance there quite interesting

so that's one of the things that he

integrated quite a lot

so

in all

[Music]

what height we have here we have 250

we always put in 250 as a matter of

the distribution of the wood 240 we put in

a 6 centimetre chicken and

practically gives us the 250 mezzanine

also because of the measurements of the cons

footprints and the footprints of the stairs

we always put in 17-5 as

that we already have our own measure

studied then this is quite

interesting we don't have the hunger for

wood which is practically in plant

downstairs you open the door and this is the

door to your master bedroom and a

even though the room is upstairs

you have the door at the bottom of the

customer asked us first practically

to generate a space that could serve

as a tv room, office etcetera that

could have to be a little bit flexible

the truth is that it's a space that's left

quite related to the room

for this very reason that it is located in

our city

passing this way we have the stairs

that lead to the bedroom

Galileo as he had already explored a

similar house layout in fact some

houses next door and we're very happy to

that we kind of think that the idea is

taken even a little bit further to the extreme

the last one had a few supports for

to be able to achieve the clear we believe that

because at the end of the day we will be able to achieve the

if you notice this is a ratio

much more landscape than the one we have

below what we wanted is that

it's pretty much cost up to when

you're lying in bed diera

really just like a ridge of mountains

with a little bit of sky and so it's a

space that once again there is this thing of

trying to get the same tone in between the

outside but with

it is necessary is a country

[Music]

we have a space for a small room in the

bed

this is the re-floor on the ground floor

of course of course

a 90

this becomes

stuff

and so on

this is great to improvise

now it's very well and not very well me

remember like the sight of the sun that

institute though with these two pieces of

concrete and the concrete stew that one

that keeps marking the sky

and through the 50s

and again all the slabs

say the violar

the orientation is quite favourable to us

we have the north practically for her

in such a way that it worked for us

a lot to open these big windows

so that you can have the whole view without

without the need for

we have solar incidence that will have an impact on

on the comfort of the house

and lastly

we have the spa

my favourite part

[Music]

we have one more time

this gesture of

therefore door to the perimeter point of

enter what we have is a space of

bathroom dressing room where we pretty much

we have a bathtub with a dome

practically linear from side to side

where we have a steam a watering can

latina and the double use of this side to the

moment when you go in and they close

the door you're like in a space

content with practically

I don't know the derivation of

it's a space is for this side it's all

festive on this side it's all dressing room

[Music]

very good

yes when it gives you the

lighting in a vertical way we like

that is

highlight a little bit like this that you don't then

we can't control very well with the

figures

we like them to do a little more three-dimensionality and texture

and a way to learn

[Music]

in it

up there is

so it gives it a lot of a lot of life it's loose no

how long this piece is, if it has been committed

and the 60 like about 350 have like about

about

and 60 that there will be about 130 metres 20

more and on this side which is the w

if the idea is that once you've made

the door you have like this condition

slightly symmetrical gates with

doors on the side of it at some

time it had been thought to be the

watering can in order to even be able to achieve a

view with the door open but at the

end

was picking up a bit of form itself

it's just that

to come on the ground floor on the ground floor

high and we like it very much when at least

in the last few houses that we've done is

this sandwich-like scheme where the

public space the space that shares

the family is in the middle is that of the

entrance in such a way that we are in

the rooms below live only between

two floors and also the part of the room

main lives between two floors then

somehow we quite like it

understand that you don't have to circulate all

the house to be able to live the new way

and to the miles of justice where the

agents and practically instructed themselves

i.e.

have

come with this finish it is curious how

the lighting is put on because

practically dictates to us that it has to

be to a specific point in this

case it's like to thirds you can't

set the illumination for example at

the central parts precisely because of how

comes the assembly of the slab on receipt

you can put the charges on it I have pro

so if it's like that it's practically

understand to plan how to use the system

election of the form era

in order to be able to

take advantage of this more places are used

commercial squares in shopping malls or

things like that and in costs how did it go

higher

if so it had a cost overrun

normal when we had thought

first to make a lightened slab

we were getting a particular one through

some points where we were conditioned by a

a little bit how the house was developing at the

in the end we opted for the alveolar sciences

I don't know 30% more expensive because anyway

if you have to strain the layer of

compression locks that are what

really anchor to the wall then if it is

more expensive but in the end we believe that

it's really the luxury of the manor house that's the most

what we liked the most is that the most

luxurious in plaf—n because the system

constructive

what the scheme dictates what the scheme of

The house the space yes because you're

making free spaces of 10 x 6 x 6

of 10 x 8 if it goes it goes it goes it goes

splitting

and also if you see it in plants we go from

the more private the more what you have to

the tighter it goes the more it goes the more it goes

blurring is opening as it forms

is reaching the end part of the

of the terrain and at the end well there is the

customer in another

that I told them that he told them how he lives in

the house he loves the house the truth is

we have a very good relationship with him

customer we come all of a sudden we come to

happened

he's very happy I think at first

yes at the time of the presentation of the project

there was a little bit of

doubt not to understand how this house

closed was going to work but the truth

is that it was nuncio much in us and

encouragement and to believe that he is quite

happy and the blue it puts in the house

in the sky is if you paint a little bit of it

that the walls are invited a little bit

depending on the time of day

and trailers

no wonder then in this glass that's

double this is a double glass to double

glass

the works resemble each other

what are the things that truly guarantee the

isolation if it works for us enough

well the pvc for sound condition

the works at the end also have very

good proportion if they are big which are

are if they are six sheets of equal as of

about 260 of jade 25

25 in this case the mezzanine also

practically 250

to the bedroom door is downstairs

if we like to spread out

practically in the part of the other the

another option was to turn the ladder over and

close this space and have the door in

the part over here will be

focus on the one that has been tightened a

little more space in the end we opted

to free it up as much as possible to the

grow what it does

and the whole floor is engineered laminate

so it's just

also gives me all that warmth that the

that concrete doesn't give you exactly like that

of the perfections of what is to come

if this light is too vertical to give away

also for example the placement of the

bows was an issue

we didn't want it to serve this reticulate

precise input when recording that is

very beautiful in certain projects

we wanted him to feel more loose

so he has a pattern that's medium

difficult and it keeps repeating and it keeps repeating and it keeps repeating and it keeps repeating.

shifting but it was also kind of a

game there from scratching all day long

also as you might say let

as much as possible

soon he's going to join us with threads

jorge zwart to see then please

share with us maybe something of your of your

design philosophy as how you

work or how they approach the project

what are like your three points

fundamentals I don't know maybe this game

chances are about 30 houses is the total width of the land and pretty much

you're always like what

having these leaks with the canal we fix with

But

is scalable

I feel that it was resolved with very few lines is seen as in many syntheses.

there are no houses that carry

practically gallium making out like this was a

yes

integrating all the terrains to coordinate some conditions seeing

pharmacy

are similar projects brothers

that are already being developed because they are a typology that we didn't talk about a little while ago with

juan about about as all the

projects

learn from each other and you develop

whether or not you undo the way in which

you solved a dressing room or how you solved

a bathroom like you solved a hallway

but when you when you when you when you when you

you do it right you repeat it and you repeat it until

you perfect the process in fact the

house next door is very similar to

well and it has

so if we're even going to go

walking

made at the same time this was

much like two years earlier

clarified

is very similar but at the time of

enter you have first like a kind of

atrium

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